Description
Christopher Moore is the author of thirteen previous novels, including Lamb , The Stupidest Angel , Fool , Sacré Bleu , and A Dirty Job . He lives in San Francisco, California. --This text refers to the audioCD edition. From Booklist *Starred Review* What do you get when you stitch Othello, The Merchant of Venice, and “The Cask of Amontillado” together? Well, you get this rollickin’ adventure in which Pocket, the royal fool introduced in Moore’s Fool (2009), is lured to Venice, where he thinks he’ll be having a fun time with the beautiful Portia, but where three men (including a fella named Iago) are actually planning to murder him. To some, the idea of combining two Shakespeare plays and an Edgar Allan Poe short story might be vaguely chilling. To begin with, Moore, author of such delights as Sacre Blue (2012) and The Stupidest Angel (2004), has to move the events of the plays from the late sixteenth century to the thirteenth to keep the chronology in line with the events recounted in Fool, which means “Amontillado” is moved roughly 500 years back in time. And let’s not forget that the plays are tragedies, whereas this book, which also interpolates elements of King Lear, from which Fool was derived, is a farce. The upshot is, if you’re the kind of reader who insists Shakespeare is untouchable, then this novel will probably annoy you on general principles. On the other hand, if you’re a fan of Moore’s brand of history-mangling humor, you’ll dive right in with a big grin on your face. The grins win in the end. --David Pitt --This text refers to an out of print or unavailable edition of this title. From the Inside Flap Venice, a really long time ago. Three prominent Venetians await their most loathsome and foul dinner guest, the erstwhile envoy from Britain who also happens to be a favorite of the Doge: the rascal-Fool, Pocket. This trio of cunning plotters--the merchant, Antonio; the senator, Brabantio; and the naval officer, Iago--have lured Pocket to a dark dungeon, promising a spirited evening with a rare Amontillado sherry and a fetching young noblewoman. Their invitation is, of course, a ruse. The wine is drugged; the girl is nowhere in sight. These scoundrels have something far less amusing planned for the man who has consistently foiled their quest for power and wealth. But this Fool is no fool . . . and the story is only beginning. Once again, Christopher Moore delivers a rousing literary satire and a cast Shakespeare himself would be proud of: Shylock; Iago; Othello; a dozen or so disposable villains; a cadre of comely wenches; the brilliant Fool; his sidekick, Drool; his monkey, Jeff; a lovesick sea serpent; and a ghost (there's always a bloody ghost). Wickedly witty and outrageously inventive, The Serpent of Venice pays cheeky homage to the Bard and illuminates the absurdity of the human condition as only Christopher Moore can. --Bookreporter.com on THE SERPENT OF VENICE --This text refers to an alternate kindle_edition edition. “Shakespeare and Poe might be rolling in their graves, but they’re rolling with laughter. Christopher Moore is one of the cleverest, naughtiest writers alive.” -- Carl Hiaasen, New York Times bestselling author of a whole bunch of excellent books, including Bad Monkey , Nature Girl , and Sick Puppy on THE SERPENT OF VENICE“Fans who enjoyed the rollicking play within a play of Fool or the historical whimsy of Sacré Bleu will find many of the same gifts here . . . from one of America’s most original humorists.” -- Kirkus Reviews on THE SERPENT OF VENICE“Fans of Fool will be overjoyed to rejoin Pocket and company . . . for their latest adventure, and newcomers will find that Shakespeare isn’t nearly as dry and dusty as they thought, at least not when Moore is at the helm. -- Library Journal (starred review) on THE SERPENT OF VENICE“Moore’s imaginative storytelling, bawdy prose, puns aplenty . . . succeed in transforming two classical tragedies into outrageously farcical entertainment.” -- Publishers Weekly on THE SERPENT OF VENICEMoore’s greatest asset is his skill with language. Readers with a certain Monty Python nerdiness will rejoice in its hundreds of insults . . . and jokes. . . . [W]itty and wise . . . Serpent is a bright, quick novel.” (3 out of 4 stars) -- USA Today on THE SERPENT OF VENICE“The dialogue is extremely witty, and . . . you will laugh hard and find yourself hurling bawdy insults throughout the day, even if you don’t say them out lout.” -- Louisville Courier Journal on THE SERPENT OF VENICE“Moore . . . is an excellent writer, and there are passages of prose―Pocket’s defense of Othello and the entire Pound-of-Flesh trial―that sparkle with Moore’s trademark wit and intelligence. Moore’s strength is his ability to appropriate supporting characters and make them wholly his own creations. -- Dallas Morning News on THE SERPENT OF VENICE“To get a sense of the tone, imagine the merry pranksters of Monty Python in their heyday taking off on Shakespeare while simultaneously trying to break the record for F-bombs currently held by The Wolf of Wall Street. ” -- Tampa Bay Times on THE SERPENT OF VENICE“A gleeful and wonderfully strange mash-up. Shakespeare’s The Merchant of Venice, and Othello are its chief ingredients, with Edgar Allan Poe’s short story ‘The Cask of Amontillado’ thrown in. The result? An imaginative, wildly inspired satire.” -- Seattle Times on THE SERPENT OF VENICE“[Moore] brings back one of his favorite characters, Pocket from 2009’s Fool . . . . Add a weirdly satisfying combo of literary in-jokes and low sex gags to the mix and what comes out of the Christopher Moore meat grinder is unique and sublime.” -- Fort Worth Star-Telegram on THE SERPENT OF VENICE --This text refers to the paperback edition. New York Times bestselling author Christopher Moore channels William Shakespeare and Edgar Allan Poe in this satiric Venetian gothic featuring the irresistibly mischievous Pocket of Dog Snogging, the eponymous hero of Fool Venice, a really long time ago. Three prominent Venetians await their most loathsome and foul dinner guest, the erstwhile envoy from Britain who also happens to be a favorite of the Doge: the rascal-Fool Pocket. This trio of cunning plotters—the merchant, Antonio; the senator, Montressor Brabantio; and the naval officer, Iago—have lured Pocket to a dark dungeon, promising a spirited evening with a rare Amontillado sherry and a fetching young noblewoman. Their invitation is, of course, bogus. The wine is drugged; the girl is nowhere in sight. These scoundrels have something far less amusing planned for the man who has consistently foiled their quest for power and wealth. But this Fool is no fool . . . and the story is only beginning. Once again, Christopher Moore delivers a rousing literary satire, a dramedy mash-up rich with delights, including (but not limited to): foul plots, counterplots, true love, jealousy, murder, betrayal, revenge, codpieces, three mysterious locked boxes, a boatload of gold, a pound of flesh, occasional debauchery, and water (lots of water). Not to mention a cast Shakespeare himself would be proud of: Shylock; Iago; Othello; a bunch of other guys whose names end in "o"; a trio of comely wenches—Desdemona, Jessica, Portia; the brilliant Fool; his large sidekick, Drool; Jeff, the pet monkey; a lovesick sea serpent; and a ghost (yes, there's always a bloody ghost). Wickedly witty and outrageously inventive, The Serpent of Venice pays cheeky homage to the Bard and illuminates the absurdity of the human condition as only Christopher Moore can. --This text refers to the paperback edition. Read more
Features & Highlights
- Venice, a long time ago. Three prominent Venetians await their most loathsome and foul dinner guest, the erstwhile envoy from the Queen of Britain: the rascal-Fool Pocket.
- This trio of cunning plotters—the merchant, Antonio; the senator, Montressor Brabantio; and the naval officer, Iago—have lured Pocket to a dark dungeon, promising an evening of sprits and debauchery with a rare Amontillado sherry and Brabantio's beautiful daughter, Portia.
- But their invitation is, of course, bogus. The wine is drugged. The girl isn't even in the city limits. Desperate to rid themselves once and for all of the man who has consistently foiled their grand quest for power and wealth, they have lured him to his death. (How can such a small man, be such a huge obstacle?). But this Fool is no fool . . . and he's got more than a few tricks (and hand gestures) up his sleeve.
- Greed, revenge, deception, lust, and a giant (but lovable) sea monster combine to create another hilarious and bawdy tale from modern comic genius, Christopher Moore.
