An Amazon Best Book of April 2018: Do you love trees? I thought I did, until I read Richard Powers's The Overstory , and I realized that my appreciation of trees was lightweight at best. When one of Powers's characters goes to a small grove outside her office window to determine the tree's species, "She stands with her nose in the bark, perversely intimate. She doses herself for a long time, like a hospice patient self-administering the morphine." Trees are not exactly an addiction to the wide-ranging cast of characters--an engineer, a Vietnam vet, a college student, a videogame designer, and more—but more like a touchstone that offers tradition and destiny at once. Powers, a National Book Award and Pushcart Prize–winning author, is devious in that he first immerses the reader in the lives of his characters before delicately oxygenating his story with the devastation of Dutch elm disease, the enduring strength of the sequoia, and the communication methods trees use to warn of predators and to lure allies. The Overstory might sound a bit woo-woo—and it definitely is that, though in such a way that it inspires passion instead of eye-rolling. This gorgeously written novel will seduce you into looking more closely at not only our fellow human beings but the towering bio-kingdom that is too often merely a backdrop to our days. Perhaps, like me, you will be inspired to walk out into the night to smell the rain sweeping through the nearby evergreen trees. —Adrian Liang, Amazon Book Review "An ingeniously structured narrative that branches and canopies like the trees at the core of the story whose wonder and connectivity echo those of the humans living amongst them." ― citation from the Pulitzer Prize in Fiction "Autumn makes me think of leaves, which makes me think of trees, which makes me think of The Overstory , the best novel ever written about trees, and really, just one of the best novels, period." ― Ann Patchett "Monumental… The Overstory accomplishes what few living writers from either camp, art or science, could attempt. Using the tools of the story, he pulls readers heart-first into a perspective so much longer-lived and more subtly developed than the human purview that we gain glimpses of a vast, primordial sensibility, while watching our own kind get whittled down to size....A gigantic fable of genuine truths." ― Barbara Kingsolver, The New York Times Book Review (cover review) "Remarkable....This ambitious novel soars up through the canopy of American literature and remakes the landscape of environmental fiction." ― Ron Charles, Washington Post "A big, ambitious epic....Powers juggles the personal dramas of his far-flung cast with vigor and clarity. The human elements of the book―the arcs his characters follow over the decades from crusading passion to muddled regret and a sense of failure―are thoroughly compelling. So are the extra-human elements, thanks to the extraordinary imaginative flights of Powers’s prose, which persuades you on the very first page that you’re hearing the voices of trees as they chide our species." ― Michael Upchurch, Boston Globe "A rousing, full-throated hymn to Nature’s grandeur." ― Dan Cryer, San Francisco Chronicle "An extraordinary novel....An astonishing performance....There is something exhilarating, too, in reading a novel whose context is wider than human life. The Overstory leaves you with a slightly adjusted frame of reference....What was happening to his characters passed into my conscience, like alcohol into the bloodstream, and left a feeling behind of grief or guilt, even after I put it down." ― Benjamin Markovits, The Guardian "Powers is the rare American novelist writing in the grand realist tradition, daring to cast himself, in the critic Peter Brooks’s term, as a 'historian of contemporary society.' He has the courage and intellectual stamina to explore our most complex social questions with originality, nuance, and an innate skepticism about dogma. At a time when literary convention favors novelists who write narrowly about personal experience, Powers’s ambit is refreshingly unfashionable, restoring to the form an authority it has shirked." ― Nathaniel Rich, The Atlantic "This book is beyond special. Richard Powers manages to turn trees into vivid and engaging characters, something that indigenous people have done for eons but that modern literature has rarely if ever even attempted. It's not just a completely absorbing, even overwhelming book; it's a kind of breakthrough in the ways we think about and understand the world around us, at a moment when that is desperately needed." ― Bill McKibben " The Overstory is a visionary, accessible legend for the planet that owns us, its exaltation and its peril, a remarkable achievement by a great writer." ― Thomas McGuane Richard Powers is the author of thirteen novels, including The Overstory and Orfeo , and the recipient of a MacArthur Fellowship, the Pulitzer Prize, and the National Book Award. He lives in the foothills of the Great Smoky Mountains. Read more
Features & Highlights
Winner of the Pulitzer Prize in Fiction Shortlisted for the Man Booker Prize
New York Times
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Kirkus Reviews
Best Book of 2018 "The best novel ever written about trees, and really just one of the best novels, period."―Ann Patchett
An Air Force loadmaster in the Vietnam War is shot out of the sky, then saved by falling into a banyan. An artist inherits a hundred years of photographic portraits, all of the same doomed American chestnut. A hard-partying undergraduate in the late 1980s electrocutes herself, dies, and is sent back into life by creatures of air and light. A hearing- and speech-impaired scientist discovers that trees are communicating with one another. These four, and five other strangers―each summoned in different ways by trees―are brought together in a last and violent stand to save the continent’s few remaining acres of virgin forest.
In his twelfth novel, National Book Award winner Richard Powers delivers a sweeping, impassioned novel of activism and resistance that is also a stunning evocation of―and paean to―the natural world. From the roots to the crown and back to the seeds,
The Overstory
unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond, exploring the essential conflict on this planet: the one taking place between humans and nonhumans. There is a world alongside ours―vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe.
The Overstory
is a book for all readers who despair of humanity’s self-imposed separation from the rest of creation and who hope for the transformative, regenerating possibility of a homecoming. If the trees of this earth could speak, what would they tell us?
"Listen. There’s something you need to hear."
Customer Reviews
Rating Breakdown
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Most Helpful Reviews
★★★★★
5.0
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and the love people are capable of
I finished this magnificent, life-changing book 1/2 hour ago, and I hope to read it again soon. Powers takes on the single most important topic of our time: the effects of humans on the planet and the possibility of a future. Through 9 varied characters, he brings to life the old forests, the lives of individual trees, the quest for AI, and the love people are capable of, among other themes. It's a tour de force of creation and, at 500 pages, it could have gone on forever and I would have been happy. It will also break your heart, but it's not completely without hope. Highest recommendation.
1.1K people found this helpful
★★★★★
5.0
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A Most Extraordinary Walk in the Park
When looking for a literary analogue, The Overstory is almost something of a Dostoevskian novel. The themes are different of course—-Powers is not interested in discussing God or the basis of morality—but one does get the sense in reading the Overstory that the plot, characters and various literary devices are all at the service of the author’s philosophical vision. And by philosophical I don’t mean esoteric fine points of metaphysics but the larger question of the future of life on earth—in both Powers and Dostoevsky there is almost a return to the themes of ancient apocalyptic writings.
While Powers certainly doesn’t need authentication of his narrative power—he has already won a National Book Award among many literary prizes—I can vouchsafe that he is an excellent storyteller. Similarly, his ability to create characters that may stretch the bounds of believability but still generate passionate sympathetic feelings in the reader is also beyond doubt.
Thus, I found myself reading the Overstory with every free moment I had over two days and loving nearly every page.
The overarching philosophy of the work is that human beings, either willfully or not, do not understand the amount of destruction they are causing to the world’s flora. Plants and trees, one of the oldest of the earth’s kingdoms, are only now beginning to be understood as beings that communicate, learn and in some instances even care for their own offspring. The human caused biocide of the world’s flora is a tragedy not only because these trees may have medicinal or other useful properties for humans but also because each one is a beautiful product of nature fashioned over millions of years. In the author’s view, we seem to be destroying some of the most important parts of creation, so that everyone can, so to speak, have a bigger projection screen TV.
Nor are biofuels, renewable energy or other technological fixes likely to stem this downward spiral. Even virtual reality is only going to be as interesting as the humans who create it and so cannot be a genuine substitute for the complexity of what nature provides for us gratis in the real world.
The author seems to envision only two scenarios: either humankind will wipe itself out and the earth will generate new, unforeseeable solutions to life or artificial intelligence will impose a solution on a humanity which cannot save itself.
To those who have read optimistic works like Steven Pinker’s Enlightenment Now or related perspectives such environmental pessimism is somewhat startling. I can’t say that I am fully persuaded by Powers’ perspective but I can appreciate the accuracy of his science, the literary craftsmanship that went into embodying these ideas and the importance of his overall message.
So, if you are willing to endure a literary punch to the stomach and put on apocalyptic glasses then you will thoroughly enjoy The Overstory. But, though a love of trees thoroughly permeates the book, it is hardly a walk in the park.
868 people found this helpful
★★★★★
5.0
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Richard Powers first truly great work of fiction
The first chapter alone is worth the price of entry -- if it were a stand-alone short story, it would be the best short story I've ever read. I have read a number of this author's works, and mostly enjoyed them, but there was always something missing. This book has it all.
305 people found this helpful
★★★★★
5.0
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Brilliant, wonderful characters, exquisite writing, unusually accessible- possibly his best.
I'm half way through it and I am finding it very hard to put down. This differs from his other novels in its accessibility to the average reader- I hope it will bring him the popularity he so richly deserves. This is an immensely readable novel- he seems to have improved his ability to communicate his rather esoteric ideas to an audience that is not necessarily well versed in science and/or music. His characters are well drawn and compelling- I find myself thinking about them often, and not wanting to end the book, because I will miss all of them. It is a uniquely American novel in many ways, and yet, of course, its themes are universal. Powers writes a lot about the connections between art and science; this more than most of his books, is about humans and our connection to nature. It's a common subject, and yet he gives it his own special twist. It's his most accessible novel since In The Time Of Our Singing. I have to say that the phrase "Great American Novel" keeps coming to me- I'm not sure if I am being hyperbolic.
184 people found this helpful
★★★★★
3.0
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The wrong place for violence.
I ordered this book for a friend before I got to the second half. I was absolutely thrilled and changed by the exuberance Powers creates in the natural world. I thought the writing gorgeous and the story full of layers and interconnections that made it a masterpiece. And then he throws in so much violence I thought I was watching the overpriced films of our time designed to entertain the generations of humans that can't get through a day without a murder for entertainment. So now I am going to warn my dear friend who is facing major challenges that this book turned out to be the dark that I avoided passing her way. Too bad, could have been great written art.
84 people found this helpful
★★★★★
5.0
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A stunning stunning book // Here's how to read this book.....
I can’t say that this is the best book I’ve ever read, but I can’t think of another book that is better. It is rich, complicated, creative, clever. Hard and tragic. Thought-provoking, and then some. It is as beautifully written as anything you’ll ever read in English.
This is the way to read it: get it from amazon or your local bookstore or the library. But if you possibly can, don’t read anything about it. Don’t read a review. Don’t read the blurb on the book itself. At most you can read the table of contents, and wonder a little about that, and then turn to page 1.
It is a book that reads at a very funny pace indeed.
The opening chapters, the whole first section, the first third of the book, I read glacially slowly – so slowly, in fact, that I read two other books, start to finish, in the time that I read them. This is not like me at all. But each chapter was so beautifully formed, so fully complete in itself, that I felt I couldn’t just turn to the next page – I had to digest it a little.
Then the next section, the middle section, I read in the weirdest way – I had to go back and keep re-reading earlier sections, to remind myself who was who and put some of the pieces together.
And then the last section I read gatheringly fast, lost in the book, more in the world of the book than in whatever is or was going on around me. I knew at a certain point, before the book was through, that I was going to write this email to the list, and I wasn’t sure if I’d be anywhere near finished when I wrote this, and for two hundred or more pages I was saying, "I hope he can land this. I really hope he can land this...." And – well – I finished the book, and you’ll decide for yourself if you think he landed it or not.
You can read it on kindle if that’s how you like to read, and if you do it may have the advantage of letting you look up words as you read. I read it in hardcover, with a pencil. In the back I have two pages of words to look up – achenes, sintering, scry, piezo, moksha, marcescent, racemes, logy, pleach, drumlins, saprophytic, petioles, celadon, lote, espaliered, pareidolia, adelgids…
In any case. It is a beautiful book and an important book. Read it - and then give copies to dear friends, so they can read it, and then you can talk about it with them......
56 people found this helpful
★★★★★
4.0
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Because 'Tree' & 'Truth' Share the Same Root
In this Pulitzer Prize winning novel, The Overstory, one of the characters offered some profound advice to his students. “You can’t see what you don’t understand. But what you think you already understand, you’ll fail to notice.”
Before we bought our current family home, we visited. With most of the furniture moved out and life hidden from view, the rooms were staged for a buyer.
All except the young boy with autism, who could not be subdued during our tour of the home for sale. He sat on the couch and jumped up to pace, groans for words, his hands thrown against his stomach in uncomfortable, unpredictable bursts. His mother, long in patience and able to see what most could not, interpreted his enthusiasm for us and for our young children.
His mother saw what we could not, knew everything was fine.
In her son’s honor and in his name, a young tree had been planted years prior in the backyard of the house that we wanted to buy, because the boy’s parents understood. They saw. They did not fail to notice.
Yes, we bought the home and our children played for hours in that backyard. We did not see the boy’s tree, just as we didn’t see the boy.
The author of this book has caused me to see that tree, and others, much differently.
Other trees including the ones no longer there. The author screams his warning to see their disappearance, page aftrr page.
Our children chose instead to live in the wild little forest growing on the edge of our property line, beneath the boy's tree. Here, they buried their childhood.
Deceptively dense on a postage stamp of swamp, this little forest was rife with potato vines, knee-high undergrowth and thin trunks that bent in the wind to shake off little white flowers. It sheltered courage within the walls of a young boy’s fort; it sprouted imagination in a backlot to short films on a young girl's handheld camera. Those leaves and vines covered hope and shame and anger and joy and love and peace.
Then, just as our children all entered their teens, our little town outgrew itself. Progress sent machines to tear down our forest and build a mandatory retention pond.
Every vine, every stump, every little white flower was erased from the yard and forever from the planet, so that our neighbors could use more water and so that the water would have some place to go other than out onto our dirt roads. Against our will, the machines tore away everything but the autistic boy’s tree. Quietly, this had grown tall, with a trunk too wide to hug.
Today, that tree is the lone survivor of our backyard forest. This beautiful, magnificent tower of memory tells the stories of my three kids’ childhood.
I just finished reading The Overstory by Richard Powers. I read it because I love trees (not just the one in my backyard), and because I want to read good writing. This book offers both.
Powers tells the stories of 9 characters whose lives all profoundly intersect with trees. And what do all stories do, one of those characters asks in the book? “[Good stories] kill you a little. They turn you into something you weren’t” (page 412).
Is that why I read? To become something I wasn’t? To grow? Or to put it another way, to die just a little? Is it death?
The author wants us to think about the environment like we’ve not thought about it before. He doesn’t serve up a green brochure or a scientific journal article disguised as a flimsy four-part play. He introduces us to people and pulls them together in ways that surprise and distress and move and frighten his reader. After all, propaganda about the destruction of trees would not make us think differently. We would just see what we think we see without understanding, without knowing.
“The best arguments in the world won’t change a person’s mind,” says one of the characters in this book. “The only thing that can do that is a good story.”
He got me thinking anyway. Powers ends his novel on the second to last page with a reminder that “the word ‘tree’ and the word ‘truth’ come from the same root” (page 500).
Because of his story, I see trees with new eyes. But Powers begs his readers to do more than just listen and nod. He storytells his heart out and, in return, begs me to die a little.
50 people found this helpful
★★★★★
2.0
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well . . .
After this book won the Pulitzer Prize, I decided I should read regardless of reviews. I wanted to decide for myself. I made it half-way and couldn't take being bludgeoned about trees every few pages. The characters this started with, in what I thought were quite interesting short stories, began crossing over each other and into each other's lives; and there were those trees leading the pack. And leading, and clubbing over the head. And preaching. I finally went to reader reviews and found that nearly all of the one- and two-star reviews said just about everything I wanted to say. I have a life and it is too short to stay with another 250 pages I am beginning to dislike. I think I'll go back to reading The Hunchback of Notre Dame. It's old but more fun.
42 people found this helpful
★★★★★
4.0
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An powerful, epic tale of a group of people and how their relationship to trees and affect them in profound ways
An epic story of nine individuals drawn to trees in various ways, THE OVERSTORY, by Richard Powers, weaves these lives into recent history and uses those lives to reflect upon nature (particularly trees), life's purpose and contemplates how much nature needs human existence and vice versa.
Powers begins the book by providing a very specific history of each character and once each of the nine are established and we understand how they got to where they are in their lives, Powers then launches into slowly having their worlds intertwine. The book carries on chronologically after that, bringing us forward from the late 1980's to the present, constantly visiting each person or group. Each person carries with them a unique perspective from the other eight and each of them discovers feelings and truths that molds their motives and desires as they mature. Powers does an excellent job of connecting the reader to each person and carrying the reader through each one's discovery of their own purpose. Also, by describing everyone's connection to trees, the reader becomes more educated and enlightened as to the role trees play in our ecosystem. The prose of the book is very dense and descriptive, letting the reader savor the scenes and actions as they unfold.
Vibrant settings, Passionate and vivid feelings, and emotionally charged action makes THE OVERSTORY a book to relish and will inspire people to find their purpose in their lives.
Thank you to W. W. Norton & Company, Richard Powers, and Netgalley for a copy of this book in exchange for an honest review!
40 people found this helpful
★★★★★
1.0
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Relentless, graceless polemic filled with depressing hopelessness.
My relationship with joy is complex and fragile. For me, the purchase of a book is an act of hope--I don't purchase a book in hopes of having my spirit crushed. If you want to feel depressed and diminished, this is the book for you.
My mother is schizophrenic. I have always wondered why the "voices" never say anything happy or positive. The voices never say, "There is hope for you, have faith!" Instead, they say things like, "Your family is dying and demons are hiding in the wallpaper." This book speaks like the voices in my mother's head, and these voices devour the nascent bud of fragile happiness.
The vignettes are cleverly written short stories about tragic and flawed humans who are all somehow involved with special trees in their lives. The trees die, like the chestnut tree extinction, the Dutch elm diseases, and a mulberry that has leaf spot. In the same way, the human characters die. They die in wars, they die by suicide, they are abducted and murdered. Tree death, human death, clear cutting, and there is no God, there is no hope, there is nothing positive at all. I hated the short stories. The first story--while tragic--was still magical in a way. The following stories devolved into a dirgelike procession of depressing tragedy and faithless human lives devoid of meaning. I feel as though some elements of the stories were likely taken from author experience, but the diverse characters seemed contrived and awkardly portrayed. I was particularly put off by the interracial Chinese-American story as it portrays my own personal experience and did so in a way that was "off" enough to be uncomfortable.
If you would like a summary of Overstory, here it is: 1-Life sucks and then you die. 2-People are bad and mean. 3-Trees live in a timeline that is old. Very old. Older than you. Better than you. 4-Religion is fake. 5-Trees are good. 6-Save the trees. 7-People die, trees die, everyone dies, tragedy happens, and if you like I will rub your nose in that so you can feel bad for a while.
Don't get me wrong. I have always been very, very deeply in love with trees. I spent my childhood sneaking up into tree branches to read all day, high above the cruelty of the other children. I planted a seedling sweet gum that grew up with me and when we had to sell my childhood property I cried for the tree. I am very environmentally aware and yes, I also believe that we need to fight for our trees. HOWEVER, I also have hope, and faith. I don't like being lectured to by anyone, even a tree. I don't like getting beaten over the head by Captain Obvious when I read. But even more importantly, I can't bear reading relentlessly depressing books that steal my joy, like the hectoring and cruel voices in my mother's head.