Wash
Wash book cover

Wash

Paperback – November 12, 2013

Price
$12.00
Format
Paperback
Pages
432
Publisher
Grove Press
Publication Date
ISBN-13
978-0802122032
Dimensions
5.4 x 1.2 x 8.2 inches
Weight
1.06 pounds

Description

"A masterly literary work . . . Wrinkle’s novel does not allow us to draw easy correlations but invites us to consider the painful inheritance and implications of such a horrendous moment in American history. Rather than disapproving opprobrium and diatribes, this debut occasions celebration. Haunting, tender and superbly measured, Wash is both redemptive and affirming." — Major Jackson, New York Times Book Review "[An] unflinching, stunningly imagined debut." — Vanity Fair "A marvel. By turns grim and lyrical, heart-wrenching and hopeful." — People (four stars; a People Pick) "A powerful novel." — O, the Oprah Magazine (one of "Ten Titles to Pick Up Now") "The voices of the past can't speak for themselves and must rely on the artists of the future to honor them. It's a profound responsibility and one that Margaret Wrinkle meets in her brilliant novel Wash . She shows not only the courage to submerge herself in the Stygian world of plantation slavery but also the grace and sensitivity to bring that world to life . . . Narrative roles are given to Wash, fellow slaves and his succession of masters, creating a dense, hypnotic ensemble of voices similar to the effect achieved in Peter Matthiessen's momentous retelling of the life of a Florida sugar plantation owner, Shadow Country . . . It's from patriarchs like Wash as well as like Richardson, Ms. Wrinkle shows, that the U.S. was born." — Sam Sacks, The Wall Street Journal "Amazing . . . Never has a fictionalized window into the relationship between slave and master opened onto such believable territory . . . Wash unfolds like a dreamy, impressionistic landscape . . . [A] luminous book." — Atlanta Journal Constitution "A lyrical story of courageous human beings transcending the cruelty and degradation of their slave-holding society." — The Dallas Morning News "The history of the South provides plenty of tense, complicated material. Even subjects we think we know well can often reveal new stories in the hands of a talented author. Margaret Wrinkle's debut novel Wash is one of those stories." — Jackson Free Press "[A] profound debut novel that takes readers on a journey into a past that left an inevitable mark in America’s history . . . Wash is a powerfully haunting tale about the captor and captive. It offers a look at both through their own narrative form expressing their true feeling." — Birmingham Times " Wash achieves something extraordinary: a full-fledged confrontation with one of the most difficult aspects of our nation’s history. . . . Wrinkle has given us an honest and important expression of hope . . . a firm foothold that leads in the direction of truth and reconciliation. We would do well to take this step." — The Post and Courier "[Wrinkle] plumbs beyond the brutality and into the wisdom of the ages to compose an elegiac yet surprisingly uplifting portrait of the resilience of the human spirit. . . . Wash is a solemn and magnificent paean to the survival—even amid the most crushing, inhumane conditions—of the special and eternal essence within every soul." — Shelf Awareness "In this deeply researched, deeply felt debut novel, documentarian Wrinkle aims a sure pen at a crucial moment following America’s War of Independence. . . . The novel well evokes the tragedy not only of [its] lovers’ untenable positions, but also that of their master and his fragile country." — Publishers Weekly (starred review) "Wrinkle bears witness to the inhumanity of slavery . . . A moving and heart-rending novel." — Kirkus Reviews "Heart-rending . . . Wrinkle has written a remarkable first novel, one that will haunt readers with the questions it raises, and the disturbing glimpse it offers into an unfathomable world." — Booklist "Wrinkle has spotlighted a crucial era in the American experience, writing with grace and intelligence." — New York Journal of Books "Wrinkle masterfully takes us on a powerful journey through the darkest past and present of this country, boldly addressing the chasm of racial divide with the scalpel of a gruesome truth. Wash is the epitome of courage and determination to heal the central wound of this culture." — Malidoma Patrice Somé , author of The Healing Wisdom of Africa " Wash is bold, unflinching, and when finished, certain to haunt the reader for a long, long time." — Ron Rash , author of Serena and The Cove "Boldly conceived and brilliantly written, Margaret Wrinkle's Wash reveals the horrible human predation of slavery and its nest of nightmares. With a truthfulness even beyond Faulkner, Wrinkle makes her novelistic debut in a monumental work of unflinching imagination." — Sena Jeter Naslund , author of Ahab’s Wife, Four Spirits, Abundance, and Adam and Eve "Margaret Wrinkle’s Wash is a marvelous window into the world of nineteenth century American slavery—a powerful fusion of knowledge and imagination." — Madison Smartt Bell , author of All Souls Rising, Master of the Crossroads, and The Stone that the Builder Refused "A significant and hugely troubling book." — Pinckney Benedict , author of Miracle Boy, Town Smokes, The Wrecking Yard, and Dogs of God "This majestic, beautifully-written novel will both break your heart and make it wiser." — Charles Gaines , author of Stay Hungry, Pumping Iron, A Family Place, and The Next Valley Over "This exquisite novel is a gift of healing. It exposes the dark and fearsome sin that stains our history, and confronts the guilt that lurks in our collective American soul. But in the genius of the telling we are led to the tenderness at the bone, the humanity at the core, and buoyed by joy." — Beverly Swerling , author of Bristol House "A unique and powerful story, Wash tells a chapter of our past that we would rather look away from. Margaret Wrinkle makes sure that we cannot. Her whole life has led up to this book, and she writes it in a sure and captivating voice, augmented by her remarkable pictures." — Kevin Baker , author of Strivers Row, Dreamland, and Paradise Alley Born and raised in Birmingham, Alabama, Margaret Wrinkle is a writer, filmmaker, educator, and visual artist. Her award-winning documentary, broken\ground , about the racial divide in her historically conflicted hometown, was featured on NPR’s Morning Edition and was a winner of the Council on Foundations Film Festival.

Features & Highlights

  • WINNER OF THE FLAHERTY-DUNNAN FIRST NOVEL PRIZEFINALIST FOR THE 2014 CHAUTAUQUA PRIZEOne of
  • Time
  • Magazine’s "21 Female Authors You Should Be Reading"Named a Best Book of 2013 by the
  • Wall Street Journal
  • A
  • New York Times
  • Editors’ ChoiceAn
  • O Magazine
  • Top Ten Pick
  • In early 1800s Tennessee, two men find themselves locked in an intimate power struggle. Richardson, a troubled Revolutionary War veteran, has spent his life fighting not only for his country but also for wealth and status. When the pressures of westward expansion and debt threaten to destroy everything he’s built, he sets Washington, a young man he owns, to work as his breeding sire. Wash, the first member of his family to be born into slavery, struggles to hold onto his only solace: the spirituality inherited from his shamanic mother. As he navigates the treacherous currents of his position, despair and disease lead him to a potent healer named Pallas. Their tender love unfolds against this turbulent backdrop while she inspires him to forge a new understanding of his heritage and his place in it. Once Richardson and Wash find themselves at a crossroads, all three lives are pushed to the brink.

Customer Reviews

Rating Breakdown

★★★★★
30%
(96)
★★★★
25%
(80)
★★★
15%
(48)
★★
7%
(22)
23%
(73)

Most Helpful Reviews

✓ Verified Purchase

Glad I Read It

What a book! I like the way the author was able to capture the story of one child from his mother's first experience with their master until the end of his life. Very sad subject matter, but a part of history. I'm so thankful people aren't "owned" by other people in the United States any more. Interesting and captivating all the way through. Glad I read it.
2 people found this helpful
✓ Verified Purchase

50 shades of wash, a farcical essay on one of the worst literary works I've ever had the misfortune to read.

Fifty Shades of Wash
A literary analysis on the Dark-Light spectrum dichotomy of human moral character and the equalization factor of death as it applies to the novel Wash by Margret Wrinkle.

Wash, a novel by Margaret Wrinkle is set within Tennessee during the early to mid-1800’s. Following the main character, Wash (short for Washington) an African American male sex slave. Joined by a host of others such as Pallas the Healer; and Richardson Wash’s owner.
From the very beginning when I first opened this book, I could see the visible dichotomy of Dark vs. Light and Evil vs. Good. However, as in real life this dichotomy is not so simple within the world of Wash. The world is not simply Dark or Light; it exists along with the people who inhabit it, within a spectrum, in shades of Gray. Within this gray colored world, the truly equalizing factor amongst all of its inhabitants is the stark and grim reality that is death.
To illustrate these points, we must first analyze the characters themselves as they exist within their fictional world; and attempt to unravel where they fall on the dichotomy’s spectrum. We will begin with Pallas. Pallas; the healer, the lover, and perhaps the largest proponent for the Light side within this novel. Through her work as a midwife and healer, it may be argued that she has a natural affiliation with the Light and with good. One who works their hardest to ease the suffering of others and help bring new lives into a cruel world would have to have some large amount of good and light within their heart I would imagine. In a similar way, through her relationship with Wash, our story’s protagonist, it is evident that she carries within herself not only a good heart, but a loving soul as well. Helping to ease Wash’s pain and helping him to recover from the events he has seen and been put through shows that love is not lost even in the darkest moments of human life.
Continuing along, we will now analyze the opposite side of the dichotomy, Richardson. Richardson is perhaps one of the more difficult characters to analyze on this spectrum due to his motivations and how they affect both himself and others. Obviously he is a slave owner, having many slaves other than Wash under his control. He is Wash’s owner, and Wash is his breeding sire who is rented out to other slave owners to impregnate their slaves. Richardson literally sells and rents Wash out in multiple instances to travel and breed with the slaves of other slave owners. His motivations for this may not be entirely dark, but in my mind they are dark enough to put him firmly within that side of the dichotomy. Richardson regretfully sells Wash out because he is in debt and in need of extra money. It can be argued that money is the root of all evil; and while not always true the saying does hold some measure within life. What I believe to be one of Richardson’s defining characteristics is his greed. There is a reason he sells Wash out and I believe that reason to be that he is a man driven by his greed of money and wealth. There is a reason greed is referred to as one of the seven deadly sins, and that is because of what it can lead people to do. One other fact which we know about Richardson is that he has killed. Though it was in arguable self-defense, he has willingly taken the life of another being, a being he happened to deploringly own at the time. Though Richardson’s motivations and actions are rather arguably gray, I find them close enough to dark that I would classify him as such within the dichotomy. “The road to hell is paved with good intentions.” Richardson, more than any other exemplifies this quote within my mind.
Finally, we come to the Gray area of the Dark-Light spectrum dichotomy. This Gray area is inhabited by none other than Wash himself. Throughout Wrinkle’s writing, the character of Wash has remained relatively neutral in matters of discourse and politics. He is a former runaway slave, a current sex slave, and a man who has seen and suffered the violence of the world first hand. It is my personal belief that he is disenfranchised with not only his personal situation, but with the world at large. This leads to him adapting a solidly Gray and neutral stance on life. Symbolically near the end of the book, he finds himself in possession of Richardson’s log book. In a highly symbolic move, he pitches the book into a burning building, allowing it to catch aflame and be destroyed. Simultaneously symbolically destroying that record of his life and the years worth of pain which wrought it.
As we can clearly see, as in real life so too does this book display for all the many intricacies and nuances of human morals as they apply to a Dark-Gray-Light spectrum dichotomy of behavior. Upon analyzation, all is very rarely as Black and White as it may all too often seem. The world in which these characters find themselves, much like our own exists in shades of Gray.
We now have our characters, and their standing on the spectrum of Dark-Light sorted. We have Richardson, the personification of Dark/Dark Gray. We have Wash, the proverbial neutral party and his firm standing within the heart of Gray. We have Pallas, the embodiment of the Light end of the spectrum. Now we will cast our eyes upon the one factor that equalizes and connects them all: Death.
Death. The final ending; the next great adventure. For most; there is no glory in it. No fantastic final battle, no fighting it, no glorious defiance against it. All too often it comes out of the blue, takes who it was meant to, and retreats as fast as it came.
Wash, our protagonist and champion of the Gray neutral ground died a simple death. Having come to steal him as he was resting with Pallas after setting the barn alight. Richardson, the one who strays closest to the Dark dies not as a hero nor as a villain, but is taken from this world by illness in a fit of coughing. He dies the same death as many other men of the time period did, for medicine was far from advanced or available. Pallas, the healer of Light lives long enough to see the growth of all of Wash’s children. She sees Wash in them all. Though her death is unmentioned directly in the text; it is my belief that she eventually passes from old age after seeing how all things are connected. Three characters, three different points on the spectrum of Dark and Light and Gray. All die the same lackluster deaths as many did and as many still do. In death, there exists no difference between them. In death they are equal.
In this world, we live in shades of Gray. Our morals, our character, our actions; all fall along a spectrum. There is more than Dark and Light within this world and within each of us. Just as there is an angel, so too is there a monster inside all of us. Things are rarely as simple as they may seem. In the end, death does not discriminate. Not by class, nor race, nor religion, nor heritage, nor wealth. It takes all with equal measure and in death we are all connected and made equals.
1 people found this helpful
✓ Verified Purchase

Good Read

Good read, although at times there was too much info. I'm all for a great story, but do not bore me with information that, in my opinion, could have been left out.
1 people found this helpful
✓ Verified Purchase

A Beautiful Novel with a Troubling Message

I have found myself increasingly drawn to slave stories and movies (“The Butler” and especially “12 Years a Slave”) as well as non-fiction about sugar cane plantations in the West Indies. Finally citizens of this United States can, if they wish, confront more realistically just how horrific slavery was as well as the continued impact on so many of our black citizens.
Although there are flaws in this novel such as clichés that the characters speaking in the nineteenth century would never have used—“To hell with that…” “I know who gets the last laugh” among several others—this is a novel that is truly a literary masterpiece.
For a few dozen pages I had difficulties with the first person narrators because I didn’t believe, for example, that Wash would have had the language ability to narrate as he does. However, the more I read, the more I became aware of just how skillfully Margaret Wrinkle in her debut novel provide for verisimilitude, mainly through Wash’s mother, Mena, who came to the United States on a slave ship, nearly dying from a fall over board.
Before telling a little about the story, I would like to suggest that the author has created some rich symbols beginning with the title—the name of the central character—who was actually named Washington by his owner. However, Mena saw her son only as Wash, the child she carried as she was daily awash in the sea, on an island with her master—he is not the father—Richardson who has gone there to rid himself, for the moment, of all the reminders of what he did in becoming a slave owner. Here is a piece of Wash’s adult narrative from the novel to demonstrate what I am saying: “Wash. Every time she said it, she heard waves and saw water sheeting off men. Sweeping me clean.”
It is a novel of redemption. And rich in beautiful language, very poetic at times. When I read in a one-star review that an entire book club rejected this novel, all I could think of was this: they probably read Fanny Flagg-type novels, her last one being the antithesis of “Wash.”
Richardson, a young idealist, fought in the American Revolution, was captured along with Thompson by the British and held as a prisoner. He was an idealist who wanted the United States not to embrace slavery. However, as is all too often the case, the young idealist becomes the pragmatist. And as such he does become a slave owner only to discover as he ages that he wants to divest himself of what he has built and decides that he will divest most of it to his offspring. In a strange turn of events, he had purchased Mena, fresh off the slave ship, at a slave auction, not knowing she was pregnant. She is an amazing mother, unaware of just how her son would be used.
And this is so interesting to me: well-endowed Wash would become literally a stud service. In other words, Richardson gets paid a little something every time Wash is able to impregnate a slave woman. Although shamanic Mena is no longer alive, Wash become friends with a potent healer named Pallas who often is a midwife.
And therein lies the keys to what becomes a power struggle with these three characters.
It is a novel that is very lyrical and highly troublesome in that the author exposes in raw details the horrors of slavery. At one point Richardson, who was a magistrate (judge), sentences a slave woman to hang after she stabs to death her master and mistress whose children come upon the scene and are then comforted by this slave woman who was far more the mother to them than the one dead on the floor. And the result of his judgment—it would have been the only one possible back then, of course—helps to build the plot line of this amazing novel.
1 people found this helpful
✓ Verified Purchase

A Must Read

Well researched. Insightful. Sensitive to so many nuanced perspectives. Poetic. Transporting. Should be required reading.
✓ Verified Purchase

The very end of the book was a slight disappointment, however

Very respectful approach to this era in American history. The very end of the book was a slight disappointment, however.
✓ Verified Purchase

Five Stars

This is an awesome book! I highly recommend it!
✓ Verified Purchase

Difficult subject matter but so well written and research that ...

Difficult subject matter but so well written and research that on could not put down the book. This is a book club selection and I look forward to the discussion.
✓ Verified Purchase

I liked the book

I liked the book. It is very well written. We need to remember, however, that it is just a fictitious story. The author admits that it is not true in interviews when she admits that she conceived of the idea of the story based upon a "rumour" that she has an ancestor who bred slaves. The author has since childhood been very fond of horses and the breeding of horses. I suspect that her lifelong interest in horses is probably the origin (at least in part) of the idea for the story. While I have no doubt that human beings will do anything for profit, as a practical matter, using a male slave for breeding purposes while travelling around the country would not seem to be very practical. While women have been known to be impregnated by males as a result of limited sexual intercourse, it is statistically somewhat rare. The human female has a limited window of opportunity to be impregnated each month. The use of a human male to breed with a human female would probably require that the male spend considerable time living with the female. I doubt that a buyer would want to pay money unless he was certain of receiving product in the form of a child. It would make more sense for the slave owner to purchase attractive female slaves and then offer them to wealthy men for the purpose of sex and then selling the children downstream. This would be a much more realistic and profitable business model. I imagine that this practice was somewhat common at the time. In any event, it is a good book, and I recommend it.
✓ Verified Purchase

intrest me

Its crazy how there was slaves back in the day, it troubles me how humans were able to live like that. How can one human be fine with owning another? it just doesn't sit right with my head and It doesn't sit right with most people today.