Warbreaker (Sci Fi Essential Books)
Warbreaker (Sci Fi Essential Books) book cover

Warbreaker (Sci Fi Essential Books)

Hardcover – June 9, 2009

Price
$29.99
Format
Hardcover
Pages
592
Publisher
Tor Books
Publication Date
ISBN-13
978-0765320308
Dimensions
6.7 x 1.7 x 9.55 inches
Weight
1.75 pounds

Description

From Publishers Weekly Starred Review. Epic fantasy heavyweight Sanderson (the Mistborn series) pens a powerful stand-alone tale of unpredictable loyalties, dark intrigue and dangerous magic. To keep a treaty made long ago, the king of Idris must send his daughter to marry Susebron, the God King of Hallandren. Loath to part with his eldest daughter, Vivenna, King Dedelin instead sends his youngest daughter, tomboyish 17-year-old Siri, who struggles to make sense of the schemers and spies in Susebron's court. Hoping to rescue her sister, Vivenna joins a group of Idrian operatives with questionable motives. As Vivenna comes to terms with her magical abilities, resurrected hero Lightsong questions the role of the undead Returned Gods, who command Hallandren's mighty army of zombie soldiers. Sanderson melds complex, believable characters, a marvelous world and thoughtful, ironic humor into an extraordinary and highly entertaining story. (June) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. “Not only has Sanderson drawn a freshly imagined world and its society, he has also given us a plot full of unexpected twists and turns. . . . Anyone looking for a different and refreshing fantasy novel will be delighted by this exceptional tale of magic, mystery and the politics of divinity. Warbreaker might even take your breath away.” ― Michael Moorcock “Epic fantasy heavyweight Sanderson pens a powerful stand-alone tale of unpredictable loyalties, dark intrigue and dangerous magic. . . . Sanderson melds complex, believable characters, a marvelous world and thoughtful, ironic humor into an extraordinary and highly entertaining story.” ― Publishers Weekly (starred review) on Warbreaker “Sanderson again demonstrates his capacity for handling large and complex themes while creating believable characters.” ― Library Journal (starred review) on Warbreaker “Hilarious dialogue, descriptive action sequences, and genuinely sweet romance. . . . Sanderson knows how to wrap things up cleanly. He spins a world that's easily complex and mysterious enough to warrant sequels, but prefers to end it climactically, answering many of his biggest questions, while leaving others to the imagination.” ― The Onion on Warbreaker “Sanderson is clearly a master of large-scale stories, splendidly depicting worlds as well as strong female characters. . . . May the author write long and prosper.” ― Booklist on Warbreaker “A highly readable and compelling stand-alone volume from the acclaimed author of the Mistborn trilogy. . . . Highly recommended to fans of epic fantasy.” ― The Romantic Times BOOKreviews 4 ½ Stars TOP PICK! Brandon Sanderson grew up in Lincoln, Nebraska. He lives in Utah with his wife and children and teaches creative writing at Brigham Young University. His bestsellers have sold 30 million copies worldwide and include the Mistborn® Trilogy and its sequels; the Stormlight Archive novels; and other novels, including The Rithmatist , Steelheart, and Skyward . He won a Hugo Award for for The Emperor's Soul , a novella set in the world of his acclaimed first novel, Elantris . Additionally, he was chosen to complete Robert Jordan's Wheel of Time® sequence. Visit his website for behind-the-scenes information on all his books. Excerpt. © Reprinted by permission. All rights reserved. Chapter One There were great advantages to being unimportant. True, by many people’s standards, Siri wasn’t “unimportant.” She was, after all, the daughter of a king. Fortunately, her father had four living children, and Siri—at seventeen years of age—was the youn gest. Fafen, the daughter just older than Siri, had done the family duty and become a monk. Above Fafen was Ridger, the eldest son. He would inherit the throne. And then there was Vivenna. Siri sighed as she walked down the path back to the city. Vivenna, the firstborn, was... well... Vivenna. Beautiful, poised, perfect in most every way. It was a good thing, too, considering the fact that she was betrothed to a god. Either way, Siri—as fourth child—was redundant. Vivenna and Ridger had to focus on their studies; Fafen had to do her work in the pastures and homes. Siri, however, could get away with being unimportant. That meant she could disappear into the wilderness for hours at a time. People would notice, of course, and she would get into trouble. Yet even her father would have to admit that her disappearance hadn’t caused much inconvenience. The city got along just fine without Siri—in fact, it tended to do a little better when she wasn’t around. Unimportance. To another, it might have been offensive. To Siri it was a blessing. She smiled, walking into the city proper. She drew the inevitable stares. While Bevalis was technically the capital of Idris, it wasn’t that big, and everyone knew her by sight. Judging by the stories Siri had heard from passing ramblemen, her home was hardly even a village compared with the massive metropolises in other nations. She liked it the way it was, even with the muddy streets, the thatched cottages, and the boring—yet sturdy—stone walls. Women chasing runaway geese, men pulling donkeys laden with spring seed, and children leading sheep on their way to pasture. A grand city in Xaka, Hudres, or even terrible Hallandren might have exotic sights, but it would be crowded with faceless, shouting, jostling crowds, and haughty noblemen. Not Siri’s preference; she generally found even Bevalis to be a bit busy for her. Still, she thought, looking down at her utilitarian grey dress, I’ll bet those cities have more colors. That’s something I might like to see. Her hair wouldn’t stand out so much there. As usual, the long locks had gone blond with joy while she’d been out in the fields. She concentrated, trying to rein them in, but she was only able to bring the color to a dull brown. As soon as she stopped focusing, her hair just went back to the way it had been. She’d never been very good at controlling it. Not like Vivenna. As she continued through the town, a group of small figures began trailing her. She smiled, pretending to ignore the children until one of them was brave enough to run forward and tug on her dress. Then she turned, smiling. They regarded her with solemn faces. Idris children were trained even at this age to avoid shameful outbursts of emotion. Austrin teachings said there was nothing wrong with feelings, but drawing attention to yourself with them was wrong. Siri had never been very devout. It wasn’t her fault, she reasoned, if Austre had made her with a distinct inability to obey. The children waited patiently until Siri reached into her apron and pulled out a couple of brightly colored flowers. The children’s eyes opened wide, gazing at the vibrant colors. Three of the flowers were blue, one yellow. The flowers stood out starkly against the town’s determined drabness. Other than what one could find in the skin and eyes of the people, there wasn’t a drop of color in sight. Stones had been whitewashed, clothing bleached grey or tan. All to keep the color away. For without color, there could be no Awakeners. The girl who had tugged Siri’s skirt finally took the flowers in one hand and dashed away with them, the other children following behind. Siri caught a look of disproval in the eyes of several passing villagers. None of them confronted her, though. Being a princess—even an unimportant one—did have its perks. She continued on toward the palace. It was a low, single- story building with a large, packed- earth courtyard. Siri avoided the crowds of haggling people at the front, rounding to the back and going in the kitchen entrance. Mab, the kitchen mistress, stopped singing as the door opened, then eyed Siri. “Your father’s been looking for you, child,“ Mab said, turning away and humming as she attacked a pile of onions. “I suspect that he has.” Siri walked over and sniffed at a pot, which bore the calm scent of boiling potatoes. “Went to the hills again, didn’t you? Skipped your tutorial sessions, I’ll bet.” Siri smiled, then pulled out another of the bright yellow flowers, spinning it between two fingers. Mab rolled her eyes. “And been corrupting the city youth again, I suspect. Honestly, girl, you should be beyond these things at your age. Your father will have words with you about shirking your responsibilities.” “I like words,“ Siri said. “And I always learn a few new ones when Father gets angry. I shouldn’t neglect my education, now should I?” Mab snorted, dicing some pickled cucumbers into the onions. “Honestly, Mab,“ Siri said, twirling the flower, feeling her hair shade a little bit red. “I don’t see what the problem is. Austre made the flowers, right? He put the colors on them, so they can’t be evil. I mean, we call him God of Colors, for heaven’s sake.” “Flowers ain’t evil,“ Mab said, adding something that looked like grass to her concoction, “assuming they’re left where Austre put them. We shouldn’t use Austre’s beauty to make ourselves more important.” “A flower doesn’t make me look more important.” “Oh?” Mab asked, adding the grass, cucumber, and onions to one of her boiling pots. She banged the side of the pot with the flat of her knife, listening, then nodded to herself and began fishing under the counter for more vegetables. “You tell me,“ she continued, voice muffled. “You really think walking through the city with a flower like that didn’t draw attention to yourself?” “That’s only because the city is so drab. If there were a bit of color around, nobody would notice a flower.” Mab reappeared, hefting a box filled with various tubers. “You’d have us decorate the place like Hallandren? Maybe we should start inviting Awakeners into the city? How’d you like that? Some dev il sucking the souls out of children, strangling people with their own clothing? Bringing men back from the grave, then using their dead bodies for cheap labor? Sacrificing women on their unholy altars?” Siri felt her hair whiten slightly with anxiety. Stop that! she thought. The hair seemed to have a mind of its own, responding to gut feelings. “That sacrificing-maidens part is only a story,“ Siri said. “They don’t really do that.” “Stories come from somewhere.” “Yes, they come from old women sitting by the hearth in the winter. I don’t think we need to be so frightened. The Hallandren will do what they want, which is fine by me, as long as they leave us alone.” Mab chopped tubers, not looking up. “We’ve got the treaty, Mab,“ Siri said. “Father and Vivenna will make sure we’re safe, and that will make the Hallandren leave us alone.” “And if they don’t?” “They will. You don’t need to worry.” “They have better armies,“ Mab said, chopping, not looking up, “better steel, more food, and those... those things. It makes people worry. Maybe not you, but sensible folk.” The cook’s words were hard to dismiss out of hand. Mab had a sense, a wisdom beyond her instinct for spices and broths. However, she also tended to fret. “You’re worrying about nothing, Mab. You’ll see.” “I’m just saying that this is a bad time for a royal princess to be running around with flowers, standin’ out and inviting Austre’s dislike.” Siri sighed. “Fine, then,“ she said, tossing her last flower into the stewpot. “Now we can all stand out together.” Mab froze, then rolled her eyes, chopping a root. “I assume that was a vanavel flower?” “Of course,“ Siri said, sniffing at the steaming pot. “I know better than to ruin a good stew. And I still say you’re overreacting.” Mab sniffed. “Here,“ she said, pulling out another knife. “Make yourself useful. There’s roots that need choppin’.” “Shouldn’t I report to my father?” Siri said, grabbing a gnarled vanavel root and beginning to chop. “He’ll just send you back here and make you work in the kitchens as a punishment,“ Mab said, banging the pot with her knife again. She firmly believed that she could judge when a dish was done by the way the pot rang. “Austre help me if Father ever discovers I like it down here.” “You just like being close to the food,“ Mab said, fishing Siri’s flower out of the stew then tossing it aside. “Either way, you can’t report to him. He’s in conference with Yarda.” Siri gave no reaction—she simply continued to chop. Her hair, however, grew blond with excitement. Father’s conferences with Yarda usually last hours, she thought. Not much point in simply sitting around, w... Read more

Features & Highlights

  • From #1
  • New York Times
  • bestselling author Brandon Sanderson,
  • Warbreaker
  • is the story of two sisters, who happen to be princesses, the God King one of them has to marry, the lesser god who doesn't like his job, and the immortal who's still trying to undo the mistakes he made hundreds of years ago.
  • Their world is one in which those who die in glory return as gods to live confined to a pantheon in Hallandren's capital city and where a power known as BioChromatic magic is based on an essence known as
  • breath
  • that can only be collected one unit at a time from individual people.By using
  • breath
  • and drawing upon the color in everyday objects, all manner of miracles and mischief can be accomplished. It will take considerable quantities of each to resolve all the challenges facing Vivenna and Siri, princesses of Idris; Susebron the God King; Lightsong, reluctant god of bravery, and mysterious Vasher, the Warbreaker.
  • Other Tor books by Brandon Sanderson
  • The Cosmere
  • The Stormlight Archive
  • The Way of Kings
  • Words of Radiance
  • Edgedancer
  • (Novella)
  • Oathbringer
  • The Mistborn trilogy
  • Mistborn: The Final Empire The Well of Ascension The Hero of Ages
  • Mistborn: The Wax and Wayne series
  • Alloy of Law Shadows of Self Bands of Mourning
  • Collection
  • Arcanum Unbounded
  • Other Cosmere novels
  • Elantris
  • Warbreaker
  • The Alcatraz vs. the Evil Librarians series
  • Alcatraz vs. the Evil Librarians
  • The Scrivener's Bones
  • The Knights of Crystallia
  • The Shattered Lens
  • The Dark Talent
  • The Rithmatist series
  • The Rithmatist
  • Other books by Brandon Sanderson
  • The Reckoners
  • Steelheart
  • Firefight
  • Calamity

Customer Reviews

Rating Breakdown

★★★★★
60%
(10.6K)
★★★★
25%
(4.4K)
★★★
15%
(2.6K)
★★
7%
(1.2K)
-7%
(-1232)

Most Helpful Reviews

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Sanderson's best yet.

Brandon Sanderson is hardly a rookie author. Having read Elantris and all of Mistborn, I came to the table expecting an enjoyable read out of Warbreaker. Still, I was blown away. Though a little apprehensive about reading it all on a computer screen, I was board while traveling for work, so I downloaded it. I couldn't stop reading. I stayed up till the wee hours of the morning because the book was so engaging. The story was excellently told, and the comic relief was spot on. Warbreaker is much better than Elantris and Mistborn in every way (except, perhaps, the magic system; alomancy is too cool). While I appreciate Sanderson's motives in writing stand alone epic fantasy, I hope that he reneges. I would be thrilled to see another novel set in the Warbreaker world. If Sanderson keeps improving at this rate, he will become the benchmark over and beyond Tolkien, Jordan or any other author you care to mention. Though I already read the free downloadable version off of Sanderson's website, I will definitely order a hardback for my personal library.
127 people found this helpful
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A non-fantasy fan's review

I should start by saying I don't read much fantasy. It's probably been more than a decade since I read a fantasy book. My taste in literature tends to run more towards either mysteries (Michael Connelly, Henning Mankell, P.D. James), non-genre work (Margaret Atwood, Haruki Murakami, Michael Chabon, J.M. Coetzee) or history (Joseph Ellis, David Hackett Fischer, David McCullough). I have several hundred books, but I think I could probably count my fantasy books on one hand, and most of those I haven't touched. When I go to the bookstore to look for new authors, I'll look at Dave Eggers, Kiran Desai, Sarah Waters, Steig Larsson, but I never go to the fantasy section.

However, I do have a friend who reads a great deal of fantasy, and who goes on endlessly about Sanderson. He's told me repeatedly that I should try the Mistborn books. Well, I haven't yet, but when by chance I came across an advance copy of Warbreaker before release, I grabbed it in part because I knew it would drive my friend nuts, but also out of curiosity. I buckled down with it over a 48 hour period and blew through the book.

I was very impressed. It's a well put together, well told story, filled with interesting characters that all develop in believable ways through the course of the book. I've noticed some reviewers seemed to think it was slow, but it was this "slow" stuff that I personally enjoyed, as it was filled with character development and political machinations: some of my two favorite things to read. Also, my biggest pet peeve for fantasy books, out of control and unnecessary apostrophes, was kept to a minimum. I would rather have seen them banished entirely, but they are used only in two place names that are not mentioned too frequently, so I can forgive it here.

I'm giving it 4/5 stars. It's hard for me to rate it as a fantasy novel, as I can't really compare it to anything. But I can say that I did enjoy it very much, and will definitely try the Mistborn books sometime in the near future. I don't necessarily think that this book opened me up to the world of fantasy novels, per se, but it did open me up to Sanderson, and I guess that's something.
48 people found this helpful
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His best yet.

Of Sanderson's five published books (for adults), this is by far his most mature work. I did not think he'd be able to top Hero of Ages, the final book of the Mistborn trilogy, but I believe he has done so.

The characters are more subtly developed in Warbreaker. Characters in fantasy novels have a tendency to become cartoonish, especially the characters which are closer to being raw archetypes. Sanderson largely avoids that pitfall. And except for the two princesses who are obviously on the side of good, almost every other character is ambiguous in their alignment until the very end.

The prose is much more refined than his earlier books. It seemed to flow much more effortlessly; it did not have the feeling of being laboriously reworked. Also, it contains an unexpected amount of real wit.

The plot unfolds more naturally. I was actually surprised more than once by the turn of events, and except for one rescue scene, the plot never felt contrived or forced. True, events come together in a neat little package at the end, but that is less a flaw of his novel and more of a trend with reader expectation in fantasy novels these days.

The magic system he created was, aside from being inventive and original, fully integrated into the world it was a part of. Culturally, how does a world develop when it contains such magic? One of Sanderson's trademarks has become building a world in which the magic is an integral part of it, not simply layered on top as another set decoration. How does religion develop in a world with magic? How does politics work? Sanderson handles these weighty questions effectively while at the same time telling a page turner of a story that kept me up hours after I should have been asleep.
22 people found this helpful
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Some good, some not so good.

As I have no wish to re-cover the well-trod ground covered by the multitude of other reviews I'll bullet point my thoughts for the sake of convenience:

1. The main characters that Sanderson takes the time to develop are wonderfully drawn.

2. Those characters that Sanderson doesn't develop as fully - and some of those are major characters - feel
a little like clothes horses and, in some cases, if you'll excuse the analogy, like deus-ex-machinae insofar as they appear to parade around simply for their sole opportunity for something pivotal to happen to them which may influence the decisions of either [1] or in some cases other character[2]s

2a. There's a huge difference between rendering a character mysterious and under-developing them simply to render them mysterious. far too many pivotal characters in this story were either severely undercooked or left with their motivations/ back-stories in fragments to the extent that when they stepped into the limelight you were often left with a sense of wonder, the type of wonder that says: 'WTF!?'

3. A wonderful and original magic system.
3a. The same cannot be said for the explanation of the political system/ machinations historical and present. What I said in 2a applies here, mystery is good, deliberate obscurity that destroys continuity is not.

4. The narrative development is incredibly blocky, that is, I got the feeling that sanderson was writing to such a defined plan that you could almost see where his line of thought went: "Now we do this" and "Now we do that" - the was no flow or smooth transition between plot/ acts and idea - for me this was the most disappointing aspect of the book.

5. I'd bet good money that there is a sequel in the works and that is the reason for some of the observations above that, like a jigsaw, the pieces that are missing in this book will be more fully explained in a later book, which is all well and good if the former book makes sense from a continuity perspective, which Warbreaker doesn't.

The above being said, at least Sanderson is interesting enough to persevere with. The good bits are significant;y good enough that they make the teeth achingly annoying bits at least, if not tolerable, somewhat less problematic.
14 people found this helpful
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Disappointingly just OK

I am sad to say that I went out and bought this book the day it was released, rather than ordering it through Amazon.

Brandon Sanderson is an excellent world creator; his complex systems of the supernatural are unique and well thought out. Unfortunately, with Warbreaker, he seems to have taken trends from his previous novels too far.

For the first three fourths of the book, the majority of the author's time is spent describing dresses and hair color (believe it or not), and there are perhaps three actual action scenes (ones that last more than a few sentences of bare description) until the slap-dash, rushed ending.

Normally, Sanderson writes great climaxes with awesome action. In this instance, his climax not only felt telegraphed, but entirely dissatisfying. Compared to his previous works, this book seems almost formulaic: insert new magic system, insert charming, cunning female characters that change their clothes often, insert mysterious male character that appears in about a fifth of the book, insert mystery and then insert ending that resolves the mystery with a climax that lends itself easily to a sequel.

Had I not read Brandon's previous books, I might have given this one higher marks. As it was, the book felt overly padded with rich dialogue and the trappings of drama, without the action that is so fulfilling in fantasy. I am somewhat ashamed to say it (write it?) but writing two-thirds of the book about princesses rather than something more adventurous may have done this one in for me.

Here's to next time.
14 people found this helpful
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Only good at the end

A great concept that I hope was from early in his writing career. I listen mostly now (Audible) and I have to tell you that if I had not listened to his other books I would not have been able to finish it.

Brandon is a excellent author in my opinion but this book seemed like mostly filler. The ending is worth it if you are reading the text and can just glaze over the needlessly tedious parts. While the concept is good the execution is not up to his current standards. (I do think that writing the RJ books has been a great way for him to expand his concept of story).

I recommend this book for current fans but please don't start with this book if you are not already a fan of Brandon's work because I'm afraid you will be disappointed and it would be a shame, read the Mistborn series first and then Elantris (Also a bit slow starting but very worth it) which will let you know the master story teller he is.

Brandon is one of the most original authors to come along in quite some time in the sci/fi fantasy field, he leads us out of the tired mold that has been shaped by Tolkien for the last 70 years (Troll/Elf/Wizard) and is blazing new trails for the next generation to come with original ideas for magic(power) based on interesting twists on scientific principals (IE metals).
10 people found this helpful
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Worldbuilding at its finest (and that's not necessarily a good thing)

"Warbreaker" is an excellent example of what happens when fantasy authors are relentlessly, constantly exhorted to devote all their time and energy to worldbuilding. Read almost any critical review of any recent fantasy (sci-fi too, to an extent) novel, and without fail you will see some variations on the following: "Convincing and well-thought-out system of magic," "So-and-so has obviously given a lot of time and effort to creating a complete and fully-realized world," "Complex universe."

Do you see anything about plot in there? How about characters? Nope and nope. Fantasy authors these days are growing increasingly adept at creating entirely unique and brilliant alternate universes, complete with appendices, timelines, tables, and maps, and then populating them entirely with stock characters out on your basic quest story.

It's infuriating, and perhaps it's wrong of me to take all my frustration out on this one book alone. But "Warbreaker" is such a classic example, it just brings all this issues to the surface. And the sheer length of this book doesn't help. At 250 pages, this might be nice, light, enjoyable sword-and-sorcery fare. At 600, it's just exhausting.

There were parts of the book that were enjoyable, and parts that were tedious. There was nothing really awful or objectionable, but nothing that made me close the book and go, "Wow! I hope there's a sequel soon!" If you're one of those who do enjoy fantasy mainly for the worldbuilding, knock yourself out - "Warbreaker" is for you. It just wasn't for me.
10 people found this helpful
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Exceptional

It's been said that my 5-star review are scarce as hens' teeth. Well, that's because I'm saving them all for books such as this one.

According to my ratings, 5 stars means: It was amazing.

Yup, that describes Warbreaker. I am honestly in awe of Brandon Sanderson's imagination. Where does he come up with these completely unique, completely fascinating systems of magic? I've read so many fantasy books that my blood is practically the blood of unicorns, and I've never found a single other author who does magic like Sanderson does. His plots are terrific and twisty, his characters are memorable and lovable (even the evil ones!), and I continue to think about them long after the last page is read.

I'd love to see a sequel (or a series!) from this book, but it's also satisfying as it is. Can't wait to see what Sanderson comes up with next!
10 people found this helpful
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A novel approach to writing

I've been a fan of Sanderson since I read Mistborn. He took what some might call a trite concept (a Oceans 11 criminal gang pulling off a big score) and somehow turned it into an epic fantasy that compressed into a single book what it would have taken, say, Robert Jordan 20,000 pages to finish.

Warbreaker was something of an experiment - Sanderson posted drafts of it online, free for anyone to read. As time went on and he posted more versions online, fans of his could see how the book evolved and came together, which was not only a Very Cool Thing for an author to do, since he made the book available for free, but also very fascinating for anyone interested in the process of writing. He did something similar for Mistborn - the Mistborn Prime early draft - but he never made it publicly available since it was so different (and rough) that he worried it would have an effect sort of similar to the early leak of the Wolverine movie.

Since I've read the drafts of Warbreaker before, it's hard to approach it with a review from a fresh perspective, so I'll just summarize my thoughts on the book and say that like all of Sanderson's fantasy works, he has a very interesting world developed, with good characterization and a unique magic system - this one based on colors as much as Mistborn's was based on metals.

The sarcastic side of me wonders if his next book will have a magic system based on smell. =)

But yeah, I can't recommend his fiction highly enough. Plus, he's a really nice guy.
6 people found this helpful
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Epic book, such an interesting storyline

It has been quite a while since I read this book, over 10 years, but it has stuck with me and I still marvel over the style of writing and storyline. Helped turn me into a Sanderson fan. A definite must read if you are into his books. I still kept it as it was too good to give away.
5 people found this helpful