Wild Cards I: Expanded Edition (Wild Cards, 1)
Wild Cards I: Expanded Edition (Wild Cards, 1) book cover

Wild Cards I: Expanded Edition (Wild Cards, 1)

Paperback – November 23, 2010

Price
$24.16
Format
Paperback
Pages
496
Publisher
Tor Books
Publication Date
ISBN-13
978-0765326157
Dimensions
6 x 1.1 x 9 inches
Weight
1.21 pounds

Description

From Booklist This volume in the Wild Cards shared-world saga is an expanded edition of the first in the series, containing all the stories and pseudodocuments of the alternate time line launched when the Wild Card virus hit during WWII that were in the 1987 original edition. Some of the stories have been expanded, and to them are added a batch of new stories that, by and large, fit well with the old. Among the best of the oldies are Walter Jon Williams’ “Witness” and Melinda Snodgrass’ “Degradation Rites.” Carrie Vaughn has done the new “Ghost Girl Takes Manhattan,” and David Levine, “Powers.” Old faithfuls among Wild Cards fans may really revel, but even newbies should enjoy this solid volume of intelligent entertainment. --Roland Green “Delicious…. Everything I'd hoped for in a new Wild cards book. The character interactions and plot twists have exactly the complexity, surprise, and unsentimental realism I'd expect out of a George R. R. Martin project.” ― Austin Grossman, author of Soon I Will Be Invincible, on Inside Straight George R. R. Martin has been a full-time writer for over 25 years. He is the author of the acclaimed, internationally bestselling fantasy series A Song of Ice and Fire , which is the basis of HBO's popular Game of Thrones television series. Martin has won multiple science fiction awards, including 4 Hugos, 2 Nebulas, the Bram Stoker, the Locus Award, the World Fantasy Award, the Daedelus, the Balrog, and the Daikon (Japanese Hugo).The Wild Cards Trust is the creator of the Wild Cards series. Excerpt. © Reprinted by permission. All rights reserved. Thirty MinutesOver Broadway!JETBOY’S LAST ADVENTURE!by Howard WaldropBONHAM’S FLYING SERVICE OF Shantak, New Jersey, was socked in. The small searchlight on the tower barely pushed away the darkness of the swirling fog.There was the sound of car tires on the wet pavement in front of Hangar 23. A car door opened, a moment later it closed. Footsteps came to the Employees Only door. It opened. Scoop Swanson came in, carrying his Kodak Autograph Mark II and a bag of flashbulbs and film.Lincoln Traynor raised up from the engine of the surplus P–40 he was overhauling for an airline pilot who had got it at a voice-bid auction for $293. Judging from the shape of the engine, it must have been flown by the Flying Tigers in 1940. A ball game was on the workbench radio. Linc turned it down.“ ’Lo, Linc,” said Scoop.“ ’Lo.”“No word yet?”“Don’t expect any. The telegram he sent yesterday said he’d be in tonight. Good enough for me.”Scoop lit a Camel with a Three Torches box match from the workbench. He blew smoke toward the Absolutely No Smoking sign at the back of the hangar. “Hey, what’s this?” He walked to the rear. Still in their packing cases were two long red wing extensions and two 300-gallon teardrop underwing tanks. “When these get here?”“Air Corps shipped them yesterday from San Francisco. Another telegram came for him today. You might as well read it, you’re doing the story.” Linc handed him the War Department orders.TO: Jetboy (Tomlin, Robert NMI)HOR: Bonham’s Flying ServiceHangar 23Shantak, New Jersey1. Effective this date 1200Z hours 12 Aug ’46, you are no longer on active duty, United States Army Air Force.2. Your aircraft (model-experimental) (ser. no. JB–1) is hereby decommissioned from active status, United States Army Air Force, and reassigned you as private aircraft. No further materiel support from USAAF or War Department will be forthcoming.3. Records, commendations, and awards forwarded under separate cover.4. Our records show Tomlin, Robert NMI, has not obtained pilot’s license. Please contact CAB for courses and certification.5. Clear skies and tailwinds,ForArnold, H.H.CofS, USAAFref: Executive Order #2, 08 Dec ’41“What’s this about him having no pilot’s license?” asked the news-paperman. “I went through the morgue on him—his file’s a foot thick. Hell, he must have flown faster and farther, shot down more planes than anyone—five hundred planes, fifty ships! He did it without a pilot’s license?”Linc wiped grease from his mustache. “Yep. That was the most planecrazy kid you ever saw. Back in ’39, he couldn’t have been more than twelve, he heard there was a job out here. He showed up at four A.M.—lammed out of the orphanage to do it. They came out to get him. But of course Professor Silverberg had hired him, squared it with them.”“Silverberg’s the one the Nazis bumped off? The guy who made the jet?”“Yep. Years ahead of everybody, but weird. I put together the plane for him, Bobby and I built it by hand. But Silverberg made the jets—damnedest engines you ever saw. The Nazis and Italians, and Whittle over in England, had started theirs. But the Germans found out something was happening here.”“How’d the kid learn to fly?”“He always knew, I think,” said Lincoln. “One day he’s in here helping me bend metal. The next, him and the professor are flying around at four hundred miles per. In the dark, with those early engines.”“How’d they keep it a secret?”“They didn’t, very well. The spies came for Silverberg—wanted him and the plane. Bobby was out with it. I think he and the prof knew something was up. Silverberg put up such a fight the Nazis killed him. Then there was the diplomatic stink. In those days the JB–1 only had six .30 cals on it—where the professor got them I don’t know. But the kid took care of the car full of spies with it, and that speedboat on the Hudson full of embassy people. All on diplomatic visas.“Just a sec,” Linc stopped himself. “End of a doubleheader in Cleveland. On the Blue Network.” He turned up the metal Philco radio that sat above the toolrack.“... Sanders to Papenfuss to Volstad, a double play. That does it. So the Sox drop two to Cleveland. We’ll be right—” Linc turned it off. “There goes five bucks,” he said. “Where was I?”“The Krauts killed Silverberg, and Jetboy got even. He went to Canada, right?”“Joined the RCAF, unofficially. Fought in the Battle of Britain, went to China against the Japs with the Tigers, was back in Britain for Pearl Harbor.”“And Roosevelt commissioned him?”“Sort of. You know, funny thing about his whole career. He fights the whole war, longer than any other American—late ’39 to ’45—then right at the end, he gets lost in the Pacific, missing. We all think he’s dead for a year. Then they find him on that desert island last month, and now he’s coming home.”There was a high, thin whine like a prop plane in a dive. It came from the foggy skies outside. Scoop put out his third Camel. “How can he land in this soup?”“He’s got an all-weather radar set—got it off a German night fighter back in ’43. He could land that plane in a circus tent at midnight.”They went to the door. Two landing lights pierced the rolling mist. They lowered to the far end of the runway, turned, and came back on the taxi strip.The red fuselage glowed in the gray-shrouded lights of the airstrip. The twin-engine high-wing plane turned toward them and rolled to a stop.Linc Traynor put a set of double chocks under each of the two rear tricycle landing gears. Half the glass nose of the plane levered up and pulled back. The plane had four 20mm cannon snouts in the wing roots between the engines, and a 75mm gunport below and to the left of the cockpit rim.It had a high thin rudder, and the rear elevators were shaped like the tail of a brook trout. Under each of the elevators was the muzzle of a rear-firing machine gun. The only markings on the plane were four nonstandard USAAF stars in a black roundel, and the serial number JB–1 on the top right and bottom left wings and beneath the rudder.The radar antennae on the nose looked like something to roast weenies on.A boy dressed in red pants, white shirt, and a blue helmet and goggles stepped out of the cockpit and onto the drop ladder on the left side.He was nineteen, maybe twenty. He took off his helmet and goggles. He had curly mousy brown hair, hazel eyes, and was short and chunky.“Linc,” he said. He hugged the pudgy man to him, patted his back for a full minute. Scoop snapped off a shot.“Great to have you back, Bobby,” said Linc.“Nobody’s called me that in years,” he said. “It sounds real good to hear it again.”“This is Scoop Swanson,” said Linc. “He’s gonna make you famous all over again.”“I’d rather be asleep.” He shook the reporter’s hand. “Any place around here we can get some ham and eggs?”The launch pulled up to the dock in the fog. Out in the harbor a ship finished cleaning its bilges and was turning to steam back southward.There were three men on the mooring: Fred and Ed and Filmore. One man stepped out of the launch with a suitcase in his hands. Filmore leaned down and gave the guy at the wheel of the motorboat a Lincoln and two Jacksons. Then he helped the guy with the suitcase.“Welcome home, Dr. Tod.”“It’s good to be back, Filmore.” Tod was dressed in a baggy suit, and had on an overcoat even though it was August. He wore his hat pulled low over his face, and from it a glint of metal was reflected in the pale lights from a warehouse.“This is Fred and this is Ed,” said Filmore. “They’re here just for the night.”“ ’Lo,” said Fred.“ ’Lo,” said Ed.They walked back to the car, a ’46 Merc that looked like a submarine. They climbed in, Fred and Ed watching the foggy alleys to each side. Then Fred got behind the wheel, and Ed rode shotgun. With a sawed-off tengauge.“Nobody’s expecting me. Nobody cares,” said Dr. Tod. “Everybody who had something against me is either dead or went respectable during the war and made a mint. I’m an old man and I’m tired. I’m going out in the country and raise bees and play the horses and the market.”“Not planning anything, boss?”“Not a thing.”He turned his head as they passed a streetlight. Half his face was gone, a smooth plate reaching from jaw to hatline, nostril to left ear.“I can’t shoot anymore, for one thing. My depth perception isn’t what it used to be.”“I shouldn’t wonder,” said Filmore. “We heard something happened to you in ’43.”“Was in a somewhat-profitable operation out of Egypt while the Afrika Korps was falling apart. Taking people in and out for a fee in a nominally neutral air fleet. Just a sideline. Then ran into that hotshot flier.”“Who?”“Kid with the jet plane, before the Germans had them.”“Tell you the truth, boss, I didn’t keep up with the war much. I take a long view on merely territorial conflicts.”“As I should have,” said Dr. Tod. “We were flying out of ... Read more

Features & Highlights

  • Soon to be a TV show on Hulu!
  • Back in print after a decade, expanded with new original material, this is the first volume of George R. R. Martin's Wild cards shared-world series
  • There is a secret history of the world―a history in which an alien virus struck the Earth in the aftermath of World War II, endowing a handful of survivors with extraordinary powers. Some were called Aces―those with superhuman mental and physical abilities. Others were termed Jokers―cursed with bizarre mental or physical disabilities. Some turned their talents to the service of humanity. Others used their powers for evil. Wild Cards is their story.Originally published in 1987,
  • Wild Cards I
  • includes powerful tales by Roger Zelazny, Walter Jon Williams, Howard Waldrop, Lewis Shiner, and George R. R. Martin himself. And this new, expanded edition contains further original tales set at the beginning of the Wild Cards universe, by eminent new writers like Hugo–winner David Levine, noted screenwriter and novelist Michael Cassutt, and
  • New York Times
  • bestseller Carrie Vaughn.
  • Now in development for TV!
  • Rights to develop Wild Cards for TV have been acquired by Universal Cable Productions, the team that brought you
  • The Magicians
  • and
  • Mr. Robot
  • , with the co-editor of
  • Wild Cards
  • , Melinda Snodgrass as executive producer.
  • The Wild Cards Universe
  • The Original Triad
  • #1 Wild Cards#2 Aces High#3 Jokers Wild
  • The Puppetman Quartet
  • #4: Aces Abroad#5: Down and Dirty#6: Ace in the Hole#7: Dead Man’s Hand
  • The Rox Triad
  • #8: One-Eyed Jacks#9: Jokertown Shuffle#10: Dealer’s Choice#11: Double Solitaire#12: Turn of the Cards
  • The Card Sharks Triad
  • #13: Card Sharks#14: Marked Cards#15: Black Trump#16: Deuces Down#17: Death Draws Five
  • The Committee Triad
  • #18: Inside Straight#19: Busted Flush#20: Suicide Kings
  • The Fort Freak Triad
  • #21: Fort Freak#22: Lowball#23: High Stakes
  • The American Triad
  • #24: Mississippi Roll#25: Low Chicago#26: Texas Hold 'Em

Customer Reviews

Rating Breakdown

★★★★★
30%
(442)
★★★★
25%
(368)
★★★
15%
(221)
★★
7%
(103)
23%
(339)

Most Helpful Reviews

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It's an odd compilation, but it is FUN to read.

I'm about 70 pages in right now. So I'll just give you a basic description that might be a bit more informative than the one given by Amazon. This is a compilation of short stories by various authors all writing in the same fictional universe. World War 2 has just ended; the US and Russia have split Berlin between them. America has their team of formerly-German scientists working to out-smart the Russians and prevent Communism from taking hold in Europe. Suddenly, an alien lands in the American desert, begging the military to let him speak to their leaders and allow him to have a battalion or two under his own command to help him search for a weapon that his government has decided (against many objections, including his own) to test on the human race before taking it into action in their own civil war. The problem is, these aliens are genetically identical to humans so nobody believes him... and while he is being interrogated and psychologically tested the device is accidentally found by some very disreputable people... and chaos ensues.

The gist of it is: the alien weapon works on people and has a dramatic effect on human society. Some people are not affected at all. Some people just die. Some die rather gruesomely. Some people have their DNA rearranged and their bodies disfigured... many of these also gain "super-powers" of one type or another. And a very small fraction of the population does not get disfigured but still gets the super-powers.

As I said I'm still less than halfway through, and so far it has really focused on the military response to the aliens and the threat they pose, but it seems to be starting to swing towards the more general effects that the alien contact has with society as a whole, and specifically how it changes the lives of a handful of colorful characters.

The different stories are written in the form of memoirs, diary entries, and transcripts from interviews as well as the more traditional narrative style. They are not all about the same characters and they don't all talk about the same events, but it's like each author gives someone's first-hand account of how the "Wild Cards" (that's what they call the ones who get super-powers and/or disfigurements from the alien weapon) came to be. There is a thread that links all the tales, but you might not realize how story A is linked to story B until you've read both C and D. (I'm speaking generically here, not trying to label specific stories.)

This story reminds me, in some ways, of the old serial novellas & "film noir" from the early 1900's. It's a bit fantastical, a little sci-fi, a little bit of period drama... and a healthy dose of adventure. It reads a little like a graphic novel except without the pictures. It's episodic, and the writing tends to be very descriptive about the characters (clothing styles, hair color, etc.) and their physical surroundings. The characters are not very complex; they're 1-dimensional (or 2-dimensional at best) and stereotypical but it's mostly done in such a way that it simplifies the story-telling without insulting the reader's intelligence. It's definitely not your typical sci-fi/superhero tale, but it's still good fun.
26 people found this helpful
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One of the coolest shared world books out there!

I read this back when it first came out and eagerly look forward to reading the 3 new stories once I get my hands on the new edition. I mostly wanted to go ahead and add a review to negate the one star posted for (in my opinion) all the wrong reasons.
As for content, if you like superheroes in a more mature vein ala Watchmen this is for you. Some of these characters rival their comic book cousins as my favorite characters to have followed over the years. You'll meet the likes of The Great and Powerful Turtle, The Sleeper, Dr. Tachyon, Fortunato, Golden Boy, The Radical, amongst others. Highly, highly, highly recommended.
12 people found this helpful
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GRRM did not write this, he simply edited it.

This was EDITED by GRRM, not written by him. These are old, out of date stories. I should have looked more closely. Really boring to my taste. I prefer fantasy.
9 people found this helpful
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How it all began. . .

Having loved the latest Wild Cards triad (Inside Straight, Busted Flush, and Suicide Kings, I was curious to read about how it all began. And with Tor Books reissuing the original Wild Cards installments, I wasn't going to miss out on the opportunity.

Here's the blurb:

Back in print after a decade, expanded with new original material, this is the first volume of George R. R. Martin's Wild cards shared-world series.

There is a secret history of the world--a history in which an alien virus struck the Earth in the aftermath of World War II, endowing a handful of survivors with extraordinary powers. Some were called Aces--those with superhuman mental and physical abilities. Others were termed Jokers--cursed with bizarre mental or physical disabilities. Some turned their talents to the service of humanity. Others used their powers for evil. Wild Cards is their story.

Originally published in 1987, Wild Cards I includes powerful tales by Roger Zelazny, Walter Jon Williams, Howard Waldrop, Lewis Shiner, and George R. R. Martin himself. And this new, expanded edition contains further original tales set at the beginning of the Wild Cards universe, by eminent new writers like Hugo-winner David Levine, noted screenwriter and novelist Michael Cassutt, and New York Times bestseller Carrie Vaughn.

I remember being concerned about the mosaic novel format when I first read Inside Straight, fearing possible glitches in terms of continuity, consistency, chronology, style and tone. I was worried about how the individual stories would fit and further the plot of the overall story arc. But as was the case with the last triad, the various plotlines are woven together almost seamlessly, and the entire cast of writers involved in the production of this book maintain an even style and tone throughout.

This expanded edition also features new material that could potentially clash with the stories which were more than two decades old. And yet, had I not known that this was the case, I would never have been able to tell you which is which. In retrospect, the addition of new voices and stories provide even more depth to this collective work.

My favorite aspect of Wild Cards I is that it is also somewhat of a social commentary of about four decades of American history. It begins with post-WWII America, and we then follow the evolution of the Wild Cards virus and its repercussions on Aces and Jokers and the American and international psyches through the Cold War, the Vietnam War, the hippie movement, the Kennedy assassination, etc, all the way to the 80s.

It starts off with a bang as Jetboy tries to prevent a tragedy in the skies above New York City. And then we are taken for a ride throughout about forty years' worth of Americana experienced through the eyes of a disparate group of individuals touched by the virus.

As fun as it is intelligent, Wild Cards I will satisfy readers in myriad ways. Beyond being a political and social commentary, the opening chapter of the Wild Cards sequence is a rousing tale of unlikely heroes.

Newbies wanting to sample George R. R. Martin's labor of love for more than twenty years should look no further. Though the latest trilogy could be read as a stand-alone meant to attract new fans into the fold, new readers like me couldn't possibly get all the nuances. But with Wild Cards I, you find out how it all began with no ambiguity.

Give it a shot if you are looking for something different. You won't be disappointed.
8 people found this helpful
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Fun, pulpy read, but not sure where the George RR Martin comes in!

I was very excited that this came back into print, because I was befuddled at all of the choices for getting into the Wild Cards universe.

This reads like classic pulp sci-fi, which is not a bad thing at all.

This is an anthology written by other authors in a world created by George R.R. Martin. It's like the Man-Kzin Wars series set in Larry Niven's Known Space universe in that respect. Unsure so far where George RR Martin's actual writing comes in, he's just listed as the editor. Are they banking on the popularity of his Song of Ice and Fire series in reprinting this? Possibly.

In terms of product quality, I wouldn't put this down as a premium product. The paper isn't glossy at all and the cover is very thin and flexible - if you keep it in the bathroom it will absorb a ton of ambient humidity just from one hot shower. In short, this is a reader edition, not something you're going to be bequeathing to your kids.

In terms of writing quality, it seems pretty consistently decent across the board. You get a background on the big players of the WildCards universe - the causes and the effects.

The short version of the story is post WWII an alien virus is released over New York City. It is lethal to 90% of the population, devastating to 9%, and a gift to the remaining 1%. The 9% - the Jokers - are relegated to ghettos and shunned for their deformities and offputting powers. The 1% - the Aces - have powers straight out of a comic book. How does the story evolve over time? I'm not sure yet, but from what I've read, subsequent volumes of the series definitely take the story forward chronologically. This makes it into a decent longform series if the first volume excites you.
7 people found this helpful
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Hoping This Pays Out

The Good:
Well written. A consistent world, and a consistent feel, even though the vignettes are by different people. Imaginative. Makes you wonder what life could be like if you drew an ace. Makes you glad if you haven't drawn a joker.

The Bad:
It reminds me of a series of Alfred Hitchcock or Rod Serling stories. That in itself isn't bad. But as the collection appears to be something of an intro into the world. All the characters are central characters, and because they all stand out, none of them do. This is most of the reason for only two stars. I couldn't invest into any one character, because all the stories are about different people. In a way, it reminded me of a soap opera. Too many connections to invest in.

The Nice:
I found myself identifying with Jet Boy most, which I guess is reasonable, because he was simply talented, not genetically altered.

Anyway, I'll put V II on my list, but it won't be on my urgent list, if you know what I mean.
6 people found this helpful
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Amazing first book for an amazing series.

I first read this book more than 20 years ago. To this day, it's one of my favorite all time books ( and series!). It's a pretty adult look at a "comic book" world with the right mix of super powers, sci-fi, and drama. What I liked best about the book and series was that none of the characters were perfect and none had all the answers to everything. Everyone was completely believable and the fact that it inter-twined real world events cemented it.
Now with this new edition, a whole new generation of fans can enjoy this series. There was somewhat of a revival of the series a few years back and I'm glad they decided to go and re-print the original novels. What's even better is that this one has 3 entirely new stories, so even if you already own it, it's worth buying again.
I totally recommend this book and think pretty much everyone would have fun with this one.
6 people found this helpful
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Good "Superhero" book, a little dark at times

This is a good "superhero" book, but it is too dark for my taste in several of the stories. I personally prefer a lighter tone, like [[ASIN:0307279863 Soon I Will be Invincible (Vintage)]]. But I have still enjoyed most of it. Note, several stories have a strong sexual component so it's definitely not for kids.
3 people found this helpful
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One Star

Short stories, lots of yakking, not a lot of action
2 people found this helpful
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Good Superhero stories

I first read the first Wild Cards series back in High School. When I saw they were reprinting the series, I had to reread it.

This series is set in an alternate history Earth where a alien virus was released on Earth in 1946, causing some to die("Black Queen"), some to get horribly mutated("Jokers") and very few, super powers("Aces"). This is the first book in the series and is pretty much the setup/backround for the rest of the stories. Like most of the books, it is a collection of short stories written by a group of sci-fi authors that include George R R Martin, Melinda Snograss and Roger Zelazny(the whole first series was printed before his death in the mid 90s).

No, it's not on the level of A Song of Ice and Fire, but it is a good, fun read. Just enjoy it for what it is, and you will see why it is reviewed well.

FYI-
This is a Adult orientated series. It is not shy about violence nor sex(one character has a power that is fueled by Tantric sex, for example), so if you can't handle that, you may want to not read this. I would not give this series to a younger kid to read for this reason.
2 people found this helpful