Spindle's End
Spindle's End book cover

Spindle's End

Hardcover – May 22, 2000

Price
$16.99
Format
Hardcover
Pages
422
Publisher
G. P. Putnam's Sons
Publication Date
ISBN-13
978-0399234668
Dimensions
6.25 x 1.25 x 9.25 inches
Weight
1.6 pounds

Description

Renowned fantasy writer Robin McKinley, author of the lush "Beauty and the Beast" retellings Beauty and Rose Daughter , has produced another re-mastered fairy tale, this time about the dreamy Sleeping Beauty. Much like in the original story, the infant princess, here named Rosie, is cursed by an evil fairy to die on her 21st birthday by pricking her finger on a spindle. That same day, Rosie is whisked away into hiding by a peasant fairy who raises her and conceals her royal identity. From that point on, McKinley's plot and characterization become wildly inventive. She imagines Rosie growing up into a strapping young woman who despises her golden hair, prefers leather breeches to ball gowns, and can communicate with animals. And on that fateful birthday, with no help from a prince, Rosie saves herself and her entire sleeping village from destruction, although she pays a realistic price. In a final master stroke, McKinley cleverly takes creative license when the spell-breaking kiss (made famous in "Sleeping Beauty") comes from a surprising source and is bestowed upon the character least expected. Although the entire novel is well written, McKinley's characterization of Rosie's animal friends is exceptionally fine. Observations such as "...foxes generally wanted to talk about butterflies and grasses and weather for a long time while they sized you up," will spark reader's imaginations. It won't be hard to persuade readers of any age to become lost in this marvelous tale; the difficult part will be convincing them to come back from McKinley's country, where "the magic... was so thick and tenacious that it settled over the land like chalk dust...." Highly recommended. (Ages 12 and older) --Jennifer Hubert From Publishers Weekly With a protagonist known mostly for being gorgeous and drowsy, Sleeping Beauty may seem an odd choice for a retelling by the author responsible for inventing the staunch, action-oriented heroines of Beauty and The Hero and the Crown. But as Newbery-medalist McKinley embroiders and expands upon this tale, readers quickly will see that she has created a character (indeed, a cast of characters) worthy of these fictional predecessors. When the evil fairy Pernicia lays her seemingly fatal curse upon the infant princess, the royal child's nanny entrusts the baby to Katriona--an orphan brought up by her powerful fairy aunt--to rear in the safety of her distant, cloistered village. In one of the many sequences that endow this novel with mythic grandeur, Katriona and her charge travel surreptitiously through the fields and woods, while the female animals of the countryside (vixens, a she-bear and countless others) suckle the royal baby to keep her alive. This unorthodox diet may be the reason the princess--whom Katriona and her aunt call Rosie--can communicate with all creatures. Unaware of her royal heritage (and bored by fairy-tale fripperies), Rosie makes a best friend of Peony, the wainwright's niece, and becomes an apprentice to Narl, the kind but uncommunicative village blacksmith. When the princess's true identity is finally revealed, and the fate of the realm hangs in the balance, Rosie, Narl and Peony fight a true battle royal to defeat Pernicia's schemes. Dense with magical detail and all-too-human feeling, this luscious, lengthy novel is almost impossible to rush through. Additional treats include a vast array of believable, authentically animal-like characters, complete with inventive, evocative names (a cat called Flinx, dogs that answer to Zogdob and Throstle, and so forth). By the end of this journey through Rosie and Katriona's enchanted land--so thick with magic dust that good housekeeping remains a constant challenge--readers will feel that they know it as well as their own backyards. Ages 12-up. (May) Copyright 2000 Reed Business Information, Inc. From School Library Journal Grade 7 Up-McKinley once again lends a fresh perspective to a classic fairy tale, developing the story of "Sleeping Beauty" into a richly imagined, vividly depicted novel. At Princess Briar-Rose's name-day, the fairy Pernicia, feeling snubbed, presents the baby with a gift: a curse that will cause the princess to prick her finger on a spinning-wheel spindle on her 21st birthday, and fall into a sleep from which she will never awaken. To save the princess, the fairy Katriona spirits the infant away to her backwater home in the village of Foggy Bottom, where the child is raised as a village maiden. Her years of growing up are described in detail, with suspense building as the critical birthday approaches. To confuse Pernicia's curse, Rosie and her friend Peony trade identities at a gala birthday celebration. It is Rosie's kiss that wakes the sleeping Peony, who continues the pretense and marries the prince. This leaves Rosie happy as a village lass, tending animals and in love with the fairy blacksmith. The language evokes ancient bards and stories of long ago, with arcane and invented words that create an otherworldly atmosphere that blends the real and the magical. The landscape is rendered in minute detail; the characters are developed through interior monologues, parenthetical observations, and long asides. Magic permeates this world, with animals that talk and castles that protect. The compelling climax reinforces the triumph of good over evil, and the transformative power of love. McKinley's telling of the tale is as boggy as Foggy Bottom, and the verbiage as intricate and complex as the thorny roses that encase the castle. However, those who stick with it will unearth a good story. Connie Tyrrell Burns, Mahoney Middle School, South Portland, ME Copyright 2000 Reed Business Information, Inc. Robin McKinley works pure magic with this upside-down retelling of the tale of Sleeping Beauty. McKinley's characters are strong and intricate. Woven within all the charming tales of love and family is an adventure - well paced, exquisitely magical and just frightening enough. The book is as much concerned with the bonds of family, friendship and home as it is curses and quests; it most certainly isn't all that worried about golden curls, pearl-like teeth and silken skin. (In an amusing touch, it seems the fairies forgot to add beauty to the list of idealized features.) If ever there was a Princess that was going to prevail, it's Rosie, carrying with her an inner strength and set of friends with power equal to that of sword and spell. Even the most romantic twelve year old readers will agree that maybe 'Happily Ever After' has more than one definition. A 2000 Parents' Choice® Silver Honor. Reviewed by C. Corey Fisk, Parents' Choice® 2000 -- From Parents' Choice® Robin McKinley is a winner of the Newbery Medal for The Hero and the Crown and a Newbery Honor for The Blue Sword . Read more

Features & Highlights

  • Princess Rosie is whisked away into hiding by her forest friends as a baby in order to protect her from the evil fairy Pernicia's curse, but Pernicia's powers are strong, and Rosie's fairy and animal friends must do everything they can to save her. 50,000 first printing.

Customer Reviews

Rating Breakdown

★★★★★
60%
(469)
★★★★
25%
(195)
★★★
15%
(117)
★★
7%
(55)
-7%
(-55)

Most Helpful Reviews

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Lovely

From my observations of the Amazon customer reviews, and conversations with my own acquaintances, I have the distinct impression that readers of Robin McKinley's novels can be divided into two categories: those who love both her older works (Beauty, et. al.) and the newer, and those who hate Deerskin and Rose Daughter. Let me say that I'm part of the former, but I think that Spindle's End will appeal to both groups.
Why? Just saying that it's a beautifully written novel isn't enough, I guess. It combines some elements familiar from early McKinley works (the unconventional hero(ine), the surprising spin on well-known stories) with aspects of the later (beautiful, lyrical prose, a surprising (yet satisfying) ending). But all of these elements, familiar as they are, combine to create a novel that is unique. If you've enjoyed anything by Robin McKinley, buy this book. You'll find something to love.
Also--and this isn't a part of the plot at all, so it's not really a spoiler--I was very happy to read that Lissar and Ossin are still happily raising fleethounds.
63 people found this helpful
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Have we met...?

I intended to like this book from the moment I heard it was coming out. I suppose I'm somewhat dense, since my sister had to realize that the title "Spindle's End" probably had to do with one of our favorite fairy tales, Sleeping Beauty. Now that I've read it, I can't say I'm disappointed, exactly....But for being a new story, it seemed vaguely familiar.
Don't get me wrong, I enjoyed it immensely. The reading was enjoyable, the plot suspenseful. There were funny and sad moments, and the new, somewhat conversational tone of "voice" McKinley uses is quite wonderful. (If you notice, since she's been in England, her expressions and spelling have become decidedly more British.) As always, her plotting and pacing are superb, and her nods to other novels and stories brought a smile to my face. It took me a while to realize why such a satisfying story left me feeling...vaguely DISsatsified; I think it's because it was a little too familiar.
All of you reading this should know by now that this is based on Sleeping Beauty, so I won't bore you with plot details. The main character, Rosie, was lovelable and suitably un-princesslike; but then, so was Harry (of "The Blue Sword"), Beauty of "Rose Daughter," and especially Aerin (of "The Hero and the Crown"). I don't object in the least to having a strong female protagonist -- indeed, that's partly why I love McKinley's books. But in this case, I felt always a little distant from Rosie, possibly because we don't get her viewpoint until halfway through the book (but not even at a chapter break, which was one of the occasionally awkward viewpoint shifts). (Incidentally, I also felt that for as long as we had Katriona's viewpoint, we never really got to know her.) I kept being reminded of other heroines; although, to be fair, I've read so much in this genre that it's not McKinley's fault if I make associations with other authors' books (namely Tamora Pierce's "Wild Magic" quartet). The writing was sufficiently different from and like "Rose Daughter" to keep me interested, but the search for answers magical was almost the same, as if these two books were less about the characters than about the magic. Again, it's not McKinley's fault if she wrote about magic and I wanted to read about characters. Fortunately, McKinley never resorted to withholding information from the reader which the viewpoint character knew; and yet, in this case, it felt a little distancing, because when we were thinking with Rosie, we as readers knew that Katriona knew something that Rosie didn't, and we who had just been in Kat's mind wanted to know, too. I agree with the other reviewer who said that her human characters were not as quickly distinguishable as her animal ones, and some characters never got to be a real person. How much can you tell me, for all that we met them, about Aunt, Narl, Peony? At least the romance in the second half of the book was suspenseful and subtle. As for further familiarities, Rosie's first confrontation with Pernicia, in the purple-skied plain, seemed at first to be lifted directly from "Hero" and Aerin's search for Agsdad (? -- my memory fails me), an (unintentional?) allusion which made visualizing this scene more difficult.
Yet, overall, McKinley's take on the story was as unique as it could be and still be Sleeping Beauty. What this book really deserves is another, more thorough, reading, and I am sure that the characters will stand out more in my mind. Take this review with a grain of salt, since no writer can please every reader all the time, and before now, I had never been disappointed with McKinley's writing at all. After my second or third read, I will be able to distinguish this country and Rosie's scenes from the others, and I will eventually read books that will remind me of this one. (But that doesn't stop me from wanting another Damar book....) :-)
42 people found this helpful
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Slightly disappointed ...

I am one of those people referred to by Elythia who like McKinley's more "difficult" books as well as her earlier ones, but it isn't the return to the more light-hearted themes that made me feel a little let down after reading "Spindle's End". Truthfully, I didn't find "The Hero and The Crown" or "The Blue Sword" all that frivolous, myself. What has always appealed to me in McKinley's work is how very individual the people, animals, and locations are. I may not be able to remember the name of Aerin's horse today, but I certainly know him as an individual, from his slightly greedy nature to his proud courage and his moving slightly short behind. I know how Damar smells, and I would know Rose Cottage with my eyes shut ... So, why do I feel as if "Spindle's End" is just an outline for a much deeper book? The people, animals, and places seemed more like sketches than finished characters. I liked Rosie, especially that her nature refused to be channeled into "beautiful Princess in hiding", but I really didn't see enough of her to know, for example, why Fast was willing to run himself to death for her, if necessary. Nor was there enough of who Fast is (other than slightly shallow and fast) to see where this slightly brainless horse would pull the courage from that he used in fleeing Pernicia. And Peony never really existed to me except as a foil for Rosie, and surely she had to have been more than that! As usual, McKinley writes beautifully, and there are moments of brilliance, but I never really felt as if I was in this nameless country of magic the way I do with the other books. It all seemed a rather well made Potemkin Village, and the people and animals merely walk-ons ...
17 people found this helpful
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A bit self-indulgent

I have always enjoyed reading Robin McKinley's work and looked forward to diving into this one. However, the detailed decriptions and frequent use of parethetical phrases, made the reading rather cumbersome. The Horn review did a great summation and I agree with their comments.
It's worth reading, but does not draw one in the way her other writings have before. Her desire to create a strong female hero is admirable, but I think it was a bit overdone.
14 people found this helpful
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Pleasant read but....

I have long been a fan of Robin McKinley's books, and was prepared to love it. But it just did not grab me the way Hero/Blue Sword/Deerskin did.
The character development of humans was lighter in detail than in any of her previous books. I felt how everyone feared Pernicia, but never understood why. And I had no idea how she, a mere fairy, made up a searching spell that lasted over 20 years (which shouldn't be possible), a fact the book alludes to but never explains. The story also has a tremendous number of characters both human and animal. Somehow with a few succinct lines, each animal's personality shines through. This makes the contrast with the humans even more apparent. I didn't feel I knew Narl, Aunt, Ikor, Rowland or Peony.
Overall, I enjoyed reading the book as it is true to McKinley's style. It is a great new spin on a familiar tale. For that I can say that definitely rates 4 stars! But I know that McKinley is capable of more....and I hope she gives us another book on Damar.
11 people found this helpful
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Reading books by McKinley/McKillip is like being Underwater.

Honestly, it's like you're submerged in thick blue liquid, surrounded by millions of fantastic and light-exuding creatures, your senses muffled by the magic.
Ok, to put it bluntly, the first half was the best half. In fact, all three of the stars belong to it. The storytelling is great, pulling you deeper and deeper into the tale, the king and queen are quirky, the animals are just as cool as everyone says, and the description of Rosie as a baby is very charming, though one-third of the way thru the book, you are wondering exactly who the heroine is.
Robin McKinley spins lovely stories in a manner that is reminsicent of Patricia McKillip. Other people have already mentioned this. The description was rather long and involved; this is true as well.
BUT...it all got rather muddled. I just didn't like how things got resolved. One of the horses in the story tells Rosie something along the lines of "I'm my master's best stallion, and you are a princess, and we both are what we are, though we may not want it."
I mean, Peony was a peony, but Rosie was, after all, the real deal. This all sounds cryptic, maybe, but the end just upset me.
Though one interesting thing to mention is how Ms McKinley's characters, like Ms McKillip's characters, sense the magical solution almost instinctively. It's weird and wonderful to see them in action.
8 people found this helpful
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Spindle's End: Robin McKinley

Sleeping Beauty is perhaps the most passive fairy tale heroine. She is threatened, pricks her finger, sleeps for a long time and wakes up in time to get married. A lovely, languid lady whose role in the tale is simply to lie there.
Not Rosie, the threatened princess of "Spindle's End". She has far better things to do with her time and an attractive cast of characters to assist her.
This is another marvellous effort by McKinley, both enchanting and convincing. The author has that certain rare talent of constructing a world which is truly 'faerie', instead of extruded fantasy product. Compelling, delightful and completely satisfying.
8 people found this helpful
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Perhaps to much poetic prose

Although I did like the book, it lacked the straightforwardness that Beauty has always had. As McKinley has written more and more books, her descriptive talents have grown. I saw it starting to happen in Rose Daughter, but it culminated in Spindle's End- her descriptive elements overrode the book. I found myself thinking, "Get on with it!" as I read and fighting the urge to skip ahead for the first time. Even though I genuinely adored Rosie, I also agree with other reviewers- I saw too much of McKinley's other heroines in Rosie's character.
6 people found this helpful
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Really, really cute!

I finished it in record time. I adore McKinley's writings, and her retellings best of all. This one had the witty tone of a fairy tale, with the poignant humor that McKinley is known for. This, as with all the others, breathed new life into an old story. (Cliched, but true.) Who else would figure that just because someone was gifted with a beautiful singing voice, it didn't mean she had to be in tune?
What I liked the most was the array of characters, especially the more minor ones like Barder the wheelwright and Narl the farrier, and all the animal characters. Coming in a close second was the very detailed description of the land and the magic and the customs. I feel that I could move there and know what people were talking about! The dja vines, the fairies, the royalty . . . It was all logical and it jumped off the page into a life of its own, as if it had been sprinkled with its own magic.
What I liked least was the fact that it ended!
Comparisons to her other books are inevitable. I liked it fully as much as Rose Daughter. The tone is similar, if I remember right (maybe a little lighter). It's definitely a lot lighter than the Damar books or Deerskin.
Whatever it is, if you like fairy tales, and humor, and new takes on old stories . . . BUY IT!
5 people found this helpful
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Fairy-tale fantasy at its best

This is a beautifully written retelling, with delightfully original variations, of the Sleeping Beauty fairy tale. I found it to be every bit as good as "Beauty" and "The Outlaws of Sherwood." The heroine is not your traditional sort of princess. Cursed on her name-day by the wicked fairy Pernicia, she is carried off by the apprentice fairy Katriona and brought up in a remote area of the country as an ordinary village girl called Rosie. She is strong-willed and intelligent, cuts her hair short, wears trousers, and becomes a horse doctor after apprenticing herself to the smith Narl. Rosie has the gift of beast-speech, or the ability to communicate with animals. And Robin McKinley certainly has a gift for the portrayal of animals (my favorite is Flinx the cat); she seems to know exactly what the various birds and beasts would say if they could talk. Rosie has a great many animal friends -- cats, dogs, foxes, bears, robins, horses, cows, otters, badgers, et al. -- who play a very important part in the story. The happy ending involving the kiss is, well, not quite the same as the traditional one. Read "Spindle's End," enjoy an enchanting story, and find out what happens. This is fairy-tale fantasy at its best.
4 people found this helpful