The Queen's Fool: A Novel (The Plantagenet and Tudor Novels Book 2)
The Queen's Fool: A Novel (The Plantagenet and Tudor Novels Book 2) book cover

The Queen's Fool: A Novel (The Plantagenet and Tudor Novels Book 2)

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$13.99
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Atria Books
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Philippa Gregory is the author of many New York Times bestselling novels, including The Other Boleyn Girl , and is a recognized authority on women’s history. Many of her works have been adapted for the screenxa0including The Other Boleyn Girl . She graduated from the University of Sussex and received a PhD from the University of Edinburgh, where she is a Regent. She holds honorary degrees from Teesside University and the University of Sussex. She is a fellow of the Universities of Sussex and Cardiff and was awarded the 2016 Harrogate Festival Award for Contribution to Historical Fiction. She is an honorary research fellow at Birkbeck, University of London. She was awarded a CBE title for services to literature and charity in 2022. She welcomes visitors to her website PhilippaGregory.com. Excerpt. © Reprinted by permission. All rights reserved. The Queen's Fool A Novel By Philippa Gregory Touchstone Copyright © 2004 Philippa Gregory LimitedAll right reserved. ISBN: 0-7432-4607-1 Chapter One Summer 1548 The girl, giggling and overexcited, was running in the sunlit garden, running away from her stepfather, but not so fast that he could not catch her. Her stepmother, seated in an arbor with Rosamund roses in bud all around her, caught sight of the fourteen-year-old girl and the handsome man chasing around the broad tree trunks on the smooth turf and smiled, determined to see only the best in both of them: the girl she was bringing up and the man she had adored for years. He snatched at the hem of the girl's swinging gown and caught her up to him for a moment. "A forfeit!" he said, his dark face close to her flushed cheeks. They both knew what the forfeit would be. Like quicksilver she slid from his grasp and dodged away, to the far side of an ornamental fountain with a broad circular bowl. Fat carp were swimming slowly in the water; Elizabeth's excited face was reflected in the surface as she leaned forward to taunt him. "Can't catch me!" "'Course I can." She leaned low so that he could see her small breasts at the top of the square-cut green gown. She felt his eyes on her and the color in her cheeks deepened. He watched, amused and aroused, as her neck flushed rosy pink. "I can catch you any time I want to," he said, thinking of the chase of sex that ends in bed. "Come on then!" she said, not knowing exactly what she was inviting, but knowing that she wanted to hear his feet pounding the grass behind her, sense his hands outstretched to grab at her; and, more than anything else, to feel his arms around her, pulling her against the fascinating contours of his body, the scratchy embroidery of his doublet against her cheek, the press of his thigh against her legs. She gave a little scream and dashed away again down an alle of yew trees, where the Chelsea garden ran down to the river. The queen, smiling, looked up from her sewing and saw her beloved stepdaughter racing between the trees, her handsome husband a few easy strides behind. She looked down again at her sewing and did not see him catch Elizabeth, whirl her around, put her back to the red papery bark of the yew tree and clamp his hand over her half-open mouth. Elizabeth's eyes blazed black with excitement, but she did not struggle. When he realized that she would not scream, he took his hand away and bent his dark head. Elizabeth felt the smooth sweep of his moustache against her lips, smelled the heady scent of his hair, his skin. She closed her eyes and tipped back her head to offer her lips, her neck, her breasts to his mouth. When she felt his sharp teeth graze her skin, she was no longer a giggling child, she was a young woman in the heat of first desire. Gently he loosened his grip on her waist, and his hand stole up the firmly boned stomacher to the neck of her gown, where he could slide a finger down inside her linen to touch her breasts. Her nipple was hard and aroused; when he rubbed it she gave a little mew of pleasure that made him laugh at the predictability of female desire, a deep chuckle in the back of his throat. Elizabeth pressed herself against the length of his body, feeling his thigh push forward between her legs in reply. She had a sensation like an overwhelming curiosity. She longed to know what might happen next. When he made a movement away from her, as if to release her, she wound her arms around his back and pulled him into her again. She felt rather than saw Tom Seymour's smile of pleasure at her culpability, as his mouth came down on hers again and his tongue licked, as delicate as a cat, against the side of her mouth. Torn between disgust and desire at the extraordinary sensation, she slid her own tongue to meet his and felt the terrible intimacy of a grown man's intrusive kiss. All at once it was too much for her, and she shrank back from him, but he knew the rhythm of this dance which she had so lightheartedly invoked, and which would now beat through her very veins. He caught at the hem of her brocade skirt and pulled it up and up until he could get at her, sliding his practiced hand up her thighs, underneath her linen shift. Instinctively she clamped her legs together against his touch until he brushed, with calculated gentleness, the back of his hand on her hidden sex. At the teasing touch of his knuckles, she melted; he could feel her almost dissolve beneath him. She would have fallen if he had not had a firm arm around her waist, and he knew at that moment that he could have the king's own daughter, Princess Elizabeth, against a tree in the queen's garden. The girl was a virgin in name alone. In reality, she was little more than a whore. A light step on the path made him quickly turn, dropping Elizabeth's gown and putting her behind him, out of sight. Anyone could read the tranced willingness on the girl's face; she was lost in her desire. He was afraid it was the queen, his wife, whose love for him was insulted every day that he seduced her ward under her very nose: the queen, who had been entrusted with the care of her stepdaughter the princess, Queen Katherine who had sat at Henry VIII's deathbed but dreamed of this man. But it was not the queen who stood before him on the path. It was only a girl, a little girl of about nine years old, with big solemn dark eyes and a white Spanish cap tied under her chin. She carried two books strapped with bookseller's tape in her hand, and she regarded him with a cool objective interest, as if she had seen and understood everything. "How now, sweetheart!" he exclaimed, falsely cheerful. "You gave me a start. I might have thought you a fairy, appearing so suddenly." She frowned at his rapid, overloud speech, and then she replied, very slowly with a strong Spanish accent, "Forgive me, sir. My father told me to bring these books to Sir Thomas Seymour and they said you were in the garden." She proffered the package of books, and Tom Seymour was forced to step forward and take them from her hands. "You're the bookseller's daughter," he said cheerfully. "The bookseller from Spain." She bowed her head in assent, not taking her dark scrutiny from his face. "What are you staring at, child?" he asked, conscious of Elizabeth, hastily rearranging her gown behind him. "I was looking at you, sir, but I saw something most dreadful." "What?" he demanded. For a moment he was afraid she would say that she had seen him with the Princess of England backed up against a tree like a common doxy, her skirt pulled up out of the way and his fingers dabbling at her purse. "I saw a scaffold behind you," said the surprising child, and then turned and walked away as if she had completed her errand and there was nothing more for her to do in the sunlit garden. Tom Seymour whirled back to Elizabeth, who was trying to comb her disordered hair with fingers that were still shaking with desire. At once she stretched out her arms to him, wanting more. "Did you hear that?" Elizabeth's eyes were slits of black. "No," she said silkily. "Did she say something?" "She only said that she saw the scaffold behind me!" He was more shaken than he wanted to reveal. He tried for a bluff laugh, but it came out with a quaver of fear. At the mention of the scaffold Elizabeth was suddenly alert. "Why?" she snapped. "Why should she say such a thing?" "God knows," he said. "Stupid little witch. Probably mistook the word, she's foreign. Probably meant throne! Probably saw the throne behind me!" But this joke was no more successful than his bluster, since in Elizabeth's imagination the throne and the scaffold were always close neighbors. The color drained from her face, leaving her sallow with fear. "Who is she?" Her voice was sharp with nervousness. "Who is she working for?" He turned to look for the child but the alle was empty. At the distant end of it he could see his wife walking slowly toward them, her back arched to carry the pregnant curve of her belly. "Not a word," he said quickly to the girl at his side. "Not a word of this, sweetheart. You don't want to upset your stepmother." He hardly needed to warn her. At the first hint of danger the girl was wary, smoothing her dress, conscious always that she must play a part, that she must survive. He could always rely on Elizabeth's duplicity. She might be only fourteen but she had been trained in deceit every day since the death of her mother, she had been an apprentice cheat for twelve long years. And she was the daughter of a liar-two liars, he thought spitefully. She might feel desire; but she was always more alert to danger or ambition than to lust. He took her cold hand and led her up the alle toward his wife Katherine. He tried for a merry smile. "I caught her at last!" he called out. He glanced around, he could not see the child anywhere. "We had such a race!" he cried. I was that child, and that was the first sight I ever had of the Princess Elizabeth: damp with desire, panting with lust, rubbing herself like a cat against another woman's husband. But it was the first and last time I saw Tom Seymour. Within a year, he was dead on the scaffold charged with treason, and Elizabeth had denied three times having anything more than the most common acquaintance with him. (Continues...) Excerpted from The Queen's Fool by Philippa Gregory Copyright ©2004 by Philippa Gregory Limited. Excerpted by permission. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site. --This text refers to the paperback edition. Praise for Philppa Gregory:`Gregory's research is impeccable which makes her imaginative fiction all the more convincing' Daily Mail`Gregory is great at conjuring a Tudor film-set of gorgeous gowns and golden-lattered dining. She invokes some swoonsome images...while the politics are personal enough to remain pertinent' Daily Telegraph`Subtle and exciting' Daily Express`Written from instinct, not out of calculation, and it shows'Peter Ackroyd, The Times`For sheer pace and percussive drama it will take a lot of beating' Sunday Times --This text refers to the audioCD edition. Read more

Features & Highlights

  • #1
  • New York Times
  • bestselling author and “queen of royal fiction” (
  • USA TODAY
  • ) Philippa Gregory weaves a spellbinding tale of a young woman with the ability to see the future in an era when destiny was anything but clear.
  • Winter, 1553. Pursued by the Inquisition, Hannah Green, a fourteen-year-old Jewish girl, is forced to flee with her father from their home in Spain. But Hannah is no ordinary refugee; she has the gift of “Sight,” the ability to foresee the future, priceless in the troubled times of the Tudor court. Hannah is adopted by the glamorous Robert Dudley, the charismatic son of King Edward’s protector, who brings her to court as a “holy fool” for Queen Mary and, ultimately, Queen Elizabeth. Hired as a fool but working as a spy; promised in wedlock but in love with her master; endangered by the laws against heresy, treason, and witchcraft, Hannah must choose between the safe life of a commoner and the dangerous intrigues of the royal family that are inextricably bound up with her own yearnings and desires. Teeming with vibrant period detail and peopled by characters seamlessly woven into the sweeping tapestry of history,
  • The Queen’s Fool
  • is a rich and emotionally resonant gem from a masterful storyteller.

Customer Reviews

Rating Breakdown

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Most Helpful Reviews

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A Perfect Blend of History and Fiction!

This is a very engaging novel centering on a Hannah Verde/Green. She is a young (secretly) Jewish girl who has just escaped the Spanish inquisition to England with her father, who is a bookseller. In an unusual twist, her father -- in an attempt to protect her -- has disguised her as a boy. A member of the royal court comes to the humble bookshop one day, and Hannah's father "begs her for a fool" at Court. When the only living son of Henry VIII dies, his daughter, by Katherine of Aragon, Mary, takes the throne, and Hannah is swept into Mary's service. She also comes to know another royal princess, Elizabeth, who is next in line for the throne.

While Hannah may be a fictitious character, there is a great deal of history packed into this novel having to do with England's relationship with Spain and France at that time, the plight of Jews all over Europe (including in England), the shifting attitude towards religious freedom in England, and the restrictive nature of a woman's life in the 16th century. And of course, there is a love story intertwined throughout the book. Hannah, who is a gangling adolescent at the beginning blossoms into a beautiful young woman by the end. I don't want to give too much away, since I want you to enjoy the book as much as I did!
16 people found this helpful
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Good background, "cover" story a little thin

Philippa Gregory does a really good job with the nuanced picture of Queen Mary whose life was so uneven and dysfunctional. She also does a very good job describing the fear in the general population during the years of Queen Mary's reign. As described, there were regular, frequent burning of heretics ("heretics" according to Queen Mary and her advisers) and it has been described by historians as a reign of terror. It was especially dangerous for Jews as described by the book's protagonist. So those aspects of the book create an important and realistic backdrop for the book.

However, there are two things wrong with the book - first, the "cover" story about the young girl who plays the Queen's fool is fairly unbelievable. Secondly, the book lacks character depth - in a good book you should know how the characters feel because of what they say and do, not because the narrator has to continually tell you. I felt like Hannah was inconsistent. But, I loved her spunk!

After reading this book (which we read for our book club) I read a non-fiction history, "The Wives of Henry the Eighth" by Martin Hume. This book provides the background to significantly help understand the deeply unstable environment in which Queen Mary was raised. It vividly evoked the terror and horror of Henry VIII's reign as well as the egocentric, un-motherly behavior of Katherine of Aragon, Queen Mary's mother. If you want to enjoy The Queen's Fool more, first read "The Wives of Henry the Eighth".
12 people found this helpful
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Hannah and Robert - A Fantastic Tale of The most wonderful and terrifying times in the lives of the English

I chose this book because of the author and for the history of the age. Philippa Gregory has done her homework. I had no idea how really horrible life was for the people during the reign of Henry VIII and the perils of being close to the throne. The people's only hope was to be ignored if they were of noble birth. The lives of the populace was not their own. Constant fear was the norm. Their religious beliefs could very well send them to the fires, or the executioner . Inquisition was always a threat. To be Jewish was a death sentence, almost akin to Hitler. I was horrified and yet I could not stop reading. The story of Hannah and Robert and their ongoing twists and turns kept me going even when I wanted to quit.
GOOD JOB MS. GREGORY, GOOD JOB.
7 people found this helpful
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Just plain bad. I think this is the worst of the ...

Just plain bad. I think this is the worst of the four books I have read in the series :( Books 2 and 3 were so good too! I can't recommend this at all and I will not buy anymore books by this author, it just feels as if she is writing to make money and she has (sadly) run out of ideas for more books. Furthermore, she obviously is a big Bloody Mary fan but does not remotely like Elizabeth I. Maybe I am wrong but then way bash the heck out of Elizabeth over and over and over and praise Mary till just about the very end siiiigh
7 people found this helpful
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An interesting story from a new point of view

I like the whole "Tudor" series for its characterizations and views into what that court and lifestyle was like. However, this one is my favorite. It's a view from someone who must hide in full view; a total alien to the courtly lifestyle who must figure out which alliances to keep, and which secrets, to preserve her life as she becomes increasingly part of this new world. The author makes it clear how difficult it was to be Jewish in Tudor England; even before the focus on doctrine given by the reformation it was a life of defense and hiding. And, the author uses that to show us what the court would be like, and how one would get swept up into it, as a basically normal person trying to get by. I found it very interesting.
6 people found this helpful
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Why are the Boleyns always portrayed as devils in Phillipa Gregory's books?

The book was an entertaining read. I also completed The Boleyn Inheritance before this book, and honestly I dont know what is the authors problem with the Boleyn girls, Elizabeth included. It was interesting to read about Mary Tudor in a sympathetic light for a change, but Elizabeth is portrayed in a permanent unfavorable light from the beginning of the book, as a wanton girl whose major achievement is stealing other women's husbands. The way the author describes Elizabeth puts her almost in the same league as Katherine Howard in TBH.

Also, it is really hard to sympathize with the main character, Hannah Green. She throws tantrums against her fiancee just because and has a serious double standard for qualyfing people as good or bad. Something is really bad with this girls moral compass. Also, the events that happen later in the book are deviced as deus ex machina to solve the problems she has with specific people so that she does the "right thing" at the book's end; almost like a Disney Movie where the villain accidentaly kills himself.
4 people found this helpful
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Sluggish

I like author Philippa Gregory. Her novels are part Historical Fiction and part a bodice- ripping romance nove. Fabio is never on the cover, but he's always there in spirit.

Gregory's novel "The Queen's Fool" is narrated through the fictional character, Hannah Green, a young girl from Spain who must hide her Jewish heritage or face persecution in England. Hannah has the gift of foreseeing the future and through a series of chance encounters, she becomes a fool in the tumultuous court of Queen Mary the first. Hannah is a young woman caught between her loyalties in the court and her family, specifically to her betrothed, Daniel.

Usually Gregory's novels are quick paced, beach type reads. They have enough weighty content to be taken seriously and enough pulp to be entertaining. Unfortunately, I found "The Queen's Fool" to be long and dull.

The biggest problem is the main character. Gregory has set up Hannah to be in the most precarious of positions and constantly in danger. She is a woman who must always hide her identity and to try to keep up with every shifting loyalties in the court. The book should have been suspenseful and exciting. It really contains enough intrigued and plotting to be an episode of "The Game of Thrones".

However, Hannah is a baffling and weak character. She is impossible to understand, because her decisions never add up. She is in love with multiple men, yet her desires are never fully realized. She waffles between fleeing to be with a man and returning to court, both as a companion to Queen Mary and to Princess Elizabeth, two sisters who are unsure of their loyalties to one another. Hannah isn't very rooted in her culture and then all of a sudden it's her key motivator. She wants to be independent of men, yet is constantly looking for their guidance and support. She flees from danger one moment and runs head-on into it the next.

Hannah doesn't add up. She's a waffler.

Watching Hannah's story unfold is like watching a Tug-Of-Rope competition where nobody is trying to pull hard. It's maddening.

As such, I never had a clear image of the character. Usually when I read a book, I have a strong idea of an actor who could play them in a movie version. I read the whole five-hundred pages of this book without a good idea of the main character.

I felt a huge disconnect from the entire story.

In addition, the book was very repetitive with regard to stating the themes and motivations. I felt beat over the head with certain ideas. It should have been more tightly edited to eliminate the repetition and speed up the pacing.

The themes and real life characters in "The Queens Fool" were interesting and worth exploring. I wish that Gregory had explored them with a stronger protagonist and better fictional story. She has definitely written better novels.

Please visit my blog for more reviews and musings!
3 people found this helpful
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The wisest of fools

Is the Queen's fool a girl or a boy? That wasn't the biggest secret that Hannah Green kept. The other was her origins, her faith, the fate of her mother during the Inquisition of Spain. Now living in England with her book publisher father, another of her secrets, her Sight, brings her to the attention of Sir Robert Dudley during the short reign of Edward V.

Because of her Sight, Dudley brings Hannah to Court as a Holy Fool. Dressed androgynously, Dudley employs Hannah to be his eyes and ears in court and even more importantly during his imprisonment in the tower.

Hannah maintains her position in the court even after Edward's death while her betrothed, another marrano, Daniel Carpenter, who is a physician in training and the beloved son and brother to his household.

Hannah manages to both ingratiate herself to Queen Mary and Princess Elizabeth, often acting as a go spy for both the Royal heirs for Dudley. She is called upon by him and his confidant, Dr. Dees, to foresee the future. And while her gift is not always biddable, much of what she reveals does come to pass.

Philippe Gregory is the master of Tudor historical fiction, and this book is not a disappointment.
2 people found this helpful
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Not her best book in this series

Not her best book in this series. Not based on a real character and not really all that believable. Out of character for her otherwise outstanding works.
2 people found this helpful
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Great read

What a fascinating story of a young girl émigré escaping the Spanish Inquisition! This poignant portrait of the beloved only child of a Spanish bookseller quickly envelopes the reader into Tudor England and then Gallic France where her father and betrothed escape when England is thrown into turmoil as the Catholic Mary ascends the throne.

The hardships she endures, the tough choices she is forced to make and her life as a secret Jew make a delicious read. I love Phillipa Gregory's writing. I got a great deal through one of the many book clubs I subscribe to (BookBub, Sweet Deals, etc.). If you're a passionate reader belonging to a club saves you hundreds of $ if you're okay with e-reading.
2 people found this helpful