The Monster in the Box: An Inspector Wexford Novel
The Monster in the Box: An Inspector Wexford Novel book cover

The Monster in the Box: An Inspector Wexford Novel

Hardcover – October 13, 2009

Price
$10.25
Format
Hardcover
Pages
304
Publisher
Scribner
Publication Date
ISBN-13
978-1439150337
Dimensions
6.25 x 1 x 9.25 inches
Weight
1.02 pounds

Description

From Publishers Weekly In Edgar-winner Rendell's 22nd Inspector Wexford novel (after 2007's Not in the Flesh ), the British police detective confronts a man from his past, Eric Targo, who he suspects is guilty of multiple murders. Years earlier, Targo stalked and taunted Wexford, daring him to press charges. A squat, creepy bully with a purple birthmark disfiguring his neck, Targo has graduated from smalltime thug to prosperous businessman, ensconced in a nouveau-riche spread complete with private zoo and lion in Kingsmarkham. When Targo apparently commits a murder affecting Wexford's own family, the inspector must re-examine how Targo consistently outsmarts the law. The meeting and mating of Wexford and his wife, Dora, also figure in the backward-looking action. While the reminiscing dilutes some of the suspense, Rendell easily outdistances most mystery writers with her complex characters and her poetic yet astringent style. (Oct.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Bookmarks Magazine Although acknowledging Wexford's fascinating foray back in time, critics expressed mixed opinions about Rendell's latest—perhaps last—Inspector Wexford mystery. The most enthusiastic reviews, adopting a nostalgic tone, reminisced about Wexford's years as a young policeman, his personal growth, and the earlier period's cultural milieu. But more critics felt mixed about Rendell's retelling of Wexford's life 30 years before; others criticized the forced, distracting subplot featuring the Muslim girl and Rendell's strained political correctness. The Monster in the Box seems minor compared to previous efforts, and, though interesting, novices may wish to start with one of the earlier books in the series. Ruth Rendell has won numerous awards, including three Edgars, the highest accolade from Mystery Writers of America, as well as four Gold Daggers and a Diamond Dagger for outstanding contribution to the genre from England’s prestigious Crime Writer’s Association. A member of the House of Lords, she lives in London. From The Washington Post From The Washington Post's Book World/washingtonpost.com Reviewed by by Michael Sims One of the best-written detective series in the genre's history is ending. With "The Monster in the Box," Ruth Rendell says farewell to Reginald Wexford, her popular chief inspector of Kingsmarkham, a small Sussex town south of London. "I don't want to do any more Wexfords," she told the Telegraph this spring. "I have other interests now." Rendell turned 79 this year. Her tone in the 22nd Wexford novel is elegiac, as she looks back over his career and, implicitly, her own. Author and character debuted in 1964 in "From Doon With Death." Ever since, she has been misleading readers and critiquing social change in England. She writes sly, literate prose and spins intricate plots; several Wexfords stand among the finest detective stories ever written, especially "A Sleeping Life," "Simisola" and "Harm Done." Rendell has also published two dozen non-series crime novels and more than a dozen others under the name Barbara Vine. Her list of honors is longer than most authors' bibliographies. Because the Wexford series stars police officers, it has been described inaccurately as a "police procedural," but Rendell admits she knows little about law enforcement. "I've never been in a police station," she confessed in a 1996 interview. "I just make it up." Wexford is a cop for the same reason that Sara Paretsky's V.I. Warshawski is a private eye: Such a premise allows an author to peek into many lives, observe, ask questions and move on. And unlike private eyes, cops have the official power to intervene, whether as nemesis or rescuing knight. Often Wexford plays both roles. Although in her series Rendell has explored every social stratum and issues from ecology to racism to domestic violence, she has really created only two major characters: the inspector himself and his dapper, prudish right-hand man, Mike Burden. Over the years, Burden changes more than Wexford does, as his first wife dies and he marries a more easygoing, progressive woman who lures Burden out of his judgmental conservatism. Wexford's own wife, Dora, is always reliably in the background, but only in the 1997 novel "Road Rage" is she featured. In case you were disappointed with the last couple of Wexford books (the weak "End in Tears" and the merely adequate "Not in the Flesh"), I'm pleased to report that "Monster" brings both Rendell and Wexford back in strong form. Invariably, whenever I predicted the plot would go in a certain direction, I was wrong. For the first time in the series, we glimpse Wexford's youth, his days as a rookie cop, his eager but uncertain approach to his first cases, the comedy of his early dating, even his initial meeting with Dora. These flashbacks appear not apart from the crime trail but within its context. Throughout his career, we learn, Wexford has been distantly shadowed by the monster of the title: Eric Targo, a man who, Wexford is certain, committed at least two murders without attracting suspicion from anyone other than Wexford himself. But the rookie Wexford had no real evidence; powerless, he watched both investigations go astray. Now Targo is back, stalking Wexford as if taunting him. The long-distance perspective in this final book, which takes place in the late 1990s, highlights an issue that develops in any series over time: the question of the protagonist's age. In most of the series, Rendell doesn't state Wexford's age -- at his debut, he was specifically 52 -- but he has definitely grown older, struggling with weight gain, high blood pressure and other bodily ills. Always something of a grouch -- "precious and fussy," one of his colleagues thinks -- he is now "preoccupied," Rendell writes, with "times long past." He recalls everything from restrictions considered necessary for watching the first TVs to interrogation rooms before the smoking ban, and he complains about the "general mealymouthed PC-ness" that dominates public lives nowadays. Rendell also brings back the agonizingly self-conscious and politically correct detective Hannah Goldsmith, who wrestles with the threat of a Muslim girl being forced into marriage. This subplot connects with others. Ultimately, everything weaves together in Rendell's imaginary town, but more so than ever in "The Monster in the Box." We close the book on Inspector Wexford with the knowledge that he has had an illustrious career. And we accept this conclusion because at any time we can return to Kingsmarkham to explore the darker side of humanity with him as our reassuring and humane guide. [email protected] Copyright 2009, The Washington Post. All Rights Reserved. Excerpt. © Reprinted by permission. All rights reserved. 1 HE HAD NEVER told anyone. The strange relationship, if it could be called that, had gone on for years, decades, and he had never breathed a word about it. He had kept silent because he knew no one would believe him. None of it could be proved, not the stalking, not the stares, the conspiratorial smiles, not the killings, not any of the signs Targo had made because he knew that Wexford knew and could do nothing about it. It had gone on for years and then it had stopped. Or seemed to have stopped. Targo was gone. Back to Birmingham yet again or perhaps to Coventry. A long time had passed since he had been seen in Kingsmarkham, and Wexford had thought it was all over. Thought with regret, not relief, because if Targo disappeared—more to the point, if Targo never did it again—what hope had he of bringing the man to justice? Still, he had almost made up his mind he would never see him anymore. He would never again set eyes on that short, muscular figure with the broad shoulders and the thick, sturdy legs, the coarse, fairish hair, blunt features, and bright blue eyes—and the mark that must always be kept covered up. Wexford had only once seen him without the scarf he wore wrapped round his neck, a wool scarf in winter, a cotton or silk one in summer, a scarf that belonged to one of his wives perhaps, no matter so long as it covered that purple-brown birthmark which disfigured his neck, crept up to his cheek, and dribbled down to his chest. He had seen him only once without a scarf, never without a dog. Eric Targo. Older than Wexford by seven or eight years, a much-married man, van driver, property developer, kennels proprietor, animal lover, murderer. It was coincidence or chance—Wexford favoured the latter—that he was thinking about Targo for the first time in weeks, wondering what had happened to him, pondering and dismissing the rumour that he was back living in the area, regretting that he had never proved anything against him, when the man appeared in front of him, a hundred yards ahead. There was no doubt in his mind, even at that distance, even though Targo’s shock of hair was quite white now. He still strutted, straight-backed, the way a short man carries himself, and he still wore a scarf. In his left hand, on the side nearest to Wexford, he carried a laptop computer. Or, to be accurate, a case made to hold a laptop. Wexford was in his car. He pulled to the side of Glebe Road and switched off the engine. Targo had got out of a white van and gone into a house on the same side as Wexford was parked. No dog? Wexford had to decide whether he wanted Targo to see him. Perhaps it hardly mattered. How long was it? Ten years? More? He got out of the car and began to walk in the direction of the house Targo had gone into. It was one of a terrace between a jerry-built block of flats and a row of small shops, an estate agent, a nail bar, a newsagent, and a shop called Webb and Cobb (a name which always made Wexford smile) once selling pottery and kitchen utensils but now closed down and boarded up. Mike Burden had lived here once, when he was first married to his first wife; number 36, Wexford remembered. Number 34 was the house Targo had gone into. The front door of Burden’s old house was painted purple now, and the new residents had paved over their narrow strip of front garden to make a motorbike park, something Burden said he resented, as if he had any right to comment on what the present owners did to their property. It made Wexford smile to himself to think of it. There was no sign of Targo. Wexford walked up to the offside of the van and looked through the driver’s window. It was open about three inches, for the benefit of a smallish dog, white and a tawny colour, of a feathery-eared, long-coated breed he didn’t recognise, sitting on the passenger seat. It turned its head to look at Wexford and let out a single, sharp yap, not loud, not at all angry. Wexford returned to his car and moved it up the road to a position on the opposite side to the white van between a Honda and a Vauxhall. From there he could command a good view of number 34. How long would Targo stay in there? And what had he been doing with the laptop or the laptop case? It seemed an unlikely place for any friend of Targo’s to live. When he had last seen the owner of the whitish tawny dog and the white van, Targo had been doing well for himself, was a rich man, while Glebe Road was a humble street where several families of immigrants had settled and which Burden had moved out of as soon as he could afford to. Wexford noted the number of the white van. He waited. It was, he thought, a very English sort of day, the air still, the sky a uniform white. On such a day, at much the same time of year, late summer, he had visited Targo’s boarding kennels and seen the snake. The scarf round Targo’s neck had been of black, green, and yellow silk, almost but not quite covering the birthmark, and the snake which he draped round it had been the same sort of colours, the pattern on its skin more intricate. Accident or design? Nothing Targo might do would surprise him. The first time he had seen him, years and years ago when both were young but Wexford was very young, Targo wore a brown wool scarf. It was winter and cold. The dog with him was a spaniel. What was it called? Wexford couldn’t remember. He remembered the second encounter because that was the only time Targo had for a few minutes been without a scarf. He had opened the front door to Wexford, left him standing there while he picked a scarf, his wife’s, off a hook and wound it round his neck. In those few seconds Wexford had seen the purple-brown naevus, shaped like a map of some unknown continent with peninsulas running out to his chest and headlands skimming his chin and cheek, uneven with valleys and mountain ranges, and then Targo had covered it…. Now the front door of number 34 opened and the man emerged. He stood on the doorstep talking to a young Asian, the occupant or one of the occupants of the house. The young man, who wore jeans and a dazzlingly white shirt, was at least six inches taller than Targo, handsome, his skin a pale amber colour, his hair jet-black. Targo, Wexford noticed, might have grown old but he still had a young man’s figure. The T-shirt he wore showed off his heavily muscled torso, and the black jeans emphasised his flat stomach. He had left the laptop behind. While he was in the house, he had taken off his blue-and-white scarf. Because it was warm, no doubt, and, incredibly, because it was no longer needed for concealment. The birthmark had gone. For a moment Wexford asked himself if he could possibly have made the wrong identification. The yellow hair had gone white, he couldn’t see the bright blue eyes. The purple naevus had been the distinguishing mark which primarily identified him. But, no, this was Targo all right, squat, stocky, muscular Targo with his cocky walk and his confident stance. The Asian man walked a few steps down the short path with him. He held out his hand, and after a short hesitation Targo took it. Asians shook hands a lot, Wexford had noted, friends meeting by chance in the street; always men, though, never women. Someone had told him the Asians at number 34 owned the defunct Webb and Cobb next door—for what that was worth. No doubt they received rents from the tenants of the flats above. Targo came across to the van, opened the driver’s door, and climbed in. Wexford could just about see him stroke the dog’s head, then briefly put his arm round it and give it a squeeze. If any doubt was left, the dog identified him. A memory came to Wexford from the quite distant past: the first Mrs. Targo, by then divorced, saying of her ex-husband, “He likes animals better than people. Well, he doesn’t like people at all.” The white van moved off. It might be unwise to follow it, Wexford thought. He hadn’t much faith in his powers of following a vehicle without its driver spotting him. It would be easy enough to find out where Targo now lived, harder to say what use discovering his address would be. He sat there for a few moments longer, reflecting on how seeing Targo again had instantly made him aware of his own physical shortcomings. Yet when he had first seen him, all those years ago, he had been a tall, young policeman, very young and very fit, while Targo was squat and overmuscled and with that horrible facial mark. Sometime in the years since they had last encountered each other, Targo must have had the naevus removed. It could be done with a laser, Wexford had read in a magazine article about new remedies for disfigurement and deformity. The man had been making a lot of money, and no doubt he had spent some of it on this improvement to his appearance as others had their noses reshaped and their breasts augmented. The stranger thing, he thought, was that Targo still sometimes wore a scarf even on a summer’s day—until he remembered and stripped it off. Did he feel cold without that neck covering he had been wearing for most of his life? A girl was walking past Wexford’s car, starting to cross the street between it and the Honda. She looked about sixteen, wore the dark blue skirt and white blouse with a blazer which constituted the uniform of Kingsmarkham Comprehensive and, covering her head, the hijab. In her case it was a plain headscarf, the same colour as her skirt, but unflattering as it was, it failed to spoil her looks. Her dark brown eyes, surmounted by fine shapely eyebrows, glanced briefly in his direction. She went towards the house Targo had come out of, took a key from the satchel she carried, and let herself in. Too old to be the daughter of the handsome young man. His sister? Perhaps. Five minutes later Wexford was parking the car on his own garage drive. Instead of letting himself in by the front door, he walked round the back and surveyed his garden. It was a large garden, which Dora had been doing her best to keep tidy and under control since thei... Read more

Features & Highlights

  • The Monster In The Box
  • is the latest addition to Ruth Rendell's classic and beguiling Inspector Wexford series. In this enthralling new book, Rendell, "the best mystery writer in the English-speaking world" (
  • Time
  • ), takes Inspector Wexford back to his days as a young policeman, and to the man he has long suspected of murder -- serial murder.
  • Outside the house where Wexford investigated his first murder case -- a woman found strangled in her bedroom -- he noticed a short, muscular man wearing a scarf and walking a dog. He gave Wexford an unnerving stare. Without any solid evidence, Wexford began to suspect that this man -- Eric Targo, he learned -- was the killer.
  • Over the years there are more unsolved, apparently motiveless murders in the town of Kingsmarkham, and Wexford continues to quietly suspect that the increasingly prosperous Targo -- van driver, property developer, kennel owner, and animal lover -- is behind them.
  • Now, half a lifetime later, Wexford spots Targo back in Kingsmarkham after a long absence. Wexford tells his longtime partner, Mike Burden, about his suspicions, but Burden dismisses them as fantasy. Meanwhile, Burden's wife, Jenny, has suspicions of her own. She believes that the Rahmans, a highly respectable immigrant family from Pakistan, may be forcing their daughter, Tamima, into an arranged marriage -- or worse.
  • In
  • The Monster in the Box
  • , the twenty-second book in the Inspector Wexford series, fans will be thrilled to meet the now-aging inspector in the robust early days of his career. For new readers, no introduction to this spectacular writer and her compelling protagonist could be finer.

Customer Reviews

Rating Breakdown

★★★★★
30%
(269)
★★★★
25%
(224)
★★★
15%
(134)
★★
7%
(63)
23%
(206)

Most Helpful Reviews

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Out Of The Past

Eric Targo is a creep, but is he a serial killer? That's the question for Inspector Reginald Wexford in THE MONSTER IN THE BOX. Many years ago, when he was a young cop on the beat, Wexford suspected the strange little man of committing several random murders in Kingsmarkham, Wexford's town in southern England. Wexford never had any evidence or proof, so he never mentioned his suspicions to anyone. Targo knew the young cop suspected him, and he took to taunting him in a weird way--following him around and staring at him. Then he disappeared. Over the years, Wexford's suspicions became a secret obsession.

Now, after many years, Mr. Targo is back in Kingsmarkham, and Wexford's old obsession has resurfaced. He's even begun to stalk Targo, just as he, himself, was once stalked. But is Targo really a monster? Was he ever? Or is it all in Wexford's imagination? Wexford finally breaks his long silence, telling his police partner, Mike Burden, everything he knows and suspects about the man. Mike doesn't believe him at first, but then there's a new murder very much like the old ones....

Ruth Rendell is my favorite mystery writer, and this new book is a real treat for fans. In telling Wexford's history with Eric Targo, Rendell gives us unusual glimpses into his past--including his bachelor days and how he met, courted, and married his wife, Dora, and the eventual births of their daughters, Sylvia and Sheila. These flashbacks arrive throughout the new story, providing a detailed portrait of the inspector. I've been reading his adventures for 30 years now, but I never learned as much about him as I did here. Another bonus for longtime readers is the mentioning of several earlier Wexford cases, including [[ASIN:0345498453 From Doon with Death: The First Inspector Wexford Novel (Mortalis)]], [[ASIN:0375704884 Murder Being Once Done]], and [[ASIN:0440226023 Road Rage (A Chief Inspector Wexford Mystery)]]. A great new mystery plus a great trip down Memory Lane--what could be better than that? Highly recommended.
59 people found this helpful
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Worst Rendell Book I've Ever Read

I can certainly see why Ms. Rendell has decided not to write anymore Inspector Wexford books (always my favorites). This book was so draggy and boring I couldn't believe it. I kept waiting for something to happen and alas to the very end, it never did. The entire theme of the book was not believable--far from it. The plot made no sense and the ending was totally flat. For someone so well acclaimed, this was a real stinker!
15 people found this helpful
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Repeat Offender

There are those who will read "The Monster in the Box," Ruth Rendell's (reportedly) final Wexford mystery and say, "Wow, she's done it again." I might agree with them, but perhaps for different reasons. From my perspective, what Rendell has done is write another book as stultifying and misguided as her last, "Not in the Flesh." That was a mystery that any well-read fan of the genre could have figured out (and did) a third of the way in. For the first time we were all way ahead of Inspector Wexford, which made for a frustrating, ultimately flaccid read. Adding to my impatience with that book was a polemical, pointless sub-plot involving female circumcision in the local Somali community. (Rendell is to be commended for bringing the issue to people's attentions, but I wished she hadn't shoehorned it into her story in such a clumsy, inelegant manner.)

The cleverly titled "The Monster in the Box" takes us back to Wexford's roots, as he recalls the early days of his career, and his obsession with a serial killer who was never caught. This killer, Eric Targo, pops up suddenly as part of two new present-day investigations, one a murder, the other the disappearance of a Muslim girl whom Wexford suspects of being subjected to a forced marriage. The problem with the book is that the flashbacks to Wexford's past -- which include the story of how he and his wife, Dora, met -- aren't particularly interesting. Whole chapters are devoted to Wexford's crush on a young woman he sees in passing at a wedding, and his efforts to meet her; only the story never really goes anywhere. In the meantime we learn about the personal life of this serial killer, his failed marriages, his relationship with his beloved pets etc. Which means that the actual plot of "The Monster in the Box" doesn't get going until halfway through the book. I'm all for an author easing us into a story, but more than once I skimmed whole pages just wishing Rendell would get on with it.

And once again Rendell becomes social commentator by taking a stand on the Muslim practice of forcing young women into unwanted marriages. An important issue, perhaps. Personally, however, I felt a bit like Tamima, Rendell's Muslim heroine, forced to endure the uneasy marriage of mystery novel and political screed. At least the two plots are interwoven this time, but to little effect.

The Targo character and his pathology are fascinating from a psychological perspective, and the novel has some spine-tingling moments. Rendell, however, seems to lose interest in coherent storytelling towards the end, and the tale takes some bizarre turns. By the time the lion was running wild in Kingsmarkham - yes, you read that correctly - I felt the book had truly "jumped the shark." Ultimately, the book wheezes, sadly, to a creaking, stumbling halt, ending with a whimper, rather than a bang.

Rendell has said that she is stopping this series because she is "interested in other things." Clearly. And just as well, perhaps, if this is the kind of dull, subpar effort she is willing to put out. I for one think her devoted fans, and certainly Inspector Wexford, deserved better.
14 people found this helpful
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Not up to her standards

2 and a half stars

"The Monster in the Box" is a nostalgic visit to Inspector Wexford's early years on the force coupled with the tale of his obsession with a mysterious man named Targo, a wanton murderer who, Wexford fears, may forever escape justice. Stirred into the plot is the involvement of a teacher (who happens to be the wife of his colleague Mike Burden) and one of his subordinates in the fate of a 16-year-old British Muslim girl. The mixture of all these ingredients do not make for a harmonious whole. The plot, such as it is, is cumbersome, and far too dependent on coincidence. The book is choppily written ( a sad falling off for such a mistress of prose), and poorly edited. (The archcriminal's name is given incorrectly in one spot.) The examination of feminism and racism is too didactic.

But the greatest problem is the psychological one: Who, if they have been reading the Wexford stories from the beginning, can believe in the sudden revelation of our old friend's apparently powerful obsession, based on the evidence of a cheeky stare, which emerges in this novel?

Better to go back and read, or re-read, some of the earlier novels in this series--especially the amazing "From Doon with Death" which in itself opens up a more telling picture of British life of the period than "The Monster in the Box."
11 people found this helpful
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Kind of blah and meandering

I have read most of the books in Ruth Rendell's Inspector Wexford series and enjoyed them but lately the series seems to have lost its compass. The Monster in the Box has Inspector Wexford following his feelings about a man he has encountered several times over his career. Wexford believes Eric Targo is a serial murderer, but he has absolutely no evidence for his supposition. When Wexford's gardener is killed, he resolves to bring Targo to justice at last.

At the same time that Wexford is pursuing Targo, Sergeant Hannah Goldsmith is pursuing a Moslem family because she is convinced that they are trying to force their sixteen year old daughter into an arranged marriage. Goldsmith's actions amount to what in the US would be considered harassment, and she has even less evidence for her supposition than Wexford has for his.

While the exploration of the culture clash and the examination of the biases inherent in Goldsmith's perceptions of Moslem culture are some of the most effective parts of the book, it is hard to get beyond the fact that she is poking her nose into a family's personal business, and I spent much of the book wishing she would leave the poor family alone and go find a crime to solve.

Both Wexford and Goldsmith are pursuing their respective cases on little more than gut instinct with varying results. In the course of Wexford's investigation, Rendell takes us into his past as a young police officer, and these glimpses of his past are very interesting. The mysteries in this book are disappointing, and on the whole i felt the weaknesses outweighed its strengths. Not one of Rendell's better efforts.
8 people found this helpful
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What a disappointment!

Choppy, hard to follow timeline, characters uninteresting. Never found out anything about Targo's motives, solution to missing person story came out of nowhere. Window into Wexford's romantic past the only saving grace.
6 people found this helpful
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snows of yesteryear

I have never read a Ruth Rendell mystery before, though I have always intended to. This may not be the best introduction to her series about Inspector Wexford.

In Monster in the Box, Wexford returns to a murder case that he was unable to resolve many years before, and to a villain who has continued to kill periodically when opportunity presents itself. This novel is more about changes in British society and culture over the decades than it is a suspenseful whodunit. It presents reminiscences, both positive and negative, about suburban life, and it presents the changes that have resulted from immigration.

It's well written, but dragged a little in spots. I felt that readers were beaten over the head with small characterizations. For example, the main thing I remember from the book is that Inspector Wexford likes red wine and cashews and that he ought to exercise more.
5 people found this helpful
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Good writing, poor plotting

This was ALMOST a wonderful book. Ms. Rendell is justly renowned for her prose style and displays her talents well in this book. It is satisfyingly full of little details that vividly evoke setting and atmosphere. I was especially affected by her description of a murder scene as "a pretty little room which Elsie Carroll had papered in pink patterned with silver leaves"( p. 19), creating a picture that heightened the pathos of the murder.

However, a mystery needs more than good writing style. Perhaps more than any other genre, a successful mystery must have a successful plot. A good plot must be both clever & credible and ideally include a surprise at the end. The basis of this plot is rather clever & interesting, interweaving two parallel stories of obsession, one in which Detective Chief Inspector Wexford resurfaces concerns about a man he has suspected of being a serial murderer since his early days on the police force and the other in which Detective Sergeant Hannah Goldsmith pursues her suspicions that a local Moslem family are forcing their 16-year-old daughter into marriage against her will and later planning an honor killing. The ending did, indeed, surprise me in a satisfying way and actually redeemed to a some degree my opinion of the book, which had gradually slid downwards as the story progressed.

Why? Because unfortunately too much of the unfolding of the plot is simply not very credible. The most striking example of this is Sergeant Goldsmith's relentless harassment of the Rahman family based on absolutely nothing more than the fact that Jenny Burden, the Rahman daughter's teacher, is disappointed that this bright young woman is not going to continue her studies and suspects that her family is refusing to let her continue. Even in the "Nanny state" of modern society, this type of incident, while it may be unfortunate, is not cause for even one visit from the police, much less the many repeated interviews Rendell describes. The reader can only suspend disbelief so far. This weakness is the book's main flaw. If only Ms. Rendell had handled her plot details as well as she did her prose!

For some reason (perhaps understandable to those who have read the entire series) the book is set not in the present but in the "late nineties" (p. 13). This point is emphasized several times with references to smoking in public areas where it will be banned in later years. Authors who set their books at any time other than the present should be very careful about anachronisms, and this book seems to suffer from several that are unnecessary & annoying, such as a statement that 60% of Britons have cell phones or casual reference to laptop computers, which were rather new at the time and unlikely to have been owned by someone who was rather unsophisticated technologically.

Reportedly Rendell has decided that this will be the last of the Wexford series. If so, it is surprising that there is not more of a sense of closure. After 22 books, her readers deserve more.

As an alternative to this book in the category of recent additions to long-running British police procedural mysteries, I would recommend Reginald Hill's Midnight Fugue, although I would also recommend that someone who had never been introduced to Andy Dalziel begin with a earlier book in the series to appreciate more fully the rich interaction between the series characters, which is another weak facet of The Monster in the Box. There is a great deal of dialogue in the Rendell book, but the reader is left with surprisingly little sense of the personalities of the police protagonists.
4 people found this helpful
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Plodding, boring - skip it

I am normally a huge fan of Ms. Rendell's Wexford books, and was really looking forward to this one as well. Instead of an exciting book, I found one that's populated by boring characters, extremely slow moving plot, and one that was just tedious to read. Would not recommend this book at all.
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Wexford fans will probably be delighted

I love Ruth Rendell, but I prefer her other books to the Inspector Wexford series. Still, I do enjoy Inspector Wexford, and this book is no exception, though, in the end, I found it a bit disappointing.

The opening premise is wonderful. Wexford takes us back to his earliest days as a police officer. This is not just a treat for Wexford fans, though I suspect they'll enjoy it even more than I. We learn just how romantic young Wexford was, how he met his wife, and his early dating mishaps. It is simply charming.

Also, Ruth Rendell's ability to write about place and set an atmosphere is magnificent, and reading about how different things were in England is not only good fun, but makes one think about how and why behaviors have changed.

The central mystery, however, starts out strong and just petered out for this reader. I loved that Wexford lets us all in on a murderer whom he's suspected of getting away with it for a lifetime. It all hinged on the way this man, Targo, simply looked at Wexford a long time ago. We do learn more and become convinced Wexford is right (of course).

Unfortunately, as the book leaves the past behind, it gets bogged down in what turns out to be something of a plot twist which I don't want to give away. For me, this side story, involving a Muslim family, is rather uninteresting and dry, which is great surprise given that Rendell does such an excellent job of writing about social issues in her other books.

In the end, I rate this book fair - only 3 stars. Neither a recommendation for or against, though I do think it's probably a must-read for the Wexford fan.
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