Veronica Mars: An Original Mystery by Rob Thomas: The Thousand-Dollar Tan Line
Veronica Mars: An Original Mystery by Rob Thomas: The Thousand-Dollar Tan Line book cover

Veronica Mars: An Original Mystery by Rob Thomas: The Thousand-Dollar Tan Line

Kindle Edition

Price
$9.99
Publisher
Vintage
Publication Date

Description

Praise for the television series Veronica Mars A Time , Entertainment Weekly , and Salon Best Show of the Year “Nancy Drew meets Philip Marlowe, and the result is pure nitro.” —Stephen King"Best. Show. Ever. Seriously, I've never gotten more wrapped up in a show I wasn't making, and maybe even more than those. . . . These guys know what they're doing on a level that intimidates me. It's the Harry Potter of shows." —Joss Whedon, creator of Buffy and writer/director of Marvel's The Avengers "Classic California film noir. . . . Raymond Chandler in its writing." — The Seattle Times “Sharp wits, steely nerves, and a wicked sense of humor. . . . This is one TV case we don’t want to see closed.”— USA Today “It’s what lies deeper that not only makes the show remarkable but what defines it. Mysteries are its central metaphor; Veronica solves little puzzles because she, like all of us, cannot unravel the bigger ones. . . .xa0Filled with deft, glorious wit.” — Entertainment Weekly --This text refers to the paperback edition. Excerpt. © Reprinted by permission. All rights reserved. CHAPTER TWO xa0 Traffic was already a nightmare by the time Veronica dropped her dad off at home and headed back out toward Mars Invesxadtigations. Spring break had descended on Neptune in all its bacchanalian glory, and even though the worst of it choked the beaches and boardwalks, the party had spread inland, creeping up through the commercial districts and the historic downtown blocks. The drunk and disoriented glutted the bars, restaurants, and shops all over town, even at noon on a Monday. It’d already been going on for more than a week, and it wouldn’t slow up until midxad-April—there were hundreds of colleges within driving distance, each with its own spring break dates. xa0 Veronica glanced in her rearview mirror. Traffic stretched as far as she could see, motionless in the sun. The sidewalks were crawling with undergrads, shouting at their friends, lifting glass bottles in impromptu toasts. Apparently Neptune’s public consumption laws were being selectively enforced. But that was par for the course during the three-xadweek spring break season—money talked in Neptune, and no one heard it louder or clearer than Sheriff Dan Lamb. He spent most of the year chasing “undesirables” (translation: anyone flirting with the poverty line) off the streets, only to turn a blind eye to bingexad-drinking eighteenxad-yearxad-olds descending en masse. xa0 Someone laid on his horn. A girl with feather hair extensions leaned down into the gutter to vomit, then straightened up and kept walking as if nothing had happened. A cluster of bikinixad-clad girls on roller skates tripped laughing across the road while several boys stood on the sidewalk filming them with their cell phones. She sighed and fiddled with the radio dial. She’d let Keith man the stations on the way home and now Blue Öyster Cult blared from the speakers, the cowbell ringing loud and proud. Five hundred stations on this thing and he went straight to 1976. There’s no help for some people. She played idly with the controls, looking for something to pass the time. xa0 “I can tell you one thing: I wouldn’t let my daughter go to Neptune for spring break.” xa0 Veronica paused. She knew that voice right away: Trish Turley, big, blond, and Texan, sounded like an avenging fury cutting across the airwaves. Her TV show ran daily on CNN, and Neptune’s local talk radio streamed the audio. xa0 “I mean, the place is just a pressure cooker of hormones, drugs, and alcohol. Kids these days aren’t taught to respect their own limits. And have you seen the way these girls act?” You could practically see Trish Turley shaking her head in approbation. “All you have to do is look up Neptune in your World Wide Web and you’ll find video upon video of them showing their breasts for free beer. And then we’re shocked when someone gets hurt.” xa0 Ah, the twin pillars of outrage journalism: slut shaming and victim blaming. Trish Turley liked to call herself a “victim’s rights” advocate, but anytime she could turn an eye on the general decay of society (as witnessed through WASPxad-colored glasses), she made sure to cover all the bases. The corruption of youth? Check. Amoral decadence? Check. Missing white girl? Yahtzee. xa0 But even Veronica had to admit that it was disturbing how little difference eighteenxad-yearxad-old Hayley Dewalt’s disappearance had made to the festivities. The news had hit that weekend: Hayley, down with friends from UC Berkeley, had been missing for almost a week. But you’d never have guessed it from the air of celebration hanging over the town. The bass pounded on and the beer still flowed freely. She wasn’t sure what the reaction to one of their own vanishing into thin air should be, but the spring breakers’ blind and blissful determination to carry on as if nothing bad could happen to them surprised even her. She wasn’t sure she’d ever had that invincible, indestructible air, even when she’d been younger. xa0 “And then there’s this Keystone Kop sheriff.” xa0 That caught her attention. She turned the radio up a little. xa0 “This Dan Lamb character? What a joker. Who goes on national TV in the post–Natalee Holloway world to say we shouldn’t worry about a missing teenaged girl? I hope that the Dewalt family has a good lawyer on the books. A lawsuit might just get Lamb’s attention.” xa0 A slow smile spread over Veronica’s face. Trish, Trish, Trish. We have so little in common, and yet suddenly I have a powerful urge to kiss you. She’d been watching Lamb for the past few months, waiting for any opportunity to nail him to the wall—but if he kept this up, he’d do it himself. xa0 The video Veronica had sent to TMZ had started the ball rolling, of course. She’d caught Lamb on tape talking about the Bonnie DeVille murder case, saying, “I don’t care if Logan Echolls ain’t the guy. America thinks he’s guilty and that’s good enough for me.” That little snippet had hit the airwaves hard. Lamb had an election in eight months, and for the first time his reelection was a lessxad-thanxad-sure bet. The town’s wealthiest residents still supported him—Lamb looked after their interests, after all—but his approval ratings had taken a nosedive in the past few months. xa0 “Let’s listen to this guy’s statement when the press finally cornered him Friday afternoon,” Turley continued. xa0 The sound quality changed—wind crackled against a cheap recorder. Sheriff Dan Lamb’s voice was calm, but there was no mistaking the hint of impatience. xa0 “We are definitely on the lookout for Miss Dewalt, but as far as we can tell there’s no evidence of foul play. At this time we are not conducting a criminal investigation, nor are we conducting a missing person search. Look,” he said, his voice rising over the sudden murmur of a crowd. “This happens every year. Kids get separated from their friends. They overindulge, they forget to check in, and everyone panics. Then they turn up a few days later, safe and sound. There’s absolutely no safety problem here in Neptune.” xa0 Some part of Lamb must have realized it was a bad idea to answer questions off the cuff about a missing girl, but he had a pathological inability to turn down media attention. It clearly ran in the family. His brother, Don—who’d been the sheriff when Veronica had been in high school—had been cut from the same cloth. And now Lamb’s sound bites had been playing on repeat through the weekend, making Neptune’s Sheriff’s Department look cavalier and incompetent. xa0 The traffic started to move again. Veronica eased the car forward, narrowly missing two girls who stopped in the middle of the street to light each other’s cigarettes. They both held up their middle fingers in perfect unison. Veronica cheerfully flipped them off in return, then took a right toward Neptune’s Warehouse District. xa0 The redbrick building that housed Mars Investigations had been a brewery at the turn of the twentieth century, but in the past decade it’d been subdivided into lofts and offices. Veronica was still getting used to it—back when she’d worked as her dad’s receptionist in high school, the office had been in a modest commercial district, surrounded by bookstores and Chinese takeout joints. But when the ’09er, an exclusive new nightclub, opened just down the street from their old location, rent had shot through the roof, effectively gentrifying her dad’s onexad-man operation right out of the neighborhood. Rent here was more manageable. xa0 Though if she didn’t land a good case soon, it still wouldn’t be manageable enough. xa0 The Mars Investigations logo—a modified Eye of Providence with horizontal lines across the triangle—hung over the door to the walkxad-up, etched in glass. Veronica climbed the creaking stairs. The place had an oldxad-building smell, dry and dusty and warm. At the top of the landing she pushed through the double doors to the outer office. xa0 The room was neat but shabby. Light streamed through the blinds, falling in long bars across the floor. The walls were a deep taupe shade that took on a brooding tone in the shadows—the color had been picked for its cheapness rather than aesthetic qualities. A thriftxad-store sofa sat beneath the hallway windows, a dusty rubber plant in the corner. Across from their color copier, a fish tank burbled quietly. xa0 Cindy Mackenzie sat at the reception desk, watching Trish Turley on the biggest of the three monitors on her desk. Mac’s short shock of brown hair fell over one eye, and a slouchy gray sweater hung off one narrow shoulder. Veronica and Mac had been friends since their junior year at Neptune High. They’d been drawn together by Mac’s hacking skills, but it was their mutual misanthropy that had sealed the deal. xa0 Mac looked up as Veronica shrugged out of her leather jacket, hanging it on a coat rack by the door. “Morning, boss.” xa0 “Boss?” Veronica widened her eyes. “Did I start paying you?” xa0 “No,” Mac said, her eyes darting back to her screen. “But it’s also not really morning.” xa0 “I think thousands of spring breakers would disagree with you,” Veronica said. xa0 “Touché.” xa0 A few months earlier, Mac had left a secure job at Kane Software to work with Veronica at Mars Investigations. The pay at Kane had been great, but the job itself was a little too bland for a selfxad-proclaimed digital outlaw. Finding new and creative ways to dig up dirt for Veronica’s clients was much more her speed. The title they’d been tossing around had been “technical analyst,” but at this point it seemed mostly philosophical—the caseload had been dry for weeks, and the few gigs they’d had had been completely lowbrow. Cheating spouses, fraudulent insurance claims, duexad-diligence investigations. Things Veronica could easily have managed by herself. xa0 “Did you see Neptune made the news?” Mac nodded at her monitor and turned up the volume. Turley’s enormous hair filled the better part of the screen, a stiff blond bouffant that didn’t budge when she moved. The woman’s eyes blazed as she spoke, enunciating every word with righteous indignation. xa0 “I’d like to encourage anyone who can to donate to the Find Hayley Fund. If this sheriff’s not going to find her, it’s up to us, viewers.” xa0 “The fund is up to nearly four hundred thousand dollars, and it’s only been open a few days,” Mac said. xa0 Veronica whistled. “Well, Trish Turley may be an opportunistic parasite thriving off our broken criminal justice system. But she sure can throw a booster sale.” xa0 She sank down into the threadbare couch and rested her head back against the wall. “Next year, let’s go somewhere for spring break, Mac. Anywhere college kids aren’t puking. Someplace with no booze.” xa0 “Next year, spring break in Tehran. I’m booking it now,” Mac said, not even looking up from her computer. “How’s your dad?” xa0 “Good. The doc says just a few more weeks and he can do some lightxad-duty work. He can’t wait to get back in here.” xa0 “Catastrophic injuries are wasted on some people.” Mac shook her head. “If I’d ruptured every single one of my organs, I’d be milking it for everything it was worth.” xa0 Veronica stared at a long crack that zigzagged like a constellation across the ceiling. She distantly realized she’d have to call the landlord about it. But talking to Sven about the shitty roof would necessitate talking to Sven about the rent, which was three days late. She exhaled loudly and closed her eyes. xa0 “You may have noticed that another Friday has come and gone, and your bank balance is nonetheless unchanged,” she started. xa0 Mac cut her off. “It’s okay, Veronica. I know things have been tight.” xa0 Veronica opened her eyes and smiled weakly. “Mac, I’m so sorry. This isn’t how I imagined any of this.” xa0 “Hey,” Mac said chidingly. “We both knew there was a chance it wouldn’t work. Look, I’ve already started looking around for another paying gig. Just to cover my bills, you know? And I can still come in as, like, a consultant next time you need me.” She gave a lopsided grin. xa0 “Of course, my prices are double for consulting.” xa0 “Of course.” Veronica smiled, but inside she was cringing. It wasn’t just that she was letting Mac down, but on top of that she worried there’d never be another case complicated enough to require Mac’s technical savvy. She’d worked for her dad long enough to know the truth about the PI game—for every highxad-profile case, for every Sherlock-xadlevel puzzle, there were a hundred boring, petty cases. And she was barely scoring the latter. xa0 Was this really what she’d chosen? Over New York, over a corporate law job where she’d be pulling in six figures— before bonus time? Well, at this rate it wouldn’t last much longer. Unless something changed, she’d bring Mars Investigations—and all her father’s work—crashing down around her. xa0 As if on cue, the door swung open. In walked a woman with chestnut curls flaring out from high cheekbones and a light wool suit tailored to fit her ample curves. Her stiletto heels rang sharply against the floor as she strode forward. She moved with heavy, almost sultry grace. Her dark, velvety eyes made a circuit of the room before finally coming to rest on the couch where Veronica sat. xa0 “I’m looking for Keith Mars,” she said. “I need his help.” --This text refers to the paperback edition. Rob Thomas Rob Thomas is the creator of the television series Veronica Mars and the cocreator of the television series Party Down . He lives in Austin with his wife and two children. He hasn’t fully recovered from Ray Allen’s three-pointer in Game 6 of the 2013 NBA Finals. Jennifer Graham Jennifer Graham graduated from Reed College and received her MFA from the University of Texas at Austin. Her short stories have appeared in The Seattle and Zahir . She currently lives in Austin with her husband. --This text refers to the paperback edition. Read more

Features & Highlights

  • From Rob Thomas, the creator of the television series and movie phenomenon
  • Veronica Mars
  • , comes the first book in a thrilling mystery series that picks up where the feature film left off.
  • Ten years after graduating from high school in Neptune, California, Veronica Mars is back in the land of sun, sand, crime, and corruption. She’s traded in her law degree for her old private investigating license, struggling to keep Mars Investigations afloat on the scant cash earned by catching cheating spouses until she can score her first big case. Now it’s spring break, and college students descend on Neptune, transforming the beaches and boardwalks into a frenzied, week-long rave. When a girl disappears from a party, Veronica is called in to investigate. But this is no simple missing person’s case; the house the girl vanished from belongs to a man with serious criminal ties, and soon Veronica is plunged into a dangerous underworld of drugs and organized crime. And when a major break in the investigation has a shocking connection to Veronica’s past, the case hits closer to home than she ever imagined. In
  • Veronica Mars
  • , Rob Thomas has created a groundbreaking female detective who’s part Phillip Marlowe, part Nancy Drew, and all snark. With its sharp plot and clever twists,
  • The Thousand-Dollar Tan Line
  • will keep you guessing until the very last page.

Customer Reviews

Rating Breakdown

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Most Helpful Reviews

✓ Verified Purchase

A Great Continuation of the Series.

Picks almost right up from where the movie left off. Veronica has put back on the private eye hat but the cases aren't exactly piling up, plus her dad, coming off of his physical therapy still isn't thrilled with her career choice.

Neptune is in the middle of its lucrative spring break season when a student is reported missing. The local Chamber of Commerce comes to Veronica to solve the case when Sheriff Lamb is his usual incompetent self. She's in the middle of retracing the missing girl's last known whereabouts (a luxurious, elaborate party thrown every night by mysterious hosts) when a second girl goes missing, a teenager with unexpected ties to Veronica's own past.

The book does a fine job of further exploring Veronica's relationship with her father and her closest friends, her faults and her strengths as investigator and brings to Veronica an opportunity for some unexpected closure to her life. Plus a twisty mystery.

I'm ready for the next book please.
84 people found this helpful
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I feel like the obsessive season 1 VM fanatic again!

As a hardcore Veronica Mars fan that watched the series religiously when it aired (with repeat viewings too many times to count afterwards) and a kickstarter backer, how could I not love it?! I cannot even express what a thrill it is to be brought back to this world. I am still pinching myself in disbelief!

The book was a fun, fast read...maybe too fast. I sure wish it were longer. It felt like being transported back to season 1, except with a more adult feel. The book takes place two and a half months from when the movie ends which initially really disappointed me since naturally I made the (correct) assumption that there would hardly be any Logan in it. Logan is my favorite character in the VM universe so I really felt his absence in this book. There wasn't quite enough to satisfy me, but I soaked up any reference to him and all of his too brief appearances in the book anyway. I was tempted to give the book 4 stars over 5 for this reason alone, but I still just loved it so much and am still on such a VM high so 5 stars it is! Also, I know that a second book will be following so I am holding out all hope that Logan will feature more prominently in the next book.

I found the characterizations and their voices to be spot on. I thought the mystery was fun and compelling. And the surprise appearances in the book and the call backs to the series were awesome. I basically just smiled and felt giddy the whole way through! I have read that some were disappointed that the book was in third person instead of first, but I was not. The third person narrative really worked in my opinion and I did not feel distanced from Veronica in any way as some may have feared. In fact, it still utilizes her first person "voiceovers" by giving us italicized text in the first person. It worked just like the show did since Veronica can't be all knowing and omnipresent so obviously, third person narrative was the best way to go.

I wasn't sure how I would feel about Veronica Mars in book form, but it turns out that I can be just as engrossed and invested in it as I was in the tv show. Sure, I would definitely love more movies and/or a television/netflix series, but I would also be happy with just more books since I enjoyed this one so very much. I just don't ever want to get off the VM train!!! But, please, more Logan! I can forgive this first book, but will be so unbearably sad if the next book (or books, please! would love more than just one more) don't give me more Logan.
49 people found this helpful
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Check it out, Marshmallows, Kristen Bell is the reader for the audiobook

I'm going to assume if you're reading this, you're a fan of the series and you've seen the movie. (Or should I say *first* movie, on the assumption there will be more?) The book picks up a couple of months after the movie left off, with Logan deployed and Veronica having decided to forget about a law career in New York and stay in Neptune to go back to her addiction, PI work.

Keith is still recovering from the serious car crash and there are nothing but crickets for Mac and Veronica at Mars Investigations. But then the Chamber of Commerce hires them to investigate the spring break disappearance of a college girl, since it's become a national cause celèbre, bad for Neptune's businesses, and Sheriff Lamb is clearly not competent to do the job.

Just as in the series and the movie, Veronica dives in, calling on her cadre of friends, like Mac and Wallace, to help out with legwork and the high-level technical stuff. The mystery is on a par with what we're used to, with the added benefit of a major plot twist that Veronica runs into during the investigation and that rocks her back on her heels.

As a book, of course this was somewhat less heavy on the dialog than a film/TV script. That makes sense, but it did mean there wasn't quite as much of that snarky patter that we all love. It's there, definitely, just less of it. The big thing for LoVe 'shippers is that since Logan is deployed, he's not as big a factor as you'd like. But his absence gives Veronica a chance to think hard about all the changes in her life and their implications, and for Veronica and Keith to deal with them.

Although I'd preordered the book, when I found out that the audiobook was read by Kristen Bell, I had to have it. It was like all those nights watching the show, to have Kristen Bell's voice in my ear, reading the story. Of course she's great as herself, but she's surprisingly good at giving voices to all the other characters.

The verdict: It's not a pony, but it's a good gift.
36 people found this helpful
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Sorry Fellow Marshmallows...

First I want to say, I love V.Mars. I love Rob Thomas. I love Kristen Bell. I love the guy who plays Vinny Van Low. I'm a marshmallow. I donated to the Kickstarter campaign and the mug on my desk holding my pens and pencils says Mars Investigations across the front. I think it's amazing that the show's creator & cast care so much about the Veronica Mars franchise, and the fans. And believe me, I feel like jerk admitting this but...I didn't think the movie was that great. It's a sentiment I haven't even wanted to admit to myself, after all it's been 7 years- I think everyone just wants to enjoy this unbelievable comeback! But I'm sorry Marshmallows, I'm breaking rank. Of course, maybe I'm just not used to all of the characters being 7 years older, maybe I should give the movie a break- there's only so much that can be done in 2 hours after all. The book, however, I'm sorry, I can't deny how boring and unsatisfying it was. I'd bet money that the writing process went like this; Rob Thomas outlines story, writes dialogue, co-author fills in the other 90% of the book- and that's exactly what it feels like, filler. And the story (singular)? It's simple, too simple. Veronica Mars the show always had multiple story lines going on; an episode-long mystery, a season-long mystery, Veronica's relationships with her friends, boyfriends, etc. It was never boring. Unfortunately, the same can't be said for this book. I just kept waiting for something to happen, some sign that I was reading a Veronica Mars book (aside from the fact that the her name is on the cover)..unfortunately such a sign never came- it's just a simple mystery about a girl detective, with random Rob Thomas dialogue sprinkled in and random mentions of V.Mars characters, none of which, aside from Veronica and one "surprise" person from her past (which is not as exciting as it sounds, believe me), plays anything more than a token role in book. By the end I was almost glad there wasn't meaningful involvement by beloved characters from the show, it would have just been embarrassing. If you're a true Veronica Mars fan I recommend you stay far away from this book, it'll only bring you down.
20 people found this helpful
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Huge VM fan

Some context: I'm a huuuge fan of Veronica Mars. Watched it when it was on TV, have watched every single episode too many times to count, backed the kickstarter (after going nuts when I first heard about it), then watched the movie in theaters and bought a copy and watched it another five times. I bought this book with the intention of using my money to support the franchise, with the hope that said support would help build the case for another movie (or, preferably, a season on netflix), even though I don't usually buy books (read too much for that to be reasonable).

This book is terrible. It's quite short - finished it in a couple of hours. The mystery was lackluster, and while the writing wasn't 50 shades-cringeworthy, it wasn't great, and there was lots that I didn't buy (including the bits about the person from Veronica's past). Don't waste your money - check this out of the library.
18 people found this helpful
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Great But Where's Veronica's Voice?

I absolutely love the multi-dimensional aspect of the Veronica Mars TV-Movie-book series. It brings together all the different vehicles of storytelling and gives a great well-rounded feel. At least it would if it was all cohesive, but the book drops the first-person storytelling that adds so much character to the Television series and big-picture experience. Why?? It doesn’t even feel like I’m reading about Veronica Mars without her personal narrative. I don’t know--maybe there was something to do with the plot that they couldn’t do that, but it ruins the whole cohesion thing.

The plot is about a chick that winds up missing after a crazy party in Neptune. Veronica is called in and investigates, all the while uncovering a surprising *spoiler* tying her to the incident.

If you’re a VM lover, you will be ecstatic with all the little easter eggs dropped throughout the story (if Rob Thomas is just the name to sell copies, the ghost writer is clearly a devote of the franchise).

All in all, it’s a fun read, but I want Veronica’s soliloquies!
18 people found this helpful
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Great addition to the Veronica Mars canon

As a huge fan of the show, I was giddy with anticipation for this book. I think that, while the movie was harder to follow if you had never seen the show, this book is accessible to anyone interested in a well written mystery. And for fans, you get little tidbits, and even some big tidbits, that will make you happy. However, if you are only interested because of the Logan and Veronica relationship, be warned that this book only has small snippets of them. And most of them are Veronica's feelings and frustration with dealing with a long distance relationship. But there is a whole bunch of Mac and Wallace, and even a couple of faces that didn't make it into the movie. Also, we get the joy of a Dick sighting.

As far as the story goes, I thought it was a well crafted mystery, with twists and turns that kept you guessing right up to the end. Whether you are a fan of the show or not, this book is well worth the read.
15 people found this helpful
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Some Missing Connections: Contains Minor Spoilers to TV Show

I will be the first to admit that I am a diehard Veronica Mars fan. That being said, I went into the book with very high hopes, maybe too high.

Pros
Without giving away any spoilers, it was nice to see some (additional) familiar faces return. Even some that I had considered before to be too minor of characters to appear again in the Veronica universe, somehow made an appearance. It was nice to visit with some old friends.
While not exactly a pro, I didn't mind the third person POV. It gave a nice insight into what specifically Veronica was feeling, with the absence of a voice-over needed to do it.

Cons
My main issues with the book had to do with what some others have already noted--a disconnect between our "screen" and "text" version of Veronica...and Mac. At one point in the text, Veronica is forced to deal with the possibility of carrying a weapon, and we are to believe that she is conflicted about this. I have to say...I didn't buy it. Anyone who saw her pick up *SPOILERS* Cassidy's gun at the end of Season 2 knows that Veronica can handle a weapon competently. Are we supposed to have forgotten that? With her father as a former Sherriff are we really to believe that he would not instruct Veronica in the safety and handling of weapons before she turned 28? (Assuming you had forgotten that?) Second...this Veronica seemed a little more wishy-washy when it came to her relationship with her boyfriend. I've always considered Veronica a character with a soft spot, but frankly, not that soft. (Even as a "marshmallow"). And lastly, Mac. Mac is far too cool to be a receptionist. And Mac...I don't think would be intimidated by any client. Let's be real here. She is now a grown adult. She's dealt with Veronica's shenanigans. She ran a con in high school. Do not take all of the character growth that was given to her in the feature film and return it to nothing.

Don't get me wrong, the book was, for the most part, enjoyable. A little too convoluted in plot, I think, to be adapted into a feature film or a continuation of the television series...yet enjoyable as a stand alone book in the universe.
14 people found this helpful
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Weak, at best.

I desperately wanted to like this. As a continuation of the Mars story line, i was ready to dive head first into it.

But within just a few pages it was so full of errors that I'm not sure how anyone could ignore them.

It was a Beretta planted on Weevil. Not a Glock.

The Car Keith and Sachs was in did NOT explode. Sachs likely died from blunt force trauma, not an explosion. Nor was it a van that hit them.

Keith's injuries, while severe, didn't indicate the brain trauma they're pushing in the book. He did not have trouble speaking when Veronica was in the room with him and his memory certainly didn't appear to be damaged either.

Also, why would Mac just up and quit her job? There's no reason she still couldn't do consulting for Veronica and still have a job, maybe leaving when things got better.

Gia's last name isn't Goodwin either.

Novel tie ins that screw up the facts as we've been given them irk me to no end. Especially when single viewing of the movie could have corrected all of it.

The writing itself was weak... I've read better put together fan fic. I never felt like I was reading these characters I've come to know and love... but some slightly skewed version of them. It felt like the author was just trying too hard. The thing with the series and the movie was that it flowed well... rarely did it feel like either was struggling, specially when it came to dialogue.

Thank God they didn't use this for the movie. I would have been so disappointed.
12 people found this helpful
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Bears almost no relationship to the Veronica Mars of TV

Not only is the tone of this novel not noir, but it isn't true to the Veronica Mars characters either. Set in the post-movie universe, with Logan off on an aircraft carrier for the Navy, the authors missed an opportunity to inject this novel with VM's signature introspection by having her correspond with him. Instead, she says almost nothing about her investigations or what she is feeling, leaving this version of the VM universe flat and unbelievable. The novel instead a jettisons it's strength, the characters, to focus on the weakest part of any VM work -- the mystery plot. Worse, the actual writing is amateurish and more appropriate for a pulp romance, but without the steamy sex scenes. Fans of the VM universe are better off sticking to fan fiction available on the Internet.
10 people found this helpful