What the Dead Leave Behind: A McKenzie Novel (Twin Cities P.I. Mac McKenzie Novels, 14)
What the Dead Leave Behind: A McKenzie Novel (Twin Cities P.I. Mac McKenzie Novels, 14) book cover

What the Dead Leave Behind: A McKenzie Novel (Twin Cities P.I. Mac McKenzie Novels, 14)

Hardcover – June 6, 2017

Price
$17.51
Format
Hardcover
Pages
320
Publisher
Minotaur Books
Publication Date
ISBN-13
978-1250094513
Dimensions
5.7 x 1.07 x 8.58 inches
Weight
12.8 ounces

Description

“Nearly impossible to put down.” ― Publishers Weekly “…it’s a distinct pleasure to follow McKenzie as he uncovers layer upon layer of corporate corruption, from sexual harassment to industrial espionage, while every second woman in the cast comes on to him.” ― Kirkus Reviews DAVID HOUSEWRIGHT has won the Edgar Award and is the three-time winner of the Minnesota Book Award for his crime fiction, which includes the modern noir Twin Cities P.I. Mac McKenzie series (starting with A Hard Ticket Home ). He is a past president of the Private Eye Writers of America (PWA). He lives in St. Paul, Minnesota. Excerpt. © Reprinted by permission. All rights reserved. What the Dead Leave Behind By David Housewright St. Martin's Press Copyright © 2017 David HousewrightAll rights reserved.ISBN: 978-1-250-09451-3 CHAPTER 1 The way he paced recklessly in front of me, bouncing off furniture, tripping on the throw rug; the way he looked at me with unblinking eyes — I decided the kid was messed up. My only question: Was it a temporary condition possibly brought on by pharmaceuticals or permanent? "It's been a year," he said. "A year. And no one's done anything." I was sitting in a chair. He halted in front of me and waved his fist. The effort caused his body to sway uncertainly. "Anything," he repeated. "Malcolm," Erica said. She patted the cushion next to her. "Please." He turned reluctantly and moved to the sofa. He didn't sit so much as collapse as if all the weight of the world was forcing him down. Erica took his hand in hers, and I noticed for the first time that his knuckles were scraped and a couple of drops of blood had dried in the creases between his fingers. "It'll be all right," she told him. "No it won't," he said. Erica squeezed his hand, and he sighed. His eyes closed with the sigh, and she gazed at him with such affection that for a moment I felt anxious. What the hell was this kid to her, I wondered — besides being a good-looking boy who was in trouble that a strong woman like her might be able to help him with? I had known Erica since I had become involved with her mother — has it really been over six years now? I watched her evolve from an awkward, nerdy teen into a beautiful, smart-as-hell young woman who was a year away from earning both a bachelor of arts and a bachelor of science degree from Tulane University. I had never known her to look at anyone like she looked at Malcolm. "McKenzie will help," she said. You will? my inner voice asked. "Won't you?" Erica said. Yeah, probably. "What do you need?" I asked. "Be specific." Malcolm's eyes snapped open, and he practically leapt from the sofa. He was taller than I was but thin and pale, and I wondered — how could anyone going to school in New Orleans be pale? He began pacing again. I Came this close to telling him to sit his ass back down, but resisted. I knew Erica wouldn't like it. "You're a detective," he said. "Rickie said you're a detective." Rickie? "In a manner of speaking," I said. "Well, are you or aren't you?" "I don't have a license, if that's what you're asking." "Then how can you help?" Malcolm's voice was suddenly high and out of control. "I never said I could." "Rickie told me ..." He made a noise in his throat that might have been a sob. He stopped pacing and gazed at his damaged hand as if seeing it for the first time. "How did that happen?" I asked. "What?" "Your hand." Malcolm hid it behind his back. "None of your business," he told me. "Okay." I watched him. He watched me. "What?" he asked again. "Just waiting." "For what?" "For you to tell me the reason why you're here. While we wait, would you like something to drink? Coffee? Dr Pepper? We got milk." "I'm twenty-one." "You say that like you're old." "Old enough to drink." "Have you been drinking?" "No. I — I guess I'm not making a very good impression, am I? Something my mother said earlier kind of threw me. Mr. McKenzie, I don't do drugs and I don't drink. Not a lot, anyway." "Well, I'm going to have something. Erica?" "Nothing for me, thank you," she said. The high-rise condominium that Erica's mother and I shared in downtown Minneapolis was wide open. We didn't have rooms so much as areas — dining area, TV area, a music area where Nina's Steinway stood. The entire north wall was made of tinted floor-to-ceiling glass with a dramatic view of the Mississippi River. If that wasn't enough, there was a sliding glass door built into the wall that led to a balcony that I almost never use because I'm afraid of heights. The south wall featured floor-to-ceiling bookcases that turned at the east wall and followed it to a large brick fireplace. To the left of the fireplace was a door that led to a guest bedroom with its own full bath that Erica used whenever she was in town. Against the west wall, and elevated three steps above the living area, was the kitchen area. Beyond that was a master bedroom that also featured floor-to-ceiling windows. I moved to the kitchen area. I found a Summit Pale Ale in the refrigerator, popped the cap, took a long pull from the bottle, and settled on a stool at the island. From there I was able to look down into the living area. Erica and Malcolm could see and speak to me, yet the distance between us was such that they were compelled to move forward, which was exactly what I wanted — anything to change the dynamic. "I'm sorry," Malcolm said. "I just don't know how you can help me." "Neither do I until you tell me what you need." He turned as if he were contemplating a dash for the door. Erica grabbed his arm with both hands and gave it a shake. "Talk to him," she said. Malcolm lowered his head. "I'm listening," I said. The words were hard for him to speak. "I need to know who killed my father," he said. "I need to know why." * * * The story came out in bits and pieces. It took a while for me to splice them together, to get the timeline correct. What happened, Friday, December 13, last year — the final day for classes at Tulane University before the Christmas break — Malcolm couldn't wait to get home to New Brighton, Minnesota, a suburb of Minneapolis. He was surprised by how much he had missed snow and crisp, clean air. He walked out of his final class at 3:10 P.M., went to the dorm, finished packing, and left to meet his friends. Malcolm said he partied hearty — something that was not altogether difficult to do in New Orleans even when you're an underage sophomore. Eventually, he wandered over to PJ's Willow Café, grabbed a quick bite, took the shuttle to Louis Armstrong International Airport, caught the 5:55 A.M. flight, and, after a brief layover in Dallas, arrived bleary-eyed in Minneapolis at 11:20 Saturday morning. Only there was no one to meet him. He called home. There was no answer. He called his father's cell phone. No answer. He called his mother's cell. She answered on the third ring. He tried to make a joke out of it. "Remember me?" he said. "Your one and only child?" That's when he learned that his father had gone missing. Apparently he had called Malcolm's mother Friday afternoon and told her that he needed to work late. He said he wanted to finish up a project that night so he could spend the entire weekend with his son without worrying about it. Except he never came home. She was in the process of making frantic phone calls to everyone her husband knew, to all the Twin Cities hospitals, when Malcolm's plane landed. Eventually they contacted the police. Saturday passed and then Sunday. No sign of him. On Monday about 11:00 A.M. they received a phone call from the New Brighton Police Department. A man tentatively identified as Frank Harris had been found lying unconscious and covered with snow in a drainage ditch inside Long Lake Regional Park by a morning jogger. He was alive, but just barely. Mother and son rushed to Unity Hospital. They were informed that Harris had been stabbed in the head. He never regained consciousness. He died on Christmas Eve. * * * Well, that sucks, I thought but didn't say. "A year has passed," Malcolm said. "More than a year." I don't know why, but I glanced at my watch to confirm the passage of time. It was 7:22 P.M. Monday, December 28. One year and four days to be precise, my inner voice said. "I still don't know what happened," Malcolm said. "No one knows. Or at least they haven't informed me." "You said something happened tonight that messed you up." "My mother told me ..." "Yes?" "We were talking about my father, and she said ..." "Yes?" "To get over it." "Is that when you hurt your hand?" He gazed at his damaged fingers again; flexed them. "I hit something stupid," Malcolm said. "Your mother?" "No. A wall. God, McKenzie. I would never hit my mother. Not like ..." "Like what?" "I would never hurt my mother." "What exactly do you want me to do?" Erica was staring directly into my eyes when she asked, "McKenzie, can you find out who killed Malcolm's father for us?" Making it clear that I would be doing the favor for her and not Malcolm. It was unfair. It would have been easy for me to tell the kid to take a hike, but Erica ... There were maybe six people in the entire world that could claim a chunk of my heart, and she was one of them. "I don't know what I can do that the cops can't," I said. "Then what good are you?" Malcolm asked. "You'd be surprised how often people ask that question." Or maybe not. "Mal, don't talk like that." Erica spoke calmly, almost soothingly, yet at the same time there was a metallic sound in her voice that demanded both attention and respect — swear to God, it reminded me of someone racking the pump of a shotgun. "McKenzie is my friend. We came here to ask for his help. Remember?" "I'm sorry," Malcolm said. "I'm just — I'm just ..." He hung his head. "I don't know what to do. I can't sleep. I can't study. My grades are shit. Every day ..." Erica draped an arm around his shoulders and drew him close. She said something to him, but I couldn't hear over my inner voice screaming. This is the boyfriend? Are you kidding me? "I'll look into it," I said aloud. "Thank you," Erica said. "McKenzie." Malcolm's head came up. His eyes were moist, his voice shaking. "I don't need anyone to go to jail. I don't even need to know who did it. I just want to know what happened." "I'll be asking a lot of questions of a lot of people, including you," I said. "Not now, though. Tomorrow." "Thank you. I'm sorry I was so rude. You're treating me better than I deserve." "You've been through a lot, losing a father the way you did." He nodded his head as if he agreed with me. "Just out of curiosity, how is your mother taking all of this?" I said. Malcolm snorted like it was a question asked in poor taste. "I've never seen her happier," he said. * * * There was some hemming and hawing, and then they left. Erica said she would drive Malcolm home and return later. I didn't ask for an ETA, and she didn't volunteer one. Once they departed, I went to my PC. I found only one story; it appeared on the Web site of the St. Paul Pioneer Press: NEW BRIGHTON MAN DIES AFTER ASSAULT; LYING INJURED IN PARK FOR TWO NIGHTS A New Brighton man recently assaulted and left badly injured in a city park for nearly two days has died. Preliminary autopsy reports conducted by the Ramsey County medical examiner's office indicate Frank Harris, 48, died on Christmas Eve of a penetrating wound to his brain, New Brighton police reported. His manner of death was "provisionally" ruled a homicide. Harris was found unconscious shortly before 8 A.M. Monday, Dec. 16, in a drainage ditch in Long Lake Regional Park. His car was found in the lot near the park entrance. A nearby resident was jogging through the park that morning and saw Harris in the ditch, lying still. Temperatures at the time hovered around the single digits above zero. Evidence collected at the scene and other information uncovered through police investigations indicate that Harris drove to the park Dec. 13 between 5:45 and 10:20 P.M., got out of his vehicle, and entered the park, where he was violently attacked and abandoned. Hospitalized and in critical condition in the days after he was found, Harris was not able to communicate with police about the circumstances of the assault. Anyone with information about the case is asked to call Crime Stoppers of Minnesota at 800-222-8477. Callers can remain anonymous, and tips could lead to a cash reward. The only part of the piece that I found informative was the bit about Crime Stoppers. My experience, cops rarely ask the public for assistance unless they have diddly squat. I printed the document and was rereading it for the third time when Nina Truhler came through the door. "Hey, you," she said. We hugged and kissed like an old married couple even though we are neither old nor married. "How was your day?" Nina asked. "I met Erica's new boyfriend." "Robin?" "Who's Robin?" "Who did you meet?" "Malcolm Harris." "What happened to Robin?" "I didn't know there was a Robin." "I told you. Engineering student goes to Notre Dame." "Oh yeah, yeah, yeah. No, this one — he's from New Brighton, but he goes to Tulane; probably where they met." "How do you know Malcolm is Erica's boyfriend? Did she say so?" "She let him call her Rickie." That's what people called Erica until her junior year of high school when she announced to one and all that it was a childish nickname and insisted that henceforth she would only answer to her given name. She even demanded that Nina change the sign above her jazz joint from RICKIE'S to ERICA'S. Nina told her that when she inherited the club, she could call it whatever she pleased. "Sounds serious," Nina said. "Oh, it gets better." I gave Nina the hard copy of the Pioneer Press article. When she finished reading I said, "Malcolm's old man. They want me to find out who the killer is." "They?" "Erica asked for the favor." "She did that so you wouldn't say no." "That's my theory, too." "You spoil that girl." CHAPTER 2 Tuesday morning with the gray sky promising snow, I sat at my computer and composed a list. When I finished, I attempted to contact the New Brighton Police Department only to discover that the city didn't have one. Instead, its Web site guided me to the Department of Public Safety. Tucked inside the bureaucracy were both a Police Division and a Fire Division, each supervised by a deputy director instead of a chief. Under Police Division, I discovered a link to a page listing "cold case files." I clicked on it. There were three histories. The first involved a woman identified as Jane Doe, whose nude body was discovered, like Frank, in Long Lake Regional Park by two people strolling a walking path. Unlike Harris, she had been lying there for six weeks to three months before anyone noticed. The cops believed she had died of "homicide violence" yet didn't go into further detail. That was thirteen years ago. Six years later, the body of Raymond Bosh, a seasonal employee working for the city's Department of Parks and Public Works, was found at Veterans Park. The brief description did not list how he died, only where — near the tool shed where he was loading a dry line marker with powdered chalk to line the baseball diamond — and when — between 3:00 and 3:30 P.M. on a Tuesday in July. The final story belonged to Harris. It told me even less than the newspaper article had. Beneath each description was a request for information, along with a phone number, e-mail address, and Facebook link. I called the number. A woman answered. She didn't know who was handling the Harris investigation, but she forwarded my call to one of the Police Division's three investigators. "Detective Clark Downing," he said instead of "hello." "Detective, my name's McKenzie. I'm calling regarding the Harris case." "Yes." His voice sounded both surprised and hopeful. "If you give me your e-mail address, I'd like to send you something." "What?" "A list — you'll see." He recited his e-mail address; I sent him the document. Nearly ninety seconds passed with neither of us speaking before it arrived. I remembered when that used to be considered fast. "What is this?" Downing asked. "My references." "I don't know the federal agents or the assistant U.S. attorney, but I met Commander Dunston, and I worked with Lieutenant Rask a couple of months ago." "Give them a call. Ask them about me." "Why?" "So when I call back you'll know you're not talking to a complete moron." * * * I was going to give him an hour. Instead, Downing called me twenty minutes later. "I'm not sure what to make of this," he said. "What do you mean?" "Bobby Dunston told me that you used to be a pretty good cop when you were with the St. Paul PD and that you've been very helpful to them in the past. Clayton, Lieutenant Rask, he said that you not only helped him solve a homicide a couple of years ago, you saved the Minneapolis Police Department considerable embarrassment, although he wouldn't give specifics." "It left the restroom with its zipper down — what can I say?" "They also said you could be a real smartass and that you like to play fast and loose with the rules." "I'm sure they meant that in a good way." "What's your interest in the Harris case?" "His son, Malcolm — he came to me yesterday and asked me to look into it. He has a lot of unanswered questions. They're keeping him awake at night. In fact, I'd say he's displaying signs of PTSD." (Continues...) Excerpted from What the Dead Leave Behind by David Housewright . Copyright © 2017 David Housewright. Excerpted by permission of St. Martin's Press. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site. Read more

Features & Highlights

  • Looking into an unsolved murder as a favor, McKenzie soon uncovers either the strangest set of coincidences or the sites of a very real, very deadly conspiracy.
  • Once a police detective in St. Paul, Minnesota, Rushmore McKenzie has become not only an unlikely millionaire, but an occasional unlicensed private investigator, doing favors for friends and people in need. When his stepdaughter Erica asks him for just such a favor, McKenzie doesn’t have it in him to refuse. Even though it sounds like a very bad idea right from the start. The father of Malcolm Harris, a college friend of Erica’s, was found murdered a year ago in a park in New Brighton, a town just outside the Twin Cities. With no real clues and all the obvious suspects with concrete alibis, the case has long since gone cold. As McKenzie begins poking around, he soon discovers another unsolved murder that’s tangentially related to this one. And all connections seem to lead back to a group of friends the victim was close with. But all McKenzie has is a series of odd, even suspicious, coincidences―until someone decides to make it all that more serious and personal.

Customer Reviews

Rating Breakdown

★★★★★
60%
(133)
★★★★
25%
(56)
★★★
15%
(33)
★★
7%
(16)
-7%
(-16)

Most Helpful Reviews

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Not my favorite of his books

I agree with another reviewer who said it was not his favorite McKenzie book. There were too many characters and at times the plot was just too twisty with some things that just went nowhere. At the end, I breathed a sigh of relief, it was over. I hope the next one is better.
3 people found this helpful
✓ Verified Purchase

Sorry guys this was not a book I would recommend.

Ex-police detective Rushmore McKenzie is asked to look into the murder of a man, Frank Harris. He is asked by Erica , the daughter of his current girlfriend , Nina. Frank's son, Malcolm persuades his college friend Erica to ask for McKenzie to see what he can find out. He can't refuse and as he digs into the case, he finds that there was a suspicious murder two years before and that there may be a connection between the two deaths.
I am sorry but I have to give this book only 2 stars. It is a very complicated murder mystery which moves at agonizingly slow pace. Yes, the action picks up in the last 30 or so pages to an interesting? conclusion. But it will take you some time to put all the pieces together. Too many characters are involved with the plot. Even Malcolm's mother Jayne is not very interested in finding out what happened......and that in itself is a bit of a mystery. Sorry guys this was not a book I would recommend.
1 people found this helpful
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A Murder Mystery with Industrial Espionage in St. Paul, Minnesota

The book, the first one in the series I have read, is a fast-paced complex murder mystery with a good story flow, and well-described characters, studying people’s inner worlds as well as their interpersonal relationships. As the story develops and gets more complex with each chapter, the suspense keeps building up and one can’t help being engrossed in the story. I don’t care the fact that the book has some explicit language describing violent sexual abuse, but it is brief, relevant to the story, and not used for the shock value. Because I enjoyed the writing style of the book, the complex story, and the realistic characters, I plan on reading more books from this series.
1 people found this helpful
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Who Can McKenzie Trust Or Believe?

"What The Dead Leave Behind" is the latest Rushmore McKenzie novel from David Boatwright. Long time fans know McKenzie as a wealthy retired Twin Cities' cop who now does "favors" for others as an unlicensed private investigator. This time Erica Truhler, the daughter of the love of his life, Nina, asks McKenzie to help her friend, Malcolm Harris, find out who killed his father over a year ago in what is now a cold case. Against his better judgement, McKenzie agrees to help and is soon frustrated by few clues and many potential candidates for the killing.

Boatwright soon introduces several sub plots and a number of interesting characters who could know more than they are saying which helps keep the reader guessing. Unfortunately, there is very little "action" in this one and the plot lines get a bit stretched from the twists and turns of the convoluted plot mixed with an abundance of potential suspects.

Having read all the McKenzie novels, this was not one of my favorites, perhaps due to the twisty plot filled with red herrings and dead ends; yet, it was an easy somewhat enjoyable read. As usual, McKenzie is a fun character with finely honed instincts often highlighted by his "inner voice" warning or alerting him. The dialogue is excellent as always and the descriptions of the Twin Cities area will ring nostalgic for natives of the area. The McKenzie series is one of my "must reads" and I highly recommend it to suspense and mystery fans who have not yet discovered it.
1 people found this helpful
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An excellent protagonist and a very well done plot that goes unexpected places.

First Sentence: The way he paced recklessly in front of me, bouncing off the furniture, tripping on the throw rug/ the way he looked at me with unblinking eyes—I decided the kid was messed up.

Former police detective, now unlicensed investigator, Rushmore McKenzie is asked for a special favour; find out her killed the father of a friend. But nothing is simple and one case leads to another unsolved murder and a particular group of friends.

Housewright is very good at the concise; from the very beginning, we know who are the primary characters. We also have background on McKenzie and, through his internal voice, how he thinks and who matters to him. In addition to his many talents; he cooks—“braised boneless pork ribs simmering in gravy laced with chili powder; mashed potatoes seasoned with onion salt, black pepper, butter, cream cheese, sour cream, and chives; plus green beans and pecans sautéed in chicken broth and maple syrup.”—cautions one to not read when hungry and reminds one a bit of Robert Parker’s Spencer. However, knowing these things is of particular advantage to those jumping into this series for the first time.

Housewright’s dialogue is easy, natural, and, at times, quite delightful—“Do you think that the killer might be at the party?” she asked. “That is so Agatha Christie.”

“What the Dead Leave Behind” has an excellent protagonist and a very well done plot that goes unexpected places. Learning where everyone ends up is very refreshing.

WHAT THE DEAD LEAVE BEHIND (Unl. PI-Rushmore McKenzie-St. Paul, MN–Contemp) - VG
Housewright, David – 14th in series
Minotaur Books – June 2017
1 people found this helpful
✓ Verified Purchase

An excellent protagonist and a very well done plot that goes unexpected places.

First Sentence: The way he paced recklessly in front of me, bouncing off the furniture, tripping on the throw rug/ the way he looked at me with unblinking eyes—I decided the kid was messed up.

Former police detective, now unlicensed investigator, Rushmore McKenzie is asked for a special favour; find out her killed the father of a friend. But nothing is simple and one case leads to another unsolved murder and a particular group of friends.

Housewright is very good at the concise; from the very beginning, we know who are the primary characters. We also have background on McKenzie and, through his internal voice, how he thinks and who matters to him. In addition to his many talents; he cooks—“braised boneless pork ribs simmering in gravy laced with chili powder; mashed potatoes seasoned with onion salt, black pepper, butter, cream cheese, sour cream, and chives; plus green beans and pecans sautéed in chicken broth and maple syrup.”—cautions one to not read when hungry and reminds one a bit of Robert Parker’s Spencer. However, knowing these things is of particular advantage to those jumping into this series for the first time.

Housewright’s dialogue is easy, natural, and, at times, quite delightful—“Do you think that the killer might be at the party?” she asked. “That is so Agatha Christie.”

“What the Dead Leave Behind” has an excellent protagonist and a very well done plot that goes unexpected places. Learning where everyone ends up is very refreshing.

WHAT THE DEAD LEAVE BEHIND (Unl. PI-Rushmore McKenzie-St. Paul, MN–Contemp) - VG
Housewright, David – 14th in series
Minotaur Books – June 2017
1 people found this helpful
✓ Verified Purchase

Not worth money and description not accurate

Water damage on several pages. Not worth the price
✓ Verified Purchase

delivered as told.

As advertised!
✓ Verified Purchase

The writer did a good job of keeping a new reader up-to-date on what'd ...

I found it hard to get through "What the Dead Leave Behind," and ended up skimming the last quarter or so of the novel. Initially, I picked it up because the title grabbed my attention, and I stayed with it just to see it through.

Though this was the 14th book in the series, I didn't have a difficult time following along. The writer did a good job of keeping a new reader up-to-date on what'd transpired before. Police detective turned millionaire, McKenzie is now an unlicensed private investigator. He ofentimes does favors for those in need. This time, it's for his girlfriend's college-age daughter, Erica. Her friend's dad was murdered over a year ago and the police are no closer to catching the killer. Malcolm, the friend, recruits McKenzie to solve the mystery, if only so Malcolm can find peace and know what really happened. McKenzie doesn't want to do it, sensing it's a bad idea, but ultimately agrees, for Erika's sake. Looking into the unsolved murder, McKenzie discovers a second murder, and starts working to put the pieces together.

I thought that there were a lot of subplots to follow along, and I didn't need them all. There was backdoor corporate scheming, an older-woman/younger-man dalliance, two college-age students hooking up, non-essential mystery with a fight that happened, etc. I also was turned off when it was revealed that one of the characters was raped. (Side note: when is rape going to stop being used as a plot device? And a flimsy one at that.) I thought the writer tried too hard to make McKenzie seem sympathetic, like an ally to women, but it wasn't happening for me.

I didn't love the dialogue - I didn't need all the details about weather, the character's drinking habits, etc. There were also too many characters to keep up with. They didn't feel like individuals either, so they started blending together. The book didn't work for me.
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PI Rushmore McKenzie Investigates Several Murders That Are Linked to a Cosmetics Company

Erica Truhler sweet talks her mother's boyfriend, PI Rushmore Mac McKenzie, into discovering who murdered her friend Malcolm's father, Frank Harris. On December 13th, he was stabbed in the head and left for dead in the snow-covered Long Lake Regional Park in New Brighton, Minnesota. Frank died on Christmas Eve. McKenzie learns another man, Raymond Bosh, had been bludgeoned to death six years earlier at a baseball field in Veterans Park. Also, Frank was director of the Human Resources Office (HRO) at the Szereto Corporation, a cosmetics company. Its former president, Jonathan Szereto Jr., was shot to death at a red light. All three men had unsavory pasts. McKenzie suspects their murders are connected. His suspicions are confirmed when he begins receiving threatening phone calls and muscle thugs attack him.

"What the Dead Leave Behind" is one of the most intriguing mysteries I've read in David Housewright's Mac McKenzie series. It is an extremely complex whodunit. Near the end, I was getting some of the characters confused. There are many beautiful, high-class women linked to the Szereto Corporation and to a social club called Hotdish. Hotdish was founded by the parents of a now defunct little league baseball team, the Yankees, who wished to continue getting together for potluck dinners. Some parents are also employees of Szereto. Needless to say, the Hotdish is a very close knit group. Whenever McKenzie confronts one member, they all soon know about it. Same with the Szereto Corporation. Strangely enough, no one in either organization, except for Malcolm Harris, wants McKenzie investigating the murders.

McKenzie, I must say, is definitely tenacious in his determination and dedication to see that justice prevails. When faced with danger, he doesn't flee. He knows how to fight. He even taught Erica self defense. (It comes in handy when Malcolm and her are attacked by some of the former baseball players on the Yankees.) Neither is McKenzie perturbed by the coldness and aloofness that the Szereto employees display towards him when he asks questions about the murders. However, several of the same female employees attempt to seduce him. I find this hypocritical considering that the murdered Jonathan Szereto Jr. was notoriously known for sexually harassing women. Szereto's employees need mandatory sexual harassment training on an annual basis. It is a requirement at the government installation, Norfolk Naval Shipyard (NNSY), where I work.

Indeed, office politics play a significant role in "What the Dead Leave Behind." Reading it made me nervous from my own personal experiences. I work closely with HRO at NNSY. HRO handles many grievances. Security, especially in regards to keeping new products a secret from competitors, is another one of the novel's hot topics. At NNSY, numerous security measures are installed to prevent foreign nationals from knowing our secrets. Speaking of secrets, members of Hotdish as well as employees of Szereto conspire to hide secrets involving theft and murder. "What the Dead Leave Behind" isn't a high body count action thriller; most of the murders occur in the past. However, startling revelations, sexual tension, and family drama keep it fast-paced. Most importantly, McKenzie is kept busy trying to solve three murders. He soon learns that what these dead men leave behind is more pain, misery, and suffering.