Thunderball
Thunderball book cover

Thunderball

Paperback – May 27, 2003

Price
$9.98
Format
Paperback
Pages
272
Publisher
Penguin Books
Publication Date
ISBN-13
978-0142003244
Dimensions
5.17 x 0.51 x 7.79 inches
Weight
6.4 ounces

Description

Ian Fleming (1908-1964), creator of the world's best-known secret agent, is the author of fourteen James Bond books. Born in London in 1908 and educated at Eton and Sandhurst, he became the Reuters Moscow correspondent in 1929. In the spring of 1939, Fleming went back to Moscow as a special correspondent for the London Times . In June of that same year, he joined Naval Intelligence and served throughout World War II, finally earning the rank of Commander, RNVSR (Sp.). Much of the James Bond material was drawn directly from Fleming's experiences as an intelligence officer. Later, Fleming became a consultant on foreign affairs for the London Sunday Times , by which time he had become far better known as the creator of James Bond. Excerpt. © Reprinted by permission. All rights reserved. 1. 'TAKE IT EASY, MR BOND' It was one of those days when it seemed to James Bond that all life, as someone put it, was nothing but a heap of six to four against. To begin with he was ashamed of himself - a rare state of mind. He had a hangover, a bad one, with an aching head and stiff joints. When he coughed -smoking too much goes with drinking too much and doubles the hangover - a cloud of small luminous black spots swam across his vision like amoebae in pond water. The one drink too many signals itself unmistakably. His final whisky and soda in the luxurious flat in Park Lane had been no different from the ten preceding ones, but it had gone down reluctantly and had left a bitter taste and an ugly sensation of surfeit. And, although he had taken in the message, he had agreed to play just one more rubber. Five pounds a hundred as it's the last one? He had agreed. And he had played the rubber like a fool. Even now he could see the queen of spades, with that stupid Mona Lisa smile on her fat face, slapping triumphantly down on his knave - the queen, as his partner had so sharply reminded him, that had been so infallibly marked with South, and that had made the difference between a grand slam redoubled (drunkenly) for him, and four hundred points above the line for the opposition. In the end it had been a twenty-point rubber, £100 against him - important money. — Again Bond dabbed with the bloodstained styptic pencil at the cut on his chin and despised the face that stared sullenly back at him from the mirror above the washbasin. Stupid, ignorant bastard! It all came from having nothing to do. More than a month of paper-work - ticking off his number on stupid dockets, scribbling minutes that got spikier as the weeks passed, and snap-ping back down the telephone when some harmless section officer tried to argue with him. And then his secretary had gone down with the flu and he had been given a silly, and, worse, ugly bitch from the pool who called him 'sir' and spoke to him primly through a mouth full of fruit stones. And now it was another Monday morning. Another week was beginning. The May rain thrashed at the windows. Bond swallowed down two Phensics and reached for the Enos. The telephone in his bedroom rang. It was the loud ring of the direct line with Headquarters. James Bond, his heart thumping faster than it should have done, despite the race across London and a fretful wait for the lift to the eighth floor, pulled out the chair and sat down and looked across into the calm, grey, damnably clear eyes he knew so well. What could he read in them? 'Good morning, James. Sorry to pull you along a bit early in the morning. Got a very full day ahead. Wanted to fit you in before the rush.' Bond's excitement waned minutely. It was never a good sign when M addressed him by his Christian name instead of by his number. This didn't look like a job - more like something personal. There was none of the tension in M's voice that heralded big, exciting news. M's expression was interested, friendly, almost benign. Bond said something noncommittal. 'Haven't seen much of you lately, James. How have you been? Your health, I mean.' M picked up a sheet of paper, a form of some kind, from his desk, and held it as if preparing to read. Suspiciously, trying to guess what the paper said, what all this was about, Bond said, 'I'm all right, sir.' M said mildly, 'That's not what the MO thinks, James. Just had your last Medical. I think you ought to hear what he has to say.' Bond looked angrily at the back of the paper. Now what the hell! He said with control, 'Just as you say, sir.' M gave Bond a careful, appraising glance. He held the paper closer to his eyes. '"This officer",' he read, '"remains basically physically sound. Unfortunately his mode of life is not such as is likely to allow him to remain in this happy state. Despite many previous warnings, he admits to smoking sixty cigarettes a day. These are of a Balkan mixture with a higher nicotine content than the cheaper varieties. When not engaged upon strenuous duty, the officer's average daily consumption of alcohol is in the region of half a bottle of spirits of between sixty and seventy proof. On examination, there continues to be little definite sign of deterioration. The tongue is furred. The blood pressure a little raised at 160/90. The liver is not palpable. On the other hand, when pressed, the officer admits to frequent occipital headaches and there is spasm in the trapezius muscles and so-called 'fibrositis' nodules can be felt. I believe these symptoms to be due to this officer's mode of life. He is not responsive to the suggestion that over-indulgence is no remedy for the tensions inherent in his professional calling and can only result in the creation of a toxic state which could finally have the effect of reducing his fitness as an officer. I recommend that No 007 should take it easy for two to three weeks on a more abstemious regime, when I believe he would make a complete return to his previous exceptionally high state of physical fitness.'" M reached over and slid the report into his OUT tray. He put his hands flat down on the desk in front of him and looked sternly across at Bond. He said, 'Not very satisfactory is it, James?' Bond tried to keep impatience out of his voice. He said, 'I'm perfectly fit, sir. Everyone has occasional headaches. Most weekend golfers have fibrositis. You get it from sweating and then sitting in a draught. Aspirin and embrocation get rid of them. Nothing to it really, sir.' M said severely, 'That's just where you're making a big mistake, James. Taking medicine only suppresses these symptoms of yours. Medicine doesn't get to the root of the trouble. It only conceals it. The result is a more highly poisoned condition, which may become chronic disease. All drugs are harmful to the system. They are contrary to nature. The same applies to most of the food we eat - white bread with all the roughage removed, refined sugar with all the goodness machined out of it, pasteurised milk which has had most of the vitamins boiled away, everything overcooked and denaturized. Why,' M reached into his pocket for his notebook and consulted it, 'do you know what our bread contains apart from a bit of over-ground flour?' M looked accusingly at Bond, 'It contains large quantities of chalk, also benzol peroxide powder, chlorine gas, sal ammoniac, and alum.' M put the notebook back in his pocket. 'What do you think of that?' Bond, mystified by all this, said defensively, 'I don't eat all that much bread, sir.' 'Maybe not,' said M impatiently. 'But how much stone-ground whole wheat do you eat? How much yoghurt? Uncooked vegetables, nuts, fresh fruit?' Bond smiled. 'Practically none at all, sir.' 'It's no laughing matter.' M tapped his forefinger on the desk for emphasis. 'Mark my words. There is no way to health except the natural way. All your troubles' - Bond opened his mouth to protest, but M held up his hand - 'the deep-seated toxaemia revealed by your Medical, are the result of a basically unnatural way of life. Ever heard of Bircher-Brenner, for instance? Or Kneipp, Preissnitz, Rikli, Schroth, Gossmann, Bilz?' 'No, sir.' 'Just so. Well those are the men you would be wise to study. Those are the great naturopaths - the men whose teaching we have foolishly ignored. Fortunately,' M's eyes gleamed enthusiastically, 'there are a number of disciples of these men practising in England. Nature cure is not beyond our reach.' James Bond looked curiously at M. What the hell had got into the old man? Was all this the first sign of senile decay? But M looked fitter than Bond had ever seen him. The cold grey eyes were clear as crystal and the skin of the hard, lined face was luminous with health. Even the iron-grey hair seemed to have new life. Then what was all this lunacy? M reached for his IN tray and placed it in front of him in a preliminary gesture of dismissal. He said cheerfully, 'Well, that's all, James. Miss Moneypenny has made the reservation. Two weeks will be quite enough to put you right. You won't know yourself when you come out. New man.' Bond looked across at M, aghast. He said in a strangled voice, 'Out of where, sir?' 'Place called "Shrublands". Run by quite a famous man in his line - Wain, Joshua Wain. Remarkable chap. Sixty-five. Doesn't look a day over forty. He'll take good care of you. Very up-to-date equipment, and he's even got his own herb garden. Nice stretch of country. Near Washington in Sussex. And don't worry about your work here. Put it right out of your mind for a couple of weeks. I'll tell 009 to take care of the Section.' Bond couldn't believe his ears. He said, 'But, sir. I mean, I'm perfectly all right. Are you sure? I mean, is this really necessary?' 'No,' M smiled frostily. 'Not necessary. Essential. If you want to stay in the double-0 Section, that is. I can't afford to have an officer in that section who isn't one hundred per cent fit.' M lowered his eyes to the basket in front of him and took out a signal file. 'That's all, 007.' He didn't look up. The tone of voice was final. Bond got to his feet. He said nothing. He walked across the room and let himself out, closing the door with exaggerated softness. Outside the door, Miss Moneypenny looked sweetly up at him. Bond walked over to her desk and banged his fist down so that the typewriter jumped. He said furiously, 'Now what the hell. Penny? Has the old man gone off his rocker? What's all this bloody nonsense? I'm damned if I'm going. He's absolutely nuts.' Miss Moneypenny smiled happily. 'The manager's been terribly helpful and kind. He says he can give you the Myrtle room, in the Annex. He says it's a lovely room. It looks right over the herb garden. They've got their own herb garden, you know.' 'I know all about their bloody herb garden. Now look here, Penny,' Bond pleaded with her, 'be a good girl and tell me what it's all a...

Features & Highlights

  • "The girl looked him up and down. He had dark, rather cruel good looks and very clear, blue-grey eyes. He was wearing a very dark-blue lightweight single-breasted suit over a cream silk shirt and a black knitted silk tie. Despite the heat, he looked cool and clean. 'And who might you be?' she asked sharply. 'My name's Bond, James Bond ...'"
  • When a stranger arrives in the Bahamas, the locals barely turn their heads, seeing another ex-pat with money to burn at the casino tables. But James Bond has more than money on his mind: he's got less than a week to find two stolen atom bombs hidden among the coral reefs. While acting the playboy, Bond meets Domino, sultry plaything of secretive treasure hunter Emilio Largo. In getting close to this gorgeous Italian girl, Bond hopes to learn more about Largo's hidden operation ...

Customer Reviews

Rating Breakdown

★★★★★
60%
(1.5K)
★★★★
25%
(605)
★★★
15%
(363)
★★
7%
(169)
-7%
(-169)

Most Helpful Reviews

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Now that was a blast

If you've seen the movie you know the plot of Thunderball already so I won't get into that. Reading Thunderball is a great pleasure for Bond fans because the movie was so faithful to the book. There were a few things left out becuase they were considered too much for the big screen.

Ian Fleming must have had a marvelous sense of humor becuase the chapters where Bond finds himself stuck at Shrublands, drinking tea and vegatable broth and longing for spaghetti and chianti are extremely funny. Later when things get serious the reader gets wonderful scenes with M. who really was a fascinating character. The old man was even more ruthless than Bond.

The biggest thing Thunderball did was to introduce the world to Blofeld and nevermind the Austin Powers jokes, the original Blofeld was a very dangerous, very scary dude. The description of Largo and the scenes with Bond's old pal, Felix Leiter are also great.

I'm very happy that the old (real) Fleming books are being re-released in such good quality paper and with such snappy retro covers. My dad's old copies were literally crumbling whenever I touched them.
15 people found this helpful
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Oddball Thunderball

After wrapping up Goldfinger, seems like Fleming had an odd creative spell. I don't know this history here, but just looking at the book releases, the next three are all unique: For Your Eyes Only is a short story collection; Thunderball is based on a screen treatment co-created by two other people; and The Spy Who Loved Me is a minor adventure told in first-person by the heroine. At first glance, Thunderball is quintessential Bond. But there are several elements to it that sort of bother me, and maybe could be attributed to the origin as a screen treatment.

First, the Shrublands sequence is ridiculous and hammy comedy. It was more grounded and sinister in the eventual film, and that's saying something. M is made out as a buffoon, and the countless healthy living cliche jokes about carrots and "nut cutlets" are tiresome. Even Bond's altercation with Lippe is lighthearted. There are no teeth in these chapters.

Second, Felix Leiter, usually a welcome breath of fresh air, is relentlessly annoying in Thunderball. Many, many pages are given over to just Bond and Leiter complaining (mostly about food) and sort of endlessly conjecturing about their situation. Also, Leiter goes from being an amusingly gruff American to being more hamfisted comic relief. He's a caricature of his previous self, and has far too much "screentime," making this more of a buddy picture.

Third, Bond is lost in the climax. For the first time, on an epic, cinematic level, Bond leads an army instead of just solving things himself. Very movie-ish, and ultimately as boring as the final reel of the EON film itself.

Finally, I like how Thunderball is almost a mystery. But it's lazy of Fleming and a hollow read the way everything just coincidentally falls into place. Going to the Bahamas is a stretch which happens to pan out. Once there, identifying Largo as a suspect is just luck. In perhaps the only instance ever, the EON film is a vast improvement on the novel. There is motivation, and there is logic in the film. Bond goes to the Bahamas BECAUSE they know Domino is the pilot's sister, and the suspicions are just far more plausible.

This is probably my least favorite Fleming novel. It's not bad though. It has a pretty classic general plot, introduces Blofeld and SPECTRE, and is still well-written.
4 people found this helpful
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Fleming, Thunderball

Thunderball is the eighth Bond novel I've read by Fleming. I skipped over For Your Eyes Only (although I wil definitely return to it) and I had very high hopes for this one. The title alone drew my attention. Sadly, Thunderball turned out to be my least favorite of the Bond series so far. It started off with an interesting premise with Bond being sent away to become healthier. This fascinated me because a lot of authors will never address some of the realistic flaws of their hero. After the interesting and amusing incidents in the beginning though, the novel descends into dry and boring scenes and dialog. It is by no means bad, but I expect a bit more out of Fleming who's elegant writing style always impresses me. The book picks up near the end in a climax which is almost worth the tedium of the 100 pages before it, but this book also lacks the almost supernatural characterization of the villain. I love how Fleming manages to make villains like Doctor No or Goldfinger sound like an alien life form. Largo was not really given this honor. Last but not least, this book also contained the only Bond girl I did not like. I didn't care at all about Domino.
Besides all that, this was a fun read. It is the only Bond novel written by Fleming that I think deserves three stars though.
3 people found this helpful
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A Fleming classic

This is the original Thunderball novel that was based on a screenplay suggested for the first James Bond movie, and was ultimately filmed as the fourth installment of the series. It's written by Ian Fleming, but also credited to Kevin McClory and Jack Whittingham, who sued for the rights later on (all reviews should mention this fact, since McClory never let people forget it).

Like the movie Bond must travel to the Bahamas to stop SPECTRE, who have stolen two nuclear warheads. There are similarities to the book, and there are differences. The character of Fiona Volpe does not exist in the novel, nor does her sequence in the Kiss Kiss Club. Bond and Domino's first meeting is different, and Felix Leiter plays a larger role. Still readers will recognize enough key sequences in the right order to see that the film was a stronger adaptation of Fleming's work than the later movies.

It's a fast, thrilling read, and if it's fun by today's more "sophisticated" standards you can only imagine what a thrill it was back in the 60's. You can sometimes picture Sean Connery's Bond as you read, but other times this Bond is more brooding and human, more reluctant serviceman than debonair spy. What I particularly like about the novel over the book is that there's a greater sense of urgency, and that Bond is never sure if he's actually right as he follows the very circumstantial evidence. On the other hand, the movie definitely brings a greater sense of scale to the final underwater battle.

Great on it's own, or as a companion to the movie. Classic escapist reading.
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Another Great One

This series just continues to get better. Enjoy all the books, you'll love them just as so many people around the world have.
1 people found this helpful
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Great story in Jamaica!

I love James Bond stories and this one was no exception. the only reason this got 4 stars and not five is the cover. Out of respect for my wife, I'm moving to an edition without the half naked women!
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James Bond Novel

this was a gift so when I received it I checked to out to make sure it was as described it was packaged well and shipped quickly
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Another Bond classic

A pilot in the pay of a terrorist organization kills his comrades while on a training flight, takes the controls of their bomber, and makes off with two nuclear bombs. He delivers them to his contact in the organization. His contact kills him and hides the bombs among the reefs and shoals of the Bahamas, and the terrorists, the bombs now in their possession, threaten the free world with destruction unless they pay huge sums of cash.

Meanwhile, 007 is at a spa.

I kid you not. These two paragraphs set up the plot of Thunderball, one of the best in Ian Fleming's James Bond series. Bond's stay at the spa is eventful, of course, and before he is even aware of it he becomes involved in the events of the first paragraph. His superior, M, has a hunch that the bomber may have headed to the Caribbean, and Bond is sent away on what he feels is a wild goose chase while the rest of the espionage world hunts the warheads without him. While in the Bahamas he reteams with an old friend and discovers that M's hunch was right. A man called Emilio Largo, who has an enormous yacht and crew at his service for a supposed treasure hunt, arouses his suspicions. But how to prove Largo has the bombs, find them, and prevent the enemy from using them? I'll stop there.

Up until Thunderball I had really shortchanged Fleming's ability as a writer. I credited him for writing good action and creating great heroes and villains (Thunderball introduces the notorious Ernst Stavro Blofeld), but I failed to appreciate him as a craftsman. Each Bond novel is really different from the others in some way. Thunderball has an incredibly weird structure--virtually the first fifth of the book is a comedy starring Bond at a health spa--but a structure that nevertheless builds to a great action climax.

My only problem with the novel is that Fleming seems to have forgotten a few traits in one of his most important characters. (Spoiler warning) In Live and Let Die, Felix Leiter loses an arm and a leg when the villains dangle him over a pit of sharks. In his appearances in books since then, Leiter has had a prosthetic arm with a hook hand and, in Diamonds are Forever, used crutches. In Thunderball his only apparent handicap is the hook; he walks, runs, swims, and skin-dives with no apparent lack of one leg. There is one reference to a "gimpy leg" but given the rest of the novel it makes little sense.

But whatever. That bothered me but didn't ruin the story by any means. Fleming's novels are always roaring good reads, and Thunderball is no exception. I'd rank it among the best of the Bond series.

Highly recommended.
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Book's Best Line: "Authentic Blonde," Commented Leiter.

First published in March 1961, Ian Fleming's ninth James Bond book out of an eventual 14, "Thunderball," is one of the best of the bunch. Of all the books in the Bond canon, it is the one with the most complicated legal history regarding its authorship, film rights and royalties. Much has been written elsewhere regarding the complex litigious battles surrounding the book, and I will confine myself here to saying that "Thunderball" was originally written as a screenplay--by Fleming, Kevin McClory and Jack Whittingham--for what was to be the first Bond film. When this production deal fell through, Fleming wrote his novelization alone, leading to the aforementioned, decades-long brouhaha. This is an important book in the Bond series in that it introduces us, for the first time, to Ernst Stavro Blofeld, the criminal genius who would later figure in "On Her Majesty's Secret Service" and "You Only Live Twice" (the Blofeld Trilogy, Raymond Benson has called it), as well as the terrorist organization S.P.E.C.T.R.E. In the book, S.P.E.C.T.R.E. manages to hijack a NATO Vindicator aircraft and steal its two atomic bombs, with which it ransoms the U.S. and the U.K. for 100,000,000 pounds. Bond is sent by his boss, M, to the Bahamas on a hunch and there teams up with his old C.I.A. buddy Felix Leiter. They combat S.P.E.C.T.R.E.'s Emilio Largo, aided by his mistress, Domino, and ultimately (and I don't think I'm really spoiling anything for anyone at this late date), with the aid of 10 Navy frogmen, engage in an underwater dukeout with Largo's men as the first bomb is being laid.

The so-called Fleming effect (the author's ability to create a sense of absolute realism and engender complete credulity on the part of the reader by a laying on of convincing detail) is very much in evidence in this book; indeed, the amount of detail is really quite incredible. I hadn't read "Thunderball" since the '60s, and can't imagine how I managed to appreciate it back then; even now, I required the aid of a good atlas, a dictionary AND the Interwebs to investigate the 147 obscure references that I encountered therein. (Really, how many of us remember the "Ah, Bisto" gravy ad? John Griswold's "Annotations and Chronologies for Ian Fleming's Bond Stories" might indeed be a worthy investment!) The book comes off slightly dated in parts, with references to New Providence's Infield Road (now J.F.K. Drive), Diner's Club cards and the U.K.'s Ministry of Health (now the Department of Health), but the basic plot--a terrorist group laying its hands on nukes--is, sadly, more relevant and timely than ever. At one point, Bond muses that pretty soon, "every tin-pot little nation would be making atomic bombs in its backyards"; a bit of prescience on Fleming's part, five decades ago. The novel is swift moving and tense, with Bond constantly wondering if he's following a false lead and really mucking things up. The fondly remembered Shrublands section at the beginning, during which Bond goes for a rest cure, features some humorous moments, as Bond is almost converted to a healthy lifestyle! This soon changes as his difficult case begins; during his first day in Nassau, he consumes, by my count, a vodka tonic, two double martinis, a double bourbon old-fashioned, two more martinis and a stinger...10 mixed drinks! That's my James! Domino, it must be said, turns out to be one of the most appealing and spirited of the novels' "Bond girls," and Largo a worthy adversary. All in all, some extremely impressive work by Fleming.

Inevitably, comparisons to the 1965 filmization come to mind. (I will refrain from discussing the 1983 filmization, "Never Say Never Again," which is inferior to the 1965 picture in every department.) Although a book is most often fuller, richer and deeper than the film that follows, it turns out that in this case, both have their strengths. The "Thunderball" novel is certainly more realistic, especially as regards that climactic dukeout (mechanized underwater transports in the film; S.P.E.C.T.R.E. CO2 guns vs. Navy knives stuck on broom handles in the book). The slaying of Petacchi, the Italian airman who steals the Vindicator, is, I think, better in the film (a slit-air-tube drowning in the film vs. a quick knifing in the novel). The Shrublands sequence is far better and more sensible in the book, however; this section has always been hard to follow in the film...plus, I have always disliked Bond's sexual blackmailing of Patricia Fearing, his Shrublands nurse, in the picture. Bond's reconnaisance of Largo's hydrofoil yacht, the Disco Volante, is far superior in the novel, too; the film excises the entire, exciting sequence with that nasty barracuda. Bond's discovery of the sunken Vindicator is also far more effective and grisly in the book. In the film, Blofeld is never really seen (except for his lap and that darn cat!); in the novel, in a very fascinating section, we learn his complete background and history. "Thunderball" the movie tends to get a bit scattered and sluggish at times (don't get me wrong...it's still one of my personal top 100 films), whereas the book is quite compact and really moves! What the film does uniquely offer, to its credit, is a character not present in its source novel, and that is the S.P.E.C.T.R.E. assassin Fiona Volpe, memorably portrayed by Luciana Paluzzi. She is a wonderful character, and perhaps the best of the Bond "bad girls" (not counting Rosa Klebb, who I have trouble regarding as a "girl"!). "Thunderball" the movie is bigger than the book, perhaps inevitably, and a smashing entertainment (filmed for $9 million, the picture made almost $29 million and was the third top grosser of the year, after "Doctor Zhivago" and "The Sound of Music"), but is it better than the book? In all, I'd have to say no. The book is not perfect, and Fleming surprisingly makes a few flubs here and there (S.P.E.C.T.R.E. is said to have assassinated a French "heavy-water specialist" named Peringue in chapter 6, but in chapter 8, he is named Goltz, for example), but it sure is as entertaining as can be. "It is the sort of melodramatic nonsense people write about in thrillers," Domino tells Bond at one point, referring to one small part of his plan of action, but most readers shouldn't mind one bit, as the Fleming effect hurtles them along. This is some wonderful, exciting and classic stuff, indeed.
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Enter Blofeld

"Thunderball" was Ian Fleming's ninth published James Bond book, his first Bond novel published in the 1960s (1961), and the first to feature a threat residing not in Soviet Russia, but from a shadowy international conspiracy, known as SPECTRE and run by Ernst Stavro Blofeld.

"...he was one of those men - one meets perhaps only two or three in a lifetime - who seem almost to suck the eyes out of your head," Fleming writes of the enigmatic criminal mastermind, who goes here also by the alias "Number Two".

"Number One", for the moment, is Emilio Largo, one of Blofeld's underlings. Largo is Blofeld's selected leader for a plot which involves stealing two atomic bombs from a hijacked bomber and holding the world at ransom for 100 million British pounds in gold. Bond is sent to the Bahamas on a hunch by his superior M. There, 007 discovers Largo's operation and grows suspicious.

"Thunderball" makes good use of one of the best plots in the series, one Fleming worked on in script form with Jack Whittingham and Kevin McClory. The novel itself bears the unmistakable stamp of Fleming, weaving his usual descriptive magic with sunny tourist-trap landscapes and wondrous, deadly undersea scuba expeditions at night.

You also got to love the left-field opening. Bond is sent by M to get himself purged of what M considers a too-deadly lifestyle. Not the kill-or-be-killed missions M sends him on, but Bond's smoking, drinking, and consumption of rich foods. Off Bond goes to a health farm, Shrublands, where he ironically comes up against SPECTRE for the first time in the form of a wolfish minor player named Count Lippe. For a while, Bond even accepts the regimen, counseling his housekeeper May on the pitfalls of denatured or "dead" foods. Thankfully, Bond snaps out of his granola ecstasy after a final run-in with the Count.

"It just occurred to me that life's too short," he tells May. "Plenty of time to watch the calories when one goes to heaven."

The book Bond was always a different character from the more rogue-ish Bond of the movies. Prone to the blues, self-questioning (especially about whether Largo is worth his suspicions), and emotionally connected here with at least one of his lovers, Domino Vitali, Largo's kept woman who earns Bond's respect initially with her no-apologies lifestyle. Domino is one woman who takes her sex as opportunistically as any man, even Bond, but Bond senses she has a real heart worth protecting.

The story moves along quickly, much of it underwater. Bond wards off barracudas and sharks, dodges venom-tipped spears and grenades, and chews on Domino's foot when she steps on some sea-egg spines. The seduction is one of the best in the canon, especially when it's not clear who's doing the seducing.

"This is the first time I've eaten a woman," Bond says. "They're rather good."

The novel does sag in the last act, like "gobirds2" notes in another review here. Fleming seemed to have trouble ending his Bond novels. To this point, only "Casino Royale" and "From Russia With Love" had endings that lived up to their build-up. "Thunderball", unlike them, plays it rather straight, yet winds up rushed and convoluted anyway.

SPOILERS - Three problems with the story worth relating to those who have already read the book. One, why does Largo enlist the brother of his mistress to execute his deadly plan, risking the possibility someone might look for her as a result? Two, why does Bond trust her anyway after making this connection, which would seem to tie her in with Largo's plan? Three, why can't Bond have Largo's craft intercepted by the sizable Navy assets at his disposal, once Largo's plot is found to be underway, rather than attempt a more dangerous attack underwater? - END SPOILERS

I know, I know. It's Bond. If you ask too many questions, you're missing the point. Fortunately, "Thunderball" is the kind of novel that keeps those questions from being asked until after you are done reading it.
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