The Silence: A Novel
The Silence: A Novel book cover

The Silence: A Novel

Paperback – October 20, 2020

Price
$10.30
Format
Paperback
Pages
128
Publisher
Scribner
Publication Date
ISBN-13
978-1982164553
Dimensions
5.5 x 0.7 x 8.38 inches
Weight
3.53 ounces

Description

Praise for Don DeLillo and The Silence "DeLillo has a special receiver that we the rest of us don’t have. He can hear and see things in the culture long before everybody else does. Every sentence radiates with his uncanny feeling for this moment and for the moment about to come." — Rachel Kushner, author of The Hard Crowd "DeLillo . . . creates a powerful rendering of a crowd unified by a terrifying event that defies all available models of comprehension." —The New Yorker "[Readers] will find something poignant and terrible in this strange unbroken silence." —Michael Gorra, NY Review of Books “[DeLillo] isolate[s] the raw material of the form, the language, through speech fragments and monologues, in the same way a painter might with color ... It’s an ability of DeLillo’s both philosophic and poetic, to stare at the familiar thing, to see the familiar new…” —Alexander Sammartino, Literary Hub "DeLillo's prose is always supple, his gaze into our culture's black hole as penetrating as ever. Equal parts lush and spare, The Silence never settles for easy answers." —Hamilton Cain, Minneapolis Star-Tribune "DeLillo's shrewd, darkly comic observations about the extravagance and alienation of contemporary life can still slice like a scalpel." —Leah Greenblatt, EW “To read DeLillo is to engage in a process wherein the author’s clarity forces our own...He treats the topical...as a yearning for commonality, mutuality, something to share...He wants to tell us not just what is, but how it feels, and It’s this ability to describe the moment’s emotion that constitutes his genius.” —Joshua Cohen, The New York Times Book Review "It is in his deft handling of the novel event's consequences—the space he creates in the wake of disruption—that DeLillo achieves his most profound effects." —M. C. Armstrong, The Brooklyn Rail "This masterfully written tale is compelling, timely and utterly eye-opening." —Kami Phillips, CNN Underscored “DeLillo is the premiere 'writer’s writer'…He…returns with new language, reconstructing sentence by sentence and paragraph by paragraph true-feeling motifs about how all of this works.” —Lauren Michele Jackson, Ssense "Thexa0American master’s latest work of fiction..." —AV Club "In this wry and cutting meditation on collective loss, a rupture severs us, suddenly, from everything we've come to rely on. The Silence seems to absorb DeLillo's entire body of work and sand it into stone or crystal." —Rachel Kushner "A swift and searing haunting of a novel. An encapsulation of our continuing crisis of aberration and pause. The Silence is prime DeLillo.” —Joy Williams "DeLillo (Zero K) applies his mastery of dialogue to a spare, contemplative story...In the end, readers gain the timely insight that some were born ready for disaster while others remain unequipped...the work stands out among DeLillo’s short fiction." —Publisher's Weekly "Don DeLillo has written about America in the 20th century so acutely and capaciously that he's become a fixed star in our literary firmament. . . .xa0. His work is darkly funny . . . [The Silence] is a powerful, short novel." — Carolyn Kellogg, Los Angeles Times "[DeLillo] is our laureate of paranoia and dread, a man who fully tapped into the mood of his age, as vital at his peak as any writer alive. . . .xa0[The Silence] is a pristine disaster novel. . . .xa0[H]is best writing here reminds us that, as he puts it . . .xa0xa0'Life can get so interesting that we forget to be afraid.'" — Dwight Garner, The New York Times "Shrewdxa0. . . .xa0It’s tempting to view The Silence as reflective of the COVID-19 era, but it’d be wrong.xa0. . . In spite of its short length, it gets at something deeper and, in its emphasis on where individuals choose to direct their attention, something more quintessentially American. If you were magically freed from all your digital obligations, how would you occupy yourself? If you had the option, would you choose it?" — J. Howard Rosier , Boston Globe “DeLillo delights in, rather than despairs over, the absurdities of modern experience...As an oenophile loves wine, Don DeLillo lovesxa0words .xa0. The field of language is the real setting of The Silence ." —Sam Sacks, Wall Street Journal "Surging forth at full throttle before settling down to seated stillness, The Silence is a dark and luminous, amusing and devastating theater of systemic shocks and confluent paradoxes. . . .xa0DeLillo is often lauded as something of a soothsayer, and The Silence , an engrossing addition to his oeuvre, is sure to add credence to that reputation." — Paul D'Agostino , Hyperallergic “An apocalyptic novel for our times” — Guardian , Book of the Week “ The Silence is a horrifyingly resonant book” — Observer “DeLillo is a master stylist, and not a word goes to waste.” — Anne Enright, Guardian “Few people write as gorgeously as DeLillo can” — Daily Telegraph "THE SILENCE celebrates the muted hysteria of intelligent human beings in the face of universal calamity." — Graham Robb, The Spectator Don DeLillo is the author of seventeen novels including White Noise , which was made into a Netflix film, Libra , Underworld , Falling Man ,xa0and Zero K . He has won the National Book Award, the PEN/Faulkner Award for Fiction, the PEN/Saul Bellow Award, the Jerusalem Prize for his complete body of work, and the William Dean Howells Medal from the American Academy of Arts and Letters. His story collection The Angel Esmeralda was a finalist for the Story Prize and the PEN/Faulkner Award for Fiction. In 2013, DeLillo was awarded the Library of Congress Prize for American Fiction, and in 2015, the National Book Foundation awarded DeLillo its Medal for Distinguished Contribution to American Letters.

Features & Highlights

  • From one of the most dazzling and essential voices in American fiction, a timely and compelling novel set in the near future about five people gathered together in a Manhattan apartment, in the midst of a catastrophic event.
  • Don DeLillo completed this novel just weeks before the advent of Covid-19.
  • The Silence
  • is the story of a different catastrophic event. Its resonances offer a mysterious solace. It is Super Bowl Sunday in the year 2022. Five people, dinner, an apartment on the east side of Manhattan. The retired physics professor and her husband and her former student waiting for the couple who will join them from what becomes a dramatic flight from Paris. The conversation ranges from a survey telescope in North-central Chile to a favorite brand of bourbon to Einstein’s 1912 Manuscript on the Special Theory of Relativity. Then something happens and the digital connections that have transformed our lives are severed. What follows is a dazzling and profoundly moving conversation about what makes us human. Never has the art of fiction been such an immediate guide to our navigation of a bewildering world. Never have DeLillo’s prescience, imagination, and language been more illuminating and essential. “Mysterious...Unexpectedly touching...[DeLillo offers] consolation simply by enacting so well the mystery and awe of the real world.”
  • —Joshua Ferris,
  • The New York Times Book Review
  • “DeLillo [has] almost Dayglo powers as a writer.” —
  • Michiko Kakutani,
  • The New York Times
  • “Brilliant and astonishing…a masterpiece…manages to renew DeLillo’s longstanding obsessions while also striking deeply and swiftly at the reader’s emotions…The effect is transcendent.”
  • —Charles Finch,
  • Chicago Tribune
  • “Daring... provocative... exquisite...captures the swelling fears of our age.”
  • —Ron Charles,
  • The
  • Washington Post

Customer Reviews

Rating Breakdown

★★★★★
30%
(406)
★★★★
20%
(271)
★★★
15%
(203)
★★
7%
(95)
28%
(379)

Most Helpful Reviews

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Stunning....That A Book Could Be This Bad

A total waste of time and money. The book has the barest whisper of a plot, five bland characters who sound exactly the same, and the worst dialogue ever written. Not a word spoken by these characters bears any resemblance to the way real people speak. Their conversations are ridiculously contrived and often incoherent. A tiny book that would be fifty pages at best if printed in a more standard format. The font is an eyesore and unpleasant to read; similar to that of an old manual typewriter. Words dribbling from the narrator amount to nothing but the naming of things, as if posting an assortment of random nouns on a notice board might result in a clear statement. In this case it does not. A sample: "Germs, genes, spores, powders....internet arms race, wireless signals, countersurveillance, data breaches...cryptocurrencies...money running wild, not a new development, no government standard, financial mayhem." A boring disappointment of a booklet.
99 people found this helpful
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The Silence

I own everything that this man has written and I classify his writings into two groups - BU and AU - Before Underworld and After Underworld, with Underworld being the pinnacle of Delillo's powers. The subsequent books never have quite lived up to what was. There was a steady build-up to Underworld through his previous novels with a precipitous fall in all that followed. The ideas presented in those works were never truly explored in books such as Zero-K, The Body Artist, and Cosmopolis.

Even when these novellas fell short, there was always something to sic your teeth into, his prose never disappointing. After the initial shock of how short this book was (and the fact I paid 20 bucks for a pamphlet) I knew I would get through this in one reading.

The set up is an event occurred that removed human connectivity through all electronic means. The book is centered around five characters and how they deal with this disconnect in the first 24 hours The world doesn't end with a bang, but with the title that Delillo presents to the reader. The echoes of his words, though too short left this reader with much to chew on and I see a definite second read in my future.

It is a brief read, but his prose is dead-on, and if an author can get you to think after you put down a 1 hr read he has done his job and in this case quite well.
59 people found this helpful
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Way too short for the price

Saw a great review for this book and bought it. Upon arrival, noticed it was thin which is actually okay, my attention span being what it is. Upon opening the book...really large print. So, I read this "novel" in half an hour. Nothing wrong with the content really, but this was much closer to a novella or even a short story than a novel. At $22, not a very good value. I feel that this book has been deceptively marketed and way overpriced.
59 people found this helpful
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Empty Garbage

This book is truly awful. Despite its 117 pages of double-spaced type writer font, it is a marathon of disjointed, pseudo-intellectual ramblings of vapid characters, lacking even the most meagre slivers of humanity. After the masterpieces of Americana, White Noise, Libra, and Underworld, DeLillo rides his previous fame for a quick payday. This book might very well be the published observations of an intellectual sliding into senility.
47 people found this helpful
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A fiction about language

Don DeLillo's The Silence is another of his novella-length fictions, a form that he has favored since Underworld. It features five New Yorkers who meet to watch the 2022 Super Bowl. Then the TV turns blank and the plane bring two of the characters back to New York loses electronic control and crash lands. This breakdown of all digital communication is just about all that happens.
What DeLillo offers instead is language. How dependent has our language become on the digital world? Remove that world and we are left with speech that reveals just how much we are formed by the language we use to define ourselves. The husband of the couple in the plane spends his time reading out the information on the screen in front of him - altitude, temperature, distance to destination. This digital trivia contextualizes his journey and his life. Meantime his wife records every detail of their time abroad in a notebook. Only language, however banal, can prevent her experiences from getting lost in the mists of time.
When the couple join the other three in their apartment all five of them appear to be locked in their own verbal worlds. So their conversations favor the monologue. Even dialogues barely respond to the speakers' contributions. Is DeLillo suggesting that we are all shaped by digital communications, which are necessarily monologic because of the physical absence of the other? "They seemed determined not to look at each other." "Martin, speaking to no one in particular, raised the subject of . . ."
As readers we become mesmerized by the pared down language, and by the pointlessness of everything the characters find themselves saying, "which none of us will remember anyway." This book is like a small jewel that has been cut and polished to reveal the hidden beauty of its language.
30 people found this helpful
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Least Fun Super Bowl Party Ever

It appears that some DeLillo disciples love this book. I'm not a DeLillo disciple. I'm not opposed to the brief, elliptical nature of late-period DeLillo. I think a lot of novels are too long, so I like the way he has come to winnow his novels down to the bare essence. With that said, it's a stretch to even call "The Silence" a novel. It's more like a way to satisfy a contract. The book is 116 pages, with big font from a children's story. "The Silence" takes place on Super Bowl Sunday. A couple, Diane and Max, have invited some people over. One, Martin, is a former student of Diane's, a professor of physics. The final couple, Tessa and Jim, are flying back to NYC from Paris. As their plane is preparing to land, there's some sort of electrical outage onboard, followed by a crash landing. Passengers, including Jim and Tessa, are transported to a medical clinic. The power is out at the clinic. As all plane crash survivors do, Jim and Tessa find a restroom and have sex. Meanwhile, at the party, the screen has gone dark before the start of the game. Max apparently placed a big bet, so he's angry. The others seems disturbed, but in a theoretical, DeLillo-like way, at the fact that everything has gone dark. Max proceeds to drink a lot of whiskey and venture out to see how widespread the outage is (without finding an answer). Tessa and Jim take a long hike from the clinic to their hosts' apartment. Some questions: they were just in a crash landing where a wing caught on fire (so a serious event); why not just go home? How did their plane even land in Newark? I'm assuming there were tons of other planes in the air, though DeLillo makes no mention of this. Was their plane the only one impacted? If so, why? Jim and Tessa get to the party but barely seem to know Max and Diane. They ask if they can lie down and end up napping in their hosts' bedroom. Martin is the weirdest of the characters. He is obsessed by a 1912 Einstein manuscript. All he does throughout the book is utter fragmentary nonsense, except at one point when he drops his pants to his ankles. In fact, the dialogue throughout is painfully unnatural. DeLillo has given up trying to capture ordinary human speech, so everyone now blurts out phrases like "cryptocurrency." No one listens to anyone. The dialogue is meant solely for the reader. But I can't grasp the overall point here. There are repeated references to WWIII, so I think DeLillo is asserting that a war has begun with an attack on the power grid, but without knowing the extent of the outage it is impossible to say. There are a lot of familiar echoes here to earlier DeLillo. Football was the topic in "End Zone." There was a major societal event/collapse in "White Noise." "The Silence" is almost like recycled DeLillo, the ghost of books past. It's strange that a book this short can contain large logistical gaps while simultaneously seeming cluttered, due to all the weird dialogue the characters throw past each other. This is the least interesting Super Bowl party you will ever attend.
15 people found this helpful
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A Book of Hasty Ideas

It is Super Bowl Sunday in New York City, two years in the future. A man and wife, middle aged and well educated, are having a small gathering in their apartment to watch the game. One guest, a former student of the physics professor wife, has already arrived and another couple will be coming as soon as their plane from Paris lands. But just as the game is starting, the power inexplicably goes out along with all other means of electronic communication, throwing the world into a chaotic, albeit silent, state. So, what do people do when that happens? Apparently, they talk and wax philosophical until morning comes.

That is a very brief summary of Don DeLillo’s novel The Silence. However, to call this work a novel is a bit of a stretch; it likely does not even qualify as a novella, but reads more like a short story that has been extended just slightly beyond normal length. That distinction is important because after offering a provocative setup—what would happen if we were suddenly cutoff from all of our cyber dependencies?—the author does not really develop either the characters or the story in sufficient depth to address the topic in a compelling way. Instead, what the reader gets is a very cursory discussion of some high-brow topics (e.g., Einstein’s theory of relativity, cryptocurrencies) and even a quick, gratuitous reference to the COVID-19 crisis that occurred sometime earlier.

It is fair to compare this book to the author’s own estimable catalog of work. Not to the most brilliant of his novels (White Noise, Underworld, Libra), but to the lesser-known Cosmopolis, which also was published shortly after a cathartic global event (i.e., the 9/11 attack). Unfortunately, the comparison is not favorable for The Silence because that earlier book, while still concisely written, was developed with the sort of depth and insight that one would expect from a fully realized story. In fact, although Cosmopolis disappointed some readers by not being about the 9/11 tragedy directly, it proved remarkably prescient in predicting the advent of high-frequency trading and the Occupy Wall Street protests that would occur just a few years later.

I suppose it is worth noting that I have been a big fan of DeLillo’s work for many, many years. Like a lot of people, I was at first put off by the stilted and unrelatable characters he creates, but I soon learned that the author was writing novels about the important concepts that define our lives and that his characters were just delivery vehicles meant to convey the bigger message. And can he ever craft some amazing sentences! That much certainly remains true in this book, despite its failure to deliver on an otherwise promising premise. If I am disappointed in what I found here, it is only because I have been conditioned by this writer to set my expectations so very high.
14 people found this helpful
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A Disturbing Work, Not To Be Missed

I’m quite surprised at the negative reactions from so many readers. I might have agreed if the discussion were about the author’s earlier “Point Omega” in which a brilliant opening chapter is followed by not much at all. But “The Silence” in my view is sheer genius.

“The Silence” invokes Kafka and Samuel Beckett in its sense of dread, though admittedly without the inventive story-telling and humor of the former, or the lyricism of the latter. I find no other U.S. writer whose language can grip me so perfectly with the wrenching perception of non-being. I’m forced by this novel to ask myself, Is there anything about me, or us, that is really worth it?

Obviously that state of conscious feeling isn’t tolerated let alone desired by every reader. But I marvel that language is still able to make such experiences possible. Dante would have embraced it, and I’m privileged to know it, if not understand it.
5 people found this helpful
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My cat has written longer emails

It’s a bunch of blank pages interspersed with under 100 pages of 2.5 spaced 12pt. typewriter font inside about a mile of margins on each side. It begins with “Part One” which made me laugh, but it’s so unethical on its face that I can’t read any further.
Update: Took it along to read while waiting at the DMV: bloated dialogue, puffery nonsense, but it worked well later as kindling in my BBQ. Ribeye was unaffected, but Delillo and the all boot licking sycophants who positively reviewed this should ride pipe.
4 people found this helpful
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A Limbo of Our Own Making

Delillo really knows, I think better than anybody, how to ride the line between real and surreal, natural and supernatural. This one carves the line. He also knows how to produce an experience. He doesn’t tell a story, or a message, he gives us an experience.

The plot is pretty simple. Delillo alternates between two converging sets of characters experiencing the same event. Jim and Tessa are on an airplane, flying from Europe back to the US, scheduled to land in Newark. Dianne, Max, and Martin are gathered in Dianne and Max’s New York apartment, watching the Super Bowl, waiting for Jim and Tessa to land and join them.

The event is a breakdown. It is, as Jim says, “the total collapse of all systems.” We don’t get a clear statement at any point of what the breakdown is or what caused it, but phones, computers, television all stop working. The airplane that Tessa and Jim are on crash-lands.

The event has both a natural and a supernatural feel. Natural because it’s a power failure, or a networking failure, or both. Supernatural because it throws us (the characters and the readers) into a kind of dream-like space, a limbo where, because technology isn’t happening, nothing is happening.

The characters, like the event, are poignantly under-described. Conversation is as much monologue as dialogue. Much of what you might think of as character development is left as much to the reader as it is provided by the author.

If this weren’t Delillo, we could expect the rest of the story to have to do with diagnosing, coping with, and resolving the breakdown.

But since it is Delillo, that’s not the way it goes. We do progress through Jim and Tessa’s survival of the plane crash, a quick fix for an injury to Jim, an equally quick sexual encounter that somehow serves as a response to their situation, and then their joining up with Diane, Max, and Martin.

But the rest of the story takes place in that dream-like limbo.

It’s as if time has stopped. Nothing is happening because everything that something happening depends on is gone. The limbo is the absence of our technological ground.

As a consequence, we get something like a time-slice through our world. What do you see when you slice through the world, with time stopped?

We get a meditation, in the end spoken by each of the characters. The meaning of everything we do and who we are comes to a stop. Meaningfulness itself feels likes it’s in limbo.

The limbo of course is one we’ve built ourselves, a kind of non-space made up of absent technology.

The voice of Martin, a physicist and former student of Diane, is one constant throughout — a meditation from Einstein’s 1912 Manuscript on the Special Theory of Relativity, Einstein’s words are recontextualized into a commentary on the situation, culminating in Martin’s question at the end, “The world is everything, the individual nothing. Do we all understand that?”

Here is where I’m supposed to say what I think all this means. Well, no. Delillo is very good at producing an experience without the need for stating a message.

This book in particular is like a play, which of course Delillo is adept at writing. It’s the experience of the story, not the “message.”
3 people found this helpful