The World in Six Songs: How the Musical Brain Created Human Nature
The World in Six Songs: How the Musical Brain Created Human Nature book cover

The World in Six Songs: How the Musical Brain Created Human Nature

Paperback – July 28, 2009

Price
$18.00
Format
Paperback
Pages
384
Publisher
Dutton
Publication Date
ISBN-13
978-0452295483
Dimensions
5.29 x 0.83 x 8 inches
Weight
9.8 ounces

Description

“A must-read...A literary, poetic, scientific, and musical treat.”— Seattle Times “Masterful...Eminently enjoyable.”— Los Angeles Times “Why can a song make you cry in a matter of seconds? Six Songs is the only book that explains why.”—Bobby McFerrin, ten-time Grammy Award-winning artist (“Don't Worry, Be Happy”) “A fantastic ride.”— New Scientist “Leading researchers in music cognition are already singing its praises.”— Evolutionary Psychology “Exquisitely well-written and easy to read, serving up a great deal of scientific information in a gentle way for those of us who are—or just think we are—a bit science-phobic.”—Huffington Post“Fascinating. Provides a biological explanation for why we might tap our feet or bob our heads in time with a favorite song, how singing might soothe a baby, and how music emboldens soldiers or athletes preparing for conflict.”—Associated Press“An exemplary mix of scientist and artist, student and teacher, performer and listener.”— Library Journal (starred review) Daniel J. Levitin , PhD, is a neuroscientist, cognitive psychologist, and bestselling author. He is Founding Dean of Arts & Humanities at the Minerva Schools at KGI in San Francisco, and Professor Emeritus of psychology and neuroscience at McGill University. He is the authorxa0of This Is Your Brain on Music , The World in Six Songs , The Organized Mind , A Field Guide to Lies ,xa0and Successful Aging . He divides his time between Los Angeles and the San Francisco Bay Area.

Features & Highlights

  • The author of the
  • New York Times
  • bestseller
  • This Is Your Brain on Music
  • reveals music’s role in the evolution of human culture in this thought-provoking book that “will leave you awestruck” (
  • The New York Times
  • ).
  • Daniel J. Levitin's astounding debut bestseller,
  • This Is Your Brain on Music
  • , enthralled and delighted readers as it transformed our understanding of how music gets in our heads and stays there. Now in his second
  • New York Times
  • bestseller, his genius for combining science and art reveals how music shaped humanity across cultures and throughout history.Here he identifies six fundamental song functions or types—friendship, joy, comfort, religion, knowledge, and love—then shows how each in its own way has enabled the social bonding necessary for human culture and society to evolve. He shows, in effect, how these “six songs” work in our brains to preserve the emotional history of our lives and species.Dr. Levitin combines cutting-edge scientific research from his music cognition lab at McGill University and work in an array of related fields; his own sometimes hilarious experiences in the music business; and illuminating interviews with musicians such as Sting and David Byrne, as well as conductors, anthropologists, and evolutionary biologists.
  • The World in Six Songs
  • is, ultimately, a revolution in our understanding of how human nature evolved—right up to the iPod.

Customer Reviews

Rating Breakdown

★★★★★
30%
(61)
★★★★
25%
(51)
★★★
15%
(30)
★★
7%
(14)
23%
(46)

Most Helpful Reviews

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Not What You Were Hoping For . . .

I LOVED Levitin's prior book (This is Your Brain on Music). I bought it for multiple friends. So I was excited to see this arguable follow-up. It's been a disappointment (I'll admit I'm only 2/3 through it, but that may be as far as I go . . . ). The idea of presenting six broad and overlapping categories of songs isn't all that much of a breakthrough, is it? And the stories and categorizations are often pretty tangentially connected in an effort to tie it all together. One problem (maybe just for me) was that there were references to seemingly hundreds of songs from all genres, but I didn't know many of them so the discussions were lost on me.

This book is also a bit autobiographical -- more personal anecdotes and experiences of the author than I really wanted to hear. If you haven't read the first book, buy it instead. If you read it and loved, it, this book will be just "okay."
7 people found this helpful
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Four Stars

Very interesting read.
1 people found this helpful
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Five Stars

great for music lovers
1 people found this helpful
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Listen to every song with new ears

Wonderful read! Presents a perspective on music that is expansive and fascinating!
1 people found this helpful
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Long winded

I'm trying really hard to get through the first chapter and thinking about skipping it all together in hopes that the rest is a lot less long winded and more connected.
1 people found this helpful
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Many points to keep, some to discard

I enjoyed Levitin's first book a bit more than his second. While "This Is Your Brain on Music" has errors/room for argument, "The World in Six Songs" has many assumptions leading to conclusions. Although it is a good read, I found myself questioning the validity of many claims.
1 people found this helpful
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The book isn't awful but ...

so much of the name dropping and digressions and personal stories didn’t work for me. Six songs (actually six kinds of songs) is a gimmick that he doesn’t take seriously. Yes, the final six chapters are titled Friendship, Joy, Comfort, Knowledge, Religion, and Love, but what gets put into which chapter often seemed arbitrary. He veers between trying to be a scientist and sounding like a pretentious high school English teacher. “Music is magical.” “Music is Art and great artists put in meaning they don’t even realize.” The footnoting is riotously inconsistent. There are many evolutionary speculations but How the Musical Brain Created Human Nature is an empty promise.

P.S. The book did make one original thought pop into my head. Just as our modern sedentary lifestyle and modern diet, full of sugar and salt and vivid flavors, is profoundly unnatural and often unhealthy, so perhaps is the modern soundscape, ubiquitous professionally produced songs, as popular as sugar and salt and never walking when you can drive.

P.P.S. Due to the miracle of YouTube, you can listen to just about every song mentioned in the book.
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A book that seems to think “The World” is nothing but white American pop culture

Other reviews adequately critique the overall shallowness of this book. What finally made me give up on it was Levitin’s serious case of implicit bias. He seems to view the entire world through the blinkers of white American pop culture. Thus, he says he has a special understanding of “Eastern” (his word choice) music because he heard “The Nutcracker” as a child. Native American musical practices are cited as if “Native American” were a monoculture, with no differences between Athabascans and Mayans; yet he doesn’t refer to bagpipes as something “Europeans” use in battle, but as something the Scots, specifically, use. Similarly, all of Africa’s vast musical diversity is dismissed, its music (again treated as a monoculture) declared “not an art form” but rather just “a means of communication” on the authority of a British-American rock guitarist.
Ugh.
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Recommend

As advertised. Great price. Fast shipping.
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Qu'est Que C'est?

When I first started reading this a long time ago I couldn't get into it. This time though I got past my initial difficulties and finished it with no trouble. I think that I started it with the wrong idea of what it would be like and found the analysis of music in this way too dry and tedious. Music is after all a subjective phenomenon and deals more in feeling than in fact. But once I got with the program of what Daniel J. Levitin was trying to say in The World in Six Songs: How the Musical Brain Created Human Nature I found it to be fascinating and endlessly engrossing.

Though there were lists of six songs throughout the book, the six songs referred to in the title were six types of songs. William Blake had Songs of Innocence and Songs of Experience but Daniel J. Levitin has songs of Friendship, Joy, Comfort, Knowledge, Religion, and Love. The book took each of these examples of songs and traced the history of how music shaped our brains and culture. It also explored animals who do similar things, like the songs of birds, for instance, but argued that Man is the only animal that can conceive of music.

As well as the opinions of Levitin and other scientists there are also interviews with musicians such as Rodney Crowell, David Byrne, and Sting. Levitin is both a scientific researcher and a musician. The quotes from David Byrne reminded me of the time that I got to sing "Psycho Killer" for David Byrne and Brian Eno.

I was a volunteer at a public radio station in Berkeley and Byrne and Eno were doing an interview there. I went down there with my friend Cathy D. to see if I could catch a glimpse of them. The receptionist was trying to make conversation with them, but it was obvious that he didn't really know anything about their music. I felt sorry for him and for Eno and Byrne for having to put up with the awkward small talk. It was embarrassing. I didn't want to contribute to the awkwardness, though I'm sure I could have come up with something a little more enlightened to say.

Though I didn't say anything to either of them, I was still very much excited to have seen them in the flesh. As Cathy and I walked to the parking lot, I burst into "Psycho Killer" because it had that irresistible combination of gobbledegook, French, and the killer hook: "Psycho Killer / Qu'est Que C'est / Fa fa fa fa fa fa fa fa fa far better / Run run run run run run run away..." and just as I was really belting out the hookiest part of the hook, who should drive by in a rental ford Cortina but David Byrne, the composer and singer of "Psycho Killer" and Brian Eno, formerly of Roxie Music and collaborator with David Bowie, Robert Fripp, and sundry others. I would have been much too shy to sing it had I known they would witness my crime, but they smiled and David gave the horn of their little Cortina a beep of acknowledgement as they drove on their merry way.

So, with that in mind, I'd like to honk the horn of my Ford Cortina for Daniel J. Levitin, for a book well done: "Ba-beep!"