The White Russian: A Novel
The White Russian: A Novel book cover

The White Russian: A Novel

Paperback – June 8, 2004

Price
$17.95
Format
Paperback
Pages
464
Publisher
Anchor
Publication Date
ISBN-13
978-1400032006
Dimensions
5.25 x 1.1 x 8 inches
Weight
13.8 ounces

Description

“A cunning story of love, death and betrayal.” --Chicago Tribune“Atmospheric and richly entertaining. . . . Political intrigue of the highest order.” –The Washington Post“A stretch limo of a book, needing every inch of interior space to incorporate its grand themes of political intrigue, social unrest and romantic betrayal.” –The News & Observer “Imperial Russia and the story of the doomed royal family continue to fascinate…. The tale of the Romanovs has always been stranger than fiction. Still, the small details that Bradby includes…lend a tantalizing authenticity to his fictional sidebar to one of the great stories of the twentieth century.” –Orlando Sentinel“Brilliant. . . . St. Petersburg . . . illuminates The White Russian . . . . Rusky is a character to remember. . . . A complex mystery.”— Columbus Dispatch “Brady fills The White Russian with great period detail and fits his intrigues snugly within the complicated and dangerous politics of its time. . . . Rusky and Maria’s doomed love . . . Rusky’s attempt to reconnect with his young son, and his father’s clumsy move toward reconciliation give The White Russian a poignancy and urgency that go perfectly with its portrait of a nation on the edge of the abyss.” — The Flint Journal “Exceptionally rich. . . . The White Russian is a masterful creation of suspense set in deadly times.” — The Manhattan Mercury (Kansas) From the Inside Flap January 1917x97With St. Petersburg on the brink of revolution, Sandro Ruzsky, the cityx92s chief police investigator, returns from exile in Siberia only to be assigned a grisly case: the bodies of a young couple found on the ice of the frozen River Neva, just outside the Tsarx92s Winter Palace. Ruzskyx92s investigation leads him dangerously close to the royal family and to the woman he loves, and he finds himself confronting both a ruthless killer and the ghosts of his past as he fights desperately to save all that he cares for. With meticulous research and narrative skill Tom Bradby brilliantly re-creates the gilded salons and squalid tenements of St. Petersburg in the last days of the tsars. Evocative and thrilling, The White Russian is a tumultuous story of murder and betrayal in a city at the crossroads of history. January 1917--With St. Petersburg on the brink of revolution, Sandro Ruzsky, the city's chief police investigator, returns from exile in Siberia only to be assigned a grisly case: the bodies of a young couple found on the ice of the frozen River Neva, just outside the Tsar's Winter Palace. Ruzsky's investigation leads him dangerously close to the royal family and to the woman he loves, and he finds himself confronting both a ruthless killer and the ghosts of his past as he fights desperately to save all that he cares for. With meticulous research and narrative skill" Tom Bradby" brilliantly re-creates the gilded salons and squalid tenements of St. Petersburg in the last days of the tsars. Evocative and thrilling, The White Russian" is a tumultuous story of murder and betrayal in a city at the crossroads of history. Tom Bradby is the royal correspondent for the British television network ITN. He has spent the last nine years covering British and American politics as well as conflicts in China, Ireland, Kosovo, and Indonesia. He now lives in London with his wife and three children. Excerpt. © Reprinted by permission. All rights reserved. 1 The arctic wind sliced through Ruzsky's thin woolen overcoat. His boots were damp and his toes numb with cold, but he was oblivious to everything except the frozen expanse before him.All he could see was ice.Ruzsky's heart was beating fast. He tried to place a foot on the ice, before shifting his weight back to the step. He looked down at his boots, but his vision was blurred. He fought to control his breathing. "Christ," he whispered. His first day back from exile and it would have to begin like this.The constables were ahead of him, in the center of the frozen river Neva, illuminated by a ring of torches. The snowfall had tapered off through the night and the sky was now clear. The narrow spire of the Peter and Paul Cathedral on the far side of the river was bathed in moonlight.There was a sudden flurry of movement, and a burly figure broke away from the group, the flame of his torch dancing as he walked. Ruzsky watched his partner stride toward him."You're waiting for an escort?" Pavel halted, one hand thrust deep into his pocket. Small crystals were lodged in his beard and along his drooping mustache."No.""It's the ice?" They'd had to deal with a body on the ice once before, years ago, on a small lake outside the city.Ruzsky cleared his throat. "No," he lied."It's January. The river's been frozen for months. If anyone was going to fall through, it would have been me," Pavel said, gesturing to his own girth.Ruzsky stared at him. Pavel had a round face that exuded warmth even when he was frowning. He was right, of course."Oh, shit," Ruzsky muttered. He closed his eyes and stepped forward, trying to ignore the jolt of fear as his foot crunched down on the frozen surface."The city's bravest investigator, afraid of the ice," Pavel said. "Who would believe it?"Ruzsky opened his eyes. They were walking forward briskly and he was starting to breathe more easily."I didn't mean that," Pavel said."I know.""I don't blame you, my old friend. You've barely been back twelve hours and look what it has delivered up to us." Pavel nodded in the direction of the Winter Palace. "And here, of all places."They walked with their heads bowed against the damp, bitter wind that whistled in from the Gulf of Finland. It was several degrees colder out here on the river.Ruzsky thrust his hands deep into his pockets. Only his head, beneath one of his father's old sheepskin hats, was warm.Next to the bodies, the constables stood, smoking. They were dressed in long greatcoats and black sheepskin hats, the uniform of St. Petersburg's city police.The woman was closest to Palace Embankment and lay on her back, long dark hair spread out around her head like a fan. "Torch." Ruzsky held up his hand.One of the men marched forward. He couldn't have been older than seventeen or eighteen, with a pronounced nose, narrow eyes, and a nervous expression. He was lucky not to be fighting at the front, Ruzsky thought, as he took the torch and bent over the body of the woman. He got to his knees.The victim was--or had been--pretty, though with poor skin. He removed one of his gloves and put his hand against her cheek. Her skin was frozen solid. Her face was almost peaceful as she stared up at the night sky. The fatal wound was to her chest, probably to her heart; he could see that she had lost a good deal of blood. He tried to ascertain exactly where she'd been stabbed, but her clothes were rigid and he decided to leave any further investigation to Sarlov.Ruzsky's hand was already numb, so he put it back into his glove and thrust it into his pocket. He straightened again, looking at the gap between the two bodies. The area around them had been well trodden by the constables, so he could make no attempt to determine a pattern of events from the footprints. "Don't they teach them anything these days?" Ruzsky grumbled, gesturing with the torch at the trampled snow."It's good to have you back." Pavel offered him a flask.Ruzsky shook his head. He walked around to the other body, the spitting of the flame and the crackle of his boots in the snow the only sounds above the whistle of the wind.The man lay facedown, surrounded by a sea of crimson. He had bled like a fountain."Turn him over," Ruzsky said. Two of the constables moved forward and heaved the body onto its back.Ruzsky breathed out."Holy Mother of God," Pavel said.There were stab wounds to the man's chest and neck and face, one through his nose, and another peeling back his cheek."Who were they?" Ruzsky asked."I don't know.""Have you checked their pockets?""Of course. Nothing, except this." Pavel handed over a roll of banknotes--small denomination Russian rubles."That's it? No identity papers?""Nothing.""Cards? Letters?""There's nothing.""Have you looked properly?""Of course I have."Ruzsky bent down and pulled back the man's overcoat. He thrust a gloved hand into the inside pocket. It was empty. He straightened again and shoved the roll of rubles into his own coat. "The girl?""Same.""Any sign of a knife?""No.""How far have you looked?""We were waiting," Pavel said slowly, "for you."The constables started to move about again. "Stay where you are," Ruzsky instructed them. He walked back to the girl. As he looked down at her, he felt suddenly sober. She was young, probably no more than twenty; well dressed, too. They both were. It was difficult to be sure, but he didn't think she had been stabbed more than once. He looked across at the other body. They were about seven yards apart."You've checked all of their pockets?""Twice.""We'll have a look when we get them inside," Ruzsky said, mostly to himself. He didn't want to take his gloves off again out here.Ruzsky looked up toward the Admiralty spire above Palace Embankment, and the golden dome of St. Isaac's Cathedral in the distance. They were in full view of the austere blue and white facade of the Tsar's Winter Palace, but at a distance of fifty yards or more. Pavel followed his gaze."Perhaps a servant saw something," Ruzsky said."Not if they were killed in the middle of the night.""We should make it our first port of call.""Of course. We'll get the Emperor out of bed."Ruzsky didn't smile. They both knew the Tsar hadn't spent a night in the Winter Palace for years--not since the start of the war, at any rate.Ruzsky raised the torch higher, then began walking again. "Tell them not to move, Pavel."He walked slowly and carefully until he found the footsteps he was looking for, implanted in the thin layer of snow that covered the ice. He examined them for a moment, before returning to the bodies to check the size and shape of the victims' shoes.Once he got away from the melee around the murder scene, Ruzsky found the trail easily enough. The couple had been walking close together, perhaps arm in arm. He followed their footprints for about twenty yards, then stopped, turned, and looked back at the scene of the crime. Pavel and the constables were watching him.Ruzsky swung around ninety degrees, held the wooden oil flame torch in front of him, and began to walk in a wide circle around the bodies. He expected to encounter another set of footprints--or several--left by the killer, but there was nothing here except virgin snow.Ruzsky returned to the orginal path and got down on his knees again. He looked carefully at the tracks, moving the torch closer to the ground, so that it hissed next to his ear.He raised his hand. Pavel was marching out to meet him."You search like a hunter," Pavel said."I used to hunt wolves with my grandfather."Ruzsky struggled to throw off the remains of his hangover."It's New Year," Pavel went on, "the couple are lovers out for a romantic stroll.""Perhaps.""Just the two of them, alone. They leave Palace Embankment, walking close together, arm in arm. They turn toward the Strelka, then gaze up at the stars above. The city has never looked more beautiful. Some bootlegged vodka perhaps, all troubles forgotten."Ruzsky was now completely absorbed in his task, the fragility of the ice only a dim anxiety at the back of his mind, the biting cold a dull ache in his hands and feet and upon his cheeks.He began to trace the victims' path backward once more, ignoring Pavel, who followed him in silence. It was not until they had almost reached the embankment that Ruzsky found what he was looking for.The killer had followed the tracks of the dead man, both before and after he'd struck. Only at the very last moment, barely three yards from the embankment, had he lost patience and stepped outside them.Ruzsky reached into his pocket, took out a cigarette case, and offered it to his colleague. He felt more confident within reach of the steps.They lit up--no easy task with gloved hands numb with cold--and turned their backs against the wind. The smoke was pleasantly warm, but Ruzsky could still feel his temperature dropping. Perhaps he was just sobering up."They must have been lovers," Pavel said. "Their footsteps are close.""Why doesn't the girl run?" Ruzsky asked."What do you mean?""How many times has the man been stabbed? Ten? Twenty? In his chest, his heart, his nose, his cheek. Does the girl just stand there watching?""Perhaps she knows her attacker.""Mmm." Ruzsky stared out across the river."It was planned. She knew of it.""Possibly." Ruzsky turned to his colleague. "But why did she have no idea that she was also to be a victim?"Pavel shook his head. He flicked his cigarette high into the air and they heard it fizzle as it hit the ice.Ruzsky gazed at a cloud passing across the face of the moon. A photographer walked over from the St. Peter and St. Paul Fortress. They watched as he prepared his camera and lined up the first shot. He bent down, his head beneath a cloth, and they saw a light flash. The noise--a dull thump--reached them a split second later."Were there any witnesses?" Ruzsky asked."Do you see any?""We should begin at the palace."Pavel's expression told him he did not wish to go anywhere near the palace. "So I'm taking orders again?"Ruzsky looked up sharply, then shook his head, embarrassed. "Of course not. I'm sorry."Pavel smiled. "Better things return to the way they were. Welcome back, Chief Investigator."Ruzsky met his affectionate gaze and tried to smile, but his frozen face wouldn't obey.He reached into the pocket of his greatcoat for a notepad and pencil, then handed Pavel the torch and crouched down in the snow. He shakily traced the outline of one of the footprints the killer had left in front of the steps, then stared at it for a few moments. He stood and put his own boot alongside it. "About my size. A little bigger.""Why didn't he go over to the Strelka?""Who?""The killer." Pavel gestured at the Winter Palace. "There are guards here, the road is busy. Much less chance of being seen if he'd gone on to Vasilevsky Island."Ruzsky did not answer. He was staring at the group out on the ice, deep in thought."Oh, by the way," Pavel added. "New Year, New Happiness."It was the traditional greeting for the first day of the year. "Yes," Ruzsky answered. "Quite." 2 They climbed onto the embankment and approached the riverside entrance of the Tsar's Winter Palace.Ruzsky stepped forward to knock on the giant green door. There was no answer, so he tried to look through the misted glass of the window to his right. He climbed up on a stone ledge to give himself a better view."Be careful or they'll shoot you," Pavel said.A light was dimly visible in the hallway. There was little obvious security, but then it was well known that the Tsar and his family preferred their country palace outside the city at Tsarskoe Selo.Ruzsky stepped forward and knocked once again. He glanced up at the light suspended on a long iron chain above him. As it swung slowly in the icy wind, its metal links creaked."This cannot be right," Pavel said."If anyone saw it, it will have been the guard here."Pavel hesitated. "Let's go around to the office of the palace police at the front.""Then we'll never find out who was on duty back here."They waited, listening to the wind. Pavel forced his hat down upon his head. "Maybe it's colder than Tobolsk."Ruzsky saw the guilt behind Pavel's uncertain smile. "It's the damp here," Ruzsky said. "You know how it is. In Siberia, it's a dry cold." Ruzsky wanted to assuage his friend's guilt, but did not know what else he could say. Pavel had been responsible for his exile, but Ruzsky did not hold it against him. In fact, far from it. The thought still filled Ruzsky with bitterness, as though it had happened yesterday.Three years before, in the darkened, piss-strewn stairwell of a tenement building in Sennaya Ploschad, Ruzsky and Pavel had arrested a small-time landlord who'd assaulted and strangled the ten-year-old daughter of one of his poorer tenants. The man had not imagined the terrified mother would dare complain, but his insouciance as they led him down to the cells in the city police headquarters ought to have set their alarm bells ringing. Throughout that night, both Ruzsky and Pavel had struggled to retain their tempers as the fat, sweaty toad had drummed his pudgy fingers upon the table and answered their questions with a contemptuous insolence.Pavel had a distinct intolerance for these crimes, and while Ruzsky was upstairs dealing with the paperwork, Pavel had decided to put the man into a cell with a group of armed robbers. He'd informed the men of the nature of their new companion's crime.Ruzsky had no moral objection to this solution, but it had resulted in the world falling in upon their heads. The man turned out to have been the foreman of an arms factory over in Vyborg and, more damaging, an agent of the Okhrana--the Tsar's vicious secret police. Within a few hours of his lifeless body being dragged from the cell, the city police headquarters had been swarming with hard-faced Okhrana men in long black overcoats. Read more

Features & Highlights

  • January 1917—With St. Petersburg on the brink of revolution, Sandro Ruzsky, the city’s chief police investigator, returns from exile in Siberia only to be assigned a grisly case: the bodies of a young couple found on the ice of the frozen River Neva, just outside the Tsar’s Winter Palace. Ruzsky’s investigation leads him dangerously close to the royal family and to the woman he loves, and he finds himself confronting both a ruthless killer and the ghosts of his past as he fights desperately to save all that he cares for. With meticulous research and narrative skill
  • Tom Bradby
  • brilliantly re-creates the gilded salons and squalid tenements of St. Petersburg in the last days of the tsars. Evocative and thrilling,
  • The White Russian
  • is a tumultuous story of murder and betrayal in a city at the crossroads of history.

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Most Helpful Reviews

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A great follow-up to "The Master of Rain"

I read a lot of historical fiction. The two things that draw my attention & garner my enthusiasm are (1) authentic historical setting & details, and (2) a plot & characters more interesting than a mere "history book". In his first novel "The Master of Rain" set in 1920s Shanghai, Tom Bradby delivered on both of these in spades. As a follow-up to this impressive debut, "The White Russian" does not disappoint.
Set in St. Petersburg during the first stirrings of the Bolshevik revolution, this book rings with impressive authenticity. The detachment of the Tsar's regime, the role of the secret police, the aristocratic class & their sense of entitlement, the desperation of budding revolutionaries, all of these ring true. A great setting for a murder mystery, as the story's hero, a discredited police inspector, finds two bodies on the frozen river outside the Tsar's winter palace. As the book begins, Inspector Ruzsky has no idea the complex & twisted path his investigation will take before the killer or killers are finally revealed.
This author is a major new talent in historical fiction, & has twice now mastered all the elements of an engrossing story that transports us to another time & place. Where to next, Mr. Bradby?
17 people found this helpful
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A great follow-up to "The Master of Rain"

I read a lot of historical fiction. The two things that draw my attention & garner my enthusiasm are (1) authentic historical setting & details, and (2) a plot & characters more interesting than a mere "history book". In his first novel "The Master of Rain" set in 1920s Shanghai, Tom Bradby delivered on both of these in spades. As a follow-up to this impressive debut, "The White Russian" does not disappoint.
Set in St. Petersburg during the first stirrings of the Bolshevik revolution, this book rings with impressive authenticity. The detachment of the Tsar's regime, the role of the secret police, the aristocratic class & their sense of entitlement, the desperation of budding revolutionaries, all of these ring true. A great setting for a murder mystery, as the story's hero, a discredited police inspector, finds two bodies on the frozen river outside the Tsar's winter palace. As the book begins, Inspector Ruzsky has no idea the complex & twisted path his investigation will take before the killer or killers are finally revealed.
This author is a major new talent in historical fiction, & has twice now mastered all the elements of an engrossing story that transports us to another time & place. Where to next, Mr. Bradby?
17 people found this helpful
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Mystery Wrapped in the Enigma of Pre-Revolutionary Russia

It is New Year's morning in 1917 in frigid St. Petersburg, the capital of old Russia. The February revolution that will sweep Tsar Nicholas away is only weeks away. The Bolshevik revolution of November, 1917 (October in the old Russian calendar) will take place within the year. Russia, particularly St. Petersburg, is consumed by strikes, speculation, food shortages, and a growing disdain for the Tsar. The city is awash in rumors of the debauched relationship between the recently assassinated Rasputin and the Tsarina Alexandra. The wave of nationalistic fervor that marked Russia's entry into WWI in August 1914 has been replaced by despair, dismay, and finally indifference as a haplessly incompetent officer corps leads the Russian army into defeat upon defeat at the hands of the Kaiser's army.
As the sun rises on New Year's day two bodies are found on the frozen river Neva within sight of the Imperial Palace. One man and a young woman have been brutally murdered. Sandro Ruzsky, St. Petersburg's chief police investigator is called to the scene. Sandro is the scion of a Russian noble, Nicolas Ruzsky, the Tsar's Deputy Finance Minister. Sandro's decision to join the police rather than take up the military career embarked upon by his father and his ancestors has caused irreparable harm to the father/son relationship. The rift is further heightened by the blame Nicolas has always placed on Sandro for the death by drowning of Sandro's youngest brother. The boy's death years ago continues to haunt both father and son.
It is Sandro's first day back on the job after a three-year exile/posting to Siberia courtesy of the Okhrana, the Tsar's secret police (the KGB of its day). Sandro's exile resulted in the break up of his marriage to his wife Irina who left Siberia to take up on affair with an aging, corpulent Grand Duke. Sandro is more than a bit tired, drunk, and hung-over as he steps onto the ice. Sandro is accompanied by his assistant Pavel. Sandro's exile was caused in no small part by Pavel's actions but Sandro took all the blame onto himself on the theory that Pavel, a person of lesser birth, would have suffered a fate worse than Sandro's. This action of course leaves Pavel devoted to Sandro.
These two murders are followed in rapid succession by other, equally brutal murders. It is Sandro's job to solve the murders which may or may not involve members of the Royal family. Sandro's investigation is impeded at every step of the way by the Okhrana. Nothing is quite what it seems and no one is quite who they seem. Allegiance is a duty owed only to oneself, or so it seems. Sandro's investigation takes him across Russia to his family's summer home and then on to the Crimea. The story line is inexorably linked to the dramatic events unfolding across Russa. As events proceed Sandro rediscovers the love of his life and this tortured relationship forms an emotional cornerstone of the book along with the examination of Sandro's relationship with his father.
It would be unfair to reveal any more of the story line. One of White Russian's strength is the development of the plot and its characters. A little bit is revealed on each page. It is fair to say that this book is more than a simply murder mystery. Bradby's characters, particularly those of Sandro and his father evoke a time and place where honor in the face of adversity counted more than either convenience or love much to the detriment of both men. This notion of honor and duty is at once the cause and resolution of the rift between father and son.
In a fast paced manner Bradby conveys with dexterity the feel of a city lost in a fog of war and insurrection. Everyone sees the revolution coming but like an out-of-control train no one seems willing or able to do anything about it.
Bradby takes us into the minds of the entrenched nobility, striking workers, and revolutionary students. One can feel the revolution approaching as the book reaches its climactic moments. It is the inevitability of the coming revolutions that serves as the conceptual underpinning of both the murders and the resolution of the story.
This was an enjoyable book.
10 people found this helpful
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Character assasination

Mr. Bradby makes the usual claim to the effect that all of the characters in this novel are fictional. But in fact, his arch-villain, the psychopathic (in Bradby's presentation) Michael Borodin was altogether real. He was a leading player in the first decade of the Soviet Union, and the principal diplomatic link between Moscow and China. What isn't real, by a long shot, is the story "The White Russian" tells of a Borodin who casually pulverises the skull of a teenaged boy with a wrench in Petrograd a few months before the Russian Revolution, and heads up a violent underground terrorist movement between 1909 and 1917. For starters, Borodin was in the United States for that entire period, a fact that would have become apparent with even the simplest research effort. Perhaps more important, there is no evidence whatsoever that Borodin was a psychopathic killer. Indeed, he himself was the victim of a true psychopath, Josef Stalin, who sent the Jewish Borodin to Siberia in one of his anti-semitic purges, where he died in 1951. Historical fiction is not bound by the same rules of journalism, Bradby's usual profession. But it does have an obligation to respect basic historical facts, especially where the lives and character of real people are concerned.
6 people found this helpful
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Zhivago-like characterizations and authentic period feel

It's the winter of 1917. Russia is in the midst of a debilitating war. Food is almost non-existent. Fuel and clothing are nearly exhausted. The populace is desperate and very angry at the way the war has been botched by the Czar, and everywhere, every day, biting winds and ever-present snow threaten to freeze solid everything not able to remain in constant motion.

Into this bleak setting comes Chief St. Petersburg Police Investigator Ruzsky, scion of a well positioned and prominent Russian family, but himself only just returned from two years of vodka-sodden exile brought on by what many feel was a foolish defense of his loyal assistant, Deputy chief Investigator Pavel, after a case turned the wrong way. Now, two people have been murdered on the ice-covered river Neva, and despite the presence of the Okhrana, the Czar's secret police, it's Ruzsky's job to investigate.

Tom Bradley does an extraordinary job of re-creating pre-revolutionary Russia, and his plot is so well designed that despite its length (454 pgs) and numerous twists and turns, the story unfolds so smoothly it seems to fly past. As the suspects appear one by one, Ruzsky's brother Dmitri; Ruzsky's estranged wife Irina; Vasiliev, chief of the Okhrana; and Ruzsky's secret love Prima Ballerina Maria - someone is feeding the Okhrana information and they threaten to pre-empt the investigation, turning it toward their own mysterious ends.

But Ruzsky is known for his stubbornness and despite repeated warnings, including threats against his family, he manages never to take the full force of the opposition head on, until finally there's enough information to begin piecing together the big picture.

I enjoyed this read very much. It made a nice change of pace for me. I'd recommend it to anyone who enjoys descriptive and evocative characterizations wrapped around a strong mystery.

Art Tirrell is the author of the 2007 adventure novel [[ASIN:1601640048 The Secret Ever Keeps]].

"...portrayal of Jake as a man who rises from poverty to a position of wealth, the power wealth can buy, and the self-destruction it causes is superb." - Historical Novel Review (2008)
6 people found this helpful
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An Enjoyable Experience

This was actually the first Bradby book I read. After finishing this one, I ordered Master of Rain and went through it in a weekend. I loved this book because of the authors ability to not just set a scene for the reader but Bradby has an almost uncanny ability to create atmosphere through his writing. I was almost able to guess how the main character would react to a situation not by predictability but by the means which Bradby gave me through his strong character building. This and Master of Rain were great books. I want to be clear that this is a 5 Star book. I am giving this 4 stars because there really should have been a sequel to this book. I am disappointed that it seems impossible to get any other of this authors books in the USA, and I am also disappointed to know in what little I know about the authors other books that he leaves the subject matter entirely with these two books. A shame.
3 people found this helpful
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Murder in the twilight of the Tsar

I enjoy reading both fiction and non-fiction books about Russia around the end of the Romanov dynasty. That was such an interesting time period in history, and many things happened while the regime was slowly crumbling from within. This extremely well-written work of fiction adds another aspect to the time when everything was collapsing. There are mysterious murders, and one of the victims worked for the Imperial family. We go into the lair of the secret police, and into the center of the royal family itself, where the tsarina makes a cameo appearance. There are imperial servants, spies, revolutionaries, and our hero, an honest man trying to do his job while all falls arart, including his own family. It's essentially a sad tale, but one that really involves the reader. I enjoyed this book so much that I ordered "The Master of Rain", another work by this same author, and I expect to enjoy it as well.
3 people found this helpful
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Incredible setting for a novel

This novel White Russian takes place in one of the most interesting and tragic times in world history, the Russian Revolution of 1917. Of course we have the benefit of knowledge of Russian history to be familiar with the subsequent events within 12 months of this stories time frame. What I loved with this novel is the tension created amongst the characters and the concern, fear and apprehension of events beyond their control.
The corruption and struggles of the royalist system and the horrors of the war are all part of this story about a series of murders and the police inspector who set out to solve the crime.
The only reason I gave this novel 4 stars was the ending of the story was a bit weak in my opinion and not in keeping with the character's personalities.
2 people found this helpful
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A Great Book

I thoroughly enjoyed this novel, so much in fact, that I stopped halfway through to order "Master of Rain." "The White Russian" is very well written, and the basic plot alone sustains it. However, Tom Bradby skillfully weaves in several subplots and surprises that make the book even better. A visit to St. Petersburg several years ago just added to my enjoyment. If this novel is typical of Bradby's work, he ranks with Eric Ambler and Frederick Forsyth.
2 people found this helpful
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Help, where is the editor?????

I am not in the habit of bashing a book but I think my disappointment was so great that I just have to write this. I read the first page and then had it downloaded to my kindle. I love mysteries and I love Russian History. How sad this book turned out. Some of the sentence structure was so poor that I wondered where his editor was.
I love hearing about the local color because I was there but he tried to bring in too much local color too fast. Why not let it unfold in a natural manner with the story. I have returned this book. Sorry I didn't get the read I was looking forward too.