The Moor
The Moor book cover

The Moor

Mass Market Paperback – January 5, 1999

Price
$11.97
Publisher
Bantam
Publication Date
ISBN-13
978-0553579529
Dimensions
4.17 x 1.09 x 6.87 inches
Weight
7.2 ounces

Description

Edgar Award-winner Laurie R. King's highly acclaimed, nationally bestselling sensation:"There's no resisting the appeal of King's thrillingly moody scenes of Dartmoor and her lovely evocations of its legends."-- The New York Times Book Review "The great marvel of King's series is that she's managed to preserve the integrity of Holmes's character and yet somehow conjure up a woman astute, edgy, and compelling enough to be the partner of his mind as well as his heart."-- The Washington Post Book World "Erudite, fascinating...by all odds the most successful recreation of the famous inhabitant of 221B Baker Street ever attempted."-- Houston Chronicle From the Inside Flap Barely has Mary Russell resumed her 1923 studies at Oxford when she is summoned by her partner and husband Sherlock Holmes to the eerie scene of his most celebrated case.But this time, on Dartmoor, there is more to the matter than a phantom hound.Sightings of a spectral coach carrying a long-dead noblewoman over the moonlit moor have heralded a mysterious death, the corpse surrounded by oversize paw prints.Here on this wild and foreboding moor, Russell and Holmes embark on a quest with few clues save a fanatic anthropologist, an ancestral portrait, a moorland witch, and a lowly--but most revealing--hedgehog.As Holmes and Russell anticipate, a rational explanation lies beneath the supernatural events--but one darker than they could have imagined.And one that could end their lives in this harsh and desolate land. Edgar Award-winner Laurie R. King's highly acclaimed, nationally bestselling sensation: "There's no resisting the appeal of King's thrillingly moody scenes of Dartmoor and her lovely evocations of its legends."-- The New York Times Book Review "The great marvel of King's series is that she's managed to preserve the integrity of Holmes's character and yet somehow conjure up a woman astute, edgy, and compelling enough to be the partner of his mind as well as his heart."-- The Washington Post Book World "Erudite, fascinating...by all odds the most successful recreation of the famous inhabitant of 221B Baker Street ever attempted."-- Houston Chronicle LAURIE R. KING won the Edgar and John Creasey Awards for Best First Novel for A Grave Talent . She is the author of seven acclaimed mysteries in the Mary Russell series, as well as four novels in a contemporary series featuring police detective Kate Martinelli. She is also the author of the critically-acclaimed stand-alone novels of suspense, Keeping Watch (recently optioned for film by CBS), Folly , and A Darker Place . She lives in northern California where she is at work on another Mary Russell novel. Excerpt. © Reprinted by permission. All rights reserved. The telegram in my hand read:RUSSELL NEED YOU IN DEVONSHIRE. IF FREE TAKE EARLIEST TRAIN CORYTON. IF NOT FREE COME ANYWAY. BRING COMPASS.HOLMESTo say I was irritated would be an understatement. We had only just pulled ourselves from the mire of a difficult and emotionally draining case and now, less than a month later, with my mind firmly turned to the work awaiting me in this, my spiritual home, Oxford, my husband and longtime partner Sherlock Holmes proposed with this peremptory telegram to haul me away into his world once more. With an effort, I gave my landlady's housemaid a smile, told her there was no reply (Holmes had neglected to send the address for a response--no accident on his part), and shut the door. I refused to speculate on why he wanted me, what purpose a compass would serve, or indeed what he was doing in Devon at all, since when last I had heard he was setting off to look into an interesting little case of burglary from an impregnable vault in Berlin. I squelched all impulse to curiosity, and returned to my desk.Two hours later the girl interrupted my reading again, with another flimsy envelope. This one read:ALSO SIX INCH MAPS EXETER TAVISTOCK OKEHAMPTON, CLOSE YOUR BOOKS. LEAVE NOW.HOLMESDamn the man, he knew me far too well.I found my heavy brass pocket compass in the back of a drawer. It had never been quite the same since being first cracked and then drenched in an aqueduct beneath Jerusalem some four years before, but it was an old friend and it seemed still to work reasonably well. I dropped it into a similarly well-travelled rucksack, packed on top of it a variety of clothing to cover the spectrum of possibilities that lay between arctic expedition and tiara-topped dinner with royalty (neither of which, admittedly, were beyond Holmes' reach), added the book on Judaism in mediaeval Spain that I had been reading, and went out to buy the requested stack of highly detailed six-inch-to-the-mile Ordnance Survey maps of the southwestern portion of England.At Coryton, in Devon, many hours later, I found the station deserted and dusk fast closing in. I stood there with my rucksack over my shoulder, boots on feet, and hair in cap, listening to the train chuff away towards the next minuscule stop. An elderly married couple had also got off here, climbed laboriously into the sagging farm cart that awaited them, and been driven away. I was alone. It was raining. It was cold.There was a certain inevitability to the situation, I reflected, and dropped my rucksack to the ground to remove my gloves, my waterproof, and a warmer hat. Straightening up, I happened to turn slightly and noticed a small, light-coloured square tacked up to the post by which I had walked. Had I not turned, or had it been half an hour darker, I should have missed it entirely. Russell it said on the front. Unfolded, it proved to be a torn-off scrap of paper on which I could just make out the words, in Holmes's writing:Lew House is two miles north.Do you know the words to "Onward Christian Soldiers" or "Widdecombe Fair"?--H.I dug back into the rucksack, this time for a torch. When I had confirmed that the words did indeed say what I had thought, I tucked the note away, excavated clear to the bottom of the rucksack for the compass to check which branch of the track fading into the murk was pointing north, and set out.I hadn't the faintest idea what he meant by that note. I had heard the two songs, one a thumping hymn and the other one of those overly precious folk songs, but I did not know their words other than one song's decidedly ominous (to a Jew) introductory image of Christian soldiers marching behind their "cross of Jesus" and the other's endless and drearily jolly chorus of "Uncle Tom Cobbley and all." In the first place, when I took my infidel self into a Christian church it was not usually of the sort wherein such hymns were standard fare, and as for the second, well, thus far none of my friends had succumbed to the artsy allure of sandals, folk songs, and Morris dancing. I had not seen Holmes in nearly three weeks, and it did occur to me that perhaps in the interval my husband had lost his mind.Two miles is no distance at all on a smooth road on a sunny morning, but in the wet and moonless dark in which I soon found myself, picking my way down a slick, rutted track, following the course of a small river which I could not see, but could hear, smell, and occasionally step in, two miles was a fair trek. And there was something else as well: I felt as if I were being followed, or watched. I am not normally of a nervous disposition, and when I have such feelings I tend to assume that they have some basis in reality, but I could hear nothing more solid than the rain and the wind, and when I stopped there were no echoing splashes of feet behind me. It was simply a sense of Presence in the night; I pushed on, trying to ignore it.I stayed to the left when the track divided, and was grateful to find, when time came to cross the stream, that a bridge had been erected across it. Not that wading through the water would have made me much wetter, and admittedly it would have cleared my lower extremities of half a hundredweight of mud, but the bridge as a solid reminder of Civilisation in the form of county councils I found encouraging.Having crossed the stream, I now left its burble behind me, exchanging the hiss of rain on water for the thicker noises of rain on mud and vegetation, and I was just telling myself that it couldn't be more than another half mile when I heard a faint thread of sound. Another hundred yards and I could hear it above the suck and plop of my boots; fifty more and I was on top of it.It was a violin, playing a sweet, plaintive melody, light and slow and shot through with a profound and permanent sadness. I had never, to my knowledge, heard the tune before, although it had the bone-deep familiarity possessed by all things that are very old. I did, however, know the hands that wielded the bow."Holmes?" I said into the dark.He finished the verse, drawing out the long final note, before he allowed the instrument to fall silent."Hello, Russell. You took your time.""Holmes, I hope there is a good reason for this."He did not answer, but I heard the familiar sounds of violin and bow being put into a case. The latches snapped, followed by the vigorous rustle of a waterproof being donned. I turned on the torch in time to see Holmes stepping out of the small shelter of a roofed gate set into a stone wall. He paused, looking thoughtfully at the telltale inundation of mud up my right side to the elbow, the result of a misstep into a pothole."Why did you not use the torch, coming up the road?" he asked."I, er . . ." I was embarrassed. "I thought there was someone following me. I didn't want to give him the advantage of a torch-light.""Following you?" he said sharply, half-turning to squint down the road."Watching me. That back-of-the-neck feeling."I saw his face clearly by the light of the torch. "Ah yes. Watching you. That'll be the moor.""The Moor?" I said in astonishment. I knew where I was, of course, but for an instant the book I had been reading on the train was closer to mind than my sense of geography, and I was confronted by the brief mental image of a dark-skinned scimitar-bearing Saracen lurking along a Devonshire country lane."Dartmoor. It's just there." He nodded over his shoulder. "It rises up in a great wall, four or five miles away, and although you can't see it from here, it casts a definite presence over the surrounding countryside. You'll meet it tomorrow. Come," he said, turning up the road. "Let us take to the warm and dry."I left the torch on now. It played across the hedgerow on one side and a stone wall on the other, illuminating for a moment a French road sign (some soldier's wartime souvenir, no doubt), giving us a brief glimpse of headstones in a churchyard just before we turned off into a smaller drive. A thick layer of rotting leaves from the row of half-bare elms and copper beeches over our heads gave way to a cultivated garden--looking more neglected than even the season and the rain would explain, but nonetheless clearly intended to be a garden--and finally one corner of a two-storey stone house, the small pieced panes of its tall windows reflecting the torch's beam. The near corner was dark, but farther along, some of the windows glowed behind curtains, and the light from a covered porch spilled its welcome out across the weedy drive and onto a round fountain. We ducked inside the small space, and had begun to divest ourselves of the wettest of our outer garments when the door opened in front of us.In the first instant I thought it was a butler standing there, the sort of lugubrious aged retainer a manor house of this size would have, as seedy and tired as the house itself, and as faithful and long-serving. It was his face, however, more than the old-fashioned clerical collar and high-buttoned frock coat he wore, that straightened my spine. Stooped with age he might be, but this was no servant.The tall old man leant on his two walking sticks and took his time looking me over through the wire spectacles he wore. He examined the tendrils of escaped hair that straggled wetly down my face, the slime of mud up my clothing, the muck-encrusted boot I held in my hand, and the sodden stocking on the foot from which I had just removed the boot. Eventually he shifted his gaze to that of my lawfully wedded husband."We have been waiting for this person?" he asked.Holmes turned to look at me, and his long mouth twitched--minutely, but enough. Had it not been that going back into the night would have meant a close flirtation with pneumonia, I should immedia... Read more

Features & Highlights

  • Though theirs is a marriage of true equals, when Sherlock Holmes summons his wife and partner Mary Russell to the eerie scene of his most celebrated case, she abandons her Oxford studies to aid his investigation. But this time, on Dartmoor, there is more to the matter than a phantom hound. Sightings of a spectral coach carrying a long-dead noblewoman over the moonlit moor have heralded a mysterious death, the corpse surrounded by oversize paw prints. Here on this wild and foreboding moor, Russell and Holmes embark on a quest with few clues save a fanatic anthropologist, an ancestral portrait, a moorland witch, and a lowly–but most revealing–hedgehog. As Holmes and Russell anticipate, a rational explanation lies beneath the supernatural events–but one darker than they could have imagined. And one that could end their lives in this harsh and desolate land.

Customer Reviews

Rating Breakdown

★★★★★
30%
(423)
★★★★
25%
(353)
★★★
15%
(212)
★★
7%
(99)
23%
(324)

Most Helpful Reviews

✓ Verified Purchase

Most Satisfying Since "Beekeeper"

While "The Moor" is not up to "Beekeeper's Apprentice"'s promise, I still pity Ms. King. It's the crowning irony of her career that when an author writes a book this good, she will inevitably not please everyone. Fans of the Holmes-Russell detecting duo will cry foul over this mystery's lukewarm punch. Fans of the emotionally satisfying Holmes-Russell courtship and marriage will sift "The Moor" for bodice-ripping scenes--in vain. And fans of the Sherlock Holmes Canon will yell automatically, but we who love her books them anyway.
Still, it's one of her best, and for the same reasons all her Mary Russell books--even the weak ones--are good. Dartmoor unfolds before us as a kind of moral proving ground, a Presence. We are introduced to Sabine Baring-Gould in the winter of his prolific life, and to his house, which is another Presence--ramshackle, book-lined, with the smell of dinner wafting through to the dusty library. Ms. King knows what she likes, and delivers: innumerable fires in the grate, banked up against the storm outside, and chairs drawn up to the fire-irons, and the tea-things close to hand. She knows Holmes looks must fetching slumped in a fireside chair at 2 a.m., his fingers steepled as he ruminates a difficult case with Mary.
And she knows that what her fans really want is not merely a cold-blooded mystery nor an incongruous bodice-ripper, but for her characters to be true to the real adult people they so obviously are, and to love each other. Which they do, in spades. Holmes' unspoken devotion to Baring-Gould was nicely understated. And King's most romantic scene in the Beekeeper books occurs as Mary, in slightly over her head while sleuthing, paces the floor for Holmes' return. A deftly written moment, and one that makes me wonder how some readers could have so completely misunderstood what Laurie King was trying to say about the integrity of erotic love and emotional bonds.
Alas, "The Moor" was over too soon, and I was left immersed in an atmosphere of old books, old hymns, the power of the moor, and the passing of something grand and beautiful. Not bad, for a historical mystery.
32 people found this helpful
✓ Verified Purchase

Take your time to enjoy this

In the fourth book of the Russell - Holmes series Laurie R. King
presents us with a novel that echoes the time and pace of the surroundings - the moor. As many reviewers noted, the pace is slow. Time is spent on atmosphere, character development, and in subltle humor that will not be to the taste of everyone. I liked this book better than books two and three in the series, but that might have been because I was in the mood for more leisurely pursuits than when I read the other two. I think Ms. King handled the challenge of returning to the scene of perhaps Holmes' most famous case, in a deft and successful way, but don't read this immediately after watching an Indiana Jones movie. Put the kettle on to boil, let the tea steep, and take your time.
7 people found this helpful
✓ Verified Purchase

Don't Waste Your Time

After a few rather good works in this series, The Moor is a big let down. It is one of the most boring Sherlock Holmes pastiches I have ever read.
Don't waste your time on this one.
7 people found this helpful
✓ Verified Purchase

Picturesque and Fascinating Place & People

This 4th novel in the Mary Russell series continues the adventures of Sherlock Holmes and his late-life partner (and wife), with a return to the picturesque setting of _The Hound of the Baskervilles_. Like all old-fashioned mysteries, it presents the elements necessary to solve the puzzle (attentive readers may do so long before the novel's resolution), but the solving of the mystery is only half the point. Long on leg-work and perhaps a little short on adventure, this novel shines in its exploration of setting. The moor comes across as vivid and colorful, its inhabitants real and (as King's version of scholar Sabine Baring-Gould complains) endangered. In my opinion, the pleasure of seeing it through Russell's observant eyes justifies the time we spend rambling with her through her world.

King's Russell is an intelligent, interesting woman, and King's take on Holmes does nothing to diminish the man, building believably on the character Doyle created.

I had been buying the King books in pairs, but this entry inspired me to collect the remainder of the series...and to revisit the Doyle works as well. I hope Laurie King has many, many more Russell manuscripts in that fictional trunk of hers.
3 people found this helpful
✓ Verified Purchase

Not very exciting

This is the first book I have read by Laurie King, and I will have to try another before I judge her too harshly. This book was filled with rich "sherlock holmes" style story telling and fit the period nicely, but it had too little action for me and I found it too boring to finish. If you are looking for a fast paced thriller, this is not for you.
3 people found this helpful
✓ Verified Purchase

Well-crafted and entertaining

In The Moor, Laurie King presents a skillful and sympathetic portrayal of the bleakly beautiful world of Dartmoor. The Moor is not, as many have suggested, a true sequel to The Hound of the Baskervilles, but is instead a re-visiting of the same geographical area with an entirely different viewpoint. Leaving behind the breathless sensationalism of the orginal Conan Doyle tale, King creates a world centered on the moor itself.
To be certain, King's Holmes differs greatly from the man Doyle wrote about. The Holmes of The Moor is less supernaturally prescient and much more human, his formidable detecting skills almost overshadowed by his concerns for his ageing friend and mentor, the Reverend Sabine Baring-Gould. King brings Holmes to life as Doyle never did, fleshing in the cold-blooded skeleton.
This book may not please those who are rabidly dedicated to the canon, but it is ideal for any Doyle reader who has wondered "What was Holmes REALLY like?".
3 people found this helpful
✓ Verified Purchase

Beach Reading without shame!

The fourth in the Mary Russell series. I agree with the other reviewers about the slow pace of the book - but I liked it. It's a great series - the books are generally a quick read, and usually touch on some topic in enough detail that your interest is sparked into finding a little more about what you're reading about.
2 people found this helpful
✓ Verified Purchase

Read During a Thunderstorm

I'm rather surprised by the several negative reviews of The Moor. Certainly, it is a little different from the other Mary Russell novels, but I found it to be so enjoyable, only falling short of The Beekeeper's Apprentice. The pace moves like a little stroll in the park, and it's thoroughly pleasant. Mary Russell is, as always, a charming character, and I really enjoyed Holmes and Russell's quiet, rather loving interactions in this novel. The stately character of Sabine Baring-Gould (an extraordinary person in his real life also) overlooking Russell and Holmes in their treks across the moor also adds a lot to the novel, some sense of old English nostalgia. His presense as an old, sometimes difficult, friend also allows for further character development of the two primary characters. Sure, the mystery does take a backseat in the novel. With two dominant characters like Russell and Holmes, it seems there's little room left for plot, but that is how every Mary Russell novel seems to me. It's not a bad thing. Overall, I truly enjoyed The Moor. It's another excellent read in the series and is just a wonderful novel for light afternoon reading. I can't wait to read the next Mary Russell novel.
2 people found this helpful
✓ Verified Purchase

Sherlock meets Scooby-Doo

Of the four Mary Russell novels I have read, the plot for this is the weakest. While King's descriptions and characters still make the book a decent read, the ending has all the suspense of a Scooby-Doo cartoon, and is just as inventive. Don't let this be the only Mary Russell novel you read. The first three are definitely better.
2 people found this helpful
✓ Verified Purchase

Not my favorite of the Mary Russell books by King

Not my favorite of the Mary Russell books by King. Others are better, but glad I read it anyway to understand the full arc.
1 people found this helpful