Shadow of the Giant (The Shadow Series)
Shadow of the Giant (The Shadow Series) book cover

Shadow of the Giant (The Shadow Series)

Hardcover – March 1, 2005

Price
$16.03
Format
Hardcover
Pages
368
Publisher
Tor Books
Publication Date
ISBN-13
978-0312857585
Dimensions
6.4 x 1.23 x 9.46 inches
Weight
1.54 pounds

Description

From Publishers Weekly Starred Review. Card's latest installment in his Shadow subseries ( Ender's Shadow , etc.), which parallels the overarching series that began with Ender's Game (1985), does a superlative job of dramatically portraying the maturing process of child into adult. The imminent death of Bean, a superhuman 20-something Battle School graduate who suffers from uncontrolled growth due to a genetic disorder, leaves little time for Peter the Hegemon, Ender's older brother, to set up a single world government and for Bean and his wife and former classmate, Petra, to reclaim all their stolen children. When Card's focus strays from his characters into pure politics, the story loses power, but it's recharged as soon as he returns to the well-drawn interactions among Bean's Battle School classmates whose decisions will determine Earth's fate. They were trained to fight a (literally) single-minded alien enemy, but that war is over. Now, as young adults in command of human armies pitted against each other in messy conflicts with no clear solutions, Bean's old cohorts must help create a peaceful future for Earth after they're gone. Card makes the important point that there's always more than one side to every issue. Fans will marvel at how subtly he has prepared for the clever resolution. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Booklist Considering the dynasty of novels launched by Ender's Game (1984), perhaps Card ought to consider renaming his central protagonist. Though this is putatively the eighth book in the Ender saga, when considering the books as two quartets linked across a 1,000-year gap (a by-product of Ender's light-speed travel to Lusitania), it's the fourth of the sequence that began with Ender's Shadow (1999). Here, Card further develops the premise that the return of Ender's battle team to Earth was tantamount to introducing "two Alexanders, a Joan of Arc here and there, and a couple of Julius Caesars, maybe an Attila, and . . . a Genghis Khan" into the geopolitical fray. The tension between characters' personal fulfillment and collective obligations also comes to the fore, as couple Bean and Petra desperately search for their eight missing embryos stolen by the mad eugenicist of Shadow Puppets (2002), watch Bean's health deteriorate, and attempt to restore order to the world under hegemon Peter Wiggin. The emergence of several additional perspectives makes for a somewhat cumbersome narrative, but it doesn't much matter. Like Card's idolized Battle School alumni, novels in this saga (not to mention Card himself) have acquired an irresistible aura from early associations with boy-hero Ender Wiggin. Jennifer Mattson Copyright © American Library Association. All rights reserved “This fine follow-up to Ender's Shadow features that novel's hero, Bean (now a young man), wrestling with Card's trademark: superbly real moral and ethical dilemmas....The complexity and serious treatment of the book's young protagonists will attract many sophisticated YA readers, while Card's impeccable prose, fast pacing and political intrigue will appeal to adult fans of spy novels, thrillers, and science fiction.” ― Publishers Weekly (starred review) on Shadow of the Hegemon “An undeniable heavyweight. . . . This book combines Card's quirky style with his hard ethical dilemmas and sharply drawn portraits.” ― New York Daily News on Ender's Game “Card has taken the venerable SF concepts of a superman and an interstellar war against aliens, and, with superb characterization, pacing, and language, combined them into a seamless story of compelling power.” ― Booklist on Ender's Game “The novels of Orson Scott Card's Ender series are an intriguing combination of action, military and political strategy, elaborate war games and psychology.” ― USA Today “You can't step into the same river twice, but Card has gracefully dipped twice into the same inkwell--once for Ender's Game, and again for his stand-alone 'parallel novel'. As always, everyone will be struck by the power of Card's children, always more and less than human, perfect yet struggling, tragic yet hopeful, wondrous and strange.” ― Publishers Weekly (starred review) on Ender's Shadow “The publishing equivalent of a Star Wars blockbuster.” ― New York Daily News on Ender's Shadow “Ender's Shadow is entertaining, fast-paced science fiction.” ― CNN Interactive “The author's superb storytelling and his genuine insight into the moral dilemmas that lead good people to commit questionable actions make this title a priority purchase for most libraries.” ― Library Journal on Ender's Shadow Orson Scott Card is best known for his science fiction novel Ender's Game and its many sequels that expand the Ender Universe into the far future and the near past. Those books are organized into the Ender Saga, which chronicles the life of Ender Wiggin; the Shadow Series, which follows on the novel Ender's Shadow and is set on Earth; and the Formic Wars series, written with co-author Aaron Johnston, which tells of the terrible first contact between humans and the alien "Buggers." Card has been a working writer since the 1970s. Beginning with dozens of plays and musical comedies produced in the 1960s and 70s, Card's first published fiction appeared in 1977--the short story "Gert Fram" in the July issue of The Ensign , and the novelette version of "Ender's Game" in the August issue of Analog . The novel-length version of Ender's Game , published in 1984 and continuously in print since then, became the basis of the 2013 film, starring Asa Butterfield, Harrison Ford, Ben Kingsley, Hailee Steinfeld, Viola Davis, and Abigail Breslin. Card was born in Washington state, and grew up in California, Arizona, and Utah. He served a mission for the LDS Church in Brazil in the early 1970s. Besides his writing, he runs occasional writers' workshops and directs plays. He frequently teaches writing and literature courses at Southern Virginia University.He is the author many science fiction and fantasy novels, including the American frontier fantasy series "The Tales of Alvin Maker" (beginning with Seventh Son ), and stand-alone novels like Pastwatch and Hart's Hope . He has collaborated with his daughter Emily Card on a manga series, Laddertop. He has also written contemporary thrillers like Empire and historical novels like the monumental Saints and the religious novels Sarah and Rachel and Leah . Card's work also includes the Mithermages books ( Lost Gate , Gate Thief ), contemporary magical fantasy for readers both young and old. Card lives in Greensboro, North Carolina, with his wife, Kristine Allen Card. He and Kristine are the parents of five children and several grandchildren. Excerpt. © Reprinted by permission. All rights reserved. SHADOW OF THE GIANT (Chapter 1: MANDATE OF HEAVEN) Han Tzu waited until the armored car was completely out of sight before he ventured out into the bicycle-and-pedestrian-packed street. Crowds could make you invisible, but only if you were moving in the same direction, and that's the thing Han Tzu had never really been able to do, not since he came home to China from Battle School. He always seemed to be moving, not upstream, but crossways. As if he had a completely different map of the world from the one everyone around him was using. And here he was again, dodging bikes and forward-pressing people on their ten thousand errands in order to get from the doorway of his apartment building to the door of the tiny restaurant across the street. But it was not as hard as it would have been for most people. Han Tzu had mastered the art of using only his peripheral vision, so his eyes stared straight ahead. Without eye contact, the others on the street could not face him down, could not insist that he yield the right of way. They could only dodge him, as if he were a boulder in the stream. He put his hand to the door and hesitated. He did not know why he had not been arrested and killed or sent for retraining already, but if he was photographed taking this meeting, then it would be easy to prove that he was a traitor. Then again, his enemies didn't need evidence to convict--all they needed was the inclination. So he opened the door, listened to the tinkle of the little bell, and walked toward the back of the narrow corridor between booths. He knew he shouldn't expect Graff himself. For the Minister of Colonization to come to Earth would be news, and Graff avoided news unless it was useful to him, which this would certainly not be. So whom would Graff send? Someone from Battle School, undoubtedly. A teacher? Another student? Someone from Ender's Jeesh? Would this be a reunion? To his surprise, the man in the last booth sat with his back toward the door, so all Han Tzu could see was his curly steel-grey hair. Not Chinese. And from the color of his ears, not European. The pertinent fact, though, was that he was not facing the door and could not see Han Tzu's approach. However, once Han Tzu sat down, he would be facing the door, able to observe the whole room. That was the smart way to do it--after all, Han Tzu was the one who would recognize trouble if it came in the door, not this foreigner, this stranger. But few operatives on a mission this dangerous would have the brass to turn their backs on the door just because the person they were meeting would be a better observer. The man did not turn as Han Tzu approached. Was he unobservant, or supremely confident? "Hello," the man said softly just as Han Tzu came up beside him. "Please sit down." Han Tzu slid into the booth opposite him and knew that he knew this old man but could not name him. "Please don't say my name," said the man softly. "Easy," said Han Tzu. "I don't remember it." "Oh, yes you do," said the man. "You just don't remember my face. You haven't seen me very often. But the leader of the Jeesh spent a lot of time with me." Now Han Tzu remembered. Those last weeks in Command School--on Eros, when they thought they were in training but were really leading far-off fleets in the endgame of the war against the Hive Queens. Ender, their commander, had been kept separate from them, but they learned afterward that an old half-Maori cargo-ship captain had been working closely with him. Training him. Goading him. Pretending to be his opponent in simulated games. Mazer Rackham. The hero who saved the human race from certain destruction in the Second Invasion. Everyone thought he died in the war, but he had been sent out on a meaningless voyage at near-lightspeed, so that relativistic effects would keep him alive so he'd be there for the last battles of the war. He was ancient history twice over. That time on Eros as a part of Ender's Jeesh seemed like another lifetime. And Mazer Rackham had been the most famous man in the world for decades before that. Most famous man in the world, but almost nobody knew his face. "Everyone knows you piloted the first colony ship," said Han Tzu. "We lied," said Mazer Rackham. Han Tzu accepted that and waited in silence. "There is a place for you as head of a colony," said Rackham. "A former Hive world, with mostly Han Chinese colonists and many interesting challenges for a leader. The ship leaves as soon as you board it." That was the offer. The dream. To be out of the turmoil of Earth, the devastation of China. Instead of waiting to be executed by the angry and feeble Chinese government, instead of watching the Chinese people writhe under the heel of the Muslim conquerors, he could board a beautiful clean starship and let them fling him out into space, to a world where human feet had never stepped, to be the founding leader of a colony that would hold his name in reverence forever. He would marry, have children, and, in all likelihood, be happy. "How long do I have to decide?" asked Han Tzu. Rackham glanced at his watch, then looked back at him without answering. "Not a very long window of opportunity," said Han Tzu. Rackham shook his head. "It's a very attractive offer," said Han Tzu. Rackham nodded. "But I wasn't born for such happiness," said Han Tzu. "The present government of China has lost the mandate of heaven. If I live through the transition, I might be useful to the new government." "And that's what you were born for?" asked Rackham. "They tested me," said Han Tzu, "and I'm a child of war." Rackham nodded. Then he reached inside his jacket and took out a pen and laid it on the table. "What's that?" asked Han Tzu. "The mandate of heaven," said Rackham. Han Tzu knew then that the pen was a weapon. Because the mandate of heaven was always bestowed in blood and war. "The items in the cap are extremely delicate," said Rackham. "Practice with round toothpicks." Then he got up and walked out the back door of the restaurant. No doubt there was some kind of transport waiting there. Han Tzu wanted to leap to his feet and run after him so he could be taken out into space and set free of all that lay ahead. Instead he put his hand over the pen and slid it across the table, then put it into the pocket of his trousers. It was a weapon. Which meant Graff and Rackham expected him to need a personal weapon soon. How soon? Han Tzu took six toothpicks out of the little dispenser that stood on the table against the wall, beside the soy sauce. Then he got up and went to the toilet. He pulled the cap off the pen very carefully, so he didn't spill out the four feather-ended poison darts bunched in it. Then he unscrewed the top of the pen. There were four holes there, besides the central shaft that held the tube of ink. The mechanism was cleverly designed to rotate automatically with each discharge. A blow-gun revolver. He loaded four toothpicks into the four slots. They fit loosely. Then he screwed the pen back together. The fountain pen writing tip covered the hole where the darts would emerge. When he held the top of the pen in his mouth, the point of the writing tip served as the sighting device. Point and shoot. Point and blow. He blew. The toothpick hit the back wall of the bathroom more or less where he was aiming, only a foot lower. Definitely a close-range weapon. He used up the rest of the toothpicks learning how high to aim in order to hit a target six feet away. The room wasn't large enough for him to practice aiming at anything farther. Then he gathered up the toothpicks, threw them away, and carefully loaded the pen with the real darts, handling them only by the feathered part of the shaft. Then he flushed the toilet and reentered the restaurant. No one was waiting for him. So he sat down and ordered and ate methodically. No reason to face the crisis of his life with an empty stomach and the food here wasn't bad. He paid and walked out into the street. He would not go home. If he waited there to be arrested, he would have to deal with any number of low-level thugs who would not be worth wasting a dart on. Instead, he flagged down a bicycle taxi and headed for the ministry of defense. The place was as crowded as ever. Pathetically so, thought Han Tzu. There was a reason for so many military bureaucrats a few years ago, when China was conquering Indochina and India, its millions of soldiers spread out to rule over a billion conquered people. But now, the government had direct control only over Manchuria and the northern part of Han China. Persians and Arabs and Indonesians administered martial law in the great port cities of the south, and large armies of Turks were poised in Inner Mongolia, ready to slice through Chinese defenses at a moment's notice. Another large Chinese army was isolated in Sichuan, forbidden by the government to surrender any portion of their troops, forcing them to sustain a multimillionman force from the production of that single province. In effect, they were under siege, getting weaker--and more hated by the civilian population--all the time. There had even been a coup, right after the ceasefire--but it was a sham, a reshuffling of the politicians. Nothing but an excuse for repudiating the terms of the ceasefire. No one in the military bureaucracy had lost his job. It was the military that had been driving China's new expansionism. It was the military that had failed. Only Han Tzu had been relieved of his duties and sent home. They could not forgive him for having named their stupidity for what it was. He had warned them every step of the way. They had ignored every warning. Each time he had shown them a way out of their self-induced dilemmas, they had ignored his offered plans and proceeded to make decisions based on bravado, face-saving, and delusions of Chinese invincibility. At his last meeting he had left them with no face at all. He had stood there, a very young man in the presence of old men of enormous authority, and called them the fools they were. He laid out exactly why they had failed so miserably. He even told them that they had lost the mandate of heaven--the traditional excuse for a change of dynasty. This was the unforgivable sin, since the present dynasty claimed not to be a dynasty at all, not to be an empire, but rather to be a perfect expression of the will of the people. What they forgot was that the Chinese people still believed in the mandate of heaven--and knew when a government no longer had it. Now, as he showed his expired i.d. at the gate of the complex and was admitted without hesitation, he realized that there was only one fathomable reason why they hadn't already arrested him or had him killed: They didn't dare. It confirmed that Rackham was right to hand him a four-shot weapon and call it the mandate of heaven. There were forces at work here within the defense department that Han Tzu could not see, waiting in his apartment for someone to decide what to do with him. They had not even cut off his salary. There was panic and confusion in the military and now Han Tzu knew that he was at the center of it. That his silence, his waiting, had actually been a pestle constantly grinding at the mortar of military failure. He should have known that his j'accuse speech would have more effects than merely to humiliate and enrage his "superiors." There were aides standing against the walls listening. And they would know that every word that Han Tzu said was true. For all Han Tzu knew, his death or arrest had already been ordered a dozen times. And the aides who had been given those orders no doubt could prove that they had passed them along. But they would also have passed along the story of Han Tzu, the former Battle Schooler who had been part of Ender's Jeesh. The soldiers ordered to arrest him would have also been told that if Han Tzu had been heeded, China would not have been defeated by the Muslims and their strutting boy-Caliph. The Muslims won because they had the brains to put their member of Ender's Jeesh, Caliph Alai, in charge of their armies--in charge of their whole government, their religion itself. But the Chinese government had rejected their own Enderman, and now were giving orders for his arrest. In these conversations, the phrase "mandate of heaven" would certainly have been spoken. And the soldiers, if they left their quarters at all, seemed unable to locate Han Tzu's apartment. For all these weeks since the war ended, the leadership must already have come face to face with their own powerlessness. If the soldiers would not follow them on such a simple matter as arresting the political enemy who had shamed them, then they were in grave danger. That's why Han Tzu's i.d. was accepted at the gate. That's why he was allowed to walk unescorted among the buildings of the defense department complex. Not completely unescorted. For he saw through his peripheral vision that a growing number of soldiers and functionaries were shadowing him, moving among the buildings in paths parallel to his own. For of course the gate guards would have spread the word at once: He's here. So when he walked up to the entrance of the highest headquarters, he paused at the top step and turned around. Several thousand men and women were already in the space between buildings, and more were coming all the time. Many of them were soldiers under arms. Han Tzu looked them over, watching as their numbers grew. No one spoke. He bowed to them. They bowed back. Han Tzu turned and entered the building. The guards inside the doors also bowed to him. He bowed to each of them and then proceeded to the stairs leading to the second floor office suites where the highest officers of the military were certainly waiting for him. Sure enough, he was met on the second floor by a young woman in uniform who bowed and said, "Most respectfully, sir, will you come to the office of the one called Snow Tiger?" Her voice was devoid of sarcasm, but the name "Snow Tiger" carried its own irony these days. Han Tzu looked at her gravely. "What is your name, soldier?" "Lieutenant White Lotus," she said. "Lieutenant," said Han Tzu, "If heaven should bestow its mandate upon the true emperor today, would you serve him?" "My life will be his," she said. "And your pistol?" She bowed deeply. He bowed to her, then followed her to Snow Tiger's office. They were all gathered there in the large anteroom--the men who had been present weeks ago when Han Tzu had scorned them for having lost the mandate of heaven. Their eyes were cold now, but he had no friends among these high officers. Snow Tiger stood in the doorway of his inner office. It was unheard of for him to come out to meet anyone except members of the Politburo, none of whom were present. "Han Tzu," he said. Han Tzu bowed slightly. Snow Tiger bowed almost invisibly in return. "I am happy to see you return to duty after your well-earned vacation," said Snow Tiger. Han Tzu only stood in the middle of the room, regarding him steadily. "Please come into my office." Han Tzu walked slowly toward the open door. He knew that Lieutenant White Lotus stood at the door, watching to make sure that no one raised a hand to harm him. Through the open door, Han Tzu could see two armed soldiers flanking Snow Tiger's desk. Han Tzu stopped, regarding each of the soldiers in turn. Their faces showed nothing; they did not even look back at him. But he knew that they understood who he was. They had been chosen by Snow Tiger because he trusted them. But he should not have. Snow Tiger took Han Tzu's pause as an invitation for him to enter the office first. Han Tzu did not follow him inside until Snow Tiger was seated at his desk. Then Han Tzu entered. "Please close the door," said Snow Tiger. Han Tzu turned around and pulled the door all the way open. Snow Tiger took his disobedience without blinking. What could he do or say without making himself seem pathetic? Snow Tiger pushed a paper toward Han Tzu. It was an order, giving him command over the army that was slowly starving in Sichuan province. "You have proved your great wisdom many times," said Snow Tiger. "We ask you now to be the salvation of China and lead this great army against our enemy." Han Tzu did not even bother to answer. A hungry, ill-equipped, demoralized, surrounded army was not going to accomplish miracles. And Han Tzu had no intention of accepting this or any other assignment from Snow Tiger. "Sir, these are excellent orders," said Han Tzu loudly. He glanced at each of the soldiers standing beside the desk. "Do you see how excellent these orders are?" Unused to being spoken to directly in such a high-level meeting, one of the soldiers nodded; the other merely shifted uncomfortably. "I see only one error," said Han Tzu. His voice was loud enough to be heard in the anteroom as well. Snow Tiger grimaced. "There is no error." "Let me take my pen and show you," said Han Tzu. He took the pen from his shirt pocket and uncapped it. Then he drew a line through his own name at the top of the paper. Turning around to face the open door, Han Tzu said, "There is no one in this building with the authority to command me." It was his announcement that he was taking control of the government, and everyone knew it. "Shoot him," said Snow Tiger behind him. Han Tzu turned around, putting the pen to his mouth as he did. But before he could fire a dart, the soldier who had refused to nod had blown out Snow Tiger's head, covering the other soldier with a smear of blood and brains and bone fragments. The two soldiers bowed deeply to Han Tzu. Han Tzu turned back around and strode out into the anteroom. Several of the old generals were heading for the door. But Lieutenant White Lotus had her pistol out and they all froze in place. "Emperor Han Tzu has not given the honorable gentlemen his permission to leave," she said. Han Tzu spoke to the soldiers behind him. "Please assist the lieutenant in securing this room," he said. "It is my judgment that the officers in this room need time to contemplate upon the question of how China came into her current difficult situation. I would like them to remain in here until each of them has written a complete explanation of how so many mistakes came to be made, and how they think matters should have been conducted." As Han Tzu expected, the suck-ups immediately went to work, dragging their compatriots back to their places against the walls. "Didn't you hear the emperor's request?" "We will do as you ask, Steward of Heaven." Little good it would do them. Han Tzu already knew perfectly well which officers he would trust to lead the Chinese military. The irony was that the "great men" who were now humiliated and writing reports on their own mistakes were never the source of those errors. They only believed they were. And the underlings who had really originated the problems saw themselves as merely instruments of their commanders' will. But it was in the nature of underlings to use power recklessly, since blame could always be passed either upward or downward. Unlike credit, which, like hot air, always rose. As it will rise to me from now on. Han Tzu left the offices of the late Snow Tiger. In the corridor, soldiers stood at every door. They had heard the single gunshot, and Han Tzu was pleased to see that they all looked relieved to learn that it was not Han Tzu himself who had been shot. He turned to one soldier and said, "Please enter the nearest office and telephone for medical attention for the honorable Snow Tiger." To three others, he said, "Please help Lieutenant White Lotus secure the cooperation of the former generals inside this room who have been asked to write reports for me." As they rushed to obey, Han Tzu gave assignments to the other soldiers and bureaucrats. Some of them would later be purged; others would be elevated. But at this moment, no one even thought of disobeying him. Within only a few minutes he had given orders to have the perimeter of the defense complex sealed. Until he was ready, he wanted no warning going to the Politburo. But his precaution was in vain. For when he went down the stairs and walked out of the building, he was greeted by a roar from the thousands and thousands of military people who completely surrounded the headquarters building. "Han Tzu!" they chanted. "Chosen of Heaven!" There was no chance the noise would not be heard outside the complex. So instead of rounding up the Politburo all at once, he would have to waste time tracking them down as they fled to the countryside or tried to get to the airport or onto the river. But of one thing there could be no doubt: With the new emperor enthusiastically supported by the armed forces, there would be no resistance to his rule by any Chinese, anywhere. That's what Mazer Rackham and Hyrum Graff had understood when they gave him his choice. Their only miscalculation was how completely the story of Han Tzu's wisdom had swept through the military. He hadn't needed the blowgun after all. Though if he hadn't had it, would he have had the courage to act as boldly as he did? One thing Han Tzu did not doubt. If the soldier had not killed Snow Tiger first, Han Tzu would have done it after--and would have killed both soldiers if they had not immediately submitted to his rule. My hands are clean, but not because I wasn't prepared to bloody them. As he made his way to the department of Planning and Strategy, where he would make his temporary headquarters, he could not help but ask himself: What if I had taken their initial offer, and fled into space? What would have happened to China then? And then a more sobering question: What will happen to China now? SHADOW OF THE GIANT Copyright © 2005 by Orson Scott Card Read more

Features & Highlights

  • The Ender Saga continues with
  • Shadow of the Giant
  • , which parallels the events of
  • Ender's Game
  • from a different character’s point of view.
  • Bean's past was a battle just to survive. He first appeared on the streets of Rotterdam, a tiny child with a mind leagues beyond anyone else. He knew he could not survive through strength; he used his tactical genius to gain acceptance into a children's gang, and then to help make that gang a template for success for all the others. He civilized them, and lived to grow older. Then he was discovered by the recruiters for the Battle School.For Earth was at war - a terrible war with an inscrutable alien enemy. A war that humanity was near to losing. But the long distances of interstellar space has given hope to the defenders of Earth - they had time to train military geniuses up from childhood, forging them into an irresistible force in the high-orbital facility called the Battle School. That story is told in two books, Orson Scott Card's beloved classic
  • Ender's Game
  • , and its parallel,
  • Ender's Shadow
  • . Now, in
  • Shadow of the Giant
  • , Bean's story continues.Bean was the smallest student at the Battle School, but he became Ender Wiggins' right hand, Since then he has grown to be a power on Earth. He served the Hegemon as strategist and general in the terrible wars that followed Ender's defeat of the alien empire attacking Earth. Now he and his wife Petra yearn for a safe place to build a family - something he has never known - but there is nowhere on Earth that does not harbor his enemies - old enemies from the days in Ender's Jeesh, new enemies from the wars on Earth. To find security, Bean and Petra must once again follow in Ender's footsteps. They must leave Earth behind, in the control of the Hegemon, and look to the stars.THE ENDER UNIVERSE
  • Ender series
  • Ender’s Game
  • /
  • Speaker for the Dead
  • /
  • Xenocide
  • /
  • Children of the Mind
  • /
  • Ender in Exile
  • /
  • Children of the Fleet
  • Ender’s Shadow series
  • Ender’s Shadow
  • /
  • Shadow of the Hegemon
  • /
  • Shadow Puppets
  • /
  • Shadow of the Giant
  • /
  • Shadows in Flight
  • The First Formic War (with Aaron Johnston)
  • Earth Unaware
  • /
  • Earth Afire
  • /
  • Earth Awakens
  • The Second Formic War (with Aaron Johnston)
  • The Swarm
  • /
  • The Hive
  • Ender novellas
  • A War of Gifts
  • /
  • First Meetings

Customer Reviews

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Most Helpful Reviews

✓ Verified Purchase

Second best of the "Shadow" series, behind "Ender's Shadow"

Perhaps it's because Card knew exactly where he needed to be at the end of this book, but it just worked for me better than the last two. There's less outright war, and more political manuveuring than the last two books. The political machinations are more complex, yet somehow more believable this time around.

That plausibility might be a result of seeing the Battle School characters as human and therefore potentially flawed. In previous "Shadow" series books, the Battle School kids were all good guys, except for the cardboard cutout villian of Achilles. It fell to the other characters, mostly politicians, to display human fallibility.

This time, the Battle School grads have serious character flaws of their own, and these flaws lead them into big mistakes. They also get into more and better conflicts with each other, which enriches the dynamic of the book.

Characters are nicely done - a particular strength throughout Card's books. The tragic Bean, the acerbic Petra, the enigmatic Alai, the dashing Han Tzu - all are crisply drawn. I never, ever get characters confused with one another in Card's books, and certainly not in this one.

The character development of Peter Wiggin is especially well handled. We already know from the very first Ender book (Ender's Game) that Peter becomes a beloved leader, and that Ender writes Peter's "obituary" as the second part of the his book The Hive Queen and the Hegemon. Now we get to see the other side of that story, including what Peter did to arrive at that point and how he was induced to get Ender (of all people!) to write his unvarnished life story.

Not everything is tied up into a neat little package. The matter of Bean and Petra's children is handled well, but I wouldn't call the end result "neat".

The open-ended matter of Bean's children leaves enough room for a sequel, I suppose, if Card decides to go that way. But I'd be happy to just leave the story here. The adventure of the Battle School grads is pretty much resolved, and we are caught up to events mentioned at the end of Ender's Game.

If you've read the other three "Shadow" books, then you absolutely owe it to yourself to get the full end of the story by reading this one. If you liked "Ender's Shadow", but got bogged down in the other two sequels, I'd recommend giving the series another go just to finish off with this very satisfying completion.
84 people found this helpful
✓ Verified Purchase

Better left unread

Very disappointing, very weak. Card has succumbed to Tom Clancy's disease (which was earlier caught by Robert Heinlein) where he has come to believe that his readers desperately care about the author's views on history and religion and want them expostulated at length through every possible mechanism: through the flow of the story, through expository paragraphs, through speeches the characters recite to each other.

All of which would be bad enough if these views on history and religion had any content, but they are laughably weak. In Card's world conflict occurs because of a few bad apples that somehow manage to take control of nations; eliminate the bad apples and the national rivalries disappear. In Card's world Christinianity is unmitigated good; the evil things done in its name again the work of a few bad apples. Since this is a post 9/11 novel he feels free to state clearly what he only hinted at earlier, that Islam is pure evil; he never quite squares this with the bad apple theory of history, but in the case of Islam we do very much get the feeling that it's everyone causing trouble, not just the leaders at the top. Finally we even get in a gratuitous swipe at Hindus as simple-minded idolators who are stupid enough to believe that a person could be a god (when we all know that that happened 2000 years ago and isn't going to happen again until the rapture).

Of course none of this would be complete without some good old rah-rah-rah American exceptionalism, how it's American's who repeatedly save the world (but always in the background and without asking for thank you), how good old America has nothing to do with the repeated wars of these books, and does nothing to start or exploit them, how even though, at the end, America refuses to ally itself with every other nation on earth, well, America is special so who can blame them for that? Card's world appears to be much like GW Bush'es world, a world where no-one like John Perkins (_Confessions of an Economic Hitman_) exists, and where it's a bizarre mystery why most of the world hates America.

In summary, if you have a mental age of 12 and don't mind the over-written weepy family stuff, it's an OK potboiler. If you're no longer a teenager, don't waste your time.
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A Long Ways from the Short Story

"Shadow of the Giant" is the latest Card novel in the "Ender" universe. Not all readers know that "Ender's Game," the first novel, started from a short story. That short story still remains arguably Card's best single piece of writing. But after four novels in the "Ender" arc, and now another four novels in the "Shadow" arc, as well as a few short stories along the way, Card and the Ender universe are starting to run out of gas.

Card's first problem is that we know exactly how it is going to come out. Let's call this the Lucas Problem. Anyone who carefully read the first book knows what is going to happen. Card has to make the process interesting enough to hold our attention. He nearly succeeds, but is hampered by some other issues.

Card's second problem is that he knocked off the arch-villain Achilles at the end of the previous book. Since E. E. "Doc" Smith's "Skylark" series, thoughtful science fiction writers have known it's always a mistake to kill the bad guy early. "Giant" misses Achilles.

Card's third problem is that the series' most compelling character, Ender - Andrew Wiggins, the protagonist of the first four books - has long since left the scene. The primary protagonist of the "Shadow" series, Julian "Bean" Delphiki - a minor character in "Ender's Game" - is still dying of the same disease we have known about from the start.

So all that is left for readers is the problem described at the end of "Ender's Game" - a half a dozen or so teenage military geniuses loose on a deeply divided earth. As we watch them succumb, variously, to gene-meddling, megalomania, naivete and ennui, it turns out that the adults, the teachers, those same folks that trained Ender and the other children, had the solution all along. If I were a teenager reading "Giant," I'd be seriously annoyed.

Card is a good writer. He has also shown some terrific creativity in earlier books in the series, especially in "Speaker for the Dead." But in this book he sometimes substitutes political opinion for creativity - let's call this the Heinlein Problem, or, if you like, the Goodkind Problem - and it doesn't work.

The cumulative effect is that the book drags a bit, limps along a lot, and leaves you unsatisfied at the end. The Lucas Problem is there on every page. The Heinlein Problem annoys. Card can and has done much better. First time readers in Ender's universe will be completely bewildered and should not start here.

The plot has a few loose ends; I'd guess Card has left himself narrative threads to pick up in the future. That's fine. Ender's Universe is an interesting place. But he needs to let the creative juices revive for a while first.
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Left a bad taste

I am as big a fan as anyone of the Ender series, but I'm starting to get that icky Heinlein feeling about the treatment of female characters. That is, I feel like he's trying to give women an equal role but his own view of them keeps coming through.

It was particularly bad in this book--let's go over the women in the book, shall we?

Virlomi--one of the few girls in Battle School, but not part of Ender's group. She takes over India and repels the Chinese, but more through pretending to be a goddess and appealing to the emotions of the country than by sheer strategic genius like the other commanders. She uses her sexuality to try to buy alliances, and blinds Alai with love, causing him to make fatal errors. She is also shown in a negative light for making sexual advances. Finally, she is overtaken by megalomania.

Then we have Petra Arkanian, or should I say Mrs. Julian Delphiki--supposedly one of the greatest strategists in Ender's team, though we rarely see this in effect. In this book, she is completely obsessed by finding her children and goes on and on about what a privilege it is to "find the best man you know and have his babies," yada yada.

The only time she does any other work than mothering, she is being a Bad Mother, as if how dare she save the world when she has CHILDREN TO TAKE CARE OF!!

Other than that, who is there?

Well, there's Ender's mother, Teresa, who spends all her time worrying about the Battle School kids' lack of childhood and trying to marry them off to each other.

Valentine Wiggin (mostly absent in this book)--basically luminous and angelic, "too nice" for Battle School, and hardly even a real person.

I really like Mr. Card's books, and Ender's Game is a strong contender for my favorite book ever, but if he only wants to write women as mothers or insane overemotional hussies, I'd rather he just left them out altogether.
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Good. Not Great.

I hear a lot of people describing this book as weak on character development. I agree, somewhat. True, Card's greatest writing comes when he is directly writing about the interactions between characters (through dialogue, insight, conflict, etc.). Now granted, in this book most of the characters had been developed in previous books (remember people, this is a sequel to a sequel to a sequel). However, I'm still left feeling empty because no real STORY took place.

From the time I first read the dialogue between Peter and Ender (via ansible) in Speaker for the Dead, I was always intrigued with how Peter had gone about setting himself up as Hegemon. In Shadow Puppets, we saw the beginning of that - mixed with a great story about Bean. This book touches on a few world events, then violently jerks us back to the subplot (or is it the plot) between Bean and Petra - neither of which get great treatment by the author. The result is a story that never feels like it is taking hold.

There is the "ubermensch" story about superkids that we're used to, a few (very intriguing) lines about how the IF is manipulating Earth Affairs (there's a book in that story alone), and a few random mentions of Randi and Achilles II. My advice to Card: Don't start the story off with an antagonistic character only to completely forget about her to the point of having the reader ask, "why did he ever include that opening chapter in the first place?"

It's a good book, ties up some loose ends... but it nver feels realistic, fails to grab any deeper concepts than watching a train wreck requires, and wraps up too conveniently. But it's fun.
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Orson is amazing, this isn't his best work but still excellent.

As usual with Orson, this is a very thoughtful and complex book. I think this is probably my favorite of the Shadow sub-series but definitely not my favorite Orson Scott Card book.

I find his exploration of the political future of Earth to be quite fascinating; everything from an isolated and therefore almost powerless United States to an uneasy alliance of the Muslim Nations. Very interesting an well thought out. His development of the erstwhile villain Peter Wiggin into a man of peace is also fascinating; I always like it when characters become multi-dimensional in a book.

Overall, another gem in Card's crown. The same excellent writing that we have come to expect of Mr. Card; he is imho one of the great writers of this genre!
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A teary-eyed Goodbye

I had mixed feelings before picking Shadow of the Giant up. The previous two installations were OK - Good. Don't get me wrong, they were good reads, but they didn't pack the same punch as Ender's Game or Ender's Shadow.

But Shadow of the Giant was great. The characters actually have flaws, granted, they are still amazing at politics and war, but they make mistakes. They're human, and that is really what makes this story. No longer are these 'Battle School brats' on high pedestals. But really, its the implied closure that Card finally gives us pertaining to Bean and Petra.

Without giving anything away, the ending of Shadow of the Giant is worth the buy. Ends are tied up in believable ways and this long journey with Bean finally comes to a close. A few tears actually came out, thinking about how this could very well be the end. There might not be anymore writings on Bean, Petra, Peter, anyone we've come in contact through Beans Saga. But at the same time, it was sad to see the end of such a good book. Last pages were the hardest to turn. i couldn't wait to read more, but with each turn of a page, the story was that much closer to being done.

Bittersweet. That best describes Shadow of the Giant. Card delivered, no doubt about that. He started off great, Ender's Shadow was amazing, to think that retelling a story could be so interesting. Yet it was, and we saw a very different perspective on life. Then came Shadow of the Hegemon and Shadow Puppets. Good reading, but nothing amazing. But Shadow of the Giant was the ending this saga needed and deserved...

There are a few openings left. Once you read it (and i hope you do), you will see. This leaves hope for a possible sequel. The gap in the end of the book covers many years, enough that Card could easily write another book, full of information and details. But if he doesn't, i completely understand. Shadow of the Giant is a nearly perfect ending. Any book that can make you emotional over the characters deserves to be read, this book, Shadow of the Giant, is one of those books.
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watery plot and anti-feminist, but continued ok characters

In his continuation of the "Shadow" series (the parallel books

to the Ender series), Orson Scott Card (OSC) follows Bean, Petra, and

the rest of the gang through another set of adventures. Bean's

job is to get things ready for Peter Wiggin to have a real

presence as Hegemon before time runs out.

This book is not as strong as OSC's earlier work. Specifically,

the plot and chapters are choppy, with much less compelling story

holding it together. Also, OSC allows his personal religious and

political agendas to play too heavy a role in the story.

Although he has always been a religious guy, the author had until

now managed to tell a good story without trying to insert his

limited worldview at every juncture. This time, he failed.

The book also suffers from under-editing. Ironically, it reads

like some of OSC's earlier drafts of _Ender's Game_ that he

publicized to help budding science-fiction writers learn to

polish their work.

The email exchanges that open some chapters are difficult to

interpret, and most did not contribute meaningfully to the

overall book. OSC did not even do a good job of justifying his

title - Bean had been the "shadow" in the previous books, but it

seems that it is *his* shadow referred to in this one. I don't

think it worked, literarily.

OSC does not do a good job of enriching the story with his

subplot, i.e. Randi and her fetus (stop here if you don't want to

read a 'spoiler'). It seems that Randi is the only one in the

whole book who even remembers Achilles, which makes it

ineffective (and not terribly scary) that

she idolizes him. It is unclear what her relationship was with

Achilles or even Volescu, and very unclear what her role is in

the story. If OSC is trying to set up for another sequel, then

I suppose I understand why her fetus is important, but honestly,

it could have worked just as well to leave the ninth fetus having

unknown existence/whereabouts.

OSC does not disappoint in his character descriptions, which are

for the most part consistent and interesting. This may be,

though, because I was already familiar with the basic

personalities from reading all of the previous books.

Aside from the issues with plot and editing, OSC has finally

gone off the deep end in terms of injecting his Mormon version of

morality into his science fiction books. From the narrator's

ridiculous objections to two adult doctors making out on the

roof, to the descriptions of Virlomi as "immodest" and

"idolatrous," OSC reveals that he really can't handle modern

ideas of consensual adult sexual [or religious!] behavior.

This is even more problematic because OSC also allows his sexist

ideas of womanhood to surface. Petra, Mrs. Delphiki, Mrs.

Arkanian, and Mrs. Wiggin, all openly Christian women (and "good

guys") in the story, repeatedly make statements about how a

woman's primary purpose is to marry and procreate. They keep

repeating that other goals and professions must fall by the

wayside, and that nothing else really matters.

These women are shown in stark contrast to Virlomi, whose

Hinduism inexplicably leads her to immoral sexual choices (?) and

megalomania. Irritatingly, Petra, Randi, and even Virlomi all

seem to dote on whose baby might or might not be growing inside

them instead of other things going on in the story. I understand

that the plot is supposed to be about IVF fetuses and their fate,

but there was a little bit too much woman-as-vessel and

life-from-conception in here for my comfort.

For the record, though, I was pleased with the positive attention

to breast-feeding and baby-wearing, as well as positive

discipline for healthy children.

When Petra has her babies and then throws herself into her job

(part of saving the world!) for a year, the only thing that

happens is that her friends and family give her a major guilt

trip and she cries rivers of grief for the time that she "lost"

with her children. (It seems to me that Petra may have been

using her time at work as a sort of escape from PPD, but this

isn't really addressed in the plot, so it remains conjecture.)

Petra ends up having ten (!) children to raise, not even counting

the 'defective' ones with Bean. This has strong implications to

me wrt birth control or career choices advocated by OSC.

Other reviewers have done a more thorough job of revealing OSC's

anti-Moslem and anti-"heathen" attitudes in this story, so I will

say on this point only that I saw these attitudes and they

detracted annoyingly from the content of the book.

There are some good aspects to the story, such as some closing of

plots with Dink and other bit players from Ender's jeesh. I also

like how Mazer Rackham and Hyrum Graff are believable and

significant characters in this book. I also like Peter's

evolving relationship with his parents, and some of the newer

insights into his childhood.

I think that OSC could have developed the quality bits of this

story in to a book worthy of the series, but I think that he did

not succeed fully in what he produced.
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If you liked Shadow Puppets...

The good news is that you can know before you buy this book whether or not you'll enjoy it. That's because, at least in my mind, Shadow of the Giant shares most of the strengths and weaknesses of the last two books in this series, Shadow of the Hegemon and Shadow Puppets. Unfortunately, to me, the weaknesses outweigh the strengths.

I'm a huge fan of Card's work -- Speaker for the Dead, an earlier volume in the Ender series, is perhaps my favorite SF novel of all time -- but I feel he's at his best when he's attentively describing a few unique, intriguing characters. The best moments of Shadow of the Giant, including a touching subplot between Bean and Petra, do just that... but most of the book is spent on vague descriptions of a world upheaval that never quite sounds believable or, frankly, very interesting.

All in all, if you were disappointed by the past few books of this series (as I was), I'd suggest waiting for paperback on this one, or else seeking out some of Card's stronger novels of the Enderverse.
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Was OSC in a hurry?

Yes, I enjoyed reading the book. There is a lot of intrigue and strategy, ala Shadow Puppets and Shadow of the Hegemon. But a lot of time and effort are put into leaving an open loophole in the ending while the things that wrap up nicely seem to be afterthoughts. Maybe I just felt cheated by the ending (I won't spoil it, so relax) after all how close I felt to the characters after Ender's Game and the Shadow series. I wanted more personal conclusion, even at the expense of political conclusion.

I still recommend this book to those who have read the Shadow books. You can't just leave the timeline dangling, after all. There were years that were glossed over that could have been extrapolated. I doubt OSC intends to do go back and fill in the blanks. It was like eating Thanksgiving dinner only to have the pumpkin pie just crust. A part of the end I was looking forward to was missing.
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