Big Stone Gap

In the town of Big Stone Gap, Virginia, not much happens. The highlight of 35-year-old Ave Maria Mulligan's week comes on Friday, with the arrival of the Bookmobile, the sight of which sends her into raptures. Her favorite book concerns the ancient Chinese art of reading faces. Through her face-readings, we come to understand the hostilities simmering within her family: her father whose small eyes are the clear "sign of a deceptive nature." Her aunt who "has a small head and thin lips. (That's a terrible combination.)" Adriana Trigiani's first novel concerns the family scandals that befall Ave Maria in this seemingly uneventful town. Greed, lust, envy--all the ancient emotional elements--manifest themselves even in this hamlet of "ordinary folk." Fans of Fannie Flagg or Rebecca Wells will enjoy this down-home tale, full of small, everyday details and colloquial revelations. The writing is often awkward, but so too are the characters who inhabit this place: the Bookmobile lady who thinks of herself as the sexiest woman alive; the amateur actors in the local Outdoor Drama who bristle with ambition when they hear that Elizabeth Taylor is coming to visit. In Big Stone Gap, her visit is so anticipated, it's like she's an angel sent from heaven. --Ellen Williams From Publishers Weekly A wholesome Cinderella story with a winning blend of '70s nostalgia and Appalachian local color, Trigiani's debut introduces a likable heroine who's smart but obtuse, needy but rejecting, and generous with affection but afraid of love. Ave Maria Mulligan is the daughter of the late pharmacist of Bit Stone Gap, Va., and an immigrant Italian seamstress. She inherited the pharmacy when her father died, but it's only her mother's recent death that made Ave realize that, at 35, she's the town spinster. Not that she lacks for attention. Handsome Theodore Tipton, the high school band and choral director, is her best friend, and sexy bombshell Iva Lou Wade, who drives the book mobile that Ave eagerly awaits, is around to offer romantic advice. Plainspoken, direct and humorous, Ave has an amusing foible: having discovered a book on the Chinese art of face reading, she describes everyone in terms of the personality traits their facial features ostensibly demonstrate. In her self-deprecating assessment, Ave has "a mountain girl's body, strong legs, and a flat behind." So when Theodore proposes, and then takes it back, and mountain-man Jack MacChesney then also offers matrimony--out of pity, Ave assumes, so she rejects him--she's near despair. Moreover, a letter left by her mother informs Ave that her real father is a man who lives in Italy. Ave's emotional turmoil takes place against a colorfully detailed tour of Big Stone Gap's history and attractions, including its summer drama festival and its designation as the home of Appalachian bluegrass. Even the actual 1978 visit of senatorial candidate John Warner and his wife, Elizabeth Taylor, plays a part in the story. In the tradition of romantic heroines, Ave is unable to recognize true love until it's almost too late, and meanwhile, there are some fairy tale touches, such as the arrival of her entire newly discovered Italian family. What saves the narrative from sentimentality and invests it with charm is Trigiani's witty voice, her tart-tongued but appealing heroine and her ability to recall the cultural details that immerse the reader in the atmosphere of her little mining town. Agent, Suzanne Gluck at ICM. 150,000 first printing; 9-city author tour; rights sold in the U.K, Germany, Italy, Sweden and Spain. (Apr.) writer for the Bill Cosby show and other TV series, and a documentary filmmaker. Copyright 2000 Reed Business Information, Inc. From Kirkus Reviews An irritatingly hokey, inept attempt to invade Fannie Flagg territory. Ave Maria Mulligan, a pharmacist in Big Stone Gap, discovers she has a long-lost Italian father, saves Elizabeth Taylor from choking on a chicken wing, and follows her friend Iva Lou's advice and gets her a workingman. It's 1978, and Ave Maria's mother has passed away, leaving a letter stating that mean old Fred Mulligan wasn't her daughters real father. It's unclear why Mama never told anyone, but Ave Maria's father is Mario Barbari, a boy she knew back in Bergamo. Iva Lou Wadea promiscuous, worldly-wise woman who calls everyone ``honey-o'' or ``sweetie-o''drives the Bookmobile. She finds a book on Bergamo that just happens to have a picture of Mario. Ave Maria, who ruminates incessantly, is reeling from all this news and, in a truly bizarre move, sells her pharmacyfor one dollarto Pearl Grimes, a poor, overweight teenaged girl she'd recently hired. Meanwhile, Ave Maria lusts after the high-school band director, who initially spurns her. She, in turn, is the object of Jack Mac's affection, though he proposed to someone else on stage on the closing night of the Outdoor Drama, which Ave Maria directs. Ave Maria is also a member of the rescue squad and, when Elizabeth Taylor comes to town with her husband, senatorial candidate John Warner, to attend a high-school football game, she helps the choking actress get to the hospital. To add insult to cornball, the blushing, bumbling Jack Mac woos a surprised Ave Maria by selling his precious pickup truck to pay for her father and aunts to come to America. The couple will wed and name their child Fiametta Bluebell. Trigiani lacks subtlety, and the fun is lost in the desire to be taken seriously. The Dukes of Hazzard written as if it were a homiletic drama. (First printing of 150,000; author tour)-- Copyright © 2000 Kirkus Associates, LP. All rights reserved. Praise for BIG STONE GAP"Charming . . . Readers would do well to fall into the nearest easy chair and savor the story." — USA Today "Delightfully quirky . . . chock-full of engaging, oddball characters and unexpected plot twists, this Gap is meant to be crossed." — People (Book of the Week)"As comforting as a mug of chamomile tea on a rainy Sunday." — The New York Times Book Review "A touching tale of a sleepy Southern town and a young woman on the brink of self-discovery and acceptance." — Southern Living "Ave Maria's spunky attitude, sardonic wit, and extravagant generosity compel you into her fan club . . . . Delightfully entertaining." — Tampa Tribune "A delightful tale of intimate community life [where] the characters are as real as the ones who live next door." — Sunday Oklahoman "In a sassy Southern voice, [Trigiani] creates honest, endearingly original characters." — Glamour From the Inside Flap It's 1978, and Ave Maria Mulligan is the thirty-five-year-old self-proclaimed spinster of Big Stone Gap, a sleepy hamlet in the Blue Ridge Mountains of Virginia. She's also the local pharmacist, the co-captain of the Rescue Squad, and the director of The Trail of the Lonesome Pine, the town's long-running Outdoor Drama. Ave Maria is content with her life of doing errands and negotiating small details-until she discovers a skeleton in her family's formerly tidy closet that completely unravels her quiet, conventional life. Suddenly, she finds herself juggling two marriage proposals, conducting a no-holds-barred family feud, planning a life-changing journey to the Old Country, and helping her best friend, the high-school band director, design a halftime show to dazzle Elizabeth Taylor, the violet-eyed Hollywood movie star who's coming through town on a campaign stump with her husband, senatorial candidate John Warner.Filled with big-time eccentrics and small-town shenanigans, Big Stone Gap is a jewel box of original characters, including sexpot Bookmobile librarian Iva Lou Wade; Fleeta Mullins, the chain-smoking pharmacy cashier with a penchant for professional wrestling; the dashing visionary Theodore Tipton; Elmo Gaspar, the snake-handling preacher; Jack MacChesney, a coal-mining bachelor looking for true love; and Pearl Grimes, a shy mountain girl on the verge of a miraculous transformation. Comic and compassionate, Big Stone Gap is is the story of a woman who thinks life has passed her by, only to learn that the best is yet to come. "BIG STONE GAP is a southern novel that has the ring of truth, by which I meanits characters are bizarre, its story is hilarious, and that it hooked me onpage one." --John Berendtxa0xa0xa0xa0xa0xa0xa0xa0"Have there ever been more engaging late bloomers than Ave Maria Mulligan and her circle of doting, meddlesome friends? Adriana Trigiani writes with wit and grace about misguided romances and family secrets, and so very winningly about generous hearts. This urban Yankee reader found hours of bliss in Big Stone Gap, Virginia."-- Elinor Lipman"Funny, charming and original!" -- Fannie Flagg"It is one of my all-time favorite novels . . . unforgettable." -- Whoopi Goldberg"I have not enjoyed a novel this much since Cold Mountain. The characters are exquisitely and richly drawn. Ave Maria Mulligan is so real, she is almost a miracle. The story is poignant without being sentimental, and funny without being mean, and the story, the people, and the place of Big Stone Gap have stayed with me long after reading the book." -- Rosanne Cash Adriana Trigiani grew up in Big Stone Gap, Virginia, in the 1970s. She has honed her storytelling abilities over a decade of writing and producing some of television's top-rated shows, including the groundbreaking Cosby Show . Trigiani is also an award-winning playwright and documentary filmmaker. She lives in New York City with her husband. Excerpt. © Reprinted by permission. All rights reserved. This will be a good weekend for reading. I picked up a dozen of Vernie Crabtree's killer chocolate chip cookies at the French Club bake sale yesterday. (I don't know what she puts in them, but they're chewy and crispy at the same time.) Those, a pot of coffee, and a good book are all I will need for the rainy weekend rolling in. It's early September in our mountains, so it's warm during the day, but tonight will bring a cool mist to remind us that fall is right around the corner.The Wise County Bookmobile is the one of the most beautiful sights in the world to me. When I see it lumbering down the mountain road like a tank, then turning wide and easing onto Shawnee Avenue, I flag it down like an old friend. I've waited on this corner every Friday since I can remember. The Bookmobile is just a government truck, but to me it's a glittering royal coach delivering stories and knowledge and life itself. I even love the smell of books. People have often told me that one of their strongest childhood memories is the scent of their grandmother's house. I never knew my grandmothers, but I could always count on the Bookmobile.The most important thing I ever learned, I learned from books. Books have taught me how to size people up. The most useful book I ever read taught me how to read faces, an ancient Chinese art called siang mien, in which the size of the eyes, curve of the lip, and height of the forehead are important clues to a person's character. The placement of ears indicates intelligence. Chins that stick out reflect stubbornness. Deep-set eyes suggest a secretive nature. Eyebrows that grow together may answer the question Could that man kill me with his bare hands? (He could.) Even dimples have meaning. I have them, and according to face reading, something wonderful is supposed to happen to me when I turn thirty-five. (It's been four months since my birthday, and I'm still waiting.)If you were to read my face, you would find me a comfortable person with brown eyes, good teeth, nice lips, and a nose that folks, when they are being kind, refer to as noble. It's a large nose, but at least it's straight. My eyebrows are thick, which indicates a practical nature. (I'm a pharmacistóhow much more practical can you get?) I have a womanly shape, known around here as a mountain girl's body, strong legs, and a flat behind. Jackets cover it quite nicely.This morning the idea of living in Big Stone Gap for the rest of my life gives me a nervous feeling. I stop breathing, as I do whenever I think too hard. Not breathing is very bad for you, so I inhale slowly and deeply. I taste coal dust. I don't mind; it assures me that we still have an economy. Our town was supposed to become the "Pittsburgh of the South" and the "Coal Mining Capital of Virginia." That never happened, so we are forever at the whims of the big coal companies. When they tell us the coal is running out in these mountains, who are we to doubt them?It's pretty here. Around six o'clock at night everything turns a rich Crayola midnight blue. You will never smell greenery so pungent. The Gap definitely has its romantic qualities. Even the train whistles are musical, sweet oboes in the dark. The place can fill you with longing.The Bookmobile is at the stoplight. The librarian and driver is a good-time gal named Iva Lou Wade. She's in her forties, but she's yet to place the flag on her sexual peak. She's got being a woman down. If you painted her, she'd be sitting on a pink cloud with gold-leaf edges, showing a lot of leg. Her perfume is so loud that when I visit the Bookmobile, I wind up smelling like her for the bulk of the day. (It's a good thing I like Coty's Emeraude.) My father used to say that that's how a woman ought to be. "A man should know when there's a woman in the room. When Iva Lou comes in, there ain't no doubt." I'd just say nothing and roll my eyes.Iva Lou's having a tough time parking. A mail truck has parked funny in front of the post office, taking up her usual spot, so she motions to me that she's pulling into the gas station. That's fine with the owner, Kent Vanhook. He likes Iva Lou a lot. What man doesn't? She pays real nice attention to each and every one. She examines men like eggs, perfect specimens created by God to nourish. And she hasn't met a man yet who doesn't appreciate it. Luring a man is a true talent, like playing the piano by ear. Not all of us are born prodigies, but women like Iva Lou have made it an art form.The Bookmobile doors open with a whoosh. I can't believe what Iva Lou's wearing: Her ice-blue turtleneck is so tight it looks like she's wearing her bra on the outside. Her Mondrian-patterned pants, with squares of pale blue, yellow, and green, cling to her thighs like crisscross ribbons. Even sitting, Iva Lou has an unbelievable shape. But I wonder how much of it has to do with all the cinching. Could it be that her parts are so well-hoisted and suspended, she has transformed her real figure into a soft hourglass? Her face is childlike, with a small chin, big blue eyes, and a rosebud mouth. Her eyeteeth snaggle out over her front teeth, but on her they're demure. Her blond hair is like yellow Easter straw, arranged in an upsweep you can see through the set curls. She wears lots of Sarah Coventry jewelry, because she sells it on the side."I'll trade you. Shampoo for a best-seller." I give Iva Lou a sack of shampoo samples from my pharmacy, Mulligan's Mutual."You got a deal." Iva Lou grabs the sack and starts sorting through the samples. She indicates the shelf of new arrivals. "Ave Maria, honey, you have got to read The Captains and the Kings that just came out. I know you don't like historicals, but this one's got sex.""How much more romance can you handle, Iva Lou? You've got half the men in Big Stone Gap tied up in knots."She snickers. "Half? Oh well, I'm-a gonna take that as a compliment-o anyway." I'm half Italian, so Iva Lou insists on ending her words with vowels. I taught her some key phrases in Italian in case international romance was to present itself. It wasn't very funny when Iva Lou tried them out on my mother one day. I sure got in some Big Trouble over that.Iva Lou has a goal. She wants to make love to an Italian man, so she can decide if they are indeed the world's greatest lovers. "Eye-talian men are my Matta-horn, honey," she declares. Too bad there aren't any in these parts. The people around here are mainly Scotch-Irish, or Melungeon (folks who are a mix of Turkish, French, African, Indian, and who knows what; they live up in the mountain hollers and stick to themselves). Zackie Wakin, owner of the town department store, is Lebanese. My mother and I were the only Italians; and then about five years ago we acquired one Jew, Lewis Eisenberg, a lawyer from Woodbury, New York."You always sit in the third snap stool. How come?" Iva Lou asks, not looking up as she flips through a new coffee-table book about travel photography."I like threes.""Sweetie-o, let me tell you something." Iva Lou gets a faraway, mystical twinkle in her eye. Then her voice lowers to a throaty, sexy register. "When I get to blow this coal yard, and have my big adventure, I sure as hell won't waste my time taking pictures of the Circus Maximus. I am not interested in rocks 'n' ruins. I want to experience me some flesh and blood. Some magnificent, broad-shouldered hunk of a European man. Forget the points of interest, point me toward the men. Marble don't hug back, baby." Then she breathes deeply, "Whoo."Iva Lou fixes herself a cup of Sanka and laughs. She's one of those people who are forever cracking themselves up. She always offers me a cup, and I always decline. I know that her one spare clean Styrofoam cup could be her entrÈe to a romantic rendezvous. Why waste it on me?"I found you that book on wills you wanted. And here's the only one I could find on grief." Iva Lou holds up As Grief Exits as though she's modeling it. The pretty cover has rococo cherubs and clouds on it. The angels' smiles are instantly comforting. "How you been getting along?" I look at Iva Lou's face. Her innocent expression is just like the cherub's. She really wants to know how I am.My mother died on August 2, 1978, exactly one month ago today. It was the worst day of my life. She had breast cancer. I never thought cancer would get both of my parents, but it did. Mama was fifty-two years old, which suddenly seems awfully young to me. She was only seventeen when she came to America. My father taught her English, but she always spoke with a thick accent. One of the things I miss most about her is the sound of her voice. Sometimes when I close my eyes I can hear her."You always sit in the third snap stool. How come?" Iva Lou asks, not looking up as she flips through a new coffee-table book about travel photography."I like threes.""Sweetie-o, let me tell you something." Iva Lou gets a faraway, mystical twinkle in her eye. Then her voice lowers to a throaty, sexy register. "When I get to blow this coal yard, and have my big adventure, I sure as hell won't waste my time taking pictures of the Circus Maximus. I am not interested in rocks 'n' ruins. I want to experience me some flesh and blood. Some magnificent, broad-shouldered hunk of a European man. Forget the points of interest, point me toward the men. Marble don't hug back, baby." Then she breathes deeply, "Whoo."Iva Lou fixes herself a cup of Sanka and laughs. She's one of those people who are forever cracking themselves up. She always offers me a cup, and I always decline. I know that her one spare clean Styrofoam cup could be her entrÈe to a romantic rendezvous. Why waste it on me?"I found you that book on wills you wanted. And here's the only one I could find on grief." Iva Lou holds up As Grief Exits as though she's modeling it. The pre... Read more