Milk Glass Moon

From Publishers Weekly The third book in Trigiani's series about the middle-aged but young-at-heart Ave Maria of Big Stone Gap in the Blue Ridge Mountains is simply made for the ear. The author colorfully and flawlessly captures the characters' southern and Italian accents, transporting listeners into Ave Maria's charmed world. She's a pharmacist in a small Virginia town but has relatives in Italy; and her daughter Etta has just entered her teen years, causing Ave Maria much heartache and uncertainty. She's torn between wanting Etta to mature and wishing Etta was much younger. She cheerfully discusses affairs from the daily chatter at the drugstore counter to more serious matters, such as the death of her son years earlier and her best friend Iva Lou's breast cancer. The dialogue is always snappy (e.g., after Ave Maria has seen a man she's attracted to, Iva Lou quips, "That's how they keep us hooked... those rats"). The words, as well as Trigiani's cadence and emotions, allow listeners to easily envision each character. They'll appreciate Ave Maria's enthusiasm when she visits New York and Italy and describes everything in lush detail. But when she's flying home and remarks, "southwest Virginia is an uncomplicated place for a complicated person," listeners will also understand exactly what is meant. This is a treasure of an audio. Copyright 2002 Reed Business Information, Inc. Praise for Big Cherry Holler "Trigiani is a wonderful storyteller. . . . Readers will enjoy Big Cherry Holler immensely." –USA Today "Fans of the first novel will rejoice. . . . Ave heads to Italy to find strength and healing in her ancestry. . . . Trigiani deftly juxtaposes the culture of the Appalachian mountains with that found in the Italian Alps." –Southern Living "Heartwarming . . . Everything that really matters is here: humor, romance, wisdom, and drama." –The Dallas Morning News "Trigiani can make you laugh in one sentence then break your heart the next. Her Big Stone Gap series is sure to become the next Mitford." –The Clarion-Ledger (Jackson, Mississippi ) Praise for Big Stone Gap "As comforting as a mug of chamomile tea on a rainy Sunday." –The New York Times Book Review "Delightfully quirky . . . chock-full of engaging, oddball characters and unexpected plot twists."– People "In this delightful tale of intimate community life in the hamlet of Big Stone Gap, the characters are as real as the ones who live next door." –The Sunday Oklahoman From the Hardcover edition. From the Inside Flap lass Moon, the third book in Adriana Trigiani's bestselling Big Stone Gap series, continues the life story of Ave Maria Mulligan MacChesney as she faces the challenges and changes of motherhood with her trademark humor and honesty. With twists as plentiful as those found on the holler roads of southwest Virginia, this story takes turns that will surprise and enthrall the reader.Transporting us from Ave Maria's home in the Blue Ridge Mountains to the Italian Alps, from New York City to the Tuscan countryside, Milk Glass Moon is the story of a shifting mother-daughter relationship, of a daughter's first love and a mother's heartbreak, of an enduring marriage that contains its own ongoing challenges, and of a community faced with seismic change.All of Trigiani's beloved characters are back: Jack Mac, Ave Maria's true love, who is willing to gamble security for the unknown; her best friend and confidant, bandleader Theodore Tip-ton, who begins a Praise for BIG CHERRY HOLLER "Trigiani is a wonderful storyteller. . . . Readers will enjoy Big Cherry Holler immensely." –USA Today "Fans of the first novel will rejoice. . . . Ave heads to Italy to find strength and healing in her ancestry. . . . Trigiani deftly juxtaposes the culture of the Appalachian mountains with that found in the Italian Alps." –Southern Living "Heartwarming . . . Everything that really matters is here: humor, romance, wisdom, and drama." –The Dallas Morning News "Trigiani can make you laugh in one sentence then break your heart the next. Her Big Stone Gap series is sure to become the next Mitford." –The Clarion-Ledger (Jackson, Mississippi ) Praise for BIG STONE GAP "As comforting as a mug of chamomile tea on a rainy Sunday." –The New York Times Book Review "Delightfully quirky . . . chock-full of engaging, oddball characters and unexpected plot twists."– People "In this delightful tale of intimate community life in the hamlet of Big Stone Gap, the characters are as real as the ones who live next door." –The Sunday Oklahoman From the Audio edition. Adriana Trigiani grew up in Big Stone Gap, Virginia, and now lives with her husband in New York City. In addition to being the bestselling author of Big Stone Gap and Big Cherry Holler, she is an award-winning playwright, television writer, and documentary filmmaker. She has written the screenplay for the film version of Big Stone Gap, which she will also direct. From the Hardcover edition. Excerpt. © Reprinted by permission. All rights reserved. Chapter One The Wise County Fair is my daughter’s favorite event of the year, and I think it’s safe to say that includes Christmas. Etta has been on her best behavior for the past two weeks, so perfect down to the smallest detail (including unassigned chores like making my bed and weeding my garden) that I’m worried.We have the window flaps of the Jeep down, and the warm August air whipping through is sweet with honeysuckle. Still, it is no match for Iva Lou’s perfume, which wafts up to the front seat whenever we peel around a curve. Etta looks out the window for road signs, searching for proof that we’re almost there. I’ve taken the quicker route, the valley road out of Big Stone Gap up to Norton. As we ascend the mountains in twilight, we pass Coeburn nestled in the valley below, where the cluster of lights twinkles like a scoop of emeralds. Etta smoothes her braids and settles back in her seat.“Here’s the plan. First we eat,” Iva Lou announces as she unfolds the special to the newspaper. “I myself am having a jumbo caramel apple with nuts, and if I have to go see Doc Guest for a bridge on Monday, then so be it. Them caramel apples are worth a molar.”“I want the blue cotton candy,” Etta decides.“I want a chili dog with onions,” I reply.“I have a lot of money,” Etta says proudly as she sifts through her change purse.“Ask Dad to spring for dinner. That will leave you more money for the games of chance.”Etta smiles and carefully counts her money without lifting it out of the purse. I see a five-dollar bill folded neatly into a small square (some lucky clay-pigeon operator is about to score a windfall).“What if we can’t find him?” she asks.“We’ll find him.”“Just go straight to the outdoor the-a-ter. He’s up there with all them men checking out the rehearsal for Miss Lonesome Pine.”“He built the stage,” I remind Iva Lou in a tone that says, Don’t start with that again.“That’s as good a reason as any, then.” Iva Lou meets my eye in the rearview mirror and winks.We find a parking spot under a tree overlooking the fairgrounds and climb out of the Jeep. Iva Lou checks her hair in the driver’s side mirror and then smiles at us, ready to go. She’s wearing a pair of dark blue denim pedal pushers and a red bandanna-print blouse tied at the waist. Her Diamonelle hoop earrings peek out from under her platinum bob like giant waterwheels. Iva Lou is ageless; you would never know she is fifty-something. Her look, however, is best viewed from a distance, like a fine painting. You don’t want to get so close that you get lost in the details.Etta looks at the fairgrounds with a clinical eye, surveying the faded striped tents surrounded by torches like birthday candles. She smiles when she spots the Ferris wheel. “Ma, will you go on the rides with me?”“Sure.” But Etta knows that at the last second in line, when we’re ready to go up the metal plank, I’ll send her father with her instead.“Do we have to go to the beauty pageant?” she asks.“I thought you liked it.”“I like the dresses all right. The talent’s always terrible.” Etta shrugs. She’s right. Last year, leggy blond Ellen Tierney, representing Big Stone Gap, did a dance routine to “Happy to Keep Your Dinner Warm”; her tap shoe flew off when she did a high kick, clocked a man in the first row, and knocked him out. The victim was rushed to the hospital and revived, but he may have the imprint of the metal tap on his forehead for life. “And I hate the physical-fitness part when they come out and jump around in bathing suits. Anybody can do that stuff.”“Etta, hon, it don’t take a lot of talent to look good in a bathing suit. That you’re born with.” Iva Lou breathes deeply and straightens her shoulders. “I ought to know.”“I’m never gonna be in a beauty pageant,” Etta announces.“Me neither.” I give my daughter a quick hug.The benches in the outdoor theater are filling up fast. The aisles are covered in Astroturf runners; the stage is banked in garlands of red paper roses; the backdrop is a cutout of a giant pine tree with miss lonesome pine written in gold leaf.School starts in a few weeks. I can’t believe Etta is twelve years old and going into the seventh grade. My mother would have been sixty-six this year. I feel oddly lost between them: not old yet, not young anymore. I thought motherhood was a job with security, but it’s not. It’s the least permanent job in the world, the only job in which your skills become obsolete overnight. It was that way from the beginning. When I finally got a handle on breast-feeding, it was time for solid food. I worried that Etta wasn’t turning over in the crib on her own, but soon she was crawling, and then, before I knew it, walking. When she went to school, I thought she’d need me more, but all of a sudden she had a life apart from me and was just fine. And now, after we’ve established a routine as a family, in which Etta has responsibilities, she’s developed a newfound independence and her own opinions. This is, of course, the point of all of it—preparing your children to leave you—yet I’m so afraid to let go. I don’t know how I’ll handle it when she’s eighteen and leaves for college. How did my mother do it? I wish she were here to lead me through these changes.“Dad!” Etta waves to Jack, who waves back to her from a platform at the side of the stage. He finishes helping the spot operator set the light levels, then climbs down the ladder to join us. My husband is still agile; his strong arms hook down the ladder rhythmically. His jeans are faded to dusty blue, and his white T-shirt frames his gray hair beautifully. Sometimes, when I see him in the distance, I forget he’s mine and think, What a fine-looking man. He still makes my heart race—quite a feat after all these years. His straight nose and lips are surrounded not by wrinkles but by expression lines. He’s damn cute, my husband. I try not to hate him for aging so well.Otto Olinger approaches, wiping his face with a bandanna. “We barely got that stage up in time. Ain’t that right, Worley?” Otto turns to his son, whose white hair makes him look around the same age as his father.“It was rough,” Worley agrees.“ ’Cause you ain’t got your minds on your work. Too busy ogling the girls,” Iva Lou tells them.“We did us some looking.” Worley smiles.Otto shrugs. “Can’t hardly help it, they’s so purty. Of course, I ain’t never seen me no ugly women, just some that’s purtier than others.”Jack gives me a kiss and takes Etta’s hand. “You want to watch from up there?” he asks her.“Yeah!”“We’ve got a couple of seats down front for you.”I turn to Iva Lou. “Do you want to stay?”“What do you want to do?”“I’d rather wander around.”“Let’s wander, then.” Iva Lou turns to go up the ramp.“Okay, we’ll catch up with you later.” Jack Mac takes Etta to the ladder and helps her to the top. She kneels on the platform as her father explains something about the equipment. She listens and nods. I can’t believe she’s my kid and not afraid of heights. In fact, she’s fearless about everything—picking up stray animals, speaking in public, boys. Etta cares about how things work; in that way, she is just like her father. She is all MacChesney, and that’s not always easy for me to accept.“What are we gonna do?” Iva Lou asks.“We’re going to see Sister Claire.”“Who the hell is that? A Catholic?”“No. She’s a fortune-teller.”“No voodoo for me, girlfriend.”“Come on. After she makes you drink a cocktail of eye of newt and puts a spell on you, it’s all uphill.”Sister Claire has a small dark green tent by the edge of the grounds. Two folding chairs are set up outside the flap. I’m surprised there isn’t a line of people waiting. Sister Claire is well known in these parts; she’s from the mountains of North Carolina near Greensboro. A pharmaceutical salesman out of Raleigh who traveled through Big Stone encouraged me to see Sister if she was ever in the area. He told me that she was the genuine article, a true mystic. I’m surprised when a small, gentle woman of sixty, with a heart-shaped face and skin the color of strong tea, emerges from the tent to greet us.“Are you here to see me?” she asks. “I’m Sister Claire.”Iva Lou turns away and grabs my arm to return to the hub of the fair, where no one knows the future, not even the judges of the Miss Lonesome Pine Contest.“Yes ma’am. We are.” Iva Lou shoots me a look, so I correct myself. “I am,” I say earnestly, not knowing exactly how to address a psychic.“Welcome.”“I think most of the people are at the beauty pageant,” I tell her, apologizing for her lack of clientele.Sister Claire turns to Iva Lou and looks her straight in the eye. “I understand if the idea of a reading makes you uncomfortable. I don’t like to have my cards read.”“Really?” Iva Lou squeaks.“Really. It’s a commitment to believe. It takes blind faith. Sometimes n... From AudioFile The conclusion to the Big Stone Gap trilogy takes us back into the lives of Ave Maria and Jack Mac, Etta and Iva Lou in the Southern town of Big Stone Gap. Ave Maria struggles with her teenaged daughter, Iva Lou's, health and her marriage to Jack Mac. They travel the Blue Ridge Mountains and explore New York City while their relationship strengthens and deepens. As Adriana Trigiani reads this story in her subtle southwest Virginia accent, enunciating her words in that lispy Southern drawl, the familiar small-town characters come alive. Trigiani's narration works well with the first-person narrative of Ave Maria, creating the illusion that the author is telling the tale of her own life. MILK GLASS MOON is a snapshot of the comfort of small-town living where everyone knows you and your business. M.B.K. © AudioFile 2002, Portland, Maine-- Copyright © AudioFile, Portland, Maine Read more