Mystical Paths (Starbridge)
Mystical Paths (Starbridge) book cover

Mystical Paths (Starbridge)

Mass Market Paperback – April 24, 1993

Price
$7.99
Publisher
Fawcett
Publication Date
ISBN-13
978-0449221228
Dimensions
4.24 x 1.13 x 6.8 inches
Weight
8.5 ounces

Description

“No writing today can equal [Susan] Howatch's ability to write compelling novels that combine theology and psychology in a complex, fast-moving plot offering beautifully delineated characters and the suspense of a mystery/thriller. . . . The denouement will leave readers breathless.” — Publishers Weekly “Intelligent, compelling, and fascinating.” — The Cleveland Plain Dealer From the Inside Flap s Darrow follows his father into the Anglican priesthood in 1968 at the age of twenty-five, he is fleeing a troubled past. But when his fascination with his own psychic powers results in a near-tragedy, Nicholas must face the truth about his relationship with his father before he can find his way out of the seemingly impenetrable darkness that engulfs him. When Nicholas Darrow follows his father into the Anglican priesthood in 1968 at the age of twenty-five, he is fleeing a troubled past. But when his fascination with his own psychic powers results in a near-tragedy, Nicholas must face the truth about his relationship with his father before he can find his way out of the seemingly impenetrable darkness that engulfs him. Susan Howatch was born in Surrey. After getting a degree in law, she emigrated to America, where she married, had a daughter, and embarked on a career as a writer. When she eventually left the United States, she lived in the Republic of Ireland for four years before returning to England. She spent time in Salisbury—which was the inspiration for her Starbridge sequence of novels—and now lives in London. Excerpt. © Reprinted by permission. All rights reserved. “More than in the past, the young are striking out into intellectual independence and revolt against tradition.” MICHAEL RAMSEY Archbishop of Canterbury, 1961–1974 CANTERBURY PILGRIM xa0 1 xa0 I HAD JUST RETURNED FROM AN EXORCISM AND WAS FLINGING some shirts into the washing-machine when my colleague entered the kitchen. He was wearing his cassock and carrying a bottle of whisky. Beyond the window caked in city grime, sunlight blazed upon the battered dustbins in the backyard. xa0 “How was the Gothic mansion haunted by the ravishing young ghost?” xa0 “Non-existent. The trouble was in a council house where the previous occupant had overdosed on heroin in the lavatory.” xa0 “Ah well, that’s 1988 for youxa0…xa0Drink?” xa0 I declined but passed him a glass from the draining-board rack before I set the dials on the washing-machine. Meanwhile the electric kettle was coming to the boil. Absent-mindedly I reached for the teapot. “What’s new?” xa0 “Absolutely nothing. A drunk disrupted the lunch-time Eucharist, the Gay Christians demanded that we stock their literature on AIDS, and some neurotic female from the Movement for the Ordination of Women threatened to picket the church unless you sacked me—oh, and talking of neurotic women, someone called Venetia telephoned twice to say she had to talk to you. She sounded like a nymphomaniac.” He drank deeply from his whisky before adding: “Now why should the name Venetia remind me of the 1960s?” xa0 There was a silence broken only by the click of the kettle as it switched itself off. Then I said: “She was a friend of Christian Aysgarth’s.” xa0 “Ah yes,” said my colleague, suddenly motionless. “The Christian Aysgarth affair. 1968. Crisis, chaos and the Devil on the loose.” xa0 The phone rang. Moving to the extension, which hung on the wall by the dresser, I unhooked the receiver and said neutrally: “St. Benet’s Rectory.” xa0 “Darling!” It was Venetia. “I thought I’d never get past that crusty old curate you keep!” xa0 “He’s not my curate. He’s my colleague at the Healing Centre.” xa0 “Well, chain him up somewhere—I can’t bear misogynists. Now darling, I know you were terribly sweet and madly keen that I should visit you for a little professional chat, but—” “—you’ve got cold feet.” xa0 “Slightly shivery, yes. When I awoke this morning I began to wonder if a Healing Centre was really quite my scene, and—” xa0 “Nobody’s asking you to fall in love with it. Just think of it as a backdrop. I’m the scene.” xa0 “Oh yes, lovely, simply too thrilling—but I can’t bear that word ‘counselling’—quite ruined by the 1980s—all those wild-eyed social workers descending like vultures on disaster-victims—” xa0 “I’m neither wild-eyed, nor a social worker, nor a vulture, and I’m not going to counsel. I’m going to listen.” xa0 “Oh, but I shall make a mess of talking—I make a mess of everything—I shall wind up totally speechless—” xa0 “Fine. Then we can sit in silence and soak up the vibes.” xa0 “Soak up the vibes! Oh Nick, how that phrase takes me back! Do you know it’s twenty years now—twenty years—since you came to see me about Christian? That mysterious quest of yours! You never did tell me the whole story, did you?” xa0 “xa0‘Whereof one cannot speak, thereof one must be silent.’xa0” xa0 “No, don’t try and wriggle off the hook by quoting Wittgenstein! Look, let’s forget my visit to the Healing Centre—come and dine with me instead and tell me exactly what happened in 1968. I always found that official version curiously unsatisfactory.” xa0 I realised it was time to take a firm line. “Sorry,” I said, “but I don’t dine out during the week and I’ve no intention of forgetting your promise to visit the Healing Centre. I’ll see you on Thursday at eleven as we arranged yesterday in Starbridge.” xa0 “My dear, how masterful! Why is it I always find you so utterly impossible to resist?” said Venetia crossly, and hung up. xa0 Turning my back on the phone I found that my colleague had made the tea for me. “That’s the only woman I’ve ever met,” I said, sitting down opposite him at the kitchen table, “who can instantly recognise a quotation from Wittgenstein.” xa0 “She sounds extremely dangerous. Do be careful, Nicholas.” xa0 I smiled at him. Then I drank my tea, stared, into space and mentally turned back the clock to 1968, that demonic year when I had become so obsessed by Christian Aysgarth. xa0 2 xa0 FOR MOST OF 1968 I WAS TWENTY-FIVE; MY TWENTY-SIXTH BIRTHDAY fell on Christmas Eve. Buried in that first quarter-century of my life were the time-bombs which exploded in 1968—or perhaps it would be more accurate, though less colourful, to write: weaving through those first twenty-five years were the paths which eventually converged to lead me into the Christian Aysgarth mystery. The first path followed my convoluted relationship with my father. The second path followed my disastrous career as a psychic. And the third path followed my friendship with Marina Markhampton. By 1968 all three paths were running side by side—in fact they had become a three-lane motorway where the words “to hell” came up on all the signboards—but in the beginning hell was a long way off and Path Number One led through the idyllic landscape of my childhood. xa0 I was brought up in the country near the city of Starbridge where my father worked at the Theological College in the Cathedral Close. When I was still in the nursery he had been appointed Principal, but he had not been required to live on the premises and I can remember watching him ride off on his bicycle to the station where he would take the train to Star-bridge, twelve miles away. If the weather was wet my mother insisted on giving him a lift in the Rolls, but he preferred to be independent. Born in the last century, he had never learnt to drive and he regarded travelling by Rolls-Royce as an inexcusable luxury for a priest. But then he became busier as the College Principal; soon the inexcusable luxury transformed itself into a time-saving necessity, and he stopped talking about the corrupting influence of the motor car. xa0 I can just remember my mother’s old chauffeur, who died in 1946. The Rolls, which I can remember clearly, died—or rather, was retired with honour—in 1947. Those were the days of the Labour Government when the rich had to tighten their belts, so my mother economised by replacing the Rolls with a Bentley and not replacing the chauffeur at all. xa0 My mother worked. That was very unusual in those days for someone of her class. She ran the Home Farm which formed part of her estate at Starrington Magna, and every morning she would drive away to her office. I would stand on the doorstep of our manor house with Nanny and wave goodbye. Naturally I had no idea what a privileged childhood I was having, and naturally I took my doting parents and my beautiful home for granted. Nanny tried to bring me up sensibly but I soon mastered Nanny. By the time I was five I had evolved into a miniature tyrant. xa0 This unpleasant phase of my development was brought to an end when I was nearly expelled from kindergarten for fighting over a boiled sweet. I remember it as the first time my father actively intervened in my life. Before that he had merely appeared at intervals and enfolded me in unqualified approval. But now the approval was withdrawn. xa0 All he said was: “This won’t do, Nicholas,” and when he looked me straight in the eyes I suddenly realised that no, it wouldn’t do at all because nothing was more important than that he should remain pleased with me. This insight in turn enabled me to articulate a truth which it seemed I had always known but had never been able to put into words. I said: “You’re magic. You keep the bad things away,” and as I spoke I knew that if he withdrew the protection of his magic anything might happen, anything, hobgoblins could haunt me, a witch could kidnap me, a monster could come down the nursery chimney and swallow me up. So I clutched the pectoral cross which my father always wore and I cried: “Save me from the Dark!”—a plea bizarre enough to alarm my mother, but my father merely wrapped his mind around mine to keep me safe, patted me on the head and said: “The word you want isn’t ‘magic’. It’s ‘psychic’xa0.” xa0 I liked this word but my mother didn’t. She said sharply to my father: “Don’t put ideas into his head!” but my father answered: “They’re already there.” xa0 “Nonsense!” said my mother, and when she abruptly walked out of the room I realised that “psychic” could be a dangerous word, risky, not acceptable by some people, definitely not a word to be used with no thought for the consequences. xa0 I tried the word out on Nanny and received the firm response: “That’s not a nice word, dear, that’s peculiar, and we don’t have peculiar things in this nursery.” xa0 At kindergarten we were asked to write a sentence about our parents, and burning with curiosity to test my teacher I wrote: “Mummy is a farmer and Father is a sykick who saves me from the Dark.” My teacher was appalled. In fact she was so disturbed that she even sent the composition to my mother, but my mother only commented briskly to me: “Silly woman! She might at least have taught you to spell ‘psychic’ correctly before she had hysterics.” And to my father she said: “I refuse to let Nicholas go peculiar. What’s all this rubbish about the Dark?” xa0 “It’s his way of referring to malign psychic forces.” xa0 “Well, I won’t have it, it’s bad for him, it’ll give him nightmares.” xa0 “But my dear Anne, you can’t alter the way he sees and senses the world!” xa0 A flash of intuition lit up my juvenile brain. “I’m psychic too,” I said triumphantly. “I’m just like Father!” xa0 “Oh no, you’re not!” said my mother, magnificently normal, superbly sane. “One Jon Darrow is all I can cope with. Two would finish me off altogether!” Then before we could get upset she kissed him, hugged me and declared: “You’re Nicholas. You’re not ‘just like’ anyone. You’re you, your special self.” And to my father she concluded sternly: “No replicas.” xa0 xa0 “I asked what a replica was, and after he had given me the definition my father said: “But of course your mother’s quite right and you must become not my replica but the special person God’s designed you to be.” xa0 “Supposing God’s designed me to be exactly like you?” xa0 “Impossible!” said my mother robustly. “That would be very boring for God—much more fun for him to create someone different. And Nicholas, while we’re talking of peculiar ideas, I think it would be very clever of you and much more grown up if you kept all psychic talk specially for your father, who understands such things. Other people don’t understand, you see, with the result that they become uncomfortable, and a true gentleman must always do everything he can to lessen the discomfort of others.” xa0 I resolved to be a true gentleman. xa0 And that was the beginning of my tortuous relationship with my father. Read more

Features & Highlights

  • “No writing today can equal [Susan] Howatch's ability to write compelling novels that combine theology and psychology in a complex, fast-moving plot offering beautifully delineated characters and the suspense of a mystery/thriller. . . . The denouement will leave readers breathless.”—
  • Publishers Weekly
  • Nicholas Darrow is a strong-willed and independent-minded man, full of the energy and assurance of his age and his moment in time—he is twenty-five in 1968. A magnet for attention and attraction, Nicholas is already beset by a troubled past, and expert at ignoring the grip it has on his life. But as he follows his father into the Anglican priesthood, his fascination with his own psychic powers results near-tragedy. It will only be by facing the truth about his relationship with his father that Nicholas can find his way out of the seemingly impenetrable darkness that engulfs him. . . . Told with all the drama, intelligence, and emotional depth we have come to expect from Susan Howatch,
  • Mystical Paths
  • is a breathtaking novel about the powerful, often painful, but finally indestructible ties between parent and child. And like its four highly praised predecessors in the Church of England series, it is a novel that celebrates the redeeming power of self-knowledge and faith.
  • “Intelligent, compelling, and fascinating.”—
  • The Cleveland Plain Dealer

Customer Reviews

Rating Breakdown

★★★★★
60%
(201)
★★★★
25%
(84)
★★★
15%
(50)
★★
7%
(23)
-7%
(-23)

Most Helpful Reviews

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Conflict, replicas, and "The Dark!"

Susan Howatch once again shows brilliance in characterisation, expression of spiritual truths, and integration of Jungian psychology in creating this strange and rather macabre picture of conflict, intensity, and the darkness of deception. While the plot has notable deficiencies, particularly in some major scenes in the last quarter of the action, the author manages to present a deep and thorough, if sometimes horrifying, picture of what seems an eternal battle of good and evil.
Set in 1968, when the previous modern certainties of the stability of church and society were crumbling, the story of Nicholas Darrow shows us both the tearing conflicts within one man's life, where his faith is overshadowed by his intense tendency to use his psychic gifts for power and manipulation, and the overall despair of a world which seemed totally unstable. The popular crowd who form secondary characters deteriorate rapidly from a privileged and party-loving group into addiction, mental illness, suicide, murder, or desperate, even pathological, promiscuity.
The main characters, Nicholas and his father Jonathan Darrow, both possess rare psychic gifts, and their inability to see situations clearly in relation to one another stems from the mutual belief that the son is a replica of his father. The differences, which manage to pointedly reflect the times as well, are drastic. Where Jonathan, whose insight and wisdom are clear in the various novels of the series in which he appears, is grounded in Christian mysticism, Nicholas has fallen into a gnostic approach, which he sees as superior, and his manifestation of psychic power is frighteningly manipulative in its various plot depictions. Though father and son have certain common weaknesses, Jonathan is sustained by classic mystic theology and monastic experience, where Nicholas (until his own turning point) cannot except the elements of conversion, and, despite giving them a Christian flavour in his own mind, engages in displays of (mostly apparent) unusual powers that seem close to sorcery.
Lovers of the series will find that action in this book enlightens the portrayals of characters who appear elsewhere. For example, the full consequences of the tragedy involving Venetia Flaxton, which is set in 1963 in Scandalous Risks, are sadly clear in this 1968 setting. Readers who know Charles Ashworth from other novels undoubtedly will feel Nicholas's frustration keenly when, in his turning to Charles for assistance, one who might be expected to be comforting and wise is quite the contrary because he has decided what Nicholas is trying to say without giving him a chance to speak. The same Lewis Hall who, in other volumes, will be invaluable to Ashworth and, much later, rather exasperating in a joint healing ministry with Nick, is here "at his best," a strength for both Nicholas and Jonathan.
It is unfortunate that most of the action in this book involves elaborately staged dramatic, which can obscure the essential themes even if it delivers certain key messages powerfully. However, in the outcome it is an exceptional depiction of the hard path to self-knowledge (from which even wise spiritual guides of 88 find constant), resolution of internal conflict, providence and, ultimately, redemption.
13 people found this helpful
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A spiritual mystery that's riveting and moving.

Susan Howatch's books chronicle people for whom spiritual matters are life and death. In this book, a young candidate for the priesthood follows his psychic powers in search of a man whose supposed death has left a vacuum in many lives. It's at times hair-raising, surprising and utterly involving.
8 people found this helpful
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Quite Enjoyable

Mystical Paths is my first experience with a Susan Howatch book. I found that I thoroughly enjoyed this book. The characters are solid, complex, very different, and interesting. I truly felt like these were people that I would like to get to know better.
I won't reiterate the plot here, since other reviewers have done it well. I will just say that this book has elements that many readers will likely find enjoyable for pure fun reading: demonic possession, exorcism, mystery, and suspense. There are also complex elements for the reader that likes more meat to a story:guilt, pride, vocation, growing up, and parental relation complexs.
My only very tiny complaint about this book is that in a few places it bogs down a bit, though it does tend to recover quickly. Overall, though, I highly recommend this book and will be seeking out the other titles in this series.
6 people found this helpful
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introducing Nick...

The second trilogy in the Starbridge books takes place in the 1960's. In this book Jon Darrow's son Nick is now a young man shortly before his ordination as a priest. Nick is in no way a model ordinand. Like his father he has psychic powers, and cannot resist the urge to show them off as parlour tricks to impress the girls. He has quite a collection of female admirers and has it all figured out - how to separate the nice girls from the bad ones, and, of course, when to go to Confession (not compulsory in the Church of England) only to start all over again. The central story in this book is Nick's obsession with finding out the truth about a friend who has died under mysterious circumstances. There is also the father-son dynamic between him and his father Jon - now living as a recluse - and Nick's problems with keeping his psychic powers under control. Nick tends to blunder from one mess into the other - but remains a loveable and sincere young man who needs to learn the lesson: I CAN BE WRONG.
In spite of Nick's charms I wasn't entirely captivated by this book. I never really developed an interest in Christian and couldn't quite follow Nick's fascinationwith him. Also I found the psychic-occult element a little tedious this time around; it had been dealt with adequately in Glamorous Powers, I felt. Nevertheless it's an important part of the series and it was wonderful getting to know Nick, and witnessing the love between him and Jon.
5 people found this helpful
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An excellent 5th book in the Starbridge series

Well written, mainly about a young man Nick Darrow who is a psychic Christian, albeit a very immature one, who blunders on to a highly dangerous situation whilst privatley investigating as to whether a fatal accident was a suicide or a getaway by the person concerned in order to start a new life
4 people found this helpful
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His father Jonathan isn’t much better nor any of the other high churchmen-biological fathers we’re ...

Sort of predecessor to The Da Vinci Code in its religious - mystery/horror blend. The synthesis of Jungian psychology and Anglican theology is impressive, interesting, thought provoking—and sustained, not for a casual reader.
Weaknesses: One, Nick Darrow is a nitwit; I soon wearied of his headstrong, vainglorious, not-all-that-complex character. His father Jonathan isn’t much better nor any of the other high churchmen-biological fathers we’re told are so charismatic, dynamic, and spiritual. Two, the Jung/Christianity synthesis also wore thin after a while, ending as a weird, preachy horror-thriller. Three, the psychic stuff takes on a ridiculous flavor just at the climax, when we need it to work best. Four, the biggest flaw of all: who cares about the angst of these sons of high churchmen??? Nick’s and Christian's problems growing up and developing their own identities is ultimately boring.
Strengths: Then what kept me reading? I’d get disgusted, throw the book aside, but keep going back to it. Why?
A) Nick is funny. The first third is a comedic Pilgrim’s Progress, his Slough of Despond with its string of lively, sexy femmes fatales hilarious.
B) The story is a mystery at heart: What really happened to Christian? Suspense can carry a reader through quite a bit of slough.
C) The synthesis of psychology and religion really is interesting, original, unique in my reading experience so far, and fascinating.
D) Lewis Hall shows up! riding a white horse and saving the day. You gotta love Lewis!
E) Each section ends with a teaser or cliffhanger that keeps you going.
Mystic Paths was original and provocative. Not sure if I’ll read another Howatch. Maybe in a year or so.
3 people found this helpful
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Compelling 5th novel in the Starbridge series

It's hard to name a favourite in this series however this and the first book (Glittering Images) would come close.
Howatch is at her very best in this book which moves along at a good pace and introduces us very well to the character of Nicholas Darrow - son of the famous Jon Darrow.
We see the unhealthy yet loving relationship between Father and Son as they both struggle to release their psychic hold on each other and also a good glimpse into the relationship between Nicholas and his half brother Martin Darrow - the Actor.
Howatch has an unequalled way in bringing together characters from the other books and also recalling past incidents from a different viewpoint which I find fascinating - and extremely clever.
Much has been said about the plot in previous reviews so I won't go too much into that other than to say it's entirely believable and utterly engrossing.
After the Starbridge series - if you enjoyed these ensure to read the St. Benet's series (3 books) which all again feature Nick Darrow and also Lewis Hall. Even Cynthia Aysgath makes an appearance in the first book.
I only wish Howatch would start another series - perhaps looking at Nick and Alice's life when they leave to go back to his ancestral home to begin a Healing centre there. That may be too much to hope for.
2 people found this helpful
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Compelling 5th novel in the Starbridge series

It's hard to name a favourite in this series however this and the first book (Glittering Images) would come close.
Howatch is at her very best in this book which moves along at a good pace and introduces us very well to the character of Nicholas Darrow - son of the famous Jon Darrow.
We see the unhealthy yet loving relationship between Father and Son as they both struggle to release their psychic hold on each other and also a good glimpse into the relationship between Nicholas and his half brother Martin Darrow - the Actor.
Howatch has an unequalled way in bringing together characters from the other books and also recalling past incidents from a different viewpoint which I find fascinating - and extremely clever.
Much has been said about the plot in previous reviews so I won't go too much into that other than to say it's entirely believable and utterly engrossing.
After the Starbridge series - if you enjoyed these ensure to read the St. Benet's series (3 books) which all again feature Nick Darrow and also Lewis Hall. Even Cynthia Aysgath makes an appearance in the first book.
I only wish Howatch would start another series - perhaps looking at Nick and Alice's life when they leave to go back to his ancestral home to begin a Healing centre there. That may be too much to hope for.
2 people found this helpful
✓ Verified Purchase

Compelling 5th novel in the Starbridge series

It's hard to name a favourite in this series however this and the first book (Glittering Images) would come close.
Howatch is at her very best in this book which moves along at a good pace and introduces us very well to the character of Nicholas Darrow - son of the famous Jon Darrow.
We see the unhealthy yet loving relationship between Father and Son as they both struggle to release their psychic hold on each other and also a good glimpse into the relationship between Nicholas and his half brother Martin Darrow - the Actor.
Howatch has an unequalled way in bringing together characters from the other books and also recalling past incidents from a different viewpoint which I find fascinating - and extremely clever.
Much has been said about the plot in previous reviews so I won't go too much into that other than to say it's entirely believable and utterly engrossing.
After the Starbridge series - if you enjoyed these ensure to read the St. Benet's series (3 books) which all again feature Nick Darrow and also Lewis Hall. Even Cynthia Aysgath makes an appearance in the first book.
I only wish Howatch would start another series - perhaps looking at Nick and Alice's life when they leave to go back to his ancestral home to begin a Healing centre there. That may be too much to hope for.
2 people found this helpful
✓ Verified Purchase

Compelling 5th novel in the Starbridge series

It's hard to name a favourite in this series however this and the first book (Glittering Images) would come close.
Howatch is at her very best in this book which moves along at a good pace and introduces us very well to the character of Nicholas Darrow - son of the famous Jon Darrow.
We see the unhealthy yet loving relationship between Father and Son as they both struggle to release their psychic hold on each other and also a good glimpse into the relationship between Nicholas and his half brother Martin Darrow - the Actor.
Howatch has an unequalled way in bringing together characters from the other books and also recalling past incidents from a different viewpoint which I find fascinating - and extremely clever.
Much has been said about the plot in previous reviews so I won't go too much into that other than to say it's entirely believable and utterly engrossing.
After the Starbridge series - if you enjoyed these ensure to read the St. Benet's series (3 books) which all again feature Nick Darrow and also Lewis Hall. Even Cynthia Aysgath makes an appearance in the first book.
I only wish Howatch would start another series - perhaps looking at Nick and Alice's life when they leave to go back to his ancestral home to begin a Healing centre there. That may be too much to hope for.
2 people found this helpful