The Widow's Revenge (Charlie Moon Mysteries)
The Widow's Revenge (Charlie Moon Mysteries) book cover

The Widow's Revenge (Charlie Moon Mysteries)

Hardcover – October 27, 2009

Price
$16.46
Format
Hardcover
Pages
304
Publisher
Minotaur Books
Publication Date
ISBN-13
978-0312364618
Dimensions
6.49 x 1.2 x 9.58 inches
Weight
1.1 pounds

Description

From Publishers Weekly When witches bother widow Loyola Montoya at the start of Doss's enjoyable 14th mystery to feature part-time Ute tribal investigator Charlie Moon (after 2008's Snake Dreams ), the strange old Apache woman phones Charlie, the only man she knows in Granite Creek, Colo., who will listen to her complaints. By the time Charlie arrives at Loyola's remote 10-acre farm, she's perished in a kitchen fire apparently caused by a fallen kerosene lamp. Was her death accidental, or were the people camped on nearby land owned by the Blue Diamond Natural Gas Company somehow involved? As Moon, FBI agent Lila Mae McTeague and police chief Scott Parris pursue what turns into a criminal investigation, the violence only gets worse. While Doss successfully evokes the mysticism of traditional Native American storytelling, his choppy chapters with their frequent point-of-view shifts may frustrate new readers. Series fans familiar with his style will welcome spending time with old friends. (Nov.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. Praise for James D. Doss“ Snake Dreams is the thirteenth novel in this series, and since it’s a very good one—funny, smart, and totally different—it’s a great place for readers to discover Moon.”— Toronto Globe and Mail on Snake Dreams “Outstanding… The narrator clearly is having fun as he unveils his tale, liberally laced with Native American lore, character idiosyncrasies, comedic asides, and a plot that weaves and twists like a highway in the Rockies.”— Library Journal (starred review) on Snake Dreams “James D. Doss’s novels about Charlie Moon… feel as if the author is sitting around a campfire, spinning a tall tale that engulfs a circle of listeners.… Doss’s tale is evocative of the area and of Indian lore, and his chatty, down-home style shines.”— Florida Sun-Sentinel on Three Sisters “Doss’s trademark humor keeps Charlie and Scott wisecracking as the plot spins smartly along to an unpredictable ending.… The most recent Charlie Moon mysteries still charm us with Western voices and ways.”— Rocky Mountain News on Three Sisters “Doss does for the Utes what Tony Hillerman has done for the Navajo.”— The Denver Post JAMES D. DOSS is the author of thirteen previous Charlie Moon mysteries, two of which were among the Best Books of the Year named by Publishers Weekly. Doss was born in Kentucky and now divides his time between Los Alamos and Taos, New Mexico. Excerpt. © Reprinted by permission. All rights reserved. CHAPTER ONE LA PLATA COUNTY, COLORADO The Widow Montoya’s Farm SUSPENDED HIGH IN THE SOUTHERN SKY, THE SILVERY SATELLITE PULLS a diaphanous cloud veil over her naked, pockmarked face. Is this a matxadter of modesty—does the pale lady prefer not to be seen? Or might it be the other way around—is there something on the widow’s property that White Shell Woman prefers not to see? THE SLEEPER As a youth, Loyola sought adventure, wealth, and pleasure. In her wiser, twilight years, she treasures peace above all earthly delights; a good night’s rest is a gift beyond price and the soothing lullaby of rippling waters a powerful sopori.c. This is one of the reasons the widow has clung to her isolated farm, which is bordered by Ignacio Creek. The other is that the stubborn old soul is determined to die in the house where she entered the world screaming bloody murder. ONLY A few moaning groans and irregular heartbeats ago, when Mrs. Montoya settled her brittle bones and creaky joints into the brass four- poster and pulled a quilt over her old gray head, the widow believed herself to be alone in her isolated home. And she was, if beady-eyed mice, clicketyxadcritching crickets, dozing black.ies, venomous red wasps, bulbous black widow spiders, and other pestilential residents were not included in the census. Which was why, when she was awakened suddenly from a deep and blessedly dreamless sleep, the elder ly woman was startled to hear the sound of voices. Oh my goodness, somebody’s broke into my house! Sitxadting up in bed, she realized that this was not so. But outside, somewhere beyond the restful hush of the rushing waters, she could detect low murxadmurings. Malicious mutterings. But were these unsettling articulations actually voices? The lady cocked her ear. It’s them damned witches again—they’ve come back! As she had on previous occasions, Loyola strained vainly to make out the words. Those jibber-jabbering brujos sound like they’re under the water. The weary woman knew she wouldn’t get another minute of sleep. I wish my grandson was here; I’d send Wallace out to tell his nasty friends to be quiet. But the great oaf had been gone for . . . how long—only a day or two? Or had it been a week? Loyola could not remember. Not that Wallace’s unexplained absence surprised his grandmother. Her long and mostly unhappy experience with members of the other gender had led her to some . rm conclusions. Whenever you need a man, he’ll be somewhere else. Where? Either with some of his idiot men friends in a stinking saxadloon—or with some slut of a woman. And when the rascal is at home, he’ll lay around watching TV, expectxading a good woman to .x his meals, mend and wash his . lthy clothes, and take care of him like he was a snotty-nosed . ve-year-old. Even so . . . The lonely woman sighed. Tears .lled her eyes. It would be nice to have a man around the house. A man who has a gun and knows how to use it. It occurred to her to call the police. A pair of salty drops rolled down her leathery cheeks. A lot of good that’d do. After all the times I’ve had them out here for one strange thing and another they couldn’t .nd any trace of, they . gure me for an old crank. Cops ain’t worth the dirt under their . ngernails. Loyola recalled the single exception. Charlie Moon came out every time I called, and he never made sport of me when I told him about that big, hairy monster that looked like an ape or that thirty- foot-long purple snake with black whiskers and horns like a billy goat. Sadly, Daisy Perixadka’s nephew had quit his job with the Southern Ute police and moved up north years ago to a big cattle ranch. And I ain’t laid eyes on him since. But wasn’t that always the way with people: the good ones go away, the no-accounts are always underfoot. Pushing away the hand-stitched quilt, she grunted her way out of bed. Like always, I’ll just have to take care of things myself. Loyola stepped into a pair of tattered house slippers and shuf. ed over to the closet, where she selected a pea- green government-issue woolen overcoat that her late husband had brought back from the war in Europe. Pulling it on, she made up her mind. Tonight, I’m going to go . nd out where they are and tell them either be quiet or I’ll get the pistol out of the closet and shoot the lot of ’em! A reckless old soul. But courageous. Also dangerous. By the time she opened the back-porch door, the voices had fallen silent. This was, one would imagine, fortunate. But for whom? Loyola Montoya— or those folk whose confounded mutters and murmurs had disturbed her slumbers? It is too early to say. But after retiring to her parlor rocking chair, the elder ly lady intended to stay wide awake until that cold, gray hour that would precede a wan, yellowish dawn. During that interval, she dozed intermittently. And . tfully. In Loyola’s fretful dreams, malevolent witches peered through her winxaddows. Turned knobs on her locked doors. Whispered obscene curses. In her dreams. If dreams they were. Excerpted from The Widow’s Revenge by James D. Doss.Copyright © 2009 by James D. Doss.Published in November 2009 by Minotaur Books.All rights reserved. This work is protected under copyright laws and reproduction is strictly prohibited. Permission to reproduce the material in any manner or medium must be secured from the Publisher. Read more

Features & Highlights

  • Even with some of the toughest hombres and nastiest outlaws roaming the Southwest, bestselling author James D. Doss’s seven-foot-tall rancher and sometime tribal investigator Charlie Moon does a fair job on the side of the good guys. So it’s no surprise that he gets the call when the widow Loyola Montoya starts making a fuss about witches.Witches?She swears there’s a whole midnight brood lurking in the woods just off her property, mocking her with lewd songs and harassing her with the carcasses of dead animals. When no one takes her seriously—she has been known to cry wolf from time to time—she takes matters into her own hands, with disastrous results. By the time Charlie arrives, it’s too late to save her, and while he knows he can’t bring her back, that doesn’t mean he can’t help the widow get her revenge after all.Told in Doss’s whimsical style,
  • The Widow’s Revenge
  • is a wonderfully tall tale that requires wide-open spaces and larger-than-life heroes like Charlie Moon to saddle up and make sure that justice is served.

Customer Reviews

Rating Breakdown

★★★★★
30%
(88)
★★★★
25%
(74)
★★★
15%
(44)
★★
7%
(21)
23%
(67)

Most Helpful Reviews

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Why Does He Keep Doing This?????

Why has James Doss abandoned what was a great writing style for this insipid, cutesy style that is so very annoying? I loved his earlier works, but am now completely fed up with this silly story telling style that he has used for at least the last 3 novels. I guess his books are selling well, but I now find them totally annoying, and I used to look so forward to the next installment. With Hillermann gone, and Doss driving me insane such that I can't stomach his stuff anymore, I've no one to lean on for great detective novels set amongst the backdrop of Native Americans.
16 people found this helpful
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Back in the saddle!

I was wary that Doss was ready to retire after "Snake Dreams", but in "Widow's Revenge", Charlie Moon once again strapped on his trusty side arm and stepped up and did the job that needed to be done. There was a passage in this book involving our hero, a mountain lion, and a banjo that was so classic Charlie Moon that it almost brought a tear to my eye. I'll leave everyone with a warning...Doss still has a bag full of tricks, and he dropped many into this book. It was a pleasure to read!
8 people found this helpful
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Disappointing!

I was so excited to get this book, then had a hard time finishing it. The author's writing style seemed to change with this title and it was distracting to the story...which may have been a good thing. I didn't care for the gratuitous murders or cannibalism, I didn't think it helped the plot at all. It all made me wonder if Doss really wrote this. Hopefully there will be another, better one coming next.
7 people found this helpful
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The readers want revenge, too

Loyola Montoya was the lucky one. Doss killed her off early in The Widow's Revenge. She didn't have to endure this entire hackneyed story. Oh, it started out promisingly enough. Daisy has an encounter with the pitukupf. Charlie Moon returns as the central character. But, it doesn't take long for Doss to reheat his old ideas to fill the remainder of the book. Sara continues to pine for Charlie who rightfully pays no attention to the child. Aunt Daisy has her "visions" when it's convenient to move the story along or to find something that would otherwise go undetected by a matukach. Charlie drinks a mug of coffee with honey - about every other page. Scott Parris is so stressed he has recurring nightmares in a mini-series format, a plot device that is loopy as it is pointless. There are also lots of characters opening their mouths and then snapping them shut without saying anything. Doss complements his tale of mayhem and cannibalism by trotting out some of the all-time great trite expressions. When was the last to your heard someone call a TV the "boob tube?" 1965? Or refer to a movie theatre as a "picture show?" Mercifully, the book reaches it slapdash conclusion on page 290 with the last four pages reading like an essay exam answer scribbled just before time runs out. Doss is so far away from when his books were good that even Stephen Hawking wouldn't be able theorize where he is in the universe.
5 people found this helpful
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not quite worthy of Charlie Moon

A new James Doss novel is always eagerly anticipated. I was counting the days until this one arrived in the mail. Most series authors have a book that doesn't hold up somewhere in the series. This one has gone a long while holding on to 4-5 stars. After a long and fun run, this one didn't come up to speed. A lot more gruesome and horrific in detail than most, this book will not be re-read. The characters didn't develop, nothing new happened in any of their relationships and overall the story was flat. Cannibalism and cruel murders were inserted to keep the story moving. Vigilante justice won the day and all is again well on the Columbine. I will go back to eager anticipation that a story again comes to the Columbine and one worth reading arrives in my mailbox in 2011.
5 people found this helpful
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What's Your Definition of 'Obscene'?

Mine would include a plot line that combines cannibalism with running gags about roast pork and barbecue sauce. Or a scene in which a key continuing heroine physically abuses another protagonist's elderly dog. Or a beautiful heroine who has "fun" telling two other characters the details of the grisly murder of one of their friends. Doss humor is about as funny as Nazi jokes about Jews. And he seems to cultivate tastelessness, but lacks the common sense that makes it work for writers like Carl Hiaasen.

The sheer stupidity of the characters in this book can only be explained by the likelihood that Doss is unaware of it. One character in a kitchen says to another, "I thought you were in your bedroom." The other replies, "I was; then I came back into the kitchen." The first muses that the other always has "a snappy answer." Uh, a snappy answer? Our brilliant hero Charlie Moon spends four pages sorting out a set of clues: "Name like Jefferson," "alphabet," "hammers, nails, buckets, pails" while trying to figure out the predicted site of a crime in the tiny town of Granite Creek. Eventually (four pages), he comes up with "Jeppson's ABC Hardware." This is classic Doss manipulation. If we readers had known there was such a thing as "Jeppson's ABC Hardware" at the beginning of the four pages, we'd have spent them yelling at Charlie, "Jeppson's ABC Hardware!!" This is a variation of a Doss specialty, the Flash of Thigh Shuffle; that's when someone is told something important, right in front of us, and Doss refuses to tell us what it is. Lame as a three-legged elephant.

Not all the dumbth can be attributed to the characters. It's easy to write dumb if you have first-hand knowledge. At one point, Charlie Moon is approaching a crime scene. He steps up onto the porch, where a goat was bled out the night before and is hanging upside down with its throat slit. He fails to notice the goat or the blood, so the murder inside is a complete surprise. Doss obviously forgot the goat; I mean, who cares about a goat? In another scene, the crack FBI agent summarizes a recent crime (while alternately flirting with both Charlie and Sheriff Scott Parris and mocking Charlie about the fact that a year ago he was the great ultimate love of her life). She explains that someone "bashed the victim's head in" and "set fire to her house." As it happens, Charlie was the one who found the body, which did NOT have its head bashed in and was burned in a "local fire" that failed to even burn the room it was in (in defiance, of course, of logic). Does Charlie even observe this bizarre inaccurate summary? He doesn't even notice it, because clearly Doss has forgotten the details. A few pages later, the FBI agent looks at Scott Parris as if he were "a dung beetle in her cream of mushroom soup" and then, three lines later, decides he's "cute." La Donna e mobile, apparently. More likely, even Doss isn't paying attention. But really, who could blame him?

Possibly the most bizarre element of Doss' popularity is his fans' obliviousness to his nasty relish in murdering innocent people. In Snake Dreams, he describes with glee how a never-identified assailant slashed the throats of two people, one of whom is also never identified. Here, the death of an elderly widow, who has had an icepick rammed in her ear, is treated as "cute." Later, a character we never even meet is found strangled with barb wire, roasted alive, and partially eaten. Doss presents him to us as feet sticking from a grave with the toes curled "as if his feet itched." Oh, snicker snicker! And accompanies the revelation with jokes about barbecue sauce and roast pork. Hint for future books: It's Ok, if not especially amusing, to make the deaths of villains "cute." But a lot of people think that driving an icepick into the ear of an innocent victim is not "cute." Vigilante murders of cannibals may be cute; torturing people we have nothing against -- generally no.

These books, at least the most recent six, are nasty farragos of (1) sophomoric humor (a woman in fear for her life takes half a page to "joke" with Charlie about the fact that Confederate uniforms and Southern Ute ("Southern"? Get it? Snicker snicker...) police uniforms are grey; Sheriff Parris fires his gun into the floor behind a guy's chair just for the fun of it; an improbably not dead bad guy has had all his clothes blown off except his pink boxer shorts with cupids and hearts on them; etc, ad nauseam), (2) vigilante logic (no criminal ends up arrested, even though the two main characters are both pro-law buffoons with badges, and the FBI, which Doss routinely portrays as slightly more effective than the dead, suddenly become agents of enforcement genius when Doss gets tired of his own plot -- or reaches his page threshold for publication), and (3) snot-slick blithering about "Indian mysticism," which is essentially made up on the spot, such as the trio of plumed warriors who come to get the dead, except nobody dies, so they blew it. Snicker, snicker.

I am profoundly pleased to have finished these books. At least until Doss writes another one, now I can move on to reading real writers with Indian/mystery themes like Craig Johnson, Margaret Coel, Steve Hamilton, and William Kent Kreuger. Having caught up, I can at least stop worrying about my worst nightmare -- that I might read a Doss novel twice. I've done that once; it's an experience only a dog might enjoy.
2 people found this helpful
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Don't try to read this book

I've liked every other of James Doss' Charlie Moon mysteries.

This one stinks.

There's what could be an interesting plot and story in there somewhere, but it reads like Doss was drunk when he wrote it...............drunk or psychotic.

I have no clue about what Doss was trying to do with the "writing style" in this book but it flat doesn't work, and both he and his editors ought to be ashamed of themselves.

I just couldn't finish it.
1 people found this helpful
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A pleasant read

Typical of Doss in many ways, which is how I like them. If you aren't into some indian lore mystery, you might not care for his form of writing.I like Daisy and her little mystisicms. Charlie Moon is as great as always and perhaps a little more lethal this time around. It is not deep prose, but good for a pleasant read.
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James Doss

As always great reads to fill the void when Tony Hillerman passed away, but now Doss has passed away and Anne Hillerman is filling this void.
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Native Indian Lore

Excellent story with suspense, humor and easy reading. I laughed reading many pages of this book other pages was suspensful. I have read all books written by this author and hopefully will read many more.