Troubled Waters
Troubled Waters book cover

Troubled Waters

Hardcover – October 5, 2010

Price
$10.98
Format
Hardcover
Pages
400
Publisher
Ace
Publication Date
ISBN-13
978-0441019236
Dimensions
6.25 x 1.5 x 9 inches
Weight
1.35 pounds

Description

From Publishers Weekly Bestseller Shinn (Quatrain) carries readers away into a vivid new fantasy world where the five elements control everyone's lives. Alone and in shock after the death of her father, Zoe Ardelay is invited to the capital to become the king's fifth wife and create a much needed numerological balance both politically and at court, where the four queens vie to promote their children for the role of heir to the throne. Then Zoe learns she is the new œprime x9d of Lalindar clan, which saves her from the marriage, but thrusts her into a world of dangerous political scheming, secret agendas, and an increasingly risky attraction to royal adviser Darien Serlast. This entertaining and suspenseful story is full of lively characters, and the intriguing new system of magic and politics provides plenty of potential for sequels. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Booklist This coming-of-age story begins with Zoe Ardelay mourning her father and follows her on the road to power as she discovers who she really is and what that might mean to the kingdom. The palace is where she must eventually go, and the court itself could have been taken from any of the scheming and backstabbing courts of Europe in the sixteenth through the eighteenth centuries. There is a complicated love story woven into the main theme, and it also shows Zoe’s growth from a naive young girl into a strong, determined young woman. The world Zoe inhabits is well described, and the idea that the five essential elements rule everyone’s lives is something that has roots in the Western philosophies of the past, though never to the extent that it became a religion. This easy-to-read tale will be enjoyed by readers who like stories with hints of Western European aristocracy and elemental magic, and with a happy ending. --Rebecca Gerber Sharon Shinn is a journalist who works for a trade magazine. Her first novel, The Shapechanger's Wife , was selected byxa0 Locus as the best first fantasy novel of 1995. She has won the William C. Crawford Award for Outstanding New Fantasy Writer, and was twice nominated for the John W. Campbell Award for Best New Writer. A graduate of Northwestern University, she has lived in the Midwest most of her life. Excerpt. © Reprinted by permission. All rights reserved. Chapter One Navarr Ardelay's body was laid to rest in a blazing pyre, as befit a sweela man who owed his allegiance to flame. Zoe stood numbly within the circle of mourners, unable to speak, as she watched her father burn away to ashes. Even as he had wasted away for this past quintile, growing thinner, more frail, uncharacteristically querulous with pain, she hadn't really believed he would die. How could there be a world in which Navarr Ardelay did not exist? She was so cold that not even the leaping flames could chase away her chill; the weak winter sunlight offered no warmth at all. Doman hovered close, his hand always half-outstretched. Zoe wondered if he thought to catch her when she fainted or to yank her back if she attempted to throw herself into the fire. Doman was the unofficial leader of this little village; he made himself responsible for the well-being of every soul in the small cluster of houses, and he had been tireless in his efforts to ease Navarr's passage out of this life. He had even sent to Chialto for surprisingly effective medicines that would soothe pain and keep the mind clear. Navarr had been awake and lucid as recently as two days ago, continuing to dictate to Zoe how he wanted her to distribute his few items of any worth. "Doman must have anything he wants from the house, of course," her father had said late that night. "He will probably choose my desk or fountain." That had caused Zoe to look up in surprise. "But—I want to keep both of those." Navarr had lain back against the pillows, his face thin and drawn, his body weak, but his mind, as always, working working working. "It will be too much trouble to transport them." She was even more surprised. "I'm not going anywhere." His eyes were closed. "Of course you are. It is time you remembered that you are part of your mother's family as well." She had not bothered to answer that because, as soon as he spoke the words, he was asleep again. And because she was too astonished. He spoke of her mother rarely, and her mother's family not at all. He blamed the powerful Lalindar clan for his fall from grace ten years ago, for the long years of exile and poverty. Zoe didn't even know if her grandmother was still alive, and which of her aunts or uncles or cousins would have inherited Christara Lalindar's title and property if the old woman was dead. Not that she cared. She would not be seeking any of them out, even if the unthinkable happened. Even if her father died. She doubted if any of them remembered her more clearly than she remembered them—or thought of her more often. This village was her home now, this house the place where she belonged. She already knew, as her father lay there so quietly, that the tiny house would seem enormous once his spirit had flown it. She did not know how she could possibly fill its entire vast emptiness with her own limp and tired soul. Zoe would have thought her father's body would sustain any flame for a quintile at least—his swift, questing, inexhaustible mind should have been fuel for a nineday all by itself—but in fact the fire began to die down sooner than she would have thought possible. Most of the villagers had lingered for about fifteen minutes and then drifted away, although three women who had been in love with Navarr at various times still stood weeping around the pyre. Zoe herself was prepared to stand here watching until her legs buckled under her, and then she planned to kneel before the fading embers until the world itself ended. But Doman would have none of that. He put his hand on her shoulder, avuncular, insistent. "Come inside now," he said, nudging her away from the circle of stones, back toward the stand of houses. "The fire is almost out. It is time to go in." "Not yet," she said, planting her feet. He turned his free hand palm up. "It has started to rain," he said. So far the drops were thin and misty, hardly an inconvenience, but the pale sunlight had been blocked out by a slowly building mass of heavy gray clouds, and the air felt like it was gathering itself for a tantrum. "Your father would not want you to be drenched in the tears of the world for his sake." Since this was true, she allowed him to turn her away from the pyre and lead her to her small, sad, utterly abandoned house. Together they stepped into the kierten , the tiny room set just inside the door. In great houses, Zoe knew, a kierten might be enormous—a huge, echoing chamber big enough to accommodate fifty people. A kierten was always completely empty; it was a homeowner's way of saying he was so wealthy he could afford to waste space. Poor villagers could not make such a boast, of course, but none of them were so destitute that they did not have a kierten at their front doors. Doman stepped into the main room right behind Zoe, and she glanced swiftly around to see the place through his eyes. She hadn't had much time to clean up the detritus of death, so the room was predictably messy. Bed linens were balled up on the floor, clothes and dishes were scattered across various surfaces, and books and papers were stacked in haphazard piles wherever she had tried to get them out of the way. A faint odor of rotting food drifted in from the only other room in the house—the small narrow kitchen that doubled as Zoe's bedroom. She hadn't had time to take her trash to the composting field for at least four days, perhaps longer. "Would you like me to send Miela over to help you?" Doman asked. "You know she is a reasonably organized woman." It was a small joke, but Zoe found herself incapable of smiling. Doman's wife was magnificently capable. She had raised ten children and served as a great maternal presence to everyone in the village, even Zoe's father, who had been the last man in the world in need of mothering. "Thank you, no," Zoe said, speaking with an effort. "If I have something to occupy my hands, perhaps my heart won't hurt quite so much." "You must come and spend the night with us, of course," he said. Zoe shook her head. "No. Thank you, but no." "Then Miela will come here to sleep." She shook her head again, but it was reflex. She knew if Doman decided she should not be alone tonight, one way or the other, she would not be alone. Doman was all hunti , all wood, stubborn and immovable. It did not matter how much you leaned against Doman, how many burdens you piled on him; he would not change and he would not break. The rain had started to fall with a bleak and heavy steadiness; it was the kind of rain that could go on for days. Even less light spilled in through the small, high windows of frosted glass, so Zoe stepped over a pile of soiled clothing to light a lamp. Instantly the clutter of the room was even more visible. She made an indeterminate gesture to indicate the whole room. "My father wanted you to pick something to remember him by," she said. "Anything in the entire house." It was a common enough tradition, a way for the living to remember the dead. Doman must have realized that he had been given the supreme honor of being the first to choose among Navarr's possessions, for he nodded once, suitably solemn. He was a tall man, thin and sinewy, with brown-bark skin and thick gray hair, and the colorful overrobe he had worn to the funeral made him look like some kind of oracle. "I am happy to bring a piece of Navarr Ardelay into my own home," Doman said. "But I wouldn't want to take anything that you held especially dear." "The things I want to keep I have already moved into my room," she said. "Take what you like." Doman glanced at the carved desk—a huge, ungainly piece of furniture, bought five years ago from a peddler selling a strange assortment of quality merchandise from the back of his wagon. Next he studied the bronze fountain, a miniature replica of the one that played in the kierten of the royal palace. But then he stepped toward the back wall and pointed at the three pieces hanging over the rumpled bed. "I would take the random blessings, if you could stand the loss," he said. For the first time in four days, Zoe almost smiled. "Doman," she said. "Your trait is wood. And you covet the blessings of a man of fire?" He indicated the first item hanging on the wall. It was a square of hammered copper, perhaps five by five inches, with the symbol for courage embossed in it from behind. He had no trouble summoning a smile. "That is a blessing that should fall on a hunti man," he said. "True enough," she said. "And endurance is a blessing for a torz woman, and Miela is certainly that," Doman added. The symbol for endurance was the most beautiful of the three blessings, embroidered in shades of blue on a crisp white background and contained in a frame of carved wood. "Yes, I know Miela has always liked that piece," Zoe said. Doman gestured at the third blessing, a stylized symbol vividly painted onto a long narrow bolt of stretched canvas. "And who could not use triumph in his life?" he asked. "I shall be the envy of everyone in the village." Triumph was the rarest of the extraordinary blessings—everyone knew that—and Navarr had always considered it exquisitely ironic that it had been one of the gifts bestowed upon him at birth. Or perhaps the irony had only become clear to him during those last ten years of his life. Certainly, when he was younger, when he lived in Chialto and had the ear of King Vernon, he had been considered one of the most successful men of his generation. Maybe different blessings exerted their power at different points in a person's life, Zoe thought. Triumph had governed Navarr's existence for twenty or thirty years, but it had given way to endurance at the end. Zoe supposed that there had been times during his political career when her father had displayed great courage; thus, in their way, as they always did, the three blessings had proved themselves to be true. "I will be happy to think his blessings are now blessing you," Zoe said formally. Doman turned to give her a sober inspection. "Although perhaps I should leave them behind to nurture you instead," he replied. Zoe shook her head. "I will draw strength from my own blessings," she said, extending her left hand and giving a slight shake to the silver bracelet that held three charms. "Beauty, love, and power," Doman said, for of course he had seen the blessings dangling from her wrist every day of the past ten years. "At least one has been true your whole life. Love and power will surely come." "Surely," Zoe echoed, though she had never believed it. In fact, she knew the first blessing wasn't true, either. She was tall, thin, and serious, with straight black hair, fierce black eyes, and faintly olive skin that quickly tanned dark in the early days of summer. If she had had to pick an elay trait that described her, she thought she would have claimed honor instead. But no one had any say in their own random blessings. "When shall I send Miela to come help you?" Doman asked. Zoe glanced around the room, at the piles of clothes and papers and general disarray. For a moment she could not imagine how the whole mess could be reorganized into something tidy and respectable and bearable . She could not imagine how to restructure the house into a place she could live in without her father. "I don't know," she said, suddenly too weary to stand. "Later. An hour or two from now. I have to lie down. I have to sleep. Maybe it will all make sense when I wake up." Doman crossed to her side and kissed her very gently on her forehead. "Perhaps not today when you wake up," he said. "And perhaps not tomorrow. But soon enough you will heal. It is the way of the world." As soon as Doman was gone, Zoe curled up on her mat in the kitchen, but despite her exhaustion she remained awake for a long time. Idly, she played with the charms on her bracelet, fingering them one by one. She had always thought there could hardly have been three blessings that suited her less, but she cherished them anyway. Mostly because she loved the tale of how her father had sought them out, inebriated with happiness. He had been so excited at her birth—so the story went—that he could barely wait for her to be five hours old before he rushed out into the crowded streets of Chialto, looking for likely strangers to bestow blessings on his newborn daughter. She had come squalling into the world shortly after midnight, so it was scarcely dawn when the clock struck that fifth hour, and the only people patrolling the street at that time were late drunks, early servants, and women who sold their favors. He had excitedly begged a token from someone in each category. The cheerful, dizzy man, who had just stepped out of a tavern, fished in his pocket and pulled out a cheap blessing coin stamped with beauty. "It's the only kind I carry," he confided with a smile. "Every girl deserves to be beautiful." The servant, a rushed and unsmiling woman of exceeding plainness, had dutifully stopped and dug through her bag and come up with a bent and dingy coin that held the glyph for love. "We can go to a temple if that's not one you like," she'd said, but Navarr had been delighted to think that his tiny little girl would receive so great a gift. It was the prostitute, weary and young, who had fulfilled her role in the traditional way, accompanying Navarr to the nearest temple, where he paid the tithe for both of them to enter. They didn't waste time sitting in one of the five pews, inhaling the incense-heavy air and meditating themselves back into a state of balance. They just stepped up to the big, heavy barrel in the middle of the chamber and plunged their hands deep into its rich bounty of coins. The prostitute had pulled up a token first. "One for your daughter," she said, and dropped it into Navarr's hand. "Power," he had said, when he had identified the symbol by the murky light. He'd laughed. "It seems like such a heavy blessing for such a tiny creature!" "Maybe it will suit her better when she is my age, or yours," she'd replied. She dipped into the barrel again, not as deeply this time, and pulled up a second token. "And one for me," she said. Her voice was wistful when she added, "Wealth. That would be nice." Navarr pressed a few quint-golds into her hand. Random blessings were supposed to be freely given, and most people refused payment for the service, but this girl quickly pocketed her bounty. "Did you pull a coin for yourself?" she wanted to know. He nodded and showed her. "Change," he said. It was a coru trait. "Is your daughter born to a woman of blood, then?" she asked. He was laughing again. "Yes, but this blessing is for me, I fear," he said. "An infant in the house changes everything, don't you think? I have been told that my life will never be the same." "I hope you come to love her," the prostitute had said. "I already do." Zoe had heard this story so often she could recite it along with her father by the time she was five years old. Her mother had never seemed quite as amused by the part where Navarr and a woman of the streets searched the city together for a temple, but that was the point of random blessings: You were not supposed to show caution or discrimination about the people you approached. You were supposed to rely on the people who had been sent to you by the unchoreographed currents of the universe. You were supposed to understand that wisdom could be imparted by anyone, no matter how unexpected, that everyone had a gift to bestow. Zoe squirmed on her mat and turned over to try for a more comfortable position. Everyone had a gift to bestow; everyone had a lifespan to complete; the world would change whether you wished it to or not. These were among the immutable truths that she could not alter by weeping. She closed her eyes and finally managed to summon a haunted and unsatisfactory sleep. It was still raining a couple of hours later when Zoe woke up. As a woman born to a coru mother, the trait of blood and water, Zoe had always liked rain. She loved its many moods—from gentle and romantic to wild and unrestrained—and she loved the fresh, newly washed scent it always left behind. As a practical matter, rain was a welcome visitor here in the village, refilling cisterns and replenishing underground aquifers. Zoe was not the only one who loved the rain. She pushed herself to her feet and then stood there a moment, trying to decide what to do. Caring for her father had taken up almost every waking moment for the past quintile, especially during the final days of his illness. What would she do now that she did not need to make his food, coax him to eat, and clean away the messes his body produced? Who would she speak to, now that that great restless mind had shut down? What purpose could she have to go on living? Foolish thoughts. Her father would be distressed to think she considered her own existence so dependent on his. Zoe shook her head and forced herself to look around. The kitchen was a mess. A long room with the cooking hearth tucked into the far right corner, it was so narrow that two people could barely pass each other to work. Next to the hearth were clustered all the implements used for cooking—the baking stones, the baskets and sealed crocks of ingredients, the pans and dishes. Near the far left corner of the room, Zoe had hung a gauzy purple curtain to create her own small private space. It held little more than a sleeping mat, a trunk of clothes, and a few useless but beloved treasures. Now the mat was a tangle of bedsheets and discarded tunics Zoe had been too busy to wash. The kitchen held piles of dirty dishes and scraps of forgotten food. The floor had not been swept clean for days. There was no purpose to Zoe's life, not now, but at least she could put it back into some kind of order. So for the next two hours she began the slow, methodical repair of the small house. She made a pile of all the items that needed washing; she put fresh linens on her own bed, which would be used again, and her father's, which would not. She brought in a bucket of rainwater and scrubbed the kitchen, cleaned the dishes, wiped the floors, and even freshened up the kierten . She made the place habitable again, but it was hardly a home. It was still raining at nightfall when Miela stepped in, careful not to track in mud. "I've cooked dinner and made up a bed for you in my daughter's old room," Miela said. The consummate tactician, Miela never bothered asking you to accede to her plans; she just told you what to do next. "Bring your nightclothes and come with me now." So Zoe stuffed a few items in a bag and obediently followed Miela out into the wet night. Only when she felt the drops on her face did she realize she had been crying all afternoon. The tears were hot on her cheeks, but the rain was cool; it did not wash away any of her grief, only gave it a different temperature against her skin. Miela worked with Zoe for the next two days to clean out the house. Zoe felt sometimes like a spinning doll set in motion by someone else's hand. If Miela had not been there to animate her, Zoe thought she might not have moved at all. Grief shrouded her thoughts and muffled her mind. She felt utterly blank. She could not even summon the energy to consider how long this state would last. Miela, by contrast, was a bundle of competent bustle. A large woman, with broad hands and a wild aureole of curly gray hair, Miela projected calm and purpose, and both were equally soothing. At the same time, Miela kept up a steady stream of conversation that helped Zoe tether her consciousness to the physical world. Miela never asked Zoe for an opinion, she simply stated her decisions. "You will not need all these clothes of your father's, so we will just set aside a few pieces for you to keep, and the rest we will give away…; Once you are living here by yourself, you will want to rearrange the furniture. I will have Doman and one of my sons move the desk, and you'll see how everything is opened up. You will move out of that corner in the kitchen. That will become a place for storage…; Perhaps we will buy you fabric and you can begin to sew. You have some skill with a needle, I think, or you would if you practiced enough." Implicit in Miela's words was the notion of a future, which would require Zoe to think, to act, to support herself. Zoe couldn't imagine it, but she didn't have the strength to protest. "My cousin's neighbor's son, he's about your age," Miela went on, neatly folding a pile of Navarr's trousers. "He has a house that's way too big for a man alone! Doman and I will invite him for dinner one night and you can see if you like him." Miela had tried more than once to pair Zoe with some young man to whom she had a remote connection, but Zoe had never been much interested. Despite the love charm hanging from her bracelet, Zoe had never believed marriage and a settled existence were in her future. After a lifetime of conversation with her brilliant, erratic father, she could not imagine being satisfied with a simple man's dull observations on crops and the weather, no matter how kindhearted he was or how ambitious. So perhaps she should consider becoming a professional seamstress, after all. She should start thinking about what activities would inform the rest of her life. "And there's a man in the next village, his wife died a year ago," Miela went on. "Older than you, but you might like that. You've never really been a young girl, even when you first arrived here. You were wise as an old woman even when you were thirteen. So maybe a mature man would suit you better." Zoe didn't answer and Miela opened her mouth to make another observation. Then she paused and turned toward the door as if listening to someone step into the kierten . At first, all Zoe heard was the endless thrumming of the rain, but then she caught the foreign noises above that familiar sound—heavy wheels, creaking wood, raised voices. "A trader's caravan, traveling in this kind of weather?" Miela asked. "I'd have expected them to stay safe and dry in whatever town they'd found last. Let's go see what they have to offer." She started toward the door, then stopped to look around appraisingly. "If they're looking for a place to bed down, this would not be a bad room to offer them," she said. "You could ask for a little extra coin if you made a meal for them as well. The back of a wagon gets mighty soggy in wet weather." Zoe found the strength to protest. "I don't want a lot of strangers sleeping in my house." "It might do you good," Miela said. "Give you something else to think about." Zoe followed her through the kierten and out the front door, still protesting, but silently by now. If Miela thought Zoe should act as innkeeper for a group of itinerant merchants, innkeeper she would surely become. But once they stepped outside into the chilly drizzle, it was clear this was no peddler's wagon come to seek shelter for the night. All the inhabitants of the village had spilled out of their huts to stand in a ragged circle, staring at the vehicle that had arrived. It was the length of two ordinary wagons, made of a painted, polished wood that would not be out of place inside the king's courtyard, and its six wheels were enormous. Windows set into the polished walls were covered with painted blue shutters, shut against the rain just now. At the front of the vehicle, where an ordinary wagon would have a bench for the driver and a hitch for a team of horses, there was only a small, enclosed chamber. Two men sat inside it, looking out through panels of glass. There were no horses. It was impossible to imagine what had powered the conveyance down the roads. Or perhaps not. A faint unfamiliar odor emanated from the front of the vehicle, and a thin line of white smoke drifted between the small enclosed section and the huge back portion. Zoe's father had loved to read reports of inventions being tested in Chialto, and he had been fascinated by the self-propelled vehicles that were fueled by compressed gasses. Surely this contraption was one of those. "Why don't they come out and tell us why they're here?" Miela murmured to Zoe as they all stared at the two men sitting in their enclosed bubble. The men stared back but made no move to disembark. Zoe was watching the central panel of the larger cabin, where a door opened up and folded downward, so that its top edge rested on the ground. A shallow set of steps marched down the lowered door, and down this makeshift stairway a man slowly descended. He was a little more than medium height, with black hair cropped very tight to control a renegade curl. His face was long, thin, and pale; his eyes were a sharp and restless gray. Everything he wore was black—leather shoes, silk trousers, silk tunic, and an unadorned wool overrobe that swept all the way to his ankles. He looked like a walking manifestation of wealth and power. He set his expensively shod foot into the mud of the road without seeming to notice, and his expressive eyes flicked from face to face. Zoe, still a pace behind Miela, instinctively drew back to conceal herself behind the other woman's ample form. Everyone else stood utterly motionless, utterly silent. After considering the villagers for a moment, the man headed directly toward Doman. Zoe was impressed. That quickly he had assessed his entire audience and determined who might speak for the group. He said, "My name is Darien Serlast, and I am looking for someone I believe lives in your village." At the name Serlast , Zoe caught her breath. There were five great families in the country of Welce—powerful clans that for generations had amassed wealth, consolidated property, and advised royalty. Depending on the generation, depending on the king, different clusters of the Five Families had risen to greater prominence or fallen to disgrace. The Serlasts—all of them hunti , all of them unyielding as wood and bone—had been among the favorites of the current king since before Zoe and her father fled Chialto. The only person a Serlast could possibly be looking for was Navarr Ardelay. "Too late," Zoe whispered, so quietly not even Miela could hear. "He is already dead." He could no longer be forgiven and reinstated, or condemned and executed. He was safe from the king's wrath, out of reach of the king's remorse. Doman nodded gravely. He did not seem at all discomposed by the elegant visitor; he wore his usual somber dignity without unease. "Who are you looking for?" Zoe braced herself to hear her father's name, and so she did not immediately recognize the name Darien Serlast actually spoke. "Zoe Ardelay." Slowly, as if she moved through a medium as sticky as mud, Miela turned to stare at Zoe. She even took a step sideways, so Zoe was no longer hidden by her body. Just as slowly, all the other villagers shifted in her direction, their eyes wide and blank, their faces slack. Only Doman did not bother to turn in her direction, but instead kept his gaze on the stranger's face. "What do you want with her?" Doman asked. Darien Serlast's restless gray eyes had noted where the crowd was staring, and now he too was focused on Zoe, standing alone and frozen in the muddy road. There was nothing at all to be read on his narrow face. "I must take her back to Chialto with me," he said, "so she can marry the king." Read more

Features & Highlights

  • The author of the Twelve Hours series welcomes readers to a new fantasy world, where the elements rule.
  • Zoe Ardelay receives astonishing and unwelcome news: she has been chosen to become the king's fifth wife. Forced to go to the royal city, she manages to slip away and hide on the shores of the mighty river. It's there that Zoe realizes she is a coru prime ruled by the elemental sign of water. She must return to the palace, not as an unwilling bride for the king, but a woman with power in her own right. But as Zoe unlocks more of the mysteries of her blood—and the secrets of the royal family—she must decide how to use her great power to rise above the deceptions and intrigue of the royal court.

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Most Helpful Reviews

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An Excellent Beginning to a New Series

I'm a big Sharon Shinn fan, and this newest novel does not disappoint! Zoe Ardelay has been living in exile with her father since she was 13, and as the novel opens he has just passed away and a royal messenger arrives to bring her to the royal city and marry the king. In the new world of Welce that Shinn has created, there are 5 "traits" that must be in balance, and Zoe is of high birth and possesses the blood/water trait that is needed at the palace. As any reader of Shinn knows, though, her heroines rarely do exactly what they're supposed to. Zoe escapes from her escort and finds her own way once they reach the royal city, supporting herself while she figures out what she wants to do with the rest of her life. As is par for the course with Shinn, too, there is a love story arc woven in, though it is not the primary focus of the book. Zoe has to find her place as an aristocrat in this society, and unravel the mystery of why her father was banished and her mothers family cut all ties with her. (Or did they...)

While fans of the Twelve Houses series will find echoes of the same courtly intrigue and politicking, and while the world Zoe lives in reminded me quite a bit of the world of the Safekeepers Secret series (Shinn's lovely Young Adult trilogy), and even while Zoe herself brings to mind the contrariness of Tamar in "The Alleluia Files," the book is entirely separate from all of these. Rather than reading as a rehash of earlier work, it comes off as the best of Shinn's repertoire; she has really hit her stride.

One of my favorite parts of her novels has always been the background culture on which she structures her
storylines (the Gloria in the Samaria series, the solstice gatherings in the Safekeepers Secret series) and the in-depth background of this world is particularly charming--there are 'blessings' by which people guide their lives. Each child receives three blessings at birth that remain with them, while at any time one can visit a temple to pick a random blessing that is thought to give them divine guidance pertaining to thier lives at the moment. This is utilized in the novel both by showing how Zoe's life is shaped by her birth blessing of Power, and by her consultations periodically of the random temple blessings, but her blood/water trait (called Coru in the novel) leaves plenty of room for subsequent books pursuing other characters with different primary traits.

Bottom line: while some previous work has felt a little rushed ("Reader and Raelynx" struck me that way), this is a great stand-alone novel that also gives the reader hope for several new novels in this fascinating world.
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Wooden Characters and Contrived Plot

I went into this book with high hopes as I like quite a bit of Sharon Shinn's work and enjoy fantasy novels with less war games and more political intrigue. However, I was really disappointed in this book and can only hope that if others follow, Shinn actually tries to develop her characters.

I won't go into the plot too much, as it has already been dissected a dozen times. I will say, however, that the characters Shinn chose to act out this often-written storyline - someone (a poor, common, or outsider someone) is brought to the court as an heir/a wife/a person of great power - were wooden and two-dimensional. I felt that there was little effort put into trying to develop any of the characters beyond stock stereotypes. Each of the king's wives was a caricature - almost as if you propped up some of Henry VIII's wives and exaggerated them. The main character was given to ridiculous bouts of temper, which ultimately offered resolution at the novel's end. And this was such a slipshod way to handle the story (honestly, how could Zoe's irrational - if not entirely unwarranted - lashing out been allowed at any court?) - as well as improbable. Also, the romance seemed contrived and, personally, I cared little for Darien.

However, this novel's saving grace and the reason, I believe, that it has garnered so many stars and the reason why I would read a sequel, is that the world Shinn has developed is quite intricate and interesting. Her religion has been well thought out, is believable and tangible. I liked the kingdom, and I even enjoyed the backstory. I feel that the problem with Troubled Waters is that it relied so heavily on the surrounding world that the characters and storyline were never fully developed. Hopefully, subsequent novels will have more ingenuity in their characters and plots.
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Not quite as good as Mystics and Riders series

Some of my favorite fantasy novels were the Mystics and Riders series. And I was expecting a lot from Troubled Waters, because Sharon Shinn created such realistic and engaging characters in that series, with plots that were both character and action driven. In Troubled Waters, I felt that the main character was hard to relate to. The decisions that Zoe made didn't seem consistent (even given that her character, governed by water, was supposed to be changeable). Zoe felt contrived to me. Also, although there was much detailed description, the story didn't come alive. It seem a lot of the author's focus was to develop the underpinnings of the world she was creating in this series (I'm assuming it will be a series). On the plus side, the concepts of the novel were extremely interesting. There are many fine characters, and a rich world in which to spin new plots. I can imagine the next book could be amazingly engaging and entertaining.
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Audio version

Zoe Ardelay and her father, once the king's closest advisor, have been in exile for ten years. After her father dies, the king's new advisor, Darien Serlast, shows up in Zoe's village to escort her back to court because she's been chosen to be the king's fifth wife. At first Zoe is numb with grief and shock, but by the time they reach the capital city her "water" personality asserts itself and she begins to flow around the obstacles in her way -- obstacles such as Darien himself, a man of "wood" who's strong, stubborn, and immovable.

Filled with vivid characters, beautiful scenery, sweet friendships, surprising destinies, political intrigue, mystery, a slow satisfying romance, and an interesting take on personality types, Troubled Waters by Sharon Shinn is a book that just feels good. I listened to the audio version produced by Audible Frontiers and read by Jennifer Van Dyck. It was 14 hours long, but I enjoyed it so much that I finished it over a weekend, which kind of annoyed my family. I even considered trying to extract myself from a couple of social engagements so I could spend time with Zoe instead.

Troubled Waters is definitely a romance -- and some of the verbal sparring felt a bit contrived, as if set up just to create that tension -- yet mostly the romance brews in the background as Zoe navigates her way through her changed world. Some readers won't believe in the romance, and others might feel that things work out too easily for Zoe, but I enjoyed this low-stress novel. It features a strong and likable heroine, a love-interest who's my kind of guy, a diverse supporting cast, a leisurely pace, and it focuses on a variety of human relationships. It is likely to appeal mostly to women.

Troubled Waters can be read as a satisfying stand-alone story, but there may be more books to come. If so, I'll definitely be picking them up. Meanwhile, I'll be trying out some more novels by Sharon Shinn.
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A Strictly Functional Story

It's sad really, from the beginning you can tell the Shinn put a lot of work into building the world for this story and that's one thing she did quite well. She introduced some very intriguing concepts and at first glance I thought I would thoroughly enjoy this read, I love a story with a well built and well thought out world. Unfortunately it falls short of the mark in every other way.

For me, the characters are the real draw in any story. I can enjoy a plot driven story, but I can't be thoroughly entertained by one. Shinn's characters are all substance and little depth, hollow pieces of machinery used to propel the plot onwards. You aren't given the chance to come to know these people, you're told exactly who these people are immediately after being introduced to them (this swiftly becomes an obnoxious and pervasive issue). So, there is no organic growth of like or dislike for characters as you would hope for in any story. This is a huge problem.

The only character you're given the chance to get to know on any sort of level is the protagonist, Zoe. And unfortunately, she's a largely conflicted character. I understand that Shinn was trying to give Zoe a personality befitting the element of water, ever-changing, and conceptually it is an intriguing prospect, but it was poorly executed. Instead of having a charming and natural feel she's just all over the place and it makes for a disjointed experience. She comes off as very logical, but the author wants you to think she's emotional, but the only time emotion really comes into play is when it's needed for plot progression, specifically when she manifests new aspects of her power.

On the whole, the prose and dialog are mechanical, that is to say functional but emotionless. There is no life in the words. Like a computer generated voice reading sentences you type, the words make connections, you understand them, but there is no feeling, it's utterly lifeless. The dialog is horribly distant, and at first you feel like this is because the characters don't know each other, but it never changes. Even near the end everything said just feels hollow, said to come to the outcome Shinn wants and nothing more. The only time you get that natural conversational feeling is during the arguments between Zoe and the love interest, but only just.

The romance, like everything else, is flat and uninspiring. Don't get me wrong, I don't expect her to be swooning over the man's every word, but I DO expect something more than I received. You can immediately see that a romance will blossom from the first conversation Zoe and Darian have, but it goes from being a bud to being a flower, skipping the blossoming outright. It's a distant combative sort of relationship that is usually entertaining and playful (it's not) and then it's kissing and talk of something more with no real emotional evidence that either character FEELS anything for one another, aside from what you're told.

My main gripe is the fact that instead of being SHOWN anything of value, you are TOLD. Instead of "she dabbed at the sweat at her brow and went back to fanning herself with her hand, watching as people passed by the storefront without even a glance at the splendid ready-made shoes on display." or something along that vein, you get "it's hot, because it's summer and the store is empty because no one wants shoes" (okay it's not THAT bland, but after reading the entire book it might as well be).

I don't mean to be so critical, and focusing solely on the bad, but there is little good outside the fascinating world Shinn establishes and expands as you read. The question slash analogy that comes to mind is "what is the difference between a robot and a cyborg?". Well, a robot is purely mechanical, an imitation of life designed to complete a certain function or functions. A cyborg isn't just mechanical, it's a combination of the organic and the mechanical, it has life! This story, simply, does not.
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Superb new world, less compelling main characters

In "Troubled Waters," acclaimed fantasy author Sharon Shinn introduces a new world, Welce, an intriguing place in which people are governed by the type of natures they have (water, wood, air, fire, earth and air) and the blessings they are given.

Zoe Ardelay and her father have been living in quiet exile. As she mourns her father's death, she receives a surprising visitor. The last thing she wants is a royal envoy, come to bring her to the capital so she can become the king's fifth wife! Yet, after consideration, she agrees to go. During the journey, she manages to separate herself from her escort, only to discover that she is the newest Coru (or water) Prime.

The world-building is first rate. The entire notion of a person being driven by their nature and blessings is very intriguing and it is clear that Ms. Shinn put a great deal of thought into this. The cultural norms are interesting as well - the kierten, for instance, or the king having multiple wives, or the various celebrations and commemorations.

Unfortunately, from my perspective (others may disagree), the characters were not as compelling and the romance even less so. Zoe is a strong and intriguing character, yet, at time, acted extremely rashly. Ms. Shinn may have done this to show her capricious coru nature, but, in my estimation, she went too far, depicting Zoe as careless and foolish. It was also fairly inconceivable that the other Primes would turn Zoe loose without a basic grounding in the limitations and rules surrounding their role - as it was, it seemed incredibly irresponsible. I also found the romance completely unbelievable. I realize opposites attract, but the two most involved parties seemed to have no common ground whatsoever. I also found Zoe's blithe acceptance of something that was a deal-breaker really inconsistent.

I'll probably read future volumes of this series, to see if I like them better, but will not purchase this book, even in paperback - although there is a lot to like about his new series. I look forward to reading ones that feature charaters whose natures are more staid and consistent.
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Review of Troubled Waters

I love Sharon Shinn. This book is exactly why I love her. The religious system (not overpowering, but perfect) was a bit hard to get at first and I spent some time flipping back to the chart at the start of the book, but it wasn't overwhelming either. The word-building was convincing and fun to explore, characters were filled with spirit, were likeable (or unlikeable depending on who they were) and the storyline built and developed more tension as the book progressed. All that means.. one solid read from Sharon Shinn.

Zoe is a daughter of a fire (sweela) man and a water (coru) woman. Fire and water don't normally mix, but they mix well in Zoe, possessed of spirit filled with fire and a love of change, like shifting water. Her story starts simply, the death of a loved one, the life of an exile - but then something extraordinary happens to this ordinary girl ... the king chooses her to be his fifth wife. And off the story goes.

Filled with twists and turns, a touch of romance and quite a bit of excitement this is one of the most fun fantasy books I've picked up this year.
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Woman of Water and Blood

Troubled Water (2010) is the first Fantasy novel in the Elemental Blessings series. It is set in the Kingdom of Welce, with the capital at Chialto. Although the King reigns, the Five Families govern most of the nation. Each Family has a Prime as its head.

The five Primes are the most powerful embodiments of the elay, hunti, sweela, coru, and torz traits. Each trait includes eight blessings. The Extraordinary Blessings -- synthesis, triumph and time -- are rare and are not incorporated within the five traits.

Blessing houses are maintained by priests in every town and city within Welce. They are supported by tithes paid by those seeking blessing coins. Each child is presented with three random blessing coins when they reach five years of age. Afterwards, they can draw more coins from the blessing houses to guide their lives.

In this novel, Zoe Ardelay is a coru and the daughter of Navarr. She is now twenty-three years old. Her mother Alieta died more than twelve years ago. Her random blessings are beauty, love and power.

Navarr Ardelay is a sweela and the father of Zoe. He had been an advisor to the King, but fell from power ten years afore. They now live in a small house within a little village far from the capital.

Darien Serlast is a hunti. He is the current advisor to the king.

Vernon is the King of Welce. He has four wives and three daughters. He is looking for a fifth wife.

In this story, Zoe's father dies and is cremated on a byre. The whole village attends the funeral. Zoe wants to stay until the embers die down, but the village headman points out that is beginning to rain.

Zoe goes home to the empty house. It is cluttered and disarrayed. Zoe has been tending her father for several nine days and has had little time for housework. The headman offers the services of his wife Miela to help clean up. Zoe decides to catch up on her sleep first.

It is still raining when Miela arrives. The two women spend the next two days cleaning the house. On the third day, their cleaning tasks are interrupted by the arrival of a strange horseless vehicle.

A man steps down from the object and heads toward the headman. He announces his name as Darien Serlast and asks the whereabouts of Zoe Ardelay. Zoe is surprised to hear her name. She is even more astounded when the man states she will be the king's fifth wife.

Zoe learns that the vehicle is a elaymobile. It has a crew of three and is decorated in ostentatious fashion. It is vary comfortable.

Zoe travels with Darien for eight days. The elaymobile has problems and the roads are muddy from the ceaseless rain. When they finally reach Chialto, they are stuck in traffic.

Darien goes out to clear the way. Zoe steps out and watches the crowd. Then she walks away from the vehicle.

Zoe wanders around the town and chooses to sleep on the banks of the Marisi River. The next day, she goes shopping and then has supper with a couple. For the next several nine days, her days are aimless.

Then Zoe decides to take a job. A friend introduces her to the wife of a cobbler. They visit a blessing house and Zoe draws an Honesty coin. The cobbler's wife hires her on the spot.

This tale involves Zoe in some strange incidents related to water and blood. She learns that the river cherishes and obeys her. Then she visits her grandmother's house and discovers that she is the heir of a Prime.

The story comes to satisfactory ending. The next installment in this sequence is [[ASIN:0425261727 Royal Airs]].
Highly recommended for Shinn fans and for anyone else who enjoys tales of exotic cultures, strange magic, and changeable women. Read and enjoy!

-Arthur W. Jordin
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Sweet storytelling, but lacks depth

Zoe is a 'coru' woman, which means she has an affinity to water and blood, and the traits associated with it. But Zoe is different: water comes when she calls.

Zoe's father was the king's closest advisor, but ten years ago was exiled from court, and took his young daughter with him to live in a small village. At the opening of TROUBLED WATERS, Zoe finds herself an orphan; the day after the funeral, the king's advisor, Darien Serlast, comes to collect her to become the king's fifth wife.

With nothing left to tie her to the village, Zoe goes with Darien to the city to marry the king. At least, that's what Darien tells Zoe. It turns out he knows a lot more than he lets on. As a result, Zoe doesn't trust him, and at the first opportunity, she escapes into the city and the obscurity of the river flats, where the city's poor gather to sleep.

TROUBLED WATERS is an undemanding story to read, with flowing prose, subtle foreshadowing, and steady pacing--and not a whole lot going wrong for our heroine. Certainly her father died, but I kept waiting for a tragic turn in the story. Anything. There was a brief episode where her money is stolen, but she retrieves it on the very same page. This is a la-de-da skipping through town, living in the safe (?!?) homeless tent town on the river flats, easily finding a hap-hap-happy cobbler and his wife to hire her as a shopkeeper, all of the food is delicious, everyone is all so well meaning, the clothes are lovely, and then she discovers she's the heir of a wealthy and powerful noble house.

What does all this equal? Not much tension. So what's to keep a reader turning pages? In this case, the world building. Oh...and, um, if you're inclined for it, a sweet love story.

The first hundred pages consists of leisurely forward movement, it's almost exclusively world building. We learn a lot about the city, but the main focus is the magic of the element/spirit traits of the people (water, wood, fire, earth, air). These classifications shape society, behavior, and their understanding of each other. This is what kept me reading more than the characters, especially Zoe who sometimes felt like she was just going through the motions of the story. She's often inconsistent, makes foolish decisions, and is thrown into a position of power but provided no guidance--all things which happen to be useful to advancing the story.

There are a few other characters, most of them friends or relatives of Zoe, who help her out and provide support and encouragement. She eventually interacts with the queens, princesses, king, and other important people of the city, but all of these are shallow caricatures, if entertaining. IMHO the most well-drawn person in the book is her love interest, Darien Serlast. He is a 'hunti' (wood/bone) man, and as a result is determined and unyielding. As the king's right-hand man, he has power and responsibility in his own right. Zoe's very nature frustrates him...and intrigues him.

As the head of her own house, or 'prime', Zoe comes into her powers and discovers the extent of what of a 'coru' prime really can do. As the story progresses, she learns some disturbing truths about her father and the king, and as a result becomes embroiled in court intrigue. She comes to rely on Darien, and he on her. You can pretty much guess the results.

TROUBLED WATERS is a sweet book, with nice characters, and a happy ending. Sure there are some contrivances, but it's not the kind of book you can let yourself get stuck on the unbelievable parts. This is a good one for those who like to avoid the rough and dark stuff out there. Also suitable for YA readers 14+ as there's no profanity or sex.
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Absolutely Divine

I read so much that I buy alot of garbage, so when I find a book that has surprises on every page and a wonderful world, I hate to reach the end. That is so true of this book. I loved it. Sharon Shinn is one of my favorite authors and she just keeps on giving me great books.

Zoe Ardelay has lived in exile with her father for the last ten yrs. Her father was an advisor to King Vernon and when he fell out of favor he took his young daughter and escaped to the furtherest ends of the kingdom. Now he is dead and she is left alone, or so she thinks. The day of his funeral a coach from the king arrives to let her know she has been selected to be the fifth queen.

Zoe is so deep in grief that she moves in a dream to leave with Darien Serlast, who has been sent to find her and bring her to the capital. He is an advisor to the king and we do not know what to think of him at the start of the book. He seems kind and tries to comfort Zoe but she is deep in her grief and merely does what she is told. They travel for seven days on the seventh day their transportation is stopped by a cart in the road. During the accident as Darien goes to check on the problem, zoe leaves the convayence and walks off on her on.

Zoe remembers that the lost and poor dwell on the flats by the river and the river seems to be calling her. She finds friends and starts to move from her grief to a new life, But her old life is still there and she will find many secrets to reveal as she climbs up from the murky depths to a surprising new life and love.

Zoe finds new friends as she learns to live and survive in the city. She discovers that her grandmother is dead and she was the only one of her mother's family she was close to. Now many things hidden are revealed. Before things are finally settled Zoe will have to face the King, and four Queens with only her hard won knowledge and power between them.

I loved Zoe and I hated to reach the end of the book. Sharon Shinn builds great new worlds with wonderful new magic.
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