Justice Hall: A novel of suspense featuring Mary Russell and Sherlock Holmes
Justice Hall: A novel of suspense featuring Mary Russell and Sherlock Holmes book cover

Justice Hall: A novel of suspense featuring Mary Russell and Sherlock Holmes

Paperback – April 28, 2009

Price
$15.59
Format
Paperback
Pages
352
Publisher
Bantam
Publication Date
ISBN-13
978-0553381719
Dimensions
5.18 x 0.74 x 8.24 inches
Weight
9.6 ounces

Description

“Fascinating.”— Orlando Sentinel "A spellbinding mystery...superb."— Washington Post "Audacious...Mary Russell is never less than fascinating company."— Los Angeles Times Laurie R. King is the New York Times bestselling author of thirteen Mary Russell mysteries, five contemporary novels featuring Kate Martinelli, the Stuyvesant & Grey novels Touchstone and The Bones of Paris , and the acclaimed A Darker Place, Folly, and Keeping Watch . She lives in Northern California. Excerpt. © Reprinted by permission. All rights reserved. CHAPTER ONE Home, my soul sighed. I stood on the worn flagstones and breathed in the many and varied fragrances of the old flint-walled cottage: Fresh beeswax and lavender told me that Mrs. Hudson had indulged in an orgy of housecleaning in the freedom of our prolonged absence; the smoke from the wood fire seemed cleaner than the heavy peat-tinged air I'd been inhaling in recent weeks; the month-old pipe tobacco was a ghost of its usual self; and beneath it all the faint, dangerous, seductive tang of chemicals from the laboratory overhead. And scones. Holmes grumbled his way past, jostling me from my reverie. I stepped back out into the crisp, sea-scented afternoon to thank my farm manager, Patrick, for meeting us at the station, but he was already away down the drive, so I closed the heavy door, slid its two-hundred-year-old bolt, and leant my back against the wood with all the mingled relief and determination of a feudal lord shutting out an unruly mob. Domus, my mind offered. Familia, my heart replied. Home. "Mrs. Hudson!" Holmes shouted from the main room. "We're home." His unnecessary declaration (she knew we were coming; else why the fresh baking?) was accompanied by the characteristic thumps and cracks of possessions being shed onto any convenient surface, freshly polished or not. At the sound of her voice answering from the kitchen, I had to smile. How many times had I returned here, to that ritual exchange? Dozens: following an absence of two days in London when the only things shed were furled umbrella and silk hat, or after three months in Europe when two burly men had helped to haul inside our equipage, consisting of a trunk filled with mud-caked climbing equipment, three crates of costumes, many arcane and ancient volumes of worldly wisdom, and two-thirds of a motor-cycle. The only time I had come to this house with less than joy was the day when Holmes and my nineteen-year-old self had been acting out a play of alienation, and I could see in his haggard features the toll it was taking on him. Other than that time, to enter the house was to feel the touch of comforting hands. Home. I caught up my discarded rucksack and followed Holmes through to the fire; to tea, and buttered scones, and welcome. Hot tea and scalding baths, conversations with Mrs. Hudson, and the accumulated post carried us to dinner: urgent enquiries from my solicitor regarding a property sale in California; a cheerful letter from Holmes' old comrade-at-arms, Dr Watson, currently on holiday in Egypt; a demand from Scotland Yard for pieces of evidence in regard to a case over the summer. Over the dinner table, however, the momentum of normality came to its peak over Mrs. Hudson's fiery curry, faltered with the apple tart, and then receded, leaving us washed up in our chairs before the fire, listening to the silence. I sighed to myself. Each time, I managed to forget this phase--or not forget, exactly, just to hope the interim would be longer, the transition less of a jolt. Instead, the drear aftermath of a case came down with all the gentleness of a collapsing wall. One would think that, following several taut, urgent weeks of considerable physical discomfort on Dartmoor, a person would sink into the undemanding Downland quiet with a bone-deep pleasure, wrapping indolence around her like a fur coat, welcoming a period of blank inertia, the gears of the mind allowed to move slowly, if at all. One would think. Instead of which, every time we had come away from a case there had followed a period of bleak, hungry restlessness, characterised by shortness of temper, an inability to settle to a task, and the need for distraction--for which long, difficult walks or hard physical labour, experience taught me, were the only relief. And now, following not one but two, back-to-back cases, with the client of the summer's case long dead and that of the autumn now taken to his Dartmoor deathbed, this looked to be a grim time indeed. To this point, the worst such dark mood that I had experienced was that same joyless period just under five years before, when I was nineteen and we had returned from two months of glorious, exhilarating freedom wandering Palestine under the unwilling tutelage of a pair of infuriating Arabs, Ali and Mahmoud Hazr, only to return to an English winter, a foe after our skins, and a necessary pretence of emotional divorcement from Holmes. I am no potential suicide, but I will say that acting one at the time would not have proved difficult. Hard work, as I say, helped; intense experiences helped, too: scalding baths, swims through an icy sea, spicy food (such as the curry Mrs. Hudson had given us: How well she knew Holmes!), bright colours. My skin still tingled from the hot water, and I had donned a robe of brilliant crimson, but the coffee in my cup was suddenly insipid. I jumped up and went into the kitchen, coming back ten minutes later with two cups of steaming hot sludge that had caused Mrs. Hudson to look askance, although she had said nothing. I put one cup beside Holmes' brandy glass and settled down on a cushion in front of the fire with the other, wrapping both hands around it and breathing in the powerful fragrance. "What do you call this?" Holmes asked sharply. "A weak imitation of Arab coffee," I told him. "Although I think Mahmoud used cardamom, and the closest Mrs. Hudson had was cinnamon." He raised a thoughtful eyebrow at me, peered dubiously into the murky depths of the cup, and sipped tentatively. It was not the real thing, but it was strong and vivid on the palate, and for a moment the good English oak beams over our heads were replaced by the ghost of a goat's hair tent, and the murmur of the flames seemed to hold the ebb and flow of a foreign tongue. New flavours, new dangers, and the sun of an ancient land, the land of my people; trials and a time of great personal discovery; our Bedu companions, Mahmoud the rock and Ali the flame. Odd, I thought, how the taciturn older brother had possessed such a subtle hand at the cook-fire, and had made such an art of the coffee ritual. No, the dark substance in our cups was by no means the real thing, but both of us drank to the dregs, while images from the weeks in Palestine flickered through the edges of my mind: dawn over the Holy City and mid-night in its labyrinthine bazaar; the ancient stones of the Western Wall and the great cavern quarry undermining the city's northern quarter; Ali polishing the dust from his scarlet Egyptian boots; Mahmoud's odd, slow smile of approval; Holmes' bloody back when we rescued him from his tormentor; General Allenby and the well-suited Bentwiches and the fair head of T. E. Lawrence, and--and then Holmes rattled his newspaper and the images vanished. I fluffed my fingers through my drying hair and picked up my book. Silence reigned, but for the crackle of logs and the turn of pages. After a few minutes, I chuckled involuntarily. Holmes looked up, startled. "What on earth are you reading?" he demanded. "It's not the book, Holmes, it's the situation. All you need is an aged retriever lying across your slippers, we'd be a portrait of family life. The artist could call it After a Long Day; he'd sell hundreds of copies." "We've had a fair number of long days," he noted, although without complaint. "And I was just reflecting how very pleasant it was, to be without demands. For a short time," he added, as aware as I that the respite would be brief between easy fatigue and the onset of bleak boredom. I smiled at him. "It is nice, Holmes, I agree." "I find myself particularly enjoying the delusory and fleeting impression that my wife spends any time at all seated at the feet of her husband. One might almost be led to think of the word 'subservient,' " he added, "seeing your position at the moment." "Don't push it, Holmes," I growled. "In a few more minutes my hair will be--" My words and the moment were chopped short by the crash of a fist against the front door. The entire house seemed to shudder convulsively in reaction, and then Holmes sighed, called to Mrs. Hudson that he would answer it, and leant over to deposit his newspaper on the table. However, I was already on my feet; it is one thing to relax in the presence of one's husband and his long-time housekeeper, but quite another to have one's neighbour or farm manager walk in and find one in dishabille upon the floor. "I'll see who it is, Holmes," I said. He rose, maintaining the pipe in his hand as a clear message to our intruder that he had no intention of interrupting his evening's rest, and tightening the belt of his smoking jacket with a gesture of securing defences, but he stayed where he was while I went to repel boarders at our door. Read more

Features & Highlights

  • Only hours after Holmes and Russell return from solving one murky riddle on the moor, another knocks on their front  door . . . literally.
  • It’s a mystery that begins during the Great War, when Gabriel Hughenfort died amidst scandalous rumors that have haunted the family ever since. But it’s not until Holmes and Russell arrive at Justice Hall, a home of unearthly perfection set in a garden modeled on Paradise, that they fully understand the irony echoed in the family motto,
  • Justicia fortitudo mea est:
  • “Righteousness is my strength.” A trail of ominous clues comprise a mystery that leads from an English hamlet to the city of Paris to the wild prairie of the New World. The trap is set, the game is afoot; but can Holmes and Russell catch an elusive killer--or has the murderer caught them?
  • BONUS: This edition contains an excerpt from Laurie R. King's
  • Pirate King
  • .

Customer Reviews

Rating Breakdown

★★★★★
60%
(920)
★★★★
25%
(384)
★★★
15%
(230)
★★
7%
(107)
-7%
(-107)

Most Helpful Reviews

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Such a great series

King's time-line gets kinda screwy around this point in the series. Book five, O Jerusalem, backtracks to where the series started with the plot taking place in the middle of The Beekeeper's Apprentice. At the time I didn't feel like doing a flashback with the characters, so I skipped to this book since it takes place almost immediately after The Moor. I had assumed that I would be safe skipping O Jerusalem but I was sort of wrong.

During The Beekeeper's Apprentice, Mary and Holmes went on a trip to Jerusalem on some business for Holmes' brother Mycroft. During this trip they made friends with two brothers, Ali and Mahmoud, one of which turns up bleeding on their doorstep. The injured Ali, has come to ask for Holmes and Mary's help in convincing his brother to return to Jerusalem with him. Owing Ali and Mahmoud their loyalty for the help they offered all those years ago, Holmes and Mary set on a journey that both of them view as rather pointless. However, when they arrive at the sprawling mansion that Mahmoud has taken up residence in they are disturbed by the immense changes in their friend. Shackled with an outdated responsibility to his family, Mahmoud has become quite the miserable drunk. Wanting to help, Mary and Holmes attempt to figure out a way to make it so Mahmoud can return to Jerusalem with Ali.

The story here had a really interesting tone. This is the first novel in the series where King gives us a glimpse of the roaring 20's the way I typically imagine it, with extravagant parties and a cast of eclectic characters. It was pretty amusing to see serious Mary navigate her way through the fast-paced party atmosphere that this investigation foisted on her. Her horror/amusement at the parties and people found in them, paired with Holmes dodging out of going to the shindigs with her, was a definite highlight. It also offered a nice contrast to the more depressing aspects of the mystery that involved a World War I execution.

Seriously though, I was a little lost in parts of this novel because I hadn't read O Jerusalem. Which took me by surprise since most of King's novels seem to stand well on their own. However, King does give some back-story concerning Holmes and Mary's history with the two brothers, but it wasn't enough to explain why they both have such unswerving loyalty to Mahmoud and Ali. All this, of course, is my own fault for skipping the previous book. So I would definitely recommend reading O Jerusalem before diving into this one.
14 people found this helpful
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A darker, but still engaging book in the series

I found this painful to read in parts because of the sheer injustice of what happened during World War I, which Mary and Sherlock are called in to investigate. I liked the connection to the earlier book set in Jerusalem and environs with Ali and Mahmoud. Definitely worth reading, but like I said, more difficult than most of the others for me, because I find war stories almost too horrible to read or watch.
1 people found this helpful
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I love the connection of Beekeeper

I love the connection of Beekeeper, Jerusalem and Justice Hall. The story becomes more complex and twisting. Bought the books for my own shelf
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Justice Hall

Justice Hall is the sixth book in Laurie R. King's Mary Russell/Sherlock Holmes series. I like all of this series but this book was one of my absolute favorites.

Russell and Holmes have just returned from the events that take place in The Moor when a familiar, yet unfamiliar, face shows up at their door. Ali, from Beekeeper's Apprentice and O Jerusalem, has come to ask for help for his cousin Mahmoud. We find out that Ali and Mahmoud are really English nobility and that Mahmoud (now known as Lord Marsh) is about to inherit the family estate known as Justice Hall. Ali wants Holmes and Russell to convince Marsh not to accept the title and to return to Palestine with him. But when Russell and Holmes arrive at Justice Hall they have multiple mysteries to solve. Marsh and Ali seem to be in danger. There are several suspicious accidents that threaten the lives of Marsh and Ali. And what is the truth behind the true heir to Justice Hall's death during World War I?

Gabriel Hughenfort was the son of Marsh's older brother (the previous Lord of Justice Hall). But he was executed for treason during World War I. The family received a form letter saying that their son had died, with no cause. Only after a little digging did they find out the way he had died. They haven't been able to find out what he did that was considered treasonous. Russell starts to dig into that mystery.

There is quite a bit of information about soldiers during World War I. The young men of Britain set out for a war that they thought would be over quickly and would be fought like previous wars. They got enmeshed in trench warfare that lasted for years. Many of them broke and to discourage deserting, the authorities called this cowardice and treason. But Gabriel wasn't a coward and he was the heir to a noble house. Russell has her work cut out for her to find out what happened to him. What I like so much about these novels is the way history is interwoven into the mystery.

I thought this book was great. I liked the dual mysteries, I liked all the back story on Marsh and Ali, and I liked the ending.

The next book in the series is The Game.
1 people found this helpful
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Beautiful. Just beautiful.

In the combined desire to reread the Holmes/Russell series and still hurry to get to Pirate King, I skipped two books: Letter of Mary I did not have, and O Jerusalem was a departure of setting and plotline, and took place a step out of time in the series, so that I felt safe leaving it out for the time being. (I will get back to it before long.) Such is the beauty of this series that it was perfectly possible to do so and still happily read this sixth book, which not only opens hours after Holmes and Russell return home from the adventures of the fourth book but also picks up the threads of the fifth book, which took place in the middle of the first.

I know, but it really does make perfect sense. The timing and placement of the books in the series is actually quite brilliant planning, if planned it was - and if it wasn't, perhaps it's even more brilliant.

Once again, Holmes and Russell have only the briefest of respites from their travels before they are haled off on another urgent undertaking, to help another old friend in desperate need. Not a need for himself, but that of his closest friend, his all-but brother, who has found himself with no honorable choice but to leave the work he has loved and lived for for decades in the Middle-east to come back to England to play lord of the manor in his family seat, Justice Hall. It's a variation on a theme often played in historical and fantasy novels: the man who never expected to be heir. Marsh Hughenfort was the younger son, and his elder brother had a son - but upon the relatively early death of the brother and the mysterious death of the nephew somewhere on the frontlines of WWI, the title is his. The problem is that his near-brother believes it will kill him, and he wants Holmes and Russell to come and convince him he should shirk his duty and return to the desert. With a sigh (and some grumbling from Russell), the pair heed the call to investigate the nephew's death and, making no promises, to see what they can do in the matter of convincing Marsh to cede the title that will leave him a virtual zombie.

I loved this book. I loved the double lives - not only of the "guest" protagonists, but of Holmes and Russell (for nearly every case necessitates some degree of false face) and also of others in the cast. I loved the house, and its character; I blunder through that a little more below, but it takes a special gift for a writer to successfully depict a setting with personality without drifting into a fantasy lane. And most of all I loved the people, familiar and new (or altered), living and dead, who filled the story. Setting and characters are all imbued with their own lives and thoughts and business, into which the reader is privileged to be given a brief glimpse.

Justice Hall is an elegy to all that WWI destroyed - the innocence, the security, a generation of youth and promise gone or broken or soured to cynicism. At this distance of space and time it's hard to grasp the gaping wound the Great War left on England - hard, that is, without reading something like this. Here it all becomes much clearer - the chaos and the pain, and the ruination of so many lives. The waste.

I'm not sure this is going to come out as I want it to, but here goes. The book is also a testimony to what a lord should be, the classic ideal of the feudal establishment - the protector and pillar of his people. By this I don't mean shiny-faced happy peasants with their mattocks on their shoulders pulling forelocks to their lord and master as he rides haughtily by on his hunter, and later he sits down to a feast in his lofty hall while they eat their gruel in their hovel. That's not a model of anything except bad cliché. As such, as it is so often seen in fiction (and fact): the system is rife with abuse and advantage-takers, unfair to everyone except the "nobles" at the top of the pyramid. But here the reader is given a glimpse of a platonic ideal in which the family born to power respects it as well as those in its care, and uses the power and wealth of its position to ease life not only for its own immediate members but for its dependents. No one starves on the lands overseen by Justice Hall. The Hughenforts care for and look after their people, and their people in turn are proud of their allegiance to the Hughenforts - it's a beautiful symbiotic relationship. I wonder how often (if ever) this ideal was ever achieved in reality.

It is right and just that this is how it is here - because without the strength and desirability of the estate, there would be no conflict about its inheritance. The draw of Justice Hall is much more than simply familial duty or nostalgia for a childhood home. This book is a love story, on many levels ... There is the unorthodox love between Russell and Holmes, of course. There is the filial love between the cousins, which will not allow Alastair to see Marsh core out the heart of him even for Justice Hall. Love of country - which is part of what has kept Marsh and Alastair away from England for so long, and why their nephew went willingly to his death, and why so many, one way or another, lost the lives they had before the war. And duty, that rare sort of duty not performed through mere obligation.

And, not least of all, there is the love that Laurie R. King has for her characters and her work. You can't produce something like this without loving what you do, and caring about the people who will read it. That makes itself felt. And is very much appreciated.
1 people found this helpful
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Well done and satisfying

I liked this best of all the Russell/Holmes books that I have read so far. Nothing in it was terribly surprising, but all of it was well done. The shadow of Dorothy L. Sayers is evident in plotting, characterization, and description - but what better shadow could there be? (The denouement is strongly reminiscent of "Little Lord Fauntleroy," but that's okay too.) I felt that I was in the middle of a classic, if not a very original one.

Unlike "The Moor" and "O Jerusalem," this book never bogged down in descriptions of routine days. That may be one reason some readers found it rushed. Personally, I was relieved not to be so tediously wet or dry again.

King's main flaw as a plot constructor is that she introduces her villains rather late in her stories, and never gives them much page time or personality. I get the feeling that she is not really interested in bad people.

By the way, if you read carefully, you will find that T.E. Lawrence (of Arabia) makes an appearance here, for about half a sentence.
1 people found this helpful
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Ordered LARGE PRINT editions, sent the wrong size print

Great story line. Wrong sized PRINT
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Justice for the family

This is the 6th book in the series. Mary and Holmes have been brought on to help with sorting out the question of inheritance for their old friend Marsh, who has changed greatly after the death of his nephew and his required assumption of the title and the estate. As the pair look into the death in the war, one that is out of character with the family motto and the young man’s character, they begin to suspect that there is far more behind the scenes and someone may be manipulating events to his own benefit.
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Justice Hall

Laurie R. King is one of my favorite authors. This book was outstanding!
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It was a great story. Lots of twists and turns

It was a great story. Lots of twists and turns. I think I enjoyed it the most of all the Mary Russell/Sherlock Holmes books, aside from "The Beekeeper's Apprentice."