Moon Over Soho (Rivers of London)
Moon Over Soho (Rivers of London) book cover

Moon Over Soho (Rivers of London)

Paperback – March 1, 2011

Price
$8.98
Format
Paperback
Pages
288
Publisher
Del Rey
Publication Date
ISBN-13
978-0345524591
Dimensions
4 x 0.75 x 6.75 inches
Weight
5.6 ounces

Description

“A terrific follow-up to [Aaronovitch’s] novel Midnight Riot , the debut of Peter Grant and his own weird London. Grant continues to learn the ropes of magical London, a process that takes him on a trip through Nightingale's haunted past and into some of the most interesting places you won't find on any official tour. Aaronovitch makes the story sing, building momentum until the ending is literally breathless.”xa0 --SF Revu“A realistic modern-day police procedural populated by increasingly solid characters and written in the same consistently witty style as the first Peter Grant novel [ Midnight Riot ]. . . . One of the most entertaining books I’ve read in a long time.”xa0 --Fantasy Literature Ben Aaronovitch was born in London in 1964 and had the kind of dull routine childhood that drives a man to drink or to science fiction. He is a screenwriter, with early notable success on BBC television’s legendary Doctor Who, for which he wrote some episodes now widely regarded as classics, and which even he is quite fond of. He has also penned several groundbreaking TV tie-in novels. After a decade of such work, he decided it was time to show the world what he could really do and embarked on his first serious original novel. The result is Midnight Riot, the debut adventure of Peter Grant, followed by Moon Over Soho . Excerpt. © Reprinted by permission. All rights reserved. chapter 1Body and SoulIt’s a sad fact of modern life that if you drive long enough, sooner or later you must leave London behind. If you drive northeast up the A12 you eventually come to Colchester, Britain’s first Roman capital and the first city to be burned down by that redheaded chavette from Norfolk known as Boudicca. I knew all this because I’d been reading the Annals of Tacitus as part of my Latin training. He’s surprisingly sympathetic to the revolting Brits and scathing about the unpreparedness of the Roman generals who thought more of what was agreeable than expedient. The classically educated chinless wonders who run the British army obviously took this admonition to heart because Col?chester is now the home of their toughest soldiers—the parachute regiment. Having spent many a Saturday night as a probationary PC wrestling squaddie in Leicester Square, I made sure I stayed on the main road and bypassed the city altogether.Beyond Colchester I turned south and, with the help of the GPS on my phone, got myself onto the B1029 heading down the wedged-shaped bit of dry ground jammed between the River Colne and Flag Creek. At the end of the road lay Brightlingsea–lining the coast, so Leslie had always told me, like a collection of rubbish stranded at the high-water mark. Actually I didn’t think it was that bad. It had been raining in London but after Colchester I’d driven into clear blue skies and the sun lit up the rows of well-kept Victorian terraces that ran down to the sea.Chez May was easy to spot, a 1970s brick-built fake Edwardian cottage that had been carriage-lamped and pebble-dashed within an inch of its life. The front door was flanked on one side by a hanging basket full of blue flowers and on the other by the house number inscribed on a ceramic plate in the shape of a sailing yacht. I paused and checked the garden; there were gnomes loitering near the ornamental birdbath. I took a breath and rang the doorbell.There was an immediate chorus of female yelling from inside. Through the reproduction stained-glass window in the front door I could just make out blurry figures running back and forth at the far end of the hall. Somebody yelled, “It’s your boyfriend!” which earned a shush and a sotto voce reprimand from someone else. A white blur marched up the hallway until it filled the view through the window from side to side. I took a step backward and the door opened. It was Henry May—Leslie’s father.He was a large man, and driving big trucks and hauling heavy gear had given him broad shoulders and heavily muscled arms. Too many transport café breakfasts and standing his round at the pub had put a tire around his waist. He had a square face and had dealt with a receding hairline by shaving his hair down to a brown fuzz. His eyes were blue and clever. Leslie had gotten her eyes from her dad.Having four daughters meant that he had parental looming down to a fine art, and I fought the urge to ask whether Leslie could come out and play.“Hello, Peter,” he said.“Mr. May,” I said.He made no effort to unblock the doorway; nor did he invite me in.“Leslie will be out in a minute,” he said.“She all right?” I asked. It was a stupid question and Leslie’s dad didn’t embarrass either of us by trying to answer it. I heard someone coming down the stairs and braced myself.There’d been severe damage to the maxilla, nasal spine, ramus, and mandible, Dr. Walid had said. And although much of the underlying muscle and tendons had survived, the surgeons at UCH had been unable to save much of the skin surface. They’d put in a temporary scaffold to allow her to breathe and ingest food, and there was a chance that she might benefit from a partial face transplant—if they could find a suitable donor. Given that what was left of her jaw was currently held together by a filigree of hypoallergenic metal, talking was out of the question. Dr. Walid had said that once the bones were sufficiently fused, they might be able to restore enough functionality to the jaw to allow for speech. But it all sounded a bit conditional to me. Whatever you see, he’d said, take as long a look as you need to get used to it, to accept it, and then move on as if nothing has changed.“Here she is,” said Leslie’s dad and turned sideways to allow a slim figure to squeeze past him. She wore a blue-and-white-striped hoodie with the hood up, drawstring pulled tight so that it hid her forehead and chin. The lower face was covered by a matching blue-and-white-patterned scarf and her eyes by a pair of unfashionably large sunglasses I suspected had been looted from her mum’s forgotten-clothes drawer. I stared but there was nothing to see.“You should have said we were going out robbing,” I said. “I’d have brought a balaclava.”She gave me a disgusted look—I recognized it from the tilt of her head and the way she held her shoulders. I felt a stutter in my chest and took a deep breath.“Fancy a walk then?” I asked.She nodded to her dad, took me firmly by the arm, and led me away from the house.I felt her dad’s eyes on my back as we walked off.If you don’t count the boatbuilding and the light engineering, Brightlingsea is not a noisy town even in the summer. Now, two weeks after the end of the school holidays, it was almost silent, just the occasional car and the sound of the gulls. I stayed quiet until we’d crossed the high street where Leslie pulled her police-issue notebook out of her bag, flipped it open to the last page, and showed it to me.What have you been up to? was written in black Biro across the page.“You don’t want to know,” I said.She made it clear through hand gestures that yeah, she did want to know.So I told her about the guy that had had his dick bitten off by a woman with teeth in her vagina, which seemed to amuse Leslie, and about the rumors that DCI Seawoll was being investigated by the IPCC about his conduct during the Covent Garden riots, which did not. I also didn’t tell her that Terrence Pottsley, the only other victim to survive the magic that had damaged Leslie’s face, had topped himself as soon as his family’s backs were turned.We didn’t go straight to the shore. Instead Leslie led me the back way down Oyster Tank Road and through a grassy car park where rows of dinghies were parked on their trailers. A brisk wind from the sea moaned through the rigging and clonked the metal fittings together like cowbells. Hand in hand, we picked our way through the boats and out onto the windswept concrete esplanade. On one side cement steps led down to a beach carved into narrow strips by rotting breakwaters; on the other stood a line of brightly colored huts. Most were closed up tight but I did see one family determined to stretch the summer as far as it would go, the parents drinking tea in the shelter of their doorway while the kids kicked a soccer ball on the beach.Between the end of the beach huts and the open-air swimming pool was a strip of grass and a shelter where we finally got to sit down. Constructed in the 1930s when people had realistic expectations of the British climate, it was brick-built and solid enough to serve as a tank trap. We sat down out of the wind on the bench that ran along the back of the alcove. The inside had been decorated with a mural of the seafront, blue sky, white clouds, red sails. Some total wanker had graffitied bmx across the sky and there was a list of names crudely painted down the side wall—brooke t., emily b. and leslie m. They were just in the right location to have been painted by a bored teenager slumped on the corner of the bench. You didn’t need to be a copper to see that this was where the yoofs of Brightlingsea came to hang out in that difficult gap between the age of criminal responsibility and that of legal drinking.Leslie pulled an iPad clone out of her bag and fired it up. She typed in keyboard mode and the iPad spoke—somebody in her family must have installed a speech synthesizer. It was a basic model with an American accent that made Leslie sound like an autistic surfer dude, but at least we could have an almost normal conversation.She didn’t bother with small talk.“Can magic fix?” she asked.“I thought Dr. Walid had talked to you about that.” I’d been dreading this question.“Want you say,” she said.“What?”Leslie leaned over her pad and stabbed deliberately at the screen with her finger. She typed several separate lines before hitting return.“I want to hear it from you,” said the iPad.“Why?”“Because I trust you.”I took a breath. A pair of old-age pensioners raced past the shelter on mobility scooters.“As far as I can tell magic works within the same framework of physical laws as everything else,” I said.“What magic do,” said the iPad, “magic can undo.”“If you burn your hand on fire or electricity it’s still a burn—you fix it with bandages and cream and stuff like that. You don’t use more electricity or more fire. You . . .”Had the skin and muscles of your face been pulled out of shape by a fucking malevolent spirit—your jaw was all smashed up and the whole thing was held together with magic and when that ran out your face fell off. Your beautiful face. I was there, I watched it happen. And there was nothing I could do.“Can’t just wish it away,” I said.“Know everything?” asked the iPad.“No,” I said. “And I don’t think Nightingale does either.”She sat silent and unmoving for a long while. I wanted to put my arm around her but I didn’t know how she’d react. I was just about to reach out when she nodded to herself and picked up the iPad again.“Show me,” said the iPad.“Leslie . . .”“Show me.” She hit the repeat button several times. “Show me, show me, show me . . .”“Wait,” I said and reached for her iPad, but she pulled it out of my reach.“I have to take the battery out,” I said. “Or the magic will blow the chips.”Leslie flipped the iPad, cracked it open, and pulled the battery. After going through five phones in a row I’d retrofitted my latest Samsung with a hardware cutoff that kept it safe but meant that the case was held together with elastic bands. Leslie shuddered when she saw it and made a snorting sound that I suspected was laughter.I made the shape of the appropriate forma in my mind, opened my hand, and brought forth a werelight. Not a big one but enough to cast a pale light that was reflected in Leslie’s sunglasses. She stopped laughing. I closed my hand and the light went out.Leslie stared at my hand for a moment and then made the same gesture, repeating it twice, slowly and methodically. When nothing happened she looked up at me and I knew, underneath the glasses and scarf, that she was frowning.“It’s not that easy,” I said. “I practiced every morning for four hours for a month and a half before I could do that and that’s just the first thing you have to learn. Have I told you about the Latin, the Greek . . . ?”We sat in silence for a moment, then she poked me in the arm. I sighed and produced another werelight. I could practically do it in my sleep by then. She copied the gesture and got nothing. I’m not joking about how long it takes to learn.The OAPs returned, drag racing past on the esplanade. I put the light out but Leslie carried on making the gesture, the movements becoming more impatient with every try. I stood it as long as I could before I took her hand in mine and made her stop.We walked back to her house soon afterward. When we reached her porch she patted me on the arm, stepped inside, and shut the door in my face. Through the stained glass I watched her blurry shape retreat quickly down the hallway. Then she was gone. Read more

Features & Highlights

  • BODY AND SOUL   The song. That’s what London constable and sorcerer’s apprentice Peter Grant first notices when he examines the corpse of Cyrus Wilkins, part-time jazz drummer and full-time accountant, who dropped dead of a heart attack while playing a gig at Soho’s 606 Club. The notes of the old jazz standard are rising from the body—a sure sign that something about the man’s death was not at all natural but instead supernatural.Body and soul—they’re also what Peter will risk as he investigates a pattern of similar deaths in and around Soho. With the help of his superior officer, Detective Chief Inspector Thomas Nightingale, the last registered wizard in England, and the assistance of beautiful jazz aficionado Simone Fitzwilliam, Peter will uncover a deadly magical menace—one that leads right to his own doorstep and to the squandered promise of a young jazz musician: a talented trumpet player named Richard “Lord” Grant—otherwise known as Peter’s dear old dad.

Customer Reviews

Rating Breakdown

★★★★★
30%
(3.9K)
★★★★
25%
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★★★
15%
(1.9K)
★★
7%
(909)
23%
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Most Helpful Reviews

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He loves London and loves his job. Which is not what he expected.

To begin with, Aaronovitch writes really well and his protagonist is likeable: intelligent, slightly geeky, and charming. The magic in his London co-exists with cell phones and iPads (which, rather as in William Gibson, date-stamp this book for all time). Actually, co-exists is not quite the right word, since one of Peter Grant's problems in life is not blowing the chips of computers around him, as well as paperwork and not seriously upsetting his superiors. He deals with these difficulties more successfully than Harry Dresden has so far, but he has more allies, better luck with women, and a well-drawn family. Although all is not gas and gaiters, Aaronovitch is less relentlessly noir than either Butcher or Mike Carey and less supernatural than Richard Kadrey. I like all of these books but it's nice not to feel doomed sometimes.

Moon Over Soho picks up a short time after the events of Midnight Riot, which you may need to read to understand some of the characterization in this book.
I read the first book only a couple of weeks ago, and I was impatient to read the next one. It did not disappoint and now I want more.
26 people found this helpful
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Another word of warning

My major objection to this book is the same as it was for the first in the series (Midnight Riot/Rivers of London). This book is not about magic or fantasy or police work, in the author's eyes. Its about jazz and architecture. Since I imagine most people reading this are not looking for a book about the architecture of London, or jazz, that might turn out to be a problem

The fantasy parts are all well and good, I suppose, even though the author tends to repeat the same couple of jokes over and over and make alot of basic mistakes like that, stuff that really should be corrected in a major release by a professional author, just from a craftsmanship point of view. But the fantasy parts I liked, so I'm not complaining about that

The problem with this book though is that the author is obviously far more interested in architecture and jazz than he is in magic or anything else, and apparently he thinks you share that twin fascination. Over and over and over again, PC Grant arrives and someone's house to interview them, or to pick up his girlfriend, or to do anything at all and then we are treated to a 5 or 6 or even 8 sentence paragraph discussing the minutiae of the building's style, its renovation history, its past uses, etc. Which would be somewhat bearable if the actual people in the story weren't then dismissed as "fox faced and thin" or "tall and blond" or "blond with grey eyes". Literally 7 sentences about a person's house, and 1 sentence about how they look. Even for major characters like the PC's girlfriend, more time is spent on her house than is spent on her. It makes zero sense and it distracts heavily from the story

And honestly, even if you were gonna write an abortion of a book like what i described above, you could do it without making every single "bad" building "done in the 50's" or "done in the 80's". Its so lazy and annoying how basically the guy has 3 stock jokes and 2 of them are architectural even

Ditto the jazz stuff. The author spends far more time on the intricacies of jazz than on the details of magic, which is a shame since i can actually go somewhere and listen to jazz but i can't go anywhere and see magic being performed

On top of all that anyone with half a brain can figure out who the murderer is in the first 40 pages of the book so then you have to slog through all the rest of it to be told what you already knew, and to be told of the connection to his father, which you already knew too, since oh, i dunno, the whole book is about jazz

If, by some happy coincidence, you love magic, police work, architecture and jazz then congratulations because this is your Holy Grail of a book and you should buy 20 copies immediately. If not, do yourself a favor and buy something else
10 people found this helpful
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A great sequel (not so much a standalone)

If you'll remember from the first volume, Detective Constable Peter Grant is part of the Metropolitan Police's "Economic and Specialist Crime Unit". It consists of two people - Grant and his mentor, DCI Nightingale. Nightingale is much older than he appears and infinitely more knowledgable: he's a wizard. Grant, due to a combination of inclination and misfortune, is also a wizard - at least, he's trying really hard at it.

In the first volume, Grant is wrapped up in a fairly horrific little mystery that involves dark magic and people's faces falling in. The second volume starts with the same promise: someone out there is doing something nasty (and magical). Grant needs to solve it. This time around it is also more personal. The naughty-maker is offing jazz musicians, and Grant's dad is one of the best in the business. Although he's always been wary of it, Grant finds himself easily absorbed into the jazz scene. He finds friends (and ladyfriends) and indulges himself in a little second-hand fame due to his father's reputation. These new contacts prove valuable when it comes to snooping about in the dark and spicy Soho underworld.

Just to keep things interesting, there's also something out there eating people's anatomy. Eep.

The balance here is between plot and meta-plot. One of the cases above is a fairly transparent whodunnit. I'm not the savviest mystery reader, but I found absolutely no mystery in whoactuallyddunnit. The only detection was trying to suss if Grant was being particularly thick or if he actually knew all along and was stringing us along for extra overtime pay. This case is the book's self-contained plot.

The meta-plot is a much more complicated situation that involves the mysteeeerious origins of the magical tradition, a potential Big Bad (or Big Bads), a massive conspiracy, the misbegotten youth of DCI Nightingale and all sorts of stuff that is in no way resolved during the course of this book. It is fun - spell-fights and secret histories are invariably entertaining - but this isn't a mystery, it is epic fantasy with a hat on.

Ben Aaronovitch continues the successful formula of Rivers of London in bringing to the surface the endearing minutae of a city that he clearly adores. He also demonstrates the "real world" problems of a ritual magician trying to have some sort of "normal" life - never is this more aptly demonstrated than Grant having to run the broadband out of the garage, lest the cabling interfere with his home's magical protections. Grant continues to observe his world(s) in a detached way - a narrative voice that lends itself well to dry humor (and fits less neatly with the book's few over-the-top action scenes). Mr. Aaronovitch is, in short, writing the best contemporary occult detective series on the shelf today, and that's by a substantial margin.

My neuroses stem from concerns about the balance of "occult" and "detective". I hasten to add that I am making a very large mountain out of a very small molehill. Moon Over Soho is VERY good. One of PC Grant's core personality traits is his emphasis in approaching everything - even the supernatural - in a modern and rational way. Despite his wizardry, he is, in fact, the consummate detective.
8 people found this helpful
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Life-force larceny and mystical malicious wounding

Something is killing the musicians in London's Soho jazz scene. The deaths appear natural enough, but for those who know what to look for, there are signs of mystical foul-play. Peter Grant is perfect for the case. Not only is he a constable and apprentice to the only wizard on the London police force, but his father is a jazz legend in his own right.

"Moon Over Soho" is the second book featuring Peter Grant (the first was "Midnight Riot" as released in America). Whereas one could pick up with the second book, it does flow naturally out of the first and would be better understood and appreciated in context. Most of the groundwork for the premise is established in the first volume and it is only expanded upon in the second (a little history of magicians in England over the last century).

Though pretty good, "Moon Over Soho" is less successful than its predecessor. They read very similarly but this book no longer benefits from the novelty of the premise. The criticisms I had regarding the first volume still exist but are no longer offset by the freshness of the idea. Once again, the mystery and plotting are not as tightly woven as one would wish. Quite a bit is left hanging at the conclusion. Moreover, the story relied less on humor resulting in more of a standard urban fantasy mystery. Aaronovitch's descriptions of police procedure and London geography and architecture were more jarring this time as well. They weren't integrated as seamlessly as before.

Perhaps most disappointing, however, were the characters. Peter Grant is a delightful protagonist, but he was less "cheeky" this go round. He still displays biting wit and sarcasm, but less ubiquitously. He also seemed more aloof or emotionally distant or unavailable in this story. Perhaps there is a logical or pertinent reason for this, but it made him less empathetic just the same. I still quite like him, but he was different.

Happily, Grant's former (?) love interest, Leslie May, and his boss, Thomas Nightingale, are back. Unhappily, their roles are minor. They are both recouping from injuries sustained in the first volume and are relegated to the background. No new characters are really developed.

I still really like Aaronovitch's premise and protagonist. His writing is fluid and humorous. I'll definitely continue with the third volume, "Whispers Under Ground," when it's available. I just hope Peter Grant returns to earlier form and the plotting gets tighter.
7 people found this helpful
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Urban fantasy nicely narrated by a very likable London police constable.

This is the second book in the Rivers of London series of urban fantasy. While I'd enjoyed the opening book, I enjoyed this second volume substantially more. I liked the voice of the first-person narration: the humor, the dryness, the crisp action descriptions, the occasional but effective emotional moments. I liked the main character, Peter Grant, a police constable assigned to the supernatural. I liked the cast of secondary recurring characters, led by Peter's boss and teacher, Nightingale. I liked the supernatural mysteries, and (mild spoiler) that not every thread is tied up neatly by the end. Also, as a former Londoner, I very, very much enjoyed reading about my one-time home town. Highly recommended.

About my reviews: I try to review every book I read, including those that I don't end up enjoying. The reviews are not scholarly, but just indicate my reaction as a reader, reading being my addiction. I am miserly with 5-star reviews; 4 stars means I liked a book very much; 3 stars means I liked it; 2 stars means I didn't like it (though often the 2-star books are very popular with other readers and/or are by authors whose other work I've loved).
6 people found this helpful
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No, I didn't like this one as much.

The first book in this series, [[ASIN:0575097566 Rivers of London]], positively made me sit up and take notice. This second book, not so much. There were many areas which did not satisfy me. This turns out to be a cliffhanger which will obviously be carried forward into a third book. Aaronovitch ended up one aspect of the story but left the remainder open.

Detective Constable Peter Grant is picking up right after the first book left off by starting to investigate the sudden death of a jazz musician who died immediately after performing. Under ordinary circumstances his death would have been ruled as natural causes except that Dr. Walid knew he wasn't the first jazz musician to die so suddenly lately. Grant is also presented with a case of a man found dead from a terrible mutilation. So how many killers are wandering around Soho using magic as their murder weapon?

This story has a lot of emphasis on sexual behavior. Some of the murder victims, or near victims, concern sexual activity and Peter Grant is involved in a very active sexual relationship. This is a very different direction from the first novel so it came as quite a surprise to me. Probably because it was so different it made me wonder why it was included so I developed my own theory which proved correct. I did not enjoy this book as much as the first because I didn't think the plotting was nearly as strong. The magic aspects were actually not very interesting to me and it seemed to be moving all over the spectrum of unusual creatures and people without really needing to. Some of the explanations didn't work either. The characters of Nightingale and Lesley May don't figure as much in this story and I feel it suffered, principally because of the absence of Nightingale for much of the time. I would not like to begin reading this series with the second book. I think this is one of those series which practically have to be read in order.

The positive aspects for me were that Aaronovitch kept the humor aspect of the novel as a very important part of the overall character of Peter Grant. He also continued to describe the physical landscape of the city of London and Soho in particular in fascinating detail. I'm not sure these things will be enough to tempt me into reading the next novel. 2.5 stars rounded up to 3. Also, just for your information, the book titled [[ASIN:034552425X Midnight Riot]] by this author is the same book as [[ASIN:0575097566 Rivers of London]]. At least it seems to be as far as I can tell without buying the book to compare them side by side. Certainly could be confusing if you aren't careful.
6 people found this helpful
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Everyone I know who has read these books is pretty enamored with them

Everyone I know who has read these books is pretty enamored with them. I picked it up as a break from some of the more depressing things I've been reading. These books are fun, but still not without depth and not without their own sorrow.

The writing style is very clever and generally pretty humorous. Peter Grant is an apprentice wizard, and I appreciate that he doesn't seem to be inexplicably more powerful than anyone in history, or anything silly like that, which tends to happen in so many books featuring characters with magical abilities. He's creative and smart, but none of this feels like cheating, on the part of the author.

I'd been worried about Leslie since book one, and this is where, if you haven't read book one, you should stop reading reviews for book two. I think what was done to her is being handled well, in a believable way. The main character cares for her, but he isn't perfect, and his feelings about what has happened to her are complicated. Definitely not perfect, but I'm glad about this.

There were portions of the book early on that moved a little slow for me at first, but that doesn't tend to be the case for most people, from what I hear. I may have just been distracted or not in the right mood for reading. Once things got going, I really enjoyed it, and I finished it quickly.

As for the mystery involved, I was suspicious about one of the characters, and I was right to be, although the full story wound up being much more complicated and tragic. I was nearly brought to tears over it, but the very end of the book gives us something intriguing and hopeful to look forward to.
5 people found this helpful
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Jazz and magic can be a deadly combination

Peter Grant, apprentice wizard and policeman finds himself suspicious about the deaths of some jazz players in Soho and once he confirms magic is involved he finds he's opened up a can of worms that could prove deadly.

This is proving to be an enjoyable series. Grant is a bit of an everyman. A nice man who is not brilliant either at magic or police work but is stubborn, curious and wants to do his best. He's also finding out how dangerous magic can really be. With the ending of this book I'm really looking forward to getting the next book in the series when it is released next year. Along with [[ASIN:B0046LUHT8 A Madness of Angels: Or The Resurrection of Matthew Swift]] and [[ASIN:0316125180 Equations of Life (Samuil Petrovitch)]] I'm finding that the UK is producing some excellent urban fantasy at the moment and I'm happy to have found these books.
4 people found this helpful
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Nightingale are fantastic characters and there is so much I want to ...

This was not what I expected. When I read the first book, I was into this universe. Apprentice Wizard Peter Grant and his teacher, Nightingale are fantastic characters and there is so much I want to learn about their world. The blending of the magical learning vs modern day police tactics and procedure really works well.

However, I really did not like the constant tour and history lesson featured in the book. The author loves London and knows his fair share, but little of it played into the plot for me. There were some instances that were interesting, but overall, it felt more like padding the book for a word count than adding to anything.

AND it is barely a book. What is in here was setting up something cool that you didn't really get until the last 100 pages. This book felt like the world was being created and built for the next book!

The plot of this book follows a series of deaths of Jazz musicians that have some sort of magical component. Grant is investigating the deaths when the lover of one of the musicians seduces him. He does some learning.

The first book was really cool and I liked portions of this book, but it needed more. The plot was lacking alot for me.
3 people found this helpful
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Urban Fantasy at its Finest.

An all around excellent book, even better than the first one! I am growing to really like the characters in the book, they are well fleshed out, (except for Leslie since she is missing her face), and they are getting better and better. I actually find myself feeling bad for the characters due to the unending red tape they have to wade through.

An absolutely outstanding stand-out in the Urban Fantasy genre!
3 people found this helpful