The Unnamed
The Unnamed book cover

The Unnamed

Hardcover – Bargain Price, January 18, 2010

Price
$55.72
Format
Hardcover
Pages
320
Publisher
Reagan Arthur Books
Publication Date
Dimensions
6.25 x 1.13 x 9.5 inches
Weight
1.2 pounds

Description

Amazon Best Books of the Month, January 2010 : It's back. With those words Tim and Jane Farnsworth reenter a nightmare they know so intimately it needs no other description. "It" may not be found among an insurance company's diagnostic codes, but the Farnsworths, a couple made wealthy by Tim's single-mindedly successful legal practice, know it too well: Tim's compulsion, at any random moment of the day or night, to set out walking for hours at a time until he collapses in exhaustion. They've survived two bouts of this inexplicable illness, which began as mysteriously as they ended, and now, as Joshua Ferris's second novel, The Unnamed , opens, they are beset by a third. Ferris's first book, Then We Came to the End , was one of the freshest, most acclaimed fiction debuts of the decade, but he's followed it not with an imitation or extension but with something thrillingly different. Like Tim possessed in one of his perambulatory vectors, Ferris follows his character's condition as far as it leads him, far beyond where logic and loyalty usually take our lives, but always treats it with empathy, grace, and imagination. His language is as exact and poetic as his premise is fantastic, and by the story's end you feel the title refers not only to his hero's strange and solitary disease but also to those elemental but equally inexplicable forces that bind us together through the most difficult turns of our fated lives. --Tom Nissley From Publishers Weekly Starred Review. In Ferris's remarkable second novel (after Then We Came to the End ), a life of privilege comes to ruin as a result of a strange and mysterious illness. Attorney Tim Farnsworth thought he had recovered from a disorder that compels him to walk to the point of exhaustion. But now his walking disease has returned and shows no sign of going into remission. His wife, Jane, supportive beyond measure, does everything she can to keep Tim safe during his walks, including making routine midnight trips to pick him up. As the disorder takes increasing control over their lives, however, the sacrifices they make for each other drive them further apart. Ferris manages to inject a bizarre whimsy into a devastatingly sad story, with each of Tim's outings revealing a new aspect of his marriage. The novel's circular aspects, with would-be happy endings spiraling back into chaos and then descending further, integrate Ferris's themes of family, sickness, and the uncertain division between body and mind into a vastly satisfying and original book. (Jan.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Booklist *Starred Review* In a radical departure from his satiric workplace comedy, Then We Came to the End (2007), Ferris turns in a dark and utterly compelling second novel on the insanity of modern life. Tim Farnsworth is a very successful trial attorney who suffers from a mysterious illness. With no warning, he is overcome by the physical compulsion to walk and walk to the point of physical exhaustion. So far, he has recovered twice. But with the third recurrence, the illness threatens to take his family under. Over the years, his wife, Jane, has rescued him countless times, in the middle of the night, in the freezing cold, from suburban communities and city parks. Now both Jane and their daughter, Becka, struggle with deep sadness and the loss of hope as Tim returns home less and less often. Ferris imbues his story with a sense of foreboding, both for the physical world, in the grip of record-breaking temperatures, and for the vulnerable nuclear family and its slow unraveling. With his devastating metaphoric take on the yearning for connection and the struggles of commitment, Ferris brilliantly channels the suburban angst of Yates and Cheever for the new millennium. --Joanne Wilkinson "Arresting, ground-shifting, beautiful and tragic. This is the book a new generation of writers will answer to. No one in America writes like this." ( Gary Shteyngart, author of ABSURDISTAN and THE RUSSIAN DEBUTANTE'S HANDBOOK )"Audacious, risky and powerfully bleak, with the author's unflinching artistry its saving grace." ( Kirkus Reviews )"Ferris imbues his story with a sense of foreboding, both for the physical world, in the grip of record-breaking temperatures, and for the vulnerable nuclear family and its slow unraveling. With its devastating metaphoric take on the yearning for connection and the struggles of commitment, Ferris brilliantly channels the suburban angst of Yates and Cheever for the new millennium." ( Booklist, starred review )"Rich and profound." ( Time )"Unfold[s] in a hushed, shadowed dimension located somewhere between myth and a David Mamet play." ( Salon )"An unnerving portrait of a man stripped of civilization's defenses. Ferris's prose is brash, extravagant, and, near the end, chillingly beautiful." ( The New Yorker )"Astonishing and compelling." ( Very Short List )"Ferris puts his notable wit and observational ability aside in favor of a far more psychological (and ultimately physical) examination of the self. . . . an accomplished and daring work by a writer just now realizing what he is capable of creating." ( The Los Angeles Times )"[Ferris is] a brilliant and funny observer." ( The New York Times )"Ferris shows a talent for the grotesque in his riveting descriptions of Tim's decline. He also includes his specialty - scenes of juicy office intrigue. But what's most engrossing in his portrait of a couple locked in an extreme version of a familiar conflict - the desire to stay together versus an inexplicable yearning to walk away." ( O Magazine )"You can't break away from the grip of these opening chapters . . . Ferris usually writes in a steady, cool voice whether delivering the quotidian details of office work or existential observations about God that would otherwise sound grandiose. The effect is a terrifying portrayal of intermittent mental illness, the way the fear of relapse becomes a kind of specter, mocking each recovery and shredding any hope of a cure." ( The Washington Post )"Strange and beguiling . . . With this brave and masterful novel, Ferris has proven himself a writer of the first order. The Unnamed poses a question that could not be more relevant to the America of 2010: Will the compulsions of our bodies defeat the contents of our souls?" ( The Boston Globe )"Riveting." ( The Wall Street Journal )"Where Then We Came to the End mined the minutiae of cubicle life for humor and pathos, this one goes straight for the heart (and the jugular), telling the story of a married father struggling with an inexplicable disease, and the lengths to which he'll go to maintain control of his life." ( GQ )"At once riveting, horrifying and deeply sad, The Unnamed, like Tim's feet, moves with a propulsion all its own. This is fiction with the force of an avalanche, snowballing unstoppable until it finally comes to rest-when we come to the end, so to speak." ( The San Francisco Chronicle )"There is beauty in Ferris' writing, even when charged with despair." ( The Chicago Sun-Times )"Mr. Ferris is wise enough not to teach a lesson. Rather, he has teased ordinary circumstances into something extraordinary, which is exactly what we want our fiction writers to do." ( The Economist )" The Unnamed is ambitious, intelligent, and even more complex than Ferris's debut novel, Then We Came to the End ." ( Christian Science Monitor )"Bracingly original . . . Surprisingly, almost tenderly, and despite his unrelenting refusal to churn out a predictable happy ending, [Ferris] turns The Unnamed into a most unorthodox love story about commitment and sacrifice." ( The Miami Herald )"Ferris' distinctive writing style is serious but whimsical, philosophical with a touch of the absurd." ( St. Petersburg Times ) Joshua Ferris's first novel, Then We Came to the End , won the PEN/Hemingway Award, the Barnes and Noble Discover Award, and was a National Book Award finalist. It has been translated into 24 languages. His fiction has appeared in The New Yorker , Granta , Best New American Voices, New Stories from the South, Prairie Schooner , and The Iowa Review . He lives in New York. Read more

Features & Highlights

  • He was going to lose the house and everything in it.The rare pleasure of a bath, the copper pots hanging above the kitchen island, his family-again he would lose his family. He stood inside the house and took stock. Everything in it had been taken for granted. How had that happened again? He had promised himself not to take anything for granted and now he couldn't recall the moment that promise had given way to the everyday.
  • Tim Farnsworth is a handsome, healthy man, aging with the grace of a matinee idol. His wife Jane still loves him, and for all its quiet trials, their marriage is still stronger than most. Despite long hours at the office, he remains passionate about his work, and his partnership at a prestigious Manhattan law firm means that the work he does is important. And, even as his daughter Becka retreats behind her guitar, her dreadlocks and her puppy fat, he offers her every one of a father's honest lies about her being the most beautiful girl in the world. He loves his wife, his family, his work, his home. He loves his kitchen. And then one day he stands up and walks out. And keeps walking.THE UNNAMED is a dazzling novel about a marriage and a family and the unseen forces of nature and desire that seem to threaten them both. It is the heartbreaking story of a life taken for granted and what happens when that life is abruptly and irrevocably taken away.

Customer Reviews

Rating Breakdown

★★★★★
30%
(105)
★★★★
20%
(70)
★★★
15%
(53)
★★
7%
(25)
28%
(98)

Most Helpful Reviews

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Excellent! Can't wait for more from this author.

"No matter what happens, I will keep running/moving on/walking along..." a familiar refrain heard a number of times that shows a resolve to not be overwhelmed by life's challenges. In case of the protagonist Tim in Joshua Ferris's The Unnamed, to keep walking is not a choice. He cannot stop walking and neither can he control when, where and for how long he walks. This strange affliction predictably creates havoc in his personal and professional life. this book is the story of this unnatural life and its challenges.
It would be easy enough to stop here when reviewing this book and it would describe fairly well what the book is about. But it would not be fair. This book is exquisitely painful to read, in how it forces the reader to think and draw parallels to their life. It is an intense love story which tests the power of love over a lifetime of challenges and asks questions that people don't normally encounter in their daily lives - what do you do when you are not in control of your mind/body? What is it that defines you as a person? Is it your calling, your work, love and relationships in your life? What do you do when you are made to choose between these? Does the body have power over mind or is the other way around? Is there a difference? The narration of Tim's life deals with such metaphysical and existential themes with the depth of a philosopher's mind, yet Ferris' style and language makes the characters and their problems very contemporary. There is a subtle distinction in the language and style of the text when dealing with the here and now versus when asking, and mostly not answering, questions about the tussle between mind and body. All the requisite components of dialog, description and action blend together in a manner that follows all the rules of Strunk and White. The text is rich in metaphors but is not allegorical because the mind's struggles are as physical and painful as the effects of the elements on Tim's body during his unpredictable and uncontrollable walks. The detailed physical descriptions of the characters and settings and down-to-earth yet insightful dialog bring you right into the lives of the characters and trap you there. No sooner do you get comfortable with the rhythm of the narrative, does the author bring in hurdles to catch you off guard. The painfully lyrical language and the questions that Tim's life reflects back on oneself, keeps you on your mental toes, entirely without control.
1 people found this helpful
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Intriguing Story

"The Unnamed" by Joshua Ferris is a weird book. I bought it after The Economist recommended it in its "best book of the year" list. Tim Farnsworth is a successful lawyer that is stricken with a strange and unpredictable illness: a sudden compulsion, that comes on at random moments, to start walking and not stop until he collapses asleep in exhaustion. Tim and his wife Jane went through two such periods of incessant walking and consulted with every possible expert (and voodoo doctors), with no diagnosis and no cure. The book starts with the third period of walking and describes what Tim and Jane go through trying to cope with this despairing situation. Ferris' writing is haunting, forcing the reader to continue page after page, in the hope that Tim finds some relief from this perambulatory madness. Whilst it's an intriguing and compelling story, it also leaves you breathless and exhausted. What kind of mind comes up with such a story?
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ok - not a happy ending

Others have spoken about the plot and language so this is more a review of (some) of the other reviews then of the novel itself. Some reviewers criticize the Author because the book does not have a happy ending and does not allays use a simple narration. I think this is more a comment on their expectations then on any qualities of the book which is brilliantly written and despite its bleakness very beautiful in its description of the love at the heart of the marriage it describes. I would recommend anyone who enjoys modern literature to try this book and enjoy this powerful new voice.
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Almost didn't finish

Right out of the gate, the writing style of this book was a little off-putting. There were some really bizarre and jarring metaphors, that had no connection to anything else written. There are also eyebrow-scrunching passages like--
--"What do you feel when you see a black albino?" he asked. "Sorrow," she said. He stared through the windshield. "Me, too."--
Even in context, re-reading the scene before it to make any sense of it, I couldn't. I read a lot of bizarre stuff, and this was still a head-scratcher. As the book progressed, I started to figure out why the tone was how it was, but it still didn't seem justified. There seemed to be a disconnect between the characters and the narrator. Usually they are in sync. If not, then there is a reason, like humor, or maybe satire, as in Tom Perrotta's "Little Children". Here, it was just too discombobulating. Although, reading, i.e., Murakami, just because things are mysterious, bizarre, enigmatic, etc. still doesn't mean you don't go along for the journey. Maybe what the book was lacking at the start was an underlying purpose. I almost stopped reading.
What Joshua Ferris did get right as the book progressed was the pacing of a thrilling read, and, the frustration and relentless vacillation between hope and despair when a family has to deal with unknown illness. In fact, the book became excellent as I read on. However, despite some of the bizarreness of Tim's life, he still worked and lived in "reality", and it's hard for anyone to except that he wouldn't have suffered consequences for some of his actions.
So, bad beginning, and exponential improvement as it went on, but, I don't want to wait until I'm around fifty pages into the book before it starts to get good. Why couldn't the beginning of the book be brought up to the same quality as the rest of it? By what I've heard of Joshua Ferris' debut, "Then We Came to the End", I wish I would have read that first, and then bought this book. Now, I'm not so sure I want to read the other. I hope someone buys the book for me, so I can read it without paying for it. Oh yeah, I can just get a library card.