The Man of My Dreams: A Novel
The Man of My Dreams: A Novel book cover

The Man of My Dreams: A Novel

Paperback – April 10, 2007

Price
$16.00
Format
Paperback
Pages
285
Publisher
Random House Trade Paperbacks
Publication Date
ISBN-13
978-0812975390
Dimensions
5.18 x 0.62 x 7.97 inches
Weight
7.5 ounces

Description

Curtis Sittenfeld is the New York Times bestselling author of the novels Prep, The Man of My Dreams, American Wife, Sisterland, and Eligible, and the story collection You Think It, I’ll Say It, which have been translated into thirty languages. Her short stories have appeared in The New Yorker, The Washington Post Magazine, Esquire, and The Best American Short Stories , of which she was the 2020 guest editor. Her nonfiction hasxa0appearedxa0in The New York Times, The Atlantic, Time, and Vanity Fair, andxa0onxa0public radio’s This Americanxa0Life . Excerpt. © Reprinted by permission. All rights reserved. 1 June 1991 julia roberts is getting married. It’s true: Her dress will be an eight-thousand-dollar custom-made two-piece gown from the Tyler Trafficante West Hollywood salon, and at the reception following the ceremony, she’ll be able to pull off the train and the long part of the skirt to dance. The bridesmaids’ dresses will be sea-foam green, and their shoes (Manolo Blahnik, $425 a pair) will be dyed to match. The bridesmaids themselves will be Julia’s agents (she has two), her makeup artist, and a friend who’s also an actress, though no one has ever heard of her. The cake will be four-tiered, with violets and sea-foam ribbons of icing. “What I want to know is where’s our invitation?” Elizabeth says. “Did it get lost in the mail?” Elizabeth—Hannah’s aunt—is standing by the bed folding laundry while Hannah sits on the floor, reading aloud from the magazine. “And who’s her fiancé again?” “Kiefer Sutherland,” Hannah says. “They met on the set of Flatliners.” “Is he cute?” “He’s okay.” Actually, he is cute—he has blond stubble and, even better, one blue eye and one green eye—but Hannah is reluctant to reveal her taste; maybe it’s bad. “Let’s see him,” Elizabeth says, and Hannah holds up the magazine. “Ehh,” Elizabeth says. “He’s adequate.” This makes Hannah think of Darrach. Hannah arrived in Pittsburgh a week ago, while Darrach—he is Elizabeth’ s husband, Hannah’s uncle—was on the road. The evening Darrach got home, after Hannah set the table for dinner and prepared the salad, Darrach said, “You must stay with us forever, Hannah.” Also that night, Darrach yelled from the second-floor bathroom, “Elizabeth, this place is a bloody disaster. Hannah will think we’re barn animals.” He proceeded to get on his knees and start scrubbing. Yes, the tub was grimy, but Hannah couldn’t believe it. She has never seen her own father wipe a counter, change a sheet, or take out trash. And here was Darrach on the floor after he’d just returned from seventeen hours of driving. But the thing about Darrach is—he’s ugly. He’s really ugly. His teeth are brownish and angled in all directions, and he has wild eyebrows, long and wiry and as wayward as his teeth, and he has a tiny ponytail. He’s tall and lanky and his accent is nice—he’s from Ireland—but still. If Elizabeth considers Kiefer Sutherland only adequate, what does she think of her own husband? “You know what let’s do?” Elizabeth says. She is holding up two socks, both white but clearly different lengths. She shrugs, seemingly to herself, then rolls the socks into a ball and tosses them toward the folded pile. “Let’s have a party for Julia. Wedding cake, cucumber sandwiches with the crusts cut off. We’ll toast to her happiness. Sparkling cider for all.” Hannah watches Elizabeth. “What?” Elizabeth says. “You don’t like the idea? I know Julia herself won’t show up.” “Oh,” Hannah says. “Okay.” When Elizabeth laughs, she opens her mouth so wide that the fillings in her molars are visible. “Hannah,” she says, “I’m not nuts. I realize a celebrity won’t come to my house just because I invited her.” “I didn’t think that,” Hannah says. “I knew what you meant.” But this is not entirely true; Hannah cannot completely read her aunt. Elizabeth has always been a presence in Hannah’s life— Hannah has a memory of herself at age six, riding in the backseat of Elizabeth’s car as Elizabeth sang “You’re So Vain” quite loudly and enthusiastically along with the radio—but for the most part, Elizabeth has been a distant presence. Though Hannah’s father and Elizabeth are each other’ s only siblings, their two families have not gotten together in years. Staying now in Elizabeth’s house, Hannah realizes how little she knows of her aunt. The primary information she has always associated with Elizabeth was acquired so long ago she cannot even remember learning it: that once, soon after Elizabeth became a nurse, a patient left her a great deal of money and Elizabeth squandered it. She spent it on an enormous party, though there was no occasion, not even her birthday. And she’s been struggling to make ends meet ever since. (Hannah has been surprised to find, however, that her aunt orders takeout, usually Chinese, on the nights Darrach is gone, which is at least half the time. They don’t exactly act like they’re struggling to make ends meet.) It didn’t help, financially speaking, that Elizabeth married a truck driver: the Irish hippie, as Hannah’s father calls him. When she was nine, Hannah asked her mother what hippie meant, and her mother said, “It’s someone fond of the counterculture.” When Hannah asked her sister—Allison is three years older—she said, “It means Darrach doesn’t take showers,” which Hannah has observed to be untrue. “Would we have our party before or after the wedding?” Hannah asks. “She gets married on June fourteenth.” Then, imagining it must appear on the invitations like this, all spelled out in swirly writing, she adds, “Nineteen hundred and ninety-one.” “Why not on the fourteenth? Darrach can be my date, if he’s here, and Rory can be yours.” Hannah feels a stab of disappointment. Of course her date will be her eight-year-old retarded cousin. (That’s the final piece in the puzzle of Elizabeth’s financial downfall, according to Hannah’s father: that Rory was born with Down’s. The day of Rory’s birth, her father said to her mother, as he stood in the kitchen after work flipping through mail, “They’ll be supporting that child all the way to their graves.”) But what did Hannah think Elizabeth was going to say? Your date will be the sixteen-year-old son of one of my coworkers. He is very handsome, and he’ll like you immediately. Sure, Hannah expected that. She always thinks a boy for her to love will fall from the sky. “I wish I could find my wedding dress for you to wear at our party,” Elizabeth says. “I wouldn’t be able to fit my big toe in it at this point, but you’d look real cute. Lord only knows what I did with it, though.” How can Elizabeth not know where her wedding dress is? That’s not like losing a scarf. Back in Philadelphia, Hannah’s mother’s wedding dress is stored in the attic in a long padded box, like a coffin. “I gotta put the other load in the dryer,” Elizabeth says. “Coming?” Hannah stands, still holding the magazine. “Kiefer bought her a tattoo,” she says. “It’s a red heart with the Chinese symbol that means ‘strength of heart.’ ” “In other words,” Elizabeth says, “he said to her, ‘As a sign of my love, you get to be poked repeatedly by a needle with ink in it.’ Do we really trust this guy?” They are on the first floor, cutting through the kitchen to the basement steps. “And do I dare ask where the tattoo is located?” “It’s on her left shoulder. Darrach doesn’t have any tattoos, does he? Even though that’s, like, a stereotype of truck drivers?” Is this a rude question? “None he’s told me about,” Elizabeth says. She appears unoffended. “Then again, most truck drivers probably aren’t tofu eaters or yoga fanatics.” Yesterday Darrach showed Hannah his rig, which he keeps in the driveway; the trailers he uses are owned by the companies he drives for. Darrach’s current route is from here in Pittsburgh, where he picks up axles, to Crowley, Louisiana, where he delivers the axles and picks up sugar, to Flagstaff, Arizona, where he delivers the sugar and picks up women’s slips to bring back to Pittsburgh. The other night Darrach let Rory demonstrate how to turn the front seat around to get in the sleeper cab. Then Darrach pointed out the bunk where he meditates. During this tour, Rory was giddy. “It’s my dad’s,” he told Hannah several times, gesturing widely. Apparently, the rig is one of Rory’s obsessions; the other is his bus driver’s new puppy. Rory has not actually seen the puppy, but discussion is under way about Elizabeth taking Rory this weekend to visit the bus driver’s farm. Watching her cousin in the rig, Hannah wondered if his adoration of his parents would remain pure. Perhaps his Down’ s will freeze their love. After Elizabeth has moved the wet clothes into the dryer, they climb the basement steps. In the living room, Elizabeth flings herself onto the couch, sets her feet on the table, and sighs noisily. “So what’s our plan?” she says. “Darrach and Rory shouldn’t be back from errands for at least an hour. I’m taking suggestions.”

Features & Highlights

  • In her acclaimed debut novel,
  • Prep
  • , Curtis Sittenfeld created a touchstone with her pitch-perfect portrayal of adolescence. Her prose is as intensely realistic and compelling as ever in
  • The Man of My Dreams,
  • a disarmingly candid and sympathetic novel about the collision of a young woman’s fantasies of family and love with the challenges and realities of adult life.
  • Hannah Gavener is fourteen in the summer of 1991. In the magazines she reads, celebrities plan elaborate weddings; in Hannah’s own life, her parents’ marriage is crumbling. And somewhere in between these two extremes—just maybe—lie the answers to love’s most bewildering questions. But over the next decade and a half, as she moves from Philadelphia to Boston to Albuquerque, Hannah finds that the questions become more rather than less complicated: At what point can you no longer blame your adult failures on your messed-up childhood? Is settling for someone who’s not your soul mate an act of maturity or an admission of defeat? And if you move to another state for a guy who might not love you back, are you being plucky—or just pathetic? None of the relationships in Hannah’s life are without complications. There’s her father, whose stubbornness Hannah realizes she’s unfortunately inherited; her gorgeous cousin, Fig, whose misbehavior alternately intrigues and irritates Hannah; Henry, whom Hannah first falls for in college, while he’s dating Fig; and the boyfriends who love her more or less than she deserves, who adore her or break her heart. By the time she’s in her late twenties, Hannah has finally figured out what she wants most—but she doesn’t yet know whether she’ll find the courage to go after it. Full of honesty and humor,
  • The Man of My Dreams
  • is an unnervingly insightful and beautifully written examination of the outside forces and personal choices that make us who we are.

Customer Reviews

Rating Breakdown

★★★★★
30%
(272)
★★★★
20%
(181)
★★★
15%
(136)
★★
7%
(63)
28%
(254)

Most Helpful Reviews

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Tough Love

I knew as soon as I picked this up that I would fly through it, and not for any lack of weight on the part of the novel; it's just that I LOVE CURTIS SITTENFELD. Something about her clean, guileless style clicks with me and I hang on her every word, even when what she is saying makes me uncomfortable, which happens kind of a lot; what she writes about hits close to home with my own myriad issues. Sittenfeld's tell-it-like-it-is narrators, both here and in Prep, seem to find that secret place inside me that needs to be poked, and they poke me there, repeatedly. In her main characters I see reflected back onto myself so much that is familiar: old bad habits, mostly, some of which are, of course, still hanging around. She outs me to myself, though, and for that I am eternally grateful.

There is something brilliantly refreshing about Sittenfeld's no-nonsense approach; there is something wonderful about never knowing where she'll go because she sees things so much more clearly than the rest of us.
4 people found this helpful
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I love Curtis Sittenfeld

I love Curtis Sittenfeld, and really enjoyed this book. It was her second, I think. Books she's written since then are definitely more complex, but this one was also SO enjoyable!
3 people found this helpful
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Disappointing

Was expecting much more from the author after Prep. Although not a complete waste of time, this book does little to endear us to the protagonist or say anything original about life.
3 people found this helpful
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The tragedy of unfounded hopes

Although The Man of My Dreams is a really banal title, the concerns of the novel it represents are at times profound. But then its author, Curtis Sittenfeld, is such a contrarian writer that quite possibly she wanted the title to cut both ways: on the one hand to be seen as ironic, but on the other to be seen as so wildly hopeful that both her fans and her new readers would immediately know that if ironies follow sorrow, then hopes (and above all unfounded hopes) precede it.

Sittenfeld's novel is certainly all about unfounded hopes, and for her protagonist, Hannah Gavener, the man of her dreams is Henry, a former boyfriend of Hannah's beautiful cousin Fig. Sittenfeld astutely captures Hannah's long adoration of Henry as well as Henry's alternating layers of uncanny emotional awareness and casual dishonesty. But Henry could also be what Hannah has always most truly desired: "a man who will deny her; a man of her own who isn't hers."

The man of Fig's dreams is a man we never meet, we only see her planning to fly out to California to spend time with him, and in a much later chapter we see her reveal two things that startle Hannah: (1) that she no longer remembers this man; not his name, not his profession, not anything about him, and (2) after years of being the object of stunned worship from multitudes of men, Fig has fallen in love with a woman.

But this novel suffers a kind of death when it's reduced to a story line; the real news about Sittenfeld is that she is such an honest and usefully detached writer that it can be an extreme pleasure reading her dissections of sex, first sex, humiliation, resentment, wistful envy, rueful ire, and the formal surprises that come with forgiveness.

She also writes more perceptively about adolescent sexual shyness than any other novelist I've ever read, accurately conveying all the ways it makes a certain kind of anxious and inhibited young woman (in this case Hannah) grab apprehensive control of sexual situations, even though she's so inexperienced that she imagines she's being considerate rather than withholding when she's in bed with her mystified boyfriends.

In this sense, Hannah resembles Lee Fiora in Sittenfeld's first novel, Prep. They are also both fourteen years old at the beginnings of their respective novels, but while Lee's story covers four years at an elite New England prep school, Hannah quickly grows older, goes to university, goes to work, moves from city to city.

The Man of My Dreams also aims to have a wider and deeper social resonance than Prep in the sense that it is bookended by two narratives concerning tragically afflicted male children. In the first chapter we meet Rory, an eight-year-old cousin of Hannah's who has Down's Syndrome. In the final chapter, set in New Mexico, Hannah is teaching at a school for autistic boys, news that we learn from a letter she writes to her former psychiatrist. This letter ends the novel and feels too rushed and convenient a way to respond to too many unanswered questions.

But in spite of the shortcomings of this final letter as well as an opening paragraph that comes across as boring chick lit (it begins the novel with the words "Julia Roberts is getting married..." then a few lines later tells us that the bridesmaids' shoes are "Manolo Blahnik, $475 a pair")--The Man of My Dreams soon begins to move much more swiftly than Prep did. It also feels looser, bolder, less claustrophobic and so, inevitably, more free. There are also more scenes set in the open air, and these scenes are the most alive and memorable sequences in the book.

Hannah's trip to Alaska with her sister Allison, Allison's boyfriend, and the boyfriend's "alarmingly handsome" and unbearable older brother is the best chapter of all, giving Sittenfeld the chance to brilliantly catch what's most socially awkward, unbearably damp, openly hostile, and truly catastrophic about camping in the wild.

There's also a great scene where Hannah gazes at a glacier from a boat sailing on Prince William Sound and realizes that she has always imagined a glacier as "clear and glittery and neatly edged, like an oversize ice cube from a tray, but this is more like a field of ruffled, dirty snow. It has a blue tint, as if squirted with Windex."

Whether Sittenfeld means for the glacier to be a defiled image of our ruined world or a metaphor for the difference between what's romanticized and what's real, it works spookily well in this novel. As does the scene, a few days later, when Hannah loses her glasses in the middle of a drenching Alaskan downpour. Her glasses are never found, but for a long time after her return home she sometimes pictures them on the floor of the North Pacific. "It is dark and calm down there; fish slip past; her glasses rest untouched, the clear plastic lenses and titanium frames. In the stillness without her, the glasses see and see."

Those lost glasses could very well also symbolize Hannah herself, ardent about love although too often asexual about sex, a woman whose detachment (so like the inspired detachment of her creator) also allows her to see and see.

*******************************************************************
This review first appeared, in a slightly different form, in Toronto's Globe and Mail....
3 people found this helpful
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Good, But Not as Good as Prep

So you loved Prep, right? And you're wondering if the sophomore book by Curtis Sittenfeld is just as good. I had read the other Amazon reviews stating it was as good as Prep, purchased the book, and then within the first 10 pages I knew it wasn't as good. By "good" I mean captivating, witty, relatable, and completely entertaining. This book does keep your interest, and is certainly worth reading, but the main character is not nearly as witty and relatable as Lee. This book has much less dialogue and less internal analyzing. There are sections or pages I wanted to skip because they didn't seem necessary or interesting. But I still cared about the main character and wanted to see how it would end. So the bottom line is- you'll enjoy it, but don't expect too much.
2 people found this helpful
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We are all Hannah

I couldn't put this book down. From the first few pages when Hannah suffers slings and arrows from her mercurial father, I was hooked.
Either there are some autobiographical touches or Sittenfeld is just one hell of a novelist because anyone who has experienced what Hannah does will hear the ring of truth like an epiphany. Solid story-telling.
2 people found this helpful
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From 3 stars to 4: Hanna's is a coming of age novel a little too real for me to handle.

I found this book at the thrift store and decided to judge it by its cover and slight skim of the inner book flap. "The Man of My Dreams," surely this would be comedic chic lit with more than a touch of romance! I couldn't have been more wrong.

This novel is a true coming of age tale, at times sobering, frustrating, disappointing, and above all, all too real. To say that I didn't identify with Hannah would be a lie. Having spent many of my formative years enduring painful depressive spells, I was relieved when the main character seeks out a therapist. I knew those melancholic thoughts weren't normal! Sittenfield starts of the novel with a young teenaged Hannah who's father is emotionally abusive to the family. This is put in stark relief against a fascination with the love life of Julia Roberts. Hannah is naive and yet jaded about love and romantic entanglements. These two opposing forces, idealization and realism deeply preoccupy college and young adult Hannah. At times it is hard to have sympathy for her, she is so bitter and damaged, as one character announces, "She is her own worst enemy." How much of her personality is depression? How much is due to an awfully myopic worldview? How much is the fault of her terrible father?

As the novel progresses, there are moments when Hannah's anxieties and droll observations of herself and her family are broken apart by rays of realization and clarity. These elucidations drive the plot development more than anything else. There is growth after all! She just might come of age, whatever that entails.

And why 3 stars? Perhaps I had the wrong expectations going in, but I still finished the book and felt it compelling, if not enthralling. Perhaps I missed the humor. Hannah is not a funny girl, and that is okay. But the weight of her neuroses requires relief. Finally, one must comment on the novel's end. The voice switches from the third person, awfully aware and concerned with Hannah's innermost flaws, to a letter written in the first person to Hannah's therapist. I found it refreshing. Hannah finally finds her voice, literally and figuratively. There is a certain wholeness, a certain peace, a peace for which I had been yearning for many chapters.

Was this a good book? Why not. I know deep down the three stars reflect how personally affected I was by Hannah's character. The realness of the endeavor. And for that, I'm bumping it up to four.
1 people found this helpful
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Not the author's best work...

I love Curtis Sittenfeld, but for some reason, I could not stand this story. The main character is tough to root for, or feel anything for, really. It's an oddly boring tale with no real payoff. I gave it two stars only because I did not completely abandon it.
1 people found this helpful
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An exercise in self-deprecation.

If you have read other works of Curtis Sittenfeld, you will already know that she is very self-deprecating; she is so much harder on herself (or, at any rate, her main character is) than others are towards her. A clever writer with a sharp if somewhat cynical view of relationships between men and women.
1 people found this helpful
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Truth!

Let me start off by saying many of the reviewers were correct: this book is sort of like a collection of short stories, Prep stretched out over 15 years and without the prep school setting. The story here is not as tight as Prep, but it's more adult than Ault. It doesn't take place at boarding school, so there's no obvious beginning or ending (i.e. graduation) to this story.

But there is a great deal of truth in these pages. Every woman I know has experienced the ups and downs of trying to find a decent mate, and we've all dated the guys Hannah matches up with in the novel. From the nice-guy to the charismatic "playa" to the cowardly "perfect" man we thought we were going to marry, Sittenfeld does a great job of explaining how single gals everywhere wind up second-guessing our choices and living out lies just to keep a man around. This isn't a perfect novel, but I appreciate the truth and the fact that it doesn't end the way you expect, and for those reasons I give it high marks.
1 people found this helpful