The Witch's Heart
The Witch's Heart book cover

The Witch's Heart

Hardcover – February 9, 2021

Price
$6.43
Format
Hardcover
Pages
368
Publisher
Ace
Publication Date
ISBN-13
978-0593099940
Dimensions
6.23 x 1.19 x 9.28 inches
Weight
1.22 pounds

Description

"A deep journey into the mists of the ancient Norse world of gods, monsters and humans, who shape shift from one to another.xa0 But the heart of the story is a witch’s passage over many lifetimes and the ultimate sacrifice she makes for those she loves. A timeless tale of great power and artistry."--Margaret George, New York Times bestselling author of The Splendor Before the Dark “Axa0beautiful and fleshed-out story for the jötunnxa0Angrboða.. Genevieve Gornichec both acknowledges her erasure and resolves it, giving Angrboða a life beyond her relationship with Loki, even as she explores their love story in detail. We see Angrboða as a powerful witch and seer, a devoted mother, a lover and friend, and most importantly, as a woman at the heart of her own story at last. I’m very grateful for books like this one.”—Samantha Shannon, New York Times bestselling author of The Mask Falling “Ms. Gornichec subverts the mythology from inside, knowledgeably and provokingly. Whatever the Elder Edda may say, the heroines of The Witch’s Heart will not be a delight to “wicked women” alone.” —Tom Shippey, The Wall Street Journal “Genevieve Gornichec's beautiful, delicately executed debut shifts the focus of Norse mythology to one of Loki's lovers, the witch Angrboda, with stunning and heartbreaking results.” - BookPage " The Witch’s Heart is a unique novel that transforms the faceless names of an epic tale into living, breathing, sympathetic characters. With a witty and spirited protagonist, this book will surprise and delight from beginning to end."—Louisa Morgan, author of A Secret History of Witches and The Age of Witches "Gornichec proves that Angrboda’s experiences with motherhood and reclaiming her own power is every bit as powerful as the gods’ adventures that typically dominate the world of Norse mythology." - Vulture "As epic as it is engrossing, The Witch’s Heart is a testament to the ferocity of one mother’s love and the lengths she’ll go to protect those she loves. Utterly unforgettable.” —Alexis Henderson, author of The Year of the Witching "This fascinating novel approaches Norse mythology from a brand new perspective; here old villains are now heroes, and the motivations of gods, giants, and witches are rarely what they seem... Gornichec plumbs the depths of what we will endure for family, belonging, and meaning, and traces the limits of love, friendship, and vengeance."--Linnea Hartsuyker, author of The Half-Drowned King "Angroboda's story is a delightfully nuanced, queer, and powerful reminder of love and survival on your own terms. Read this book when the world is ending; read this book when you are looking for the world that comes next--I'm so very glad I did." - A.J. Hackwith, author of The Library of the Unwritten "Intense and magical...The sense of place and real physical needs of the characters created a grounded, beautiful world, which made the more fantastical elements of the story feel all the more realistic. The prose was stunning and the protagonist someone I wanted to spend all my time with...I will enjoy re-reading this book for years to come." --Smart Bitches, Trashy Books“A retelling of the Norse legend from the viewpoint of a woman often left in the margins, this book deserves to be a classic. For readers of Madeline Miller’s Circe and the Marvel version of Loki.” – Library Journal (starred review) xa0 “A feminist reimagining of the Norse myths surrounding Ragnarök…melding together the wide range of Nordic legends, this is a story of tenderness and betrayal, friendship and loyalty, family and monsters, beginnings and endings. Offer this beautiful reimagining to fans of Neil Gaiman’s Norse Mythology (2017) and Joanne M. Harris’ Loki novels.”– Booklist (starred review)“Gornichec’s spellbinding story breathes life into a minor character from Norse myth, delving into the complexities of Angrboda’s familial relationships and the lengths to which she’ll go for both love and vengeance. This powerful fantasy is sure to win Gornichec many fans.” – Publishers Weekly (starred review)“Rich and artfully woven, The Witch’s Heart takes the familiar tales of Norse Mythology and tells them from a fresh, honest perspective… Angrboda is an unforgettable heroine, and The Witch’s Heart a debut to be reckoned with.”—Hannah Long, author of Hall of Smoke Genevieve Gornichec earned her degree in history from The Ohio State University, butxa0she got as close to majoring in Vikingsxa0as she possibly could, and her study of the Norse myths and Icelandic sagas became her writing inspiration. She lives in Cleveland, Ohio. The Witch's Heart is her debut novel. Excerpt. © Reprinted by permission. All rights reserved. Long ago, when the gods were young and Asgard was new, there came a witch from the edge of the worlds. She knew many ancient spells, but she was especially skilled with seid, a magic that allowed one to travel out of body and divine the future. This greatly appealed to Odin, the highest of the Aesir; when he learned of her abilities, he offered to impart upon the witch his knowledge of the runes in exchange for teaching him seid. She was uncertain at first. She'd heard enough about Odin to make her hesitate. But she knew he did not share his secrets lightly, which meant her knowledge of seid must be of great value to him indeed. So she swallowed her suspicions about this grim one-eyed god and accepted his offer. As they practiced seid together, the witch found herself drawn farther down than she'd ever traveled before, where she brushed against a place darker than the beginning of time itself. This place frightened her, and the secrets contained there were great and terrible, so she did not dare go deeper-much to Odin's displeasure, for the knowledge he sought above all else was hidden there, and it seemed to him that only she could reach it. The witch was also teaching her magic to the Aesir's rivals, the Vanir, a sister race of gods whose home she had passed through on her way to Asgard. The Vanir could think of naught but gold with which to reward the witch for her services, though she cared little enough for it. But when Odin realized she was traveling between Asgard and Vanaheim, he saw an opportunity. He turned the Aesir against the witch and called her Gullveig, "gold-lust." They drove spears through her and burned her three times, and three times she was reborn-for she was very old, very hard to kill, and far more than she appeared. Each time she burned, Odin tried to force her down to the dark place to learn what he wanted to know, and each time she resisted. And when the Vanir heard of the Aesir's treatment of her, they became furious, and thus was the first war in the cosmos declared. The third time she was reborn, Gullveig fled, though she left something behind: her speared heart, still smoking on the pyre. That was where he found it. Some time later, he tracked her to the deepest, darkest forest at the farthest edge of Jotunheim: the land of the giants, the Aesir's bitter enemies. This forest was called Ironwood, where the gnarled gray trees were so thick that there was no real path through them, and so tall that they blocked out the sun. He did not have to venture into those woods, though, for by the bank of the river that divided Ironwood from the rest of Jotunheim he found the witch, staring across the water at the dense forest and mountains beyond. She sat upon a rough woolen blanket with a thick cloak about her shoulders and a hood pulled over her head. The sun was shining, but she sat in the shade, hands folded in her lap, leaning against a tree trunk. He watched her for a time, shifting from foot to foot, scratching his nose, listening to the quaint gurgling of the river and the whistling of songbirds. Then he sauntered up to her, his hands clasped behind his back. He could see only the bottom half of her face, but her skin looked pink-tender, healing, new. When he got closer, he noticed the skin of her hands was the same. She seemed to be resting peacefully. Part of him didn't want to disturb her. Then again, he'd always found the idea of peace to be quite boring. "How long are you going to stand there?" she rasped. She sounded like she hadn't had anything to drink in an age and a half. He figured that breathing in the smoke from one's own pyre three times would have that effect on a person. "You're a difficult woman to find," he replied. Truth be told, he wasn't sure how to proceed. He'd come to return what she'd left in Odin's hall-and for something more, though he didn't know exactly what. Something had drawn him to Ironwood that day with her heart tucked into his haversack. And he had a feeling that whatever was pulling him down this path was important, was special, was interesting, for he was so very easily bored. And now here he was, enticed by the possibility of some excitement and hoping the witch would not disappoint. She didnÕt reply at first, opting instead to study the strange man whoÕd approached her. The sun was shining behind him, so she couldnÕt quite make out his features-just a deep green traveling cloak and hood, brown pants, brown leather shoes, and the silhouette of wild hair. "I really admire your work," he said conversationally. "You know-sowing chaos wherever you go. Making mighty beings fight over your talents. It's impressive, really." A moment passed before she said, "That was not my intention." "What was it, then?" She did not reply. "Well, if you're planning on doing it again," he said, "I would love to watch and possibly participate, so long as I don't get caught. But I'll let you know up front that I shall not, under any circumstances, make you a promise I can't talk my way out of. I'm not usually this straightforward about it, so consider yourself lucky. I'm letting you know as a friend." "A friend?" The word was foreign to her. "Yes. I've decided it just now." He cocked his head. "Am I your first friend? What an achievement for you." She ignored the question. "Seems a rather one-sided decision on your part." "Well, I see you're not exactly surrounded by admirers." He studied her. "You seem to me to be nothing more than a harmless witch from the backwoods-I haven't heard anyone talk like you for a very long time. I'm surprised the Aesir could even understand your accent. Who are you? Where do you come from?" "I don't know," she said after a moment. She inclined her head such that she could see him, but he couldn't quite see her. "I could ask you the same question about yourself, and probably wouldn't know the answer, either." "Oh yes?" He settled down on his haunches and peered at her. She could see now that he had a pale, angular face, a sharp, slightly upturned nose that gave him an impish look, and shoulder-length dark blond hair that fell somewhere between wavy and curly. His eyes were grass green; his smile was mischievous. The witch nodded once in reply. His smile faltered a bit. "And how could you possibly know that?" "I know things," she said. "You may have heard." "I may have heard that your knowing of things was what got you stabbed and lit on fire, multiple times. Perhaps from now on you should just play dumb." "Well, that's no fun," she said, only half joking, her hand moving instinctively to the vertical slash between her breasts-the place where they'd stabbed out her heart. "That's the spirit!" He laughed as he rummaged around in his bag. After a moment he pulled out a wad of cloth and held it out to her. She took it-and started when she felt the bundle pulsing rhythmically in her hands. "Your heart," he explained. "I was going to eat it, for some reason, but I decided that maybe you should have it back." "Eat it?" she asked, making a face. "Why?" He shrugged. "I don't know. To see what would happen." "You would've eaten the heart of a witch, and that cannot be good for your well-being," she said dryly; she frowned as she unwrapped it. "It seems to have healed quite a bit from the fire. But . . ." "But there's still a hole in it," he finished for her. "You got stabbed. Perhaps it shall heal completely if you put it back where it belongs. Do it now-I won't look." "It can wait." She replaced the cloth and looked at him. "Thank you." "You're welcome." He sat down now, stretched one leg out, and propped his elbow up on the other knee. "So, I take it you're not going by Gullveig anymore. What do they call you now?" "I'm not sure." She looked at him sideways as he plucked a long piece of grass out of the ground, put it in his mouth, and let it dangle lazily there, and she noticed the splash of freckles across his nose and cheeks, and how the sun behind him turned the outline of his curls a violent orange. She was still not sure what to make of this man. It was difficult to decide how much she should tell him. "You don't know your own name?" he asked, raising his eyebrows. She shrugged. "I thought I would like to travel, in which case they would call me something depending on the nature of my wanderings." She cast a glance across the river at the gray thickets of Ironwood. "Though I may yet decide to rest here for a time." "And what will you call yourself, then, if you stay?" She considered this for a moment or two before she said, "Angrboda." His wrinkled his nose, and the blade of grass drooped. "What? 'Proclaimer of sorrows'? That's an odd name. Why would I want to be your friend if that's all you're going to do?" "You're the one who decided we were friends," she said. "And besides, it's not you to whom I'll bring sorrow." "Are all witches as cryptic as you are?" "I don't know if I've met any other witches, though I think some used to live in these woods, too, long ago." She looked to the other side of the river again and lowered her voice almost reverently. "They say there was one witch here who bore the wolves that chase the sun and moon, and raised many others still." "Right. I heard stories about them, growing up. The Old One and her wolf-children." "You heard those stories in Asgard?" "Well, I'm not from Asgard. Anyway, everyone knows the stories out here." "You're a giant," she said. It was a guess on her part, but she did not make it sound like a question. "Giant" was a misnomer: a name, not a descriptor, for giants were often no larger than the average person. And while her visitor was certainly dressed like one of the Aesir, sometimes there was no physical way to tell a god from a giant. But this man, traveling alone and undisguised . . . There was something wild about him, something about his eyes that spoke of deep forests and midsummer nights. Something untamed, unharnessed. He cannot be a god, can he? He shrugged a shoulder at her deduction. "Sort of. Anyway, it seems rather empty around here now. No wolves . . . no witch-mother . . ." "Indeed." She looked across the river again, feeling a pang in her empty chest. "But maybe it was me. Maybe I was their mother." "You don't remember, though?" She shook her head. "I don't." Silence fell between them, and he shifted. She got the feeling he hated when conversations lulled; he had the air of one who enjoyed hearing his own voice. "Well," he said at last, "I'll have you know that I'm going to make it my personal mission to ignore all your depressing prophecies and do whatever I feel like doing." "You can't just ignore prophecies." "You can if you try hard enough." "I'm not quite sure that's how it works." "Hmm." He put his arms behind his head, leaned against the tree, and said haughtily, "Well, maybe you're just not as clever as I am." She gave him a sidelong look, amused. "What do they call you, then, Sly One?" "I'll tell you if you show me your face." "I'll show you my face if you promise not to recoil in horror." "I said I'd tell you my name. I can't promise anything more. But trust me, I have a strong stomach-I was going to eat your heart, after all." "My heart is not so full of vile things, I promise you." Nevertheless, she lifted the hood, revealing heavy-lidded blue-green eyes and the brown stubble of her burned hair. These had not been Gullveig's colors, but Angrboda figured that she should leave that particular name and all its associations behind her and never mention it again. This was a new phase in her existence. She was going to keep the witchery to herself from now on, thank you very much. No more seid, no more prophecies, no more getting into trouble. She'd already had enough of that for several lifetimes. "And here I thought you were going to be some hideous ogress hiding under there." He raised his hands and curled them into claws. "Angrboda Troll-woman, so ugly that men flinch away in terror to look upon her face." She rolled her eyes. "And what's your name? Or do you intend to break your promise?" "I intend no such thing. I am a man of my word, Angrboda. I'm the blood brother of Odin himself," he said loftily, and put a hand to his chest. Ah, there it is, she thought. She did not remember Odin taking a giant for a blood brother when she was in Asgard. But then again, that could have been centuries ago, for all she knew-she remembered very little of her time in Asgard and next to nothing from the time before that. Perhaps her strange visitor just hadn't been present in the hall where she'd been burned. Or maybe he was and was watching it, rapt. Like all the rest. "And I can't believe," he went on, "that you would besmirch my good name by implying that I'm an oath-breaker-" "I would have to know your name in order to besmirch it, would I not?" "You're besmirching the idea of my good name." "The idea of your name itself, or the idea that it's a good name?" He blinked at her and mouthed the word Oh. "I shall make up a name for you if you don't tell me what it is," she said. "Ooh, very interesting." He wrapped his arms around his knees like an excited child. "What did you have in mind?" "You won't like it, that's for sure. I'm going to call you the worst name I can think of, and use my witchy magic to make everyone else call you that, too." "'Witchy magic'? Oh, I'm so frightened." "Don't make me make you eat this," Angrboda said warningly, holding up her cloth-wrapped heart. Read more

Features & Highlights

  • When a banished witch falls in love with the legendary trickster Loki, she risks the wrath of the gods in this
  • moving, subversive national bestselling debut novel that reimagines Norse mythology.
  • Angrboda’s story begins where most witches' tales end: with a burning. A punishment from Odin for refusing to provide him with knowledge of the future, the fire leaves Angrboda injured and powerless, and she flees into the farthest reaches of a remote forest. There she is found by a man who reveals himself to be Loki, and her initial distrust of him transforms into a deep and abiding love.   Their union produces three unusual children, each with a secret destiny, who Angrboda is keen to raise at the edge of the world, safely hidden from Odin’s all-seeing eye. But as Angrboda slowly recovers her prophetic powers, she learns that her blissful life—and possibly all of existence—is in danger.   With help from the fierce huntress Skadi, with whom she shares a growing bond, Angrboda must choose whether she’ll accept the fate that she’s foreseen for her beloved family...or rise to remake their future. From the most ancient of tales this novel forges a story of love, loss, and hope for the modern age.

Customer Reviews

Rating Breakdown

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Most Helpful Reviews

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An emotional tale that does the source material justice

Generally, I do not engage with fiction based on mythologies or historical periods I am deeply interested in. I typically find the liberties writers take to be superfluous, and often the changes made are weaker than the original myths, facts, and characters and/or historical figures. Thankfully, the premise of The Witch's Heart by Genevieve Gornichec intrigued me, and the positive buzz on social media convinced me this was an exception I needed to make.

I could not be happier that I did. (Minor spoilers will follow, but I will refrain from revealing specific plot points where possible.)

The Witch's Heart tells the story of Angrboda—or rather, a composite character based on several figures attested in the Poetic Edda and Prose Edda (our primary sources on Norse mythology). By combining these figures, Gornichec weaves a cohesive, emotional narrative of a Norse witch and giantess who is more than just the mother of Loki's children (as this is basically all we know of Angrboda from the surviving myths) and more than just a seeress (as many of the other figures Gornichec draws from are in the surviving myths). This simple liberty allows Gornichec to connect various (and often contradictory) events and tales into an impressively thought-out and logical canon.

But a novel can hardly survive on thorough research, clever retellings, and contemporary subversions. The Witch's Heart has all these, but its most accomplished feat is the emotional weight the story of its protagonist carries. In this take on Norse mythology, Angrboda has escaped Asgard after having her heart cut out and being burned alive (three times!) and taken refuge at the far end of the world. A chance meeting with another giantess and a budding romance with everyone's favorite Norse misfit, Loki, sets Angrboda on a path of self-(re)discovery.

And that journey is not just an unraveling of Angrboda's past, but a moving tale of the complex relationships the reclusive protagonist forms with her lovers, friends, children, and even her enemies. This is the essence of the novel, and unlike so many stories (particularly fantasy and mythology-based stories), none of the supporting cast is one-note or even your classic good guy or bad guy. These characters, almost all deities of a sort, are among the most human characters I've ever experienced, none perhaps more so than Loki.

As an aside, I have a personal fascination with Loki. He is one of the most prominent characters in the surviving Norse myths, but seems to defy most cultural norms of men during the Viking Age (he's genderfluid, is a mother as well as a father, rarely fights, etc.), yet is also Odin's blood brother, but also (perhaps unsurprisingly) was most definitely never worshiped or revered. Needless to say, he is a compelling god—and Gornichec not only captures the spirit of Loki but somehow manages to deepen his complexity.

Loki is often thought of as a trickster or the god of mischief, and Gornichec does not shy away from this reputation. In one of my favorite explorations of the character, she never seems to provide an actual reason (at least initially) why he creates trouble, other than that he is bored. This does so much to convey what type of individual Loki is, and yet also tells us frustratingly little about any ulterior motives he may have, which makes him all the more fun to read about when he's on the page.

This is to say nothing of his banter with Angrboda, which is equal parts hilarious and exasperating. Or to say anything of the pair's actual relationship. I have such a hard time sympathizing with neglectful or abusive romantic partners in novels (Loki is more neglectful here), and any displays of love or redemption writers typically try to create with those characters only makes me roll my eyes, but Gornichec really makes you believe Loki is sincere during his tender moments, and there was one such line in the book in particular that floored me, despite all the earlier instances of Loki's absence and seeming disregard for Angrboda's growing needs.

Every relationship Angrboda forms, particularly with her close friend, Skadi, and her daughter, is treated with as much care and complication, but for the sake of brevity and spoilers, you will have to discover those for yourself. Suffice it to say, if you enjoy Norse mythology or are just looking for a fantasy-based novel with some of the deepest, most interesting character writing currently available, I cannot recommend The Witch's Heart highly enough.

I will add a few extra impressions here that are less about the emotional impact of the novel and more about the faithfulness to the source material I picked up on. Feel free to quit reading here if you're not as interested in the Norse mythology aspects of the novel:

- Like virtually every novel, there are some moments where the "show, don't tell" rule is broken to move us from one major event to the next. I have no idea if this was intentional, but these moments of the novel read a bit like the actual sagas, and it seemed to me to reveal Gornichec's devotion and love for Old Norse texts.

- Many of the more popular myths happen off-page and are told to us through characters sharing stories, which feels like an homage to the fact that this is how many of the myths and sagas unfold. More importantly, there are almost no authorial liberties taken with these myths. Beyond combining Angrboda with other characters (Gullveig/Heid, Hyrrokin, etc.), I did not notice any major liberties taken.

- This feels like a love letter of sorts to the myths and characters themselves. Since we know so little about almost all of the characters who appear in the myths (many of whom are little more than name-dropped), there is a lot of room for creative license without tampering with the original stories, and Gornichec does this beautifully. The characters we do know a lot about (Odin, Loki, Thor) appear here much as they do in the myths, and the ones we don't (Angrboda, Skadi...and virtually everyone else) are provided the same level of depth the myths provide characters like Odin and Loki. It is obvious Gornichec treasures these characters, and there are few authors better suited to tell their stories today.

- As a quick note, while the novel is faithful to the myths, it is still very much a contemporary novel, and it does not seem much attempt was made to preserve any sort of archaic language. This is by no means a bad thing, but worth noting if that is the sort of novel you're looking for.
106 people found this helpful
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Terrible writing and characterization

This is a poorly written YA novel lacking any mythical or historical atmosphere or depth. The characters sound and act as if they are modern day tweens, and while the story may have potential, the writing and characterization are so awful that I couldn't justify spending any more hours of my life on finishing this book (dnf at page 65 - one of the only two books I've ever returned in my life).
46 people found this helpful
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Better off with another book

This is a poorly written YA novel lacking any mythical or historical atmosphere or depth. The characters sound and act as if they are modern-day tweens. I had such high hopes for this book, the story may have potential, however, the writing and characterization were so awful. You are better reading Circe, God of Jade and Shadow, or ANY OTHER MYTHOLOGY BASED BOOK
7 people found this helpful
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Angrboda deserves her rightful place in Ragnarok

While I’ve always love mythology, I wasn’t as family with tales of the Norse gods and goddesses as I was the Celtic and Greek myths. What I did know of the Norse myths didn’t include the love story of Angrboda and Loki, mostly associating them with evil based on the stories of their children—Hel, Fenrir, and Jormungand—who all play a role in Ragnarok.

However, it’s always good to remember that there are two sides to every story, and the stories are often written by the winners, or those with the most power, and these stories often favor men. Loki is a trickster. Thor is a bit of a narcissist. And Odin can be quite manipulative and self-absorbed.

Angrboda the thrice burned witch and her friend Skadi the huntress are the central figures in this reimagining of the events leading up to and culminating in Ragnarok. Their story is just as important as the stories of the Aesir, and much less soap opera-ish.
What becomes even more intriguing is the story of what comes after Ragnarok.

This well-spun tale of Angrboda and her children, and sometimes of Loki, offers a delightful spin on the Norse myths as it sheds new light on characters usually relegated to side tales. Kudos to Genevieve Gornichec for weaving it all together so skillfully. This book belongs on the shelf right next to Neil Gaiman’s Norse Mythology. The two make a delightful pair.
6 people found this helpful
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The dialog is physically PAINFUL

I really was so excited for this book, and I tried to power through it, but after 45 pages of gorgeous worldbuilding and an exciting setup, I just couldn't. Why are all these ancient Norse mythological characters talking like teenagers from the US? The dialog didn't match the setting, and it was just unreadable for me because of it. I love mythology and had heard this was the best new book to read, but unfortunately, I'm returning. I am glad others liked it though!
6 people found this helpful
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THIS. BOOK. JUST. WOW. Think "Circe" but with Norse mythology.

The life of Angrboda as she hides from Odin, falls in love, and births three children many would call monsters comes to life with stunning detail. The emotions are powerful and deep. The journey Angrboda takes is realized with lyrical sincerity. The mystery of her past and how everything comes to fruition at the end is sublime.

The typical Norse mythological characters are here. While I could keep my mind away from the Marvel Norse gods, I couldn't push away Tom Hiddleston's voice as Loki. He's just the quintessential Loki (despite the Loki of myth being blond). Somehow, the author weaves in so many different tales into a cohesive narrative that flows around yet also affects Angrboda's life. The fleshing out of Skadi and Loki were so well done. Loki and Angrboda together could be hysterical at times.

If you enjoy mythological landscapes and characters who live and breathe and must fight for what they love, this book is for you! If you enjoy a story about odd families and embracing the things that make you odd, this book is for you too! If you enjoy stories of love and sacrifice, definitely this book is for you. Pretty much, I'd recommend everyone go get this book!
5 people found this helpful
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Disappointing

I was really disappointed with this book. The storyline is interesting but the dialogue was so poorly written that I quit reading about half of the way through. The dialogue reminded me of an 80’s RomCom. I’m pretty sure that no Norse god would ever have said “Wait, what?”. One of my pet peeves is using modern slang and catch phrases in period dialogue.
5 people found this helpful
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Subpar writing… was bothered by modern day language and euphemisms and expressions.

Could not finish reading
5 people found this helpful
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Always give heart

“They say an old witch lived in east, in Ironwood, and there she bore the wolves who chased the sun and moon. “

If you’re expecting Marvel style Norse gods, well you may need to rethink what you’re going to read.

The Witch’s Heart is about Angrbroda’s who was punished by Odin and from her injuries and flees. She is later found by Loki who she ends up with three children with, all unique and all with purpose. Purpose that will change the nine worlds together.

I enjoyed this story, it was done well, and the story was very different. You can tell there was a lot of research, thought, and planning that went into this debut novel. A love for mythology, I was very interested to read this one for sure. There was a lot of characters development (I will touch on again) and all the feelings for the story that unfolded.
As much as I enjoyed this story, it started slow and took a while for me to get into it. It took around a 100 pages, it was a bit too much character development at the start for me because there was some story development missing. But this is my opinion, I like a lot of plot mixed with character development as we go. And I felt it was a bit too long from it.
But I did enjoy the story, the mythology, and I am very interested in reading what Genevieve Gornichec puts out next! A good debut, a strong 3 star for me. 👩🏻🐺🐍
4 people found this helpful
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Poorly written YA novel

The book is poorly written, relying too heavily on dreadfully juvenile dialogue. The characters are underdeveloped, acting more like children than complex multi-dimensional beings. File this one under "Young Adult" and leave it for the pre-teens. Total garbage. Read Madeline Miller (Song of Achilles; Circe) or Dennis J Barton (Ragnarok) instead.
3 people found this helpful