Under the Big Black Sun: A Personal History of L.A. Punk
Under the Big Black Sun: A Personal History of L.A. Punk book cover

Under the Big Black Sun: A Personal History of L.A. Punk

Hardcover – April 26, 2016

Price
$46.26
Format
Hardcover
Pages
336
Publisher
Da Capo Press
Publication Date
ISBN-13
978-0306824081
Dimensions
6.25 x 1.25 x 9.25 inches
Weight
1.2 pounds

Description

LA Weekly , 7/28/16 “A collection of essays by a fraternity of key members of L.A.'s early punk scene between 1977 and 1982, before any of them experienced major-label interest and mainstream success…Stories of hardscrabble living, house parties and shambolic shows…Includes loads of photos and vintage gig fliers.” Scanner Zine, 7/25/16 “Each chapter works in its own right, focusing on a specialized area from each writer. As a collection, they create a comprehensive narrative that takes in all of those early LA legends…All of John Doe's pieces read like a noir film; his writing is incredibly stylized, panoramic and informative…This is the most complete and in-depth look at that initial LA Punk scene yet…Doe has collected a group of people who actually know how to write and write with flair…An informative and exciting book…It's deftly written, beautifully presented and makes the reader yearn for a time machine.” Red Dirt Report, 7/25/16 “[In] Under the Big Black Sun , we get a truckload of stories, mixed in with haphazard memories and hilarious situations, set against the angsty punk scene of Greater Los Angeles circa 1977-82, before everything was MTV-ized and sanitized for your protection…Offers a quick, 249-page peek into a scene that was so important to the music that would follow. A bloody good read.” SLUG Magazine , May 2016 “Filled with the rich personal histories from participants of the L.A. punk movement, Under The Big Black Sun shares L.A.'s history with the world…Through these tales, the enticing history of the first-wave era comes alive with each turn of the page…[A] thorough exploration of the ins and outs of the L.A. scene…Well worth the read…An essential collection that explores a punk era that was rich, interesting and above all, unapologetically honest.” Phoenix New Times , 5/6/16 “Chronicles the rough-and-tumble punk jungle of the L.A. underground scene that exploded between 1977 and 1982. Pretty heady stuff.” Ground Control , 5/6/16 “ Under The Big Black Sun breaks tradition and presents a different kind of story in so doing…Like a brilliant mosaic, each piece fits together…In the end, what proves to be the coolest thing about Under The Big Black Sun is the fact that, no matter what tone the author employs for his or her contribution (be it heavy or dark or direct or folksy or sweet or sassy etc.), the tie that binds them all together is how obviously each of them adored their scene and how faithfully they wish to preserve it in this book. That love holds Under The Big Black Sun together and renders it a complete and satisfying read.” Vegas Seven , 6/14/16 “ Under the Big Black Sun captures a bit of a shining moment before mass media took over, where the underground was something you had to dig for.” Austin Chronicle , 6/17/16 “A book as special as the scene it anthologizes.” Waterbury Republican-American , 6/19/16 “All of the familiar names are here, as well as hundreds of bands many readers will wish they could have witnessed in person.” Exclaim.ca, 6/21/16 “Punk rock can save your life, if it doesn't kill you first. That's the notion tying together Under the Big Black Sun: A Personal History of L.A. Punk , a collection of oral histories, war stories and elegies…If it reads like a whirlwind pastiche of different styles and tones, that's because that's the way the scene really was. Besides, there's real delight in reading about the wild and often unstable alliances forged between bands desperate to make it in unforgiving L.A…Valuable for not only giving us a glimpse into what punk rock looked like and sounded like, but also what it felt like.” Music News, 6/20/16 “Chronicles the early years of the frequently bleak and gritty scene through various contributors who were front and center…A brisk read…24 unflinchingly real chapters.” Esquire.com, 4/26/16 “The new book from punk icon John Doe offers a history of the overlooked music scene…For anyone who thinks that punk rock was limited to the famed scenes in London and New York, Under the Big Black Sun offers hard evidence that the L.A. scene was just as important—and perhaps created an even greater, lasting impact…A great story about the underappreciated music that came out of the City of Angels during that golden period of 1977-1982.” The A.V. Club, 4/25/16 “ Under The Big Black Sun opens up L.A.'s punk-rock underbelly…Culled from the personal remembrances of roughly a dozen of the city's most prized punk-rock figures, the book digs deep into the ugly, dangerous, but nonetheless fraternal nature of the burgeoning L.A. punk scene of the late '70s and early '80s. From Hollywood over to East L.A. and south to San Pedro and Huntington Beach, Under The Big Black Sun covers the scene's considerable sprawl, from the sketchy clubs and apartment dwellings to the bands and the drug and booze-fueled chaos that followed them…The dirt dished on the bands and the music is great, but the book wisely casts a wider net to capture broader aspects of early L.A. punk culture…You-had-to-be-there style storytelling.” Praise for Under the Big Black Sun Vogue.com, 2/28/16 “A candid look at one of rock's most exciting scenes.” Publishers Weekly , 4/4/16 “Doe, frontman for X, has gathered the testimonies of punk's progenitors in L.A., a scene only rivaled by those of New York and London for fecundity and influence.” Q Magazine , June 2016 “An excellent dissection of the unique cultural and sexual plurality of the LA scene…Compelling reading.” Library Journal , 4/15/16 “[A] fascinating collection of essays.” Rolling Stone , 5/5/16 “The true story of the Los Angeles punk scene…A set of vivid personal essays…The most artist-centered look yet at a scene that helped define the future of a music whose rallying cry was ‘no future.'” John Evans, co-owner of California's Diesel: A Bookstore, on NPR's All Things Considered , 7/22/16 “A great and generous memoir of L.A. punk.” Booklist , 7/21/16 “An entertaining, firsthand history that should appeal to punk fans everywhere.” Record Collector , May 2016 “A great read for anyone with even a passing interest in the U.S. underground of the time.” Music Aficionado, 5/6/16 “Really takes the reader back to the time punk broke in the L.A.” Lincoln Journal Star , 5/14/16 “Filled with candid, well written pieces…As valuable as a historical record as it is an innovative recounting of the scene.” Bookforum , 5/12/16 “Shin[es] a light on a legendary but largely unexamined corner of the West Coast counterculture…Nostalgic fans of LA punk will learn amazing things.” Chicago Tribune , 5/31/16 “A chronicle of the influential LA punk scene from 1977 to 1982, a first-hand story told by many of the musicians who lived it…The book captures a scruffy and rebellious era where a new breed of musicians flourished in cheap apartments, dive bars and music clubs. It was an underground scene that thrived on word of mouth before the advent of cellphones and the internet. Nearly 40 years on, that heady cultural time continues to influence music and fashion.” San Francisco Chronicle , 6/1/16 “Written with immediacy and brio, the book is suffused with the heady feeling of finding your tribe.” Philadelphia Inquirer , 6/5/16 “The music that emerged from the Los Angeles punk rock scene of the late 1970s and early '80s resisted easy categorization…It's an era skillfully recounted in Under the Big Black Sun .” PopMatters, 4/25/16 “A series of essays in which each voice shines…These aren't Rolling Stone profiles that have been sanitized to protect us from the truth, they're the real conversations that you'd have with this gang if any of them were your friends…The memories, some of them anyway, are here too for us to sort through and feel something akin to being there. What more could we want?” RollingStone.com, 5/10/16 “A welcome diversion from the typical punk history books, which are often narratives or oral histories.” Punk Rock Theory, 5/20/16 “A personal history of LA punk, told by the people who were there…Together they paint a picture of a scene that was ugly, dangerous and came with sketchy clubs and lots of drugs, but where at the same time there was room for friendship, love and big dreams…Paints a surprisingly clear story of what must have been hazy days for all those involved.” Media Mikes, 5/18/16 “Written by X vocalist/bassist John Doe along with help from Tom DeSavia and laundry list of who's who from the late '70s and early '80s L.A. punk scene. For the first time in one place the true story of a scene often overlooked is told in all of its gritty and grimy detail by none other those who experienced it and by those who helped create it. This is not your typical memoir however as this book tells not only of how the scene began and developed but also how it went on to change music forever…John Doe does a great job recounting his stories from this era with vivid detail and truthfulness that make you want to keep turning the page…[A] captivating story…Full of rare photos that by themselves are worth the price of the book…From cover to cover Doe and DeSavia and crew nail it.” Spectrum Culture, 7/7/16 “The West Coast's answer to the seminal New York punk history, Please Kill Me …Help[s] paint a more complete picture of just what it was like to live and create in that climate… Under the Big Black Sun serves as the definitive statement on the richly diverse, unfairly overlooked Los Angeles punk scene.” Blurt Online, 7/1/16 “Did the world really need one more book about Punk Rock?...Yes. Yes, it did...There are bookshelves crammed with tomes about Punk Rock and plenty of those deal with the L.A. punk scene of the late ‘70s. But few are as refreshingly personal as John Doe's Under the Big Black Sun .” San Francisco Book Review, 7/17/16 “Told by those who lived it, those who sparked it, those who thrived there, and those who suffered there, Under the Big Black Sun is as personal a history as you're bound to find, exploring the evolution of punk in all its forms…This is a front row seat to the joy and mayhem…With voices like Jane Wiedlin, Henry Rollins, John Doe, and Exene Cervenka, among many others, this is punk brought to life, ugly and beautiful and vibrant and mean all at once.” Austin American-Statesman , 7/16/16 “Does was wise to get a few different voices in here; it gives Under the Big Black Sun a pleasing emotional heft.” Examiner.com, 5/3/16 “A fascinating, first-person account of professional gigging and groupie-dom in the late 1970s and early ‘80s…Doe's descent into the dark tumult of southern California in the post-Carter years is as seedy and unsterile as it is musically and historically significant…Doe effectively Sharpies an X on our hands for reentry into a world most of us probably never knew, into a labyrinth of alleyways and urine-besotted staircases populated by society's fringe-dwellers—the talented outcasts and intellectuals longing to carve their own niche into the urban fabric…It's all here, really, in its glorious repugnance: The intoxication, self-mutilation and promiscuity, the battered amplifiers and eyeliner, the outrageous exploits in brick-and-mortar meccas that would be shuttered after skinheads and hardcore thugs started yanking fixtures off the restroom walls…In Under the Big Black Sun , punk's unsung forefathers (and mothers) finally have their say their way…and we emerge smelling of cigarette smoke and alcohol, ears ringing.”"While X led the way, the L.A. punk scene had a distinctive voice all its own. With contributions from those who were there, this is a time capsule of music, politics and personal freedom." ― Indie 88 "A juggernaut of reminisces from an eclectic cast of Cali punk characters."― The Observer (UK), "The Best Music Books of 2016" "John Doe anchors this collection of memories from those who survived the L.A. punk scene...It's like listening to a group of friends reminisce." ― Goldmine "A great book."― Billboard.com "John Doe and Tom DeSavia have woven together an enthralling story of the legendary West Coast scene from 1977-1982 by enlisting the voices of people who were there." ― Business Insider Australia "The book is an incredible read, on part with Easy Riders, Raging Bulls, or The Kid Stays In The Picture. But the audio version is sensational, because the essayists who contributed to the book read their own work. If you're a fan of the music and the musicians, I can't oversell how great it is to own both audio and print versions, because the photos in the print version are magnificent."― WilWheaton.net "The book does a fine job of capturing the rebellious spirit of this group of anti-Top Forty radio commandos...Although books of essays that collect the thoughts of various authors are often uneven, somehow this one retains its coherence and sense of identity. Everyone who writes here was part of the scene in one way or another, not simply observers writing from a distance...If you want to learn more about the LA punk scene of the 70s, this is a good place to turn."― Portland Book Review "A wonderful multi-authored book not just about what turned out to be a key time in this music scene but with much wider resonance about invention [and] community."― Manchester Review of Books John Doe , a founding member of groundbreaking punk band X, has recorded eight solo records and as an actor has appeared in over fifty films and television productions. Tom DeSavia is a longtime record and music publishing A&R man based in Los Angeles, California. DeSavia began his music industry career as a journalist.

Features & Highlights

  • Under the Big Black Sun
  • explores the nascent Los Angeles punk rock movement and its evolution to hardcore punk as it's never been told before. Authors John Doe and Tom DeSavia have woven together an enthralling story of the legendary West Coast scene from 1977-1982 by enlisting the voices of people who were there. The book shares chapter-length tales from the authors along with personal essays from famous (and infamous) players in the scene. Additional authors include: Exene Cervenka (X), Henry Rollins (Black Flag), Mike Watt (The Minutemen), Jane Wiedlin and Charlotte Caffey (Go-Go's), Dave Alvin (The Blasters), Chris D. (The Flesh Eaters), Robert Lopez (The Zeros, El Vez), Jack Grisham (T.S.O.L.), Teresa Covarrubias (The Brat), as well as scenesters and journalists Pleasant Gehman, Kristine McKenna, and Chris Morris. Through interstitial commentary, John Doe "narrates" this journey through the land of film noir sunshine, Hollywood back alleys, and suburban sprawl, the place where he met his artistic counterparts Exene, DJ Bonebrake, and Billy Zoom and formed X, the band that became synonymous with, and in many ways defined, L.A. punk.Focusing on punk's evolutionary years,
  • Under the Big Black Sun
  • shares stories of friendship and love, ambition and feuds, grandiose dreams and cultural rage, all combined with the tattered, glossy sheen of pop culture weirdness that epitomized the operations of Hollywood's underbelly. Readers will travel to the clubs that defined the scene, as well as to the street corners, empty lots, apartment complexes, and squats that served as de facto salons for the musicians, artists, and fringe players that hashed out what would become punk rock in Los Angeles.L.A. punk was born from rock 'n' roll, from country and blues and Latin music, the true next step in the evolution of rock 'n' roll music. It was born of art, culture, political, and economic frustration. It spoke of a Los Angeles that existed when regionalism still reigned in the USA. It sounded like Los Angeles.For the first time, the stories and photos from this now-fabled era are presented from those on the front lines. Stories that most have never heard about the art that was born under the big black sun.

Customer Reviews

Rating Breakdown

★★★★★
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Most Helpful Reviews

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Thank You!

Full disclosure: I'm a lifelong X fan. Good, now we've got that out of the way. I purchased both the Kindle edition and the audio book CD. Having been on the fringes of the L.A. punk scene since '82, I've always imagined what I'd missed by not diving in head-first into the scene. Now I know. And I can add more to my "look what you missed" file.

Who better to narrate the world of underappreciated L.A. rock than John Doe? In my opinion, X (John Doe, Exene Cervenka, DJ Bonebrake, Billy Zoom) still haven't received the appropriate amount of accolades they deserve. John Doe and company (Jane Weidlin, Henry Rollins, Exene and many others) provide a unique perspective on a genre only they could comment on. They lived it. And I'm damn glad they lived to tell the tell (so many others did not). This isn't sentimentality, it's remembrances from first-hand participants. The wonderful thing about it all? They were each other's fans. It's gratifying to know that I'm in such good company. Even from the fringes of the fringes. Thank you, John!
53 people found this helpful
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The LA punk scene as it (pretty much) actually happened.

It's hard to be truly objective about this book, since I was a part (though peripherally in a less-popular sub-scene) of its contents. But still, I very much enjoyed the different voices and perspectives of (very) good friends, people that I knew, had perhaps met, or had only heard about, and their take on a time that now seems like a curious dream to me.

John Doe's between-chapter stories paint him as a Rod Serling-like observer and commentator, though unlike Mr. Serling, John and Exene and their merry crew were integral actors in the stories he and the contributors write about. Their recollections are true to the time and spirit of that era, and bring to life a cultural and musical moment that, though it shone brightly (or darkly, depending on your point of view), lasted too briefly before splintering and adsorbing into the larger cultural and musical fundament.

I read it all in one sitting and felt at once nostalgic and melancholy.

It's very good.
19 people found this helpful
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The Unreadable Music

Really lame attempt at a really interesting subject. If you're hoping to read an oral history on the development of punk rock in Los Angeles, keep hoping. This was not a Los Angeles version of "Please Kill Me." It's a bunch of essays by (some) prominent figures in the early Los Angels scene and some essays by the editor. It seems like it may have been the beginnings of an oral history, but that they simply ran out of content and published the accounts as-is. There are some glaring omissions from some still-living elements of that scene, some remarkably short submissions by some noted names, and some long-winded essays from people you've never heard of. It comes off as clunky, repetitive and boring (I get it... The Masque... Darby was a genius... drugs were involved...).

X is one of my favorite bands, but I didn't find this book interesting enough to finish.
14 people found this helpful
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It's a great read and has many good stories

I got this yesterday and read through it last night.It's a great read and has many good stories, well written. It reminded me of the first time that music made me gasp when I was a teenager in a small town after I bought my first X album. Buy it and enjoy ! John O in DC
12 people found this helpful
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Yawn. Another celebration of Hicksville, USA

Yawn. Yet another celebration of Hicksville, USA -- Los Angeles. This collection of pieces by the absolute coolest people at the Van Nuys methadone clinic puts forth the familiar, empty argument that L.A. boasted an important, witty and worthwhile music scene back when punk mattered -- the late '70s and very early '80s. In fact, it was a backwards, dull little scene of terrible music (Xceptions: the Alleycats, the Weirdos, the very wonderful Fibonaccis, and Wall of Doodoo, I mean Voodoo) made by self-important bores like whatsit from the Germs -- revered, naturally, by Doe and the rest -- and other oversize egos that are today household names by dint of the fact that they lived in L.A.. The charmless, ugly city, for some inexplicable reason, holds enormous fascination for those who aren't condemned to live there or those that had their few moment of pseudo-fame and remain there -- like the authors here. In the period the book chronicles, clever bands and great music was being created by and for select groups of imaginative people in San Francisco, New York and London. Typically, Southern California played a role in marketing an arty, witty scene as angry, beer-swilling stupidity with the coming of steroid thugs like Henry Rollins and other football fans posing as artists. Please don't miss my other reviews -- available by clicking "spankytown."
10 people found this helpful
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Too many perspectives.

Hoping it was just from JD's perspective. Wasn't looking for another oral history. Seemed a bit scattered.
10 people found this helpful
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la top ranking

what a great entertaining book from john and friends.makes me long for the days when coming from the whiskey or starwood or wherever I would go hang out at okie dog with my friends and sometimes members of the band we had just seen and be so on a high from the music we had just heard and seen.can hardly wait for the slash book to come out.la is finally getting its long overdo recognition from what a great and life changing scene it was.thank you john exene chris d and everyone involved with this book.well done lads and lasses.
8 people found this helpful
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this book is a great read. Written by some of the most interesting ...

If you are wanting to see the more realistic side of what a young rock band goes through on their climb to the top, this book is a great read. Written by some of the most interesting musical artists from the west coast music scene this series of essays helps paint a wonderfully grimy and often insightful developing music scene. Fun, evocative and often hilarious, this book lets us peek back into our youth and see the music we loved with new eyes. Includes an essay by the great Dave Alvin, (A personal favorite of mine) that lets you know that fitting in and being cool seemed just as alien to the people on stage as it was to the people in the audience. Fun, wild and just great to read. thanks John Doe for putting this together.
7 people found this helpful
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Some of the best LA bands of the time like The Weirdos

I have been looking forward to reading this book. The LA punk scene has been under-represented. Many people were not aware of it until 1981. Most of this multi-faceted book focuses on the golden age of the Masque and the early scene, roughly the years 1976-1981. Hollywood had a glam rock and groupie scene going on in the early part of the 1970s. That soon morphed into the new punk thing when everyone got a leather jacket. In NYC, they had the clubs Max’s Kansas City and CBGBs and a lot of movies and books and documentaries. London had almost too much hype and coverage. London has often been mistaken as the birthplace of punk rock. Los Angeles was always a third city with an equal force of creativity and importance, ahead of San Francisco, Chicago and DC.

Back at the start, LA had the clubs: the Masque, The Whiskey, and The Starwood were all the main locales for the early scene; plus new clubs were opening up all the time. This book pays attention to the Canterbury Hotel, a block away from the Masque, as LA’s dingy answer to the Chelsea Hotel. Most of the scene’s original 100, or “original 200,” it’s not clear who’s card carrying member or not, are people who are no longer with us. For those dozen people or so who are still with us, some have detailed accounts and others have vague memories that seem general. There was a lot of drug and alcohol abuse back then. I am sure some people have blacked out most of the time. I know that I have.

There is an introduction by Billie Joe Armstrong. He’s not from LA and he came along ten years too late. I guess the editors of this book wanted to include a big name to attract the millenials? It turns out that most of people in this book are not from LA and came out west when they were young adults. A third of the book is written by John Doe, so it becomes X-centric. Some of the best LA bands of the time like The Weirdos, The Screamers, and The Alleycats, are there in the background.

The book starts out slow. The intro by Armstrong and the forward by Tom DeSavia are generic punk outlines. Instead I suggest that the reader only recall the first time they heard The Ramones or The Germs. Because these two sections are general reminiscences by music fans. In the first real chapter John Doe remembers playing The Whisky and recalls his first impression of the Masque. Exene Cervenka doesn’t add much with her vague history report. Where are the personal tales? John Doe returns in the next section with an impressionistic piece about living on Genesee Avenue, and banging Lorna Doom of The Germs.

The first part of the book drags. The best part of the book comes next: there are two long chapters by Jane Wiedlin and Pleasant Gehman. Jane Wiedlin talks about growing up in the valley and going to fashion school. She discovers the LA punk scene and moves into the Canterbury Hotel. She reminds us that the Go-Gos started out as a punk band. They were the only band to achieve success and tour internationally. While most of the others turned to heroin. Orange County punks didn’t kill the original scene, heroin did. And lack of any success outside of the scene.

Pleasant Gehman links the original scene with The Germs and The Gun Club: some of the best bands to come out of it. Her view of the LA scene is the most cinematic. Her story about how her friends went to meet the Sex Pistols on tour in the south to lose their virginity was pretty hilarious. The hardcore scene came in and Pleasant went rockabilly.

John Doe has a few more chapters that fill in the blanks. Chris Morris talks about his experiences with working at a movie theater and Slash Magazine. Tom DeSavia focuses on the photographers of punk, the best ones being Ed Colver and Jenny Lens. Robert Lopez talks about growing up in San Diego and being in a teenage punk band. The focus turns on how east LA punk and Latino punk bands became involved with the original movement.

Of course, Henry Rollins chimes in and was a little late to the LA scene. By this point of the book I notice how few original native Los Angeles people are represented here. Henry Rollins doesn’t really add much color to what has been said better before. But it is interesting that he mentions how he was followed by the police and the FBI. The question remains: was punk seen as a threat by the FBI at the time?

Chris D. speaks about his experiences with Slash Magazine. Mike Watt goes on for a few pages about growing up Pedro. John Doe speaks about what is punk and not punk. Charlotte Coffey writes about not being cool and not very punk, but being in the Go-Gos, which were the only band from the original scene to have any success and play stadiums.

There is a lot of anti-OC sentiment in these pages. Most of this is refuted by Jack Grisham of TSOL. TSOL is still one of the current bands still offering their brand of punk today. While many lament the end of punk around 1982, due to the OC invasion, in reality the OC punk scene had been boiling for years. Sandy West of The Runaways was from Huntington Beach. There were backyard house parties with The Crowd and The Outsiders. There was more of a punk uniformity and gang element post 1981 and that was unfortunate. But it’s a little sad when people in the original scene are still trying top be the king of the high school when they are 25.

Whether punk had died or not, one thing was for sure post-punk had started. There was goth, rockabilly, electronic music, ska, and new wave. Most of the old punks had put their cards in the rockabilly/Americana movement. Dave Alvin of the Blasters addresses much of this in his chapter. Kristine McKenna Mourns the death of the scene artfully in her section. John Doe then wraps in up nicely. It’s a compelling read and a fresh looking back on the complicated scene.

The band X had been in two documentaries. Still LA feels under-represented in punk rock retrospectives. There is always New York and London, and Los Angeles is a strong third city, although you might think it’s an equal to DC, Boston, Chicago and San Francisco. Some of the LA bands don’t really seem as punk as we would like them to. They would play with The Knack, 20/20, and The Plimsouls at the Starwood, although no one talks about those bands being punk.

Punk music is at heart a folk movement. Anyone can start a band. The bands become more successful and move on to the bigger mainstream stage, like the Go-Gos, or they stop after one album and become a legend, like The Germs. Lack of success, and money, and experiences on the road, force bands to hang it up after a few years. Or you can change your tune, or start a new band.

Punk didn’t die in 1982. It just got predictable and old. Due to lack of support and recognition, many bands turned to drugs. Heroin in the early 1980s killed the scene. The OC kids didn’t ruin the scene. The scene became ugly and violent overall. Those younger kids of the 1980s didn’t relate to society and older bands that were too cool for school. And musicians heading towards 30 and playing for five or ten years didn’t want to be spit on by a 15 year old with nothing to lose. See you at the Go-Gos farewell concert tour. It will be fun.
6 people found this helpful
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Good, but ...

I love X and most the music this book covers.
My problem with this book is it kind of seems like the same story told from a bunch of different points of view, and while that might appeal to some, I found it a bit repetitive.
That being said there is some really good reading in here. Pleasant Gehman and Jane Wiedlin's chapters were quite interesting.
Others a bit harder to follow, because while they might be good musicians, they are not necessarily writers.
Which brings me to Mike Watt's chapter. Watt is an amazing musician, deserving much respect, but his writing "style" is kind of hard to follow.
I had another book once - since stolen - called "Make The Music Go Bang", that was similar to this book and I enjoyed it more.
Not sure if it is still in print. If you liked "Under The Big Black Sun", find "Make The Music Go Bang".
5 people found this helpful