The Water Knife: A novel
The Water Knife: A novel book cover

The Water Knife: A novel

Hardcover – Deckle Edge, May 26, 2015

Price
$24.77
Format
Hardcover
Pages
384
Publisher
Knopf
Publication Date
ISBN-13
978-0385352871
Dimensions
5 x 1 x 8 inches
Weight
1 pounds

Description

An Amazon Best Book of June 2015: Three very different characters—an orphaned Texan teen marooned in Phoenix; the “water knife” Angel from Las Vegas who will break any law he needs to in order to pave the way for his boss to gain the water rights she wants; and journalist Lucy Monroe, who has adopted drought-decimated Phoenix as her own—thrust Bacigalupi’s near-future tale through violence and betrayal toward a blockbuster conclusion that could well be one of the best endings of the year. Murder and torture are everyday events in dusty Phoenix, which is loosely controlled by a sociopathic crime lord, a Chinese construction company that’s offering the only jobs in town, Californian interests, and Las Vegas’ shadowy water knives—former criminals and ex-military who enforce the water rights bought or extorted by their powerful boss. When a rumor surfaces of water rights so senior that they would trump all existing rights and give Phoenix a chance to bloom instead of continue its rampant slide into death by drought, the race is on to find the rights, and no one will survive unharmed. Bleak, troubling, and at the same time deeply hopeful as Bacigalupi’s complex characters define and defend their loyalties, The Water Knife delivers a final scene as unexpected as it is satisfying. --Adrian Liang · Amazon.com, Best Books of 2015· NPR Book Concierge, Best Books of 2015· Kansas City Star, Best Fiction of 2015· Paste Magazine, Best Fiction of 2015 “[A] fresh, genre-bending thriller. . . .xa0 Reading Paolo Bacigalupi's richly imagined novelxa0The Water Knifexa0brings to mind the moviexa0Chinatown. Although one is set in the past and the other in a dystopian future, both are neo-noir tales with jaded antiheroes and ruthless kingpins who wield water as lethal weapons to control life—and mete out death. . . . Bacigalupi weaves page-turning action with zeitgeisty themes. . . . His use of water as sacred currency evokes Frank Herbert'sxa0Dune. The casual violence and slang may bring to mindxa0A Clockwork Orange. The book's nervous energy recalls William Gibson at his cyberpunk best. Its visual imagery evokes Dust Bowl Okies in the Great Depression and the catastrophic 1928 failure of the St. Francis Dam that killed 600 people and haunted its builder, Mulholland, into the grave. . . . Reading the novel in 93-degree March weather while L.A. newscasts warned of water rationing and extended drought, I felt the hot panting breath of the desert on my nape and I shivered, hoping that Bacigalupi's vision of the future won't be ours.”xa0—Denise Hamilton, Los Angeles Times “[A]xa0water-wars thriller set in the Southwest only a few decades from now. . . . While Bacigalupi's environmental message could not be more powerful, it's neatly embedded in a nonstop action plot, full of murders and betrayals, that should satisfy thriller readers who didn't even think they cared about these issues.” —Gary K. Wolfe, The Chicago Tribune “Mr. Bacigalupi’s is the most thought-provoking of the recent apocalypses. It’s a very timely read for policy-makers, as well as anyone living in the threatened American West. That’s the thing about sci-fi authors: Some of them really mean it.” —Tom Shippey, The Wall Street Journal “Residents in the southwestern United States enduring that water crisis will appreciate the precision with which Bacigalupi imagines our thirsty future. . . . Bacigalupi is a grim, efficient and polished narrator. . . . Our waterless future looks hot—and filled with conflict.”—Hector Tobar, The Washington Post “Bacigalupi's characters are engagingly unpredictable, and his story blasts along like a twin-battery Tesla.xa0The Water Knifexa0is splendid near-future fiction, a compelling thriller–and inordinately fun.” —Cleveland Plain Dealer “A noir-ish, cinematic thriller set in the midst of a water war between Las Vegas and Phoenix. . . . Thinkxa0Chinatownxa0meetsxa0Mad Max.”—NPR,xa0All Things Considered“Paolo Bagicalupi's new near-future thriller arrives at a depressingly appropriate moment. . . . The Water Knife is a carefully constructed thriller, with elements of Chinatown and The Maltese Falcon . But the novel ultimately transcends its pulpier origins. Bacigalupi offers a carefully calibrated warning of what might happen if the US refuses to address global climate change and its own water-wasting ways. It's one we ignore at our peril.” —Michael Berry, Earth Island Journal "These days are coming, and as always fiction explains them better than fact.xa0 This is a spectacular thriller, wonderfully imagined and written, and racing through it will make you think—and make you thirsty.” —Lee Child, author of Personal "An intense thriller and a deeply insightful vision of the coming century, laid out in all its pain and glory. It's a water knife indeed, right to the heart." —Kim Stanley Robinson, author of Aurora "Anyone can write about the future. Paolo Bacigalupi writes about the future that we're making today, if we keep going the way we are. It makes his writing beautiful . . . and terrifying."—John Scalzi, author of Lock In " The Water Knife is an noir-tinged, apocalyptic vision of the near-future: What will the world be like, and how will we live in it? Bacigalupi already seems to live there. Once I started, I couldn’t put it down.” —Kelly Link, author of Get in Trouble “A fresh cautionary tale classic, depicting an America newly shaped by scarcity of our most vital resource. The pages practically turn themselves in a tense, taut plot of crosses and double-crosses, given added depth by riveting characters. This brutal near-future thriller seems so plausible in the world it depicts that you will want to stock up on bottled water.”— Library Journal , starred review"The frightening details of how the world might suffer from catastrophic drought are vividly imagined. The way the novel's environmental nightmare affects society, as individuals and larger entities—both official and criminal—vie for a limited and essential resource, feels solid, plausible, and disturbingly believable. The dust storms, Texan refugees, skyrocketing murder rate, and momentary hysteria of a public ravenous for quick hits of sensational news seem like logical extensions of our current reality. An absorbing . . . thriller full of violent action."-- Kirkus PAOLO BACIGALUPI is a Hugo, Nebula, and Michael L. Printz Award winner, as well as a National Book Award finalist. He is also a winner of the Theodore Sturgeon Memorial Award, the John W. Campbell Award, and a three-time winner of the Locus Award. His short fiction has appeared in The Magazine of Fantasy & Science Fiction, Asimov’s Science Fiction Magazine, and High Country News . He lives with his wife and son in western Colorado, where he is working on a new novel. xa0 www.windupstories.com Excerpt. © Reprinted by permission. All rights reserved. Chapter 1There were stories in sweat.The sweat of a woman bent double in an onion field, working fourteen hours under the hot sun, was different from the sweat of a man as he approached a checkpoint in Mexico, praying to La Santa Muerte that the federales weren’t on the payroll of the enemies he was fleeing. The sweat of a ten-xadyear-xadold boy staring into the barrel of a SIG Sauer was different from the sweat of a woman struggling across the desert and praying to the Virgin that a water cache was going to turn out to be exactly where her coyote’s map told her it would be.Sweat was a body’s history, compressed into jewels, beaded on the brow, staining shirts with salt. It told you everything about how a person had ended up in the right place at the wrong time, and whether they would survive another day.To Angel Velasquez, perched high above Cypress 1’s central bore and watching Charles Braxton as he lumbered up the Cascade Trail, the sweat on a lawyer’s brow said that some people weren’t near as important as they liked to think.Braxton might strut in his offices and scream at his secretaries. He might stalk courtrooms like an ax murderer hunting new victims. But no matter how much swagger the lawyer carried, at the end of the day Catherine Case owned his ass—xadand when Catherine Case told you to get something done quick, you didn’t just run, pendejo, you ran until your heart gave out and there wasn’t no running left.Braxton ducked under ferns and stumbled past banyan climbing vines, following the slow rise of the trail as it wound around the cooling bore. He shoved through groups of tourists posing for selfies before the braided waterfalls and hanging gardens that spilled down the arcology’s levels. He kept on, flushed and dogged. Joggers zipped past him in shorts and tank tops, their ears flooded with music and the thud of their healthy hearts.You could learn a lot from a man’s sweat.Braxton’s sweat meant he still had fear. And to Angel, that meant he was still reliable.Braxton spied Angel perched on the bridge where it arced across the wide expanse of the central bore. He waved tiredly, motioning Angel to come down and join him. Angel waved back from above, smiling, pretending not to understand.“Come down!” Braxton called up.Angel smiled and waved again.The lawyer slumped, defeated, and set himself to the final assault on Angel’s aerie.Angel leaned against the rail, enjoying the view. Sunlight filtered down from above, dappling bamboo and rain trees, illuminating tropical birds and casting pocket-xadmirror flashes on mossy koi ponds.Far below, people were smaller than ants. Not really people at all, more just the shapes of tourists and residents and casino workers, as in the biotects’ development models of Cypress 1: scale-xadmodel people sipping scale-xadmodel lattes on scale-xadmodel coffee shop terraces. Scale-xadmodel kids chasing butterflies on the nature trails, while scale-xadmodel gamblers split and doubled down at the scale-xadmodel blackjack tables in the deep grottoes of the casinos.Braxton came lumbering onto the bridge. “Why didn’t you come down?” he gasped. “I told you to come down.” He dropped his briefcase on the boards and sagged against the rail.“What you got for me?” Angel asked.“Papers,” Braxton wheezed. “Carver City. We just got the judge’s decision.” He waved an exhausted hand at the briefcase. “We crushed them.”“And?”Braxton tried to say more but couldn’t get the words out. His face was puffy and flushed. Angel wondered if he was about to have a heart attack, then tried to decide how much he would care if he did.The first time Angel met Braxton had been in the lawyer’s offices in the headquarters of the Southern Nevada Water Authority. The man had a floor-xadto-xadceiling view of Carson Creek, Cypress 1’s fly-xadfishing river, where it cascaded through various levels of the arcology before being pumped back to the top of the system to run though a new cleaning cycle. A big expensive overlook onto rainbow trout and water infrastructure, and a good reminder of why Braxton filed his lawsuits on SNWA’s behalf.Braxton had been lording over his three assistants—xadall coincidentally svelte girls hooked straight from law school with promises of permanent residence permits in Cypress—xadand he’d talked to Angel like an afterthought. Just another one of Catherine Case’s pit bulls that he tolerated for as long as Angel kept leaving other, bigger dogs dead in his wake.Angel, in turn, had spent the meeting trying to figure out how a man like Braxton had gotten so large. People outside Cypress didn’t fatten up like Braxton did. In all Angel’s early life, he’d never seen a creature quite like Braxton, and he found himself fascinated, admiring the fleshy raiment of a man who knew himself secure.If the end of the world came like Catherine Case said it would, Angel thought Braxton would make good eating. And that in turn made it easier to let the Ivy League pendejo live when he wrinkled his nose at Angel’s gang tattoos and the knife scar that scored his face and throat.Times they do change, Angel thought as he watched the sweat drip from Braxton’s nose.“Carver City lost on appeal,” Braxton gasped finally. “Judges were going to rule this morning, but we got the courtrooms double-xadbooked. Got the whole ruling delayed until end of business. Carver City will be running like crazy to file a new appeal.” He picked up his briefcase and popped it open. “They aren’t going to make it.”He handed over a sheaf of laser-xadhologrammed documents. “These are your injunctions. You’ve got until the courts open tomorrow to enforce our legal rights. Once Carver City files an appeal, it’s a different story. Then you’re looking at civil liabilities, minimally. But until courts open tomorrow, you’re just defending the private property rights of the citizens of the great state of Nevada.”Angel started going through the documents. “This all of it?”“Everything you need, as long as you seal the deal tonight. Once business opens tomorrow, it’s back to courtroom delays and he-xadsaid, she-xadsaid.”“And you’ll have done a lot of sweating for nothing.”Braxton jabbed a thick finger at Angel. “That better not happen.”Angel laughed at the implied threat. “I already got my housing permits, cabrón. Go frighten your secretaries.”“Just because you’re Case’s pet doesn’t mean I can’t make your life miserable.”Angel didn’t look up from the injunctions. “Just because you’re Case’s dog don’t mean I can’t toss you off this bridge.”The seals and stamps on the injunctions all looked like they were in order.“What have you got on Case that makes you so untouchable?” Braxton asked.“She trusts me.”Braxton laughed, disbelieving, as Angel put the injunctions back in order.Angel said, “People like you write everything down because you know everyone is a liar. It’s how you lawyers do.” He slapped Braxton in the chest with the legal documents, grinning. “And that’s why Case trusts me and treats you like a dog—xadyou’re the one who writes things down.”He left Braxton glaring at him from the bridge.As Angel made his way down the Cascade Trail, he pulled out his cell and dialed.Catherine Case answered on the first ring, clipped and formal. “This is Case.”Angel could imagine her, Queen of the Colorado, leaning over her desk, with maps of the state of Nevada and the Colorado River Basin floor to ceiling on the walls around her, her domain laid out in real-xadtime data feeds—xadthe veins of every tributary blinking red, amber, or green indicating stream flow in cubic feet per second. Numbers flickering over the various catchment basins of the Rocky Mountains—xadred, amber, green—xadmonitoring how much snow cover remained and variation off the norm as it melted. Other numbers, displaying the depths of reservoirs and dams, from the Blue Mesa Dam on the Gunnison, to the Navajo Dam on the San Juan, to the Flaming Gorge Dam on the Green. Over it all, emergency purchase prices on streamflows and futures offers scrolled via NASDAQ, available open-xadmarket purchase options if she needed to recharge the depth in Lake Mead, the unforgiving numbers that ruled her world as relentlessly as she ruled Angel’s and Braxton’s.“Just talked to your favorite lawyer,” Angel said.“Please tell me you didn’t antagonize him again.”“That pendejo is a piece of work.”“You’re not so easy, either. You have everything you need?”“Well, Braxton gave me a lot of dead trees, that’s for sure.” He hefted the sheaf of legal documents. “Didn’t know so much paper still existed.”“We like to make sure we’re all on the same page,” Case said dryly.“Same fifty or sixty pages, more like.”Case laughed. “It’s the first rule of bureaucracy: any message worth sending is worth sending in triplicate.”Angel exited the Cascade Trail, winding down toward where elevator banks would whisk him to central parking. “Figure we should be up in about an hour,” he said.“I’ll be monitoring.”“This is a milk run, boss. Braxton’s papers here got about a hundred different signatures say I can do anything I want. This is old-xadschool cease and desist. Camel Corps could do this one on their own, I bet. Glorified FedEx is what this is.”“No.” Case’s voice hardened. “Ten years of back-xadand-xadforth in the courts is what this is, and I want it finished. For good this time. I’m tired of giving away Cypress housing permits to some judge’s nephew just so we can keep appealing for something that’s ours by right.”“No worries. When we’re done, Carver City won’t know what hit them.”“Good. Let me know when it’s finished.”She clicked off. Angel caught an express elevator as it was closing. He stepped to the glass as the elevator began its plunge. It accelerated, plummeting down through the levels of the arcology. People blurred past: mothers pushing double strollers; hourly girlfriends clinging to the arms of weekend boyfriends; tourists from all over the world, snapping pics and messaging home they had seen the Hanging Gardens of Las Vegas. Ferns and waterfalls and coffee shops.Down on the entertainment floors, the dealers would be changing shifts. In the hotels the twenty-xadfour-xadhour party people would be waking up and taking their first shots of vodka, spraying glitter on their skin. Maids and waiters and busboys and cooks and maintenance staff would all be hard at work, striving to keep their jobs, fighting to keep their Cypress housing permits.You’re all here because of me, Angel thought. Without me, you’d all be little tumbleweeds. Little bone-xadand-xadpaper-xadskin bodies. No dice to throw, no hookers to buy, no strollers to push, no drinks at your elbow, no work to do .u2008.u2008.Without me, you’re nothing.The elevator hit bottom with a soft chime. Its doors opened to Angel’s Tesla, waiting with the valet.Half an hour later he was striding across the boiling tarmac of Mulroy Airbase, heat waves rippling off the tarmac, and the sun setting bloody over the Spring Mountains. One hundred twenty degrees, and the sun only finally finishing the job. The floodlights of the base were coming on, adding to the burn.“You got our papers?” Reyes shouted over the whine of Apaches.“Feds love our desert asses!” Angel held up the documents. “For the next fourteen hours, anyway!”Reyes barely smiled in response, just turned and started initiating launch orders.Colonel Reyes was a big black man who’d been a recon marine in Syria and Venezuela, before moving into hot work in the Sahel and then Chihuahua, before finally dropping into his current plush job with the Nevada guardies.State of Nevada paid better, he said.Reyes waved Angel aboard the command chopper. Around them attack helicopters were spinning up, burning synthetic fuel by the barrel—xadNevada National Guard, aka Camel Corps, aka those fucking Vegas guardies, depending on who had just had a Hades missile sheaf fired up their asses—xadall of them gearing up to inflict the will of Catherine Case upon her enemies.One of the guardies tossed Angel a flak jacket. Angel shrugged into Kevlar as Reyes settled into the command seat and started issuing orders. Angel plugged military glass and an earbug into the chopper’s comms so he could listen to the chatter.Their gunship lurched skyward. A pilot’s-eye data feed spilled into Angel’s vision, the graffiti of war coloring Las Vegas with bright hungry tags: target calculations, relevant structures, friend/foe markings, Hades missile loads, and .50-xadcal belly-xadgun ammo info, fuel warnings, heat signals on the ground .u2008.u2008. Read more

Features & Highlights

  • WATER IS POWER
  • Paolo Bacigalupi,
  • New York Times
  • best-selling author of
  • The Windup Girl
  • and National Book Award finalist, delivers a near-future thriller that casts new light on how we live today—and what may be in store for us tomorrow. The American Southwest has been decimated by drought. Nevada and Arizona skirmish over dwindling shares of the Colorado River, while California watches, deciding if it should just take the whole river all for itself. Into the fray steps Las Vegas water knife Angel Velasquez. Detective, assassin, and spy, Angel “cuts” water for the Southern Nevada Water Authority and its boss, Catherine Case, ensuring that her lush, luxurious arcology developments can bloom in the desert and that anyone who challenges her is left in the gutted-suburban dust. When rumors of a game-changing water source surface in Phoenix, Angel is sent to investigate. With a wallet full of identities and a tricked-out Tesla, Angel arrows south, hunting for answers that seem to evaporate as the heat index soars and the landscape becomes more and more oppressive. There, Angel encounters Lucy Monroe, a hardened journalist, who knows far more about Phoenix’s water secrets than she admits, and Maria Villarosa, a young Texas migrant, who dreams of escaping north to those places where water still falls from the sky. As bodies begin to pile up and bullets start flying, the three find themselves pawns in a game far bigger, more corrupt, and dirtier than any of them could have imagined. With Phoenix teetering on the verge of collapse and time running out for Angel, Lucy, and Maria, their only hope for survival rests in one another’s hands.  But when water is more valuable than gold, alliances shift like sand, and the only truth in the desert is that someone will have to bleed if anyone hopes to drink.

Customer Reviews

Rating Breakdown

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Most Helpful Reviews

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Dystopian, action packed, and with graphic violence

I'm living in the fourth year of the California drought, so to me Paolo Bacigalupi's science fiction thriller The Water Knife paints an all-too-probable picture of an American Southwest brought about by climate change. Rain dries up before it reaches the ground. Water has the importance oil has in our current economy. Water is drilled and exploited by corporations, controlled by people like Catherine Vegas (the queen of the Colorado) via her "water knife" Angel Velasquez, and enjoyed by a few rich people in enclosed arcologies while the desperate poor must do anything to get a drink, let alone a shower. There are two viewpoint characters in addition to Angel Velasquez: investigative journalist Lucy Monroe and the poor girl Maria, a refugee from Texas struggling to get out of Phoenix, where the book's action takes place. These three tough people find themselves allied to try to stop a conspiracy that will have huge consequences for the future of Phoenix. As you'll have guessed, this book is gritty and action packed. I don't mind that. I don't even mind the relentlessly dystopian setting. But I do think the author goes too far with the graphic violence and torture. The reader needs to know it happens in this world, but it's enough to have it offstage, not described in such detail. This book is not for the faint of heart.
88 people found this helpful
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Eau, Brother, Where Art Thou?

What happens in the near future when, in the face of Global Warming and impending permanent drought, the infertile lands of the American Southwest lose the use of water pipelines from Lakes Meade and Havasu, and the Colorado River? I'm not too sure, but the novelist Paolo Bacigalupi has a handle on that harrowing question and has written a new Sci-Fi Thriller around it. The Water Knife, his latest, is a speculative semi-apocalyptic tale for adults (he has written a number of books for young adults and kids) in which the planet's carbon boot has tread all over its already dry regions leaving a permanent footprint of drought. In this new world water equals power and the powerful will not hesitate to carve their own arterial conduits, when necessary, to feed the heart of their influence.

Three main characters drive the narrative throughout the book: Angel Velasquez, the water knife of the title, whose boss, Catherine Case, quenches Las Vegas with her "arcologies", or water independent residential towers, unafraid of wetting her far reaching talons; Lucy Monroe, a "Journo", who reports on the corruption and machinations surrounding the Taiyang, a Chinese funded arcology in the middle of Arizona; and Maria Villarosa, a teenager refugee from Texas, who, along with her room-mate Sarah, struggles to survive on the incendiary streets of Phoenix (the symbolism of which is not lost on this reader). Bacigalupi eventually tosses the three together, stirs and turns up the heat. The recipe is tried and true; It's delicious to consume, but still, a burrito is just a burrito (refried beans and all).

Bacigalupi sets his cautionary tale against a template of greed; with California stealing water from Nevada (not a new concept. See John Houston's Chinatown), Nevada diverting and withholding water from Arizona and Texans becoming the Okies (or the Merry Perrys here) of the twenty-first century. The recent prolonged drought in California lends credence to the author's admonitory tone. Global warming is a global warning. It is a real phenomenon. He drills it into the reader. When Lucy meets up with her doomed colleague, the cynical and desperate Jamie Sanderson, Bacigalupi uses their conversation to affirm his own thesis. About climate change, the water crisis, and ignorance, Jamie says: "We knew it was all going to go to hell and we just stood by and watched it happen anyway. There ought to be a prize for that kind of stupidity." Expounding on the theme of faith vs. fact, he continues:

"'This was never about believing. You think someone like Catherine Case up in Vegas believes things? This was about looking and seeing. Pure data. You don't believe data-- you test data,' he grimaced..." "'This should have been about testing and confirmation and we turned it into a question of faith. F***ing Merry Perrys praying for rain.' He snorted. "No wonder the Chinese are kicking our ass.'"

Although The Water Knife's premise is intelligent and its dialogue well written, its plot tends to follow a familiar cinematic formula. Not that that is so terrible, it just does not allow the novel to break the bonds of genre. By focusing on multiple characters instead of just one, Bacigalupi attenuates the psychological intensity that the subject of his work deserves. By depicting exciting chases and bloody shoot-outs he allays much of the inner conflict that might have transcended stereotype. Unfortunately, the potential of this work, for me, eclipses the actual product. Though I enjoyed the ride, I only wish it moved me a little further downstream.

3.3 Stars
87 people found this helpful
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Dust Bowl days again in the Southwest...

I am a fan of Paolo Bacigalupi's writing and have been for years. THE WINDUP GIRL was stellar and so were his later two Young Adult books - SHIP BREAKER and its sequel THE DROWNED CITIES.

What makes his books so impressive to me is the world building. There is enough of the familiar in his tales to make me really start believing what I read. And because of present day droughts, dust storms, and fights over water rights, the story that Bacigalupi has given us this time around rings all too plausible.

This author also has a true talent of creating characters that are believable and complex. In this dystopian tale Mexican-born Angel Velasquez is a "water knife," a hit man/jack of all trades for his employer, Las Vegas real estate mogul Catherine Case. She will have Angel do whatever is necessary to get as much water from the Colorado River to Las Vegas as possible and he's sent to Phoenix to do just that. There is also Pulitzer prize-winning journalist Lucy Monroe who lives in drought-destroyed Phoenix, Arizona, stumbling across this major story of water wars. And Texas-born teenaged Maria figures strongly into the overall story too.

The details of the story are thought provoking, with facts and figures about water, and then all the ways this future generation conserves/recycles/acquires water.

This offering from Bacigalupi is definitely for adults. There is very rough language, blood, guts, and gore, and some sex scenes.

But if you are a discerning adult who wants to read a futuristic masterpiece that crosses THE ROAD WARRIOR with THE GRAPES OF WRATH, pick up THE WATER KNIFE. This is a story of the haves and the have-nots, trying to bargain for a resource no living creature can do without - water.
44 people found this helpful
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recommended if you enjoy dystopian fiction and don't mind veering off into Hollywood movie territory

The Water Knife by Paolo Bacigalupi has a compelling and believable premise. Set in the near future, water shortages in the west have reached critical levels. In many places, it no longer rains. The states are fighting for what water is available; Texans have become refugees that struggle to cross state borders (often ending up dead and strung up as a warning to others). Catherine Case is a powerful woman who controls much of the water in the west, ensuring that Nevada drinks while other states thirst.

Case employs many people to help her retain her power and her water. One of them is Angel, a former gang member she rescued from prison. He looks like a scary tough guy, scarred and tattooed, but he is a complex and loyal individual. He goes on a mission to Arizona, in its death throes but still hanging on, and gets mixed up in subterfuge over water rights that date back two hundred years. He crosses paths with Lucy, a Pulitzer-prize winning journalist in Phoenix to report on the crisis, and Maria, a Texas refugee determined to survive on her own terms.

The world building is all too easy to believe. Americans have been wasting fresh water for decades in ways that are completely unsustainable. As Angel observes:

“Thanks to the centrifugal pump, places like Nebraska, Kansas, Oklahoma, and Texas had thrown on the garments of fertility for a century, pretending to greenery and growth as they mined glacial water from ten-thousand-year-old aquifers. They’d played dress-up-in-green and pretended it could last forever. They’d pumped up the ice age and spread it across the land, and for a while they’d turned their dry lands lush. Cotton, wheat, corn, soybeans – vast green acreages, all because someone could get a pump going. Those places had dreamed of being different from what they were. They’d had aspirations. And then the water ran out, and they fell back, realizing too late that their prosperity was borrowed, and there would be no more coming.” (p. 80 of the advance reader copy)

In Bacigalupi’s world, the Red Cross provides water, and refugee camps spring up around them. The tension between Texans and Arizona natives is palpable. The Chinese build oases for those with money and power. Young women sell their bodies to survive and take drugs to provide false courage. While the characters are not particularly original types, they are well drawn. They have depth. The intrigue was twisty but not so complicated that it was hard to follow.

Bacigalupi hit only a few false notes for me. For example, Angel thinks about Lucy: “He wanted her. He wanted her like he’d never wanted another woman.” (p. 231 of the ARC). Really? Time to slip into the overblown language of a genre romance? There are descriptions of graphic torture and violence. Angel survives gunshots and trauma that would kill anyone else except maybe Indiana Jones.

Still, I found the book gripping and the future world realistic. If you enjoy dystopian fiction and don’t mind veering off into Hollywood movie territory occasionally, I recommend The Water Knife.

I read an advance reader copy.
9 people found this helpful
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Not what I was hoping for...

As a resident of the Southwest, I was very excited to read this book as water is always on our minds here. However, this book was a huge let down. Frankly, it read like a Hollywood movie script written by a violence-obsessed, horny teenager.
8 people found this helpful
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Disappointing in comparison to The Windup Girl and Pump Six

I was so looking forward to Mr. Bacigalupi's “Water Knife” that I pre-ordered the book, the expensive hard-cover edition, mind you, and counted the days until its release.

And then it arrived...

But after only a handful of pages into the story I quickly realized this would be nothing of the caliber I was expecting after reading The Windup Girl and Pump Six. Instead of getting edgy, far-out, and “weird” storylines (remember the frolicking trogs from Pump Six?) I felt like I was reading your standard, run-of-the-mill detective story, quite possibly targeted at a teenage audience given its simplicity.

While there is a little bit of violence sprinkled in over here and a little bit of sex sprinkled in over there, there just isn’t enough substance to make this book interesting, let alone memorable. What happened to cutting edge? What happened to mind-bending? None of that here. Disappointed.
8 people found this helpful
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Who has the right to water?

"The Water Knife" has a thought-provoking premise: What might a United States shattered by a desperate need for water be like if it were teetering on the brink of war? A nation unrecognizable because no one (forget government and humanitarian efforts) can agree who has the rights to water, which is a rare resource that few - except perhaps the rich - have enough of. A nation where deceit, murder, and money are the priorities - people are expendable.

It took me awhile to get straight in my mind the several different groups who are warring against each other (for either some elusive water rights, or water and life itself), and which people are loyal to which group. Angel is a water knife (he cuts what his boss, Catherine Case, tells him to cut) and loyal to the death to her and to Las Vegas. But problems arise as he makes friends who despite their best intentions may not be as loyal to him and his agenda. Angel also discovers some shocking betrayals. But he has more than just brawn - he has brains, and usually a plan, too. But what happens when he comes up against an oddball, unexpected team of rivals who also has a plan? What Angel shares with someone he loves is proven true - everyone, when under the right kind of pressure, breaks. Will he break before his rivals do?

I enjoyed "The Water Knife," and mostly found it full of action (I occasionally was made dizzy by the excessive and explicit violence, and some of the villains were a bit unreal with their continual success in their evildoing, but hey, in the water knife's world, that's just the way it is) and well-developed characters who built relationships whenever they could. Overall, it's a book that will throw a shock into you to consider the possibility of a water-starved nation and where you might find yourself in such a situation.
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Bleak and gruesome dystopian SF

Paolo Bacigalupi instills more dread at the future than any author I've read. His vision of an American dystopia is unremittingly bleak, yet nuanced enough to feel possible. At the core of The Water Knife is the premise that faced with a gravely insufficient water supply, the western states begin fighting against each other, to the extent they are able to without having the federal government step in. Exactly what that boundary is slips quite far before the end of the novel.

The story primarily follows three characters: the titular water knife, sent into Phoenix, Arizona to track down a lead on water rights for his employer in Vegas, a journalist, so damaged from her time in Arizona that she feels too tainted to return to her native North-East, and a refugee from a broken Texas, trying to scrape by selling water in a neighborhood ruled by a brutal gang. As the stakes involved with the water rights start to become clear, they are thrown into a violent maelstrom where there are few safe harbors.

The story takes many twists, most of them grim and exceptionally violent. It's a prolonged gut punch of a novel with a setting that makes Mad Max seem like Downton Abbey. Gripping, vivid and exceptionally written, while it certainly isn't for everyone, this is a great read for fans of dystopian SF or anyone who has thought to extrapolate just how bad droughts in the SW could become.
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Was disappointed. Expected more after reading earlier books by him

Was disappointed. Expected more after reading earlier books by him. The ideas were great, but ran out about page 50. Then just recycled them. It's just climate change porn the rest of the way, lots of guns and torture and mutilation and desperate sex and people getting fed to coyotes for fun. So the generic stuff gets in the way, for me. Loved that the women in the book are active and strong--that's a big plus. Just wanted more complexity, I guess.
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Book on torture.

What a disappointment. Author knows how to destroy a book that could have been important. Torture couched in environmentalism.
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