The Second Life of Nick Mason (A Nick Mason Novel)
The Second Life of Nick Mason (A Nick Mason Novel) book cover

The Second Life of Nick Mason (A Nick Mason Novel)

Hardcover – May 17, 2016

Price
$5.40
Format
Hardcover
Pages
304
Publisher
G.P. Putnam's Sons
Publication Date
ISBN-13
978-0399574320
Dimensions
6.25 x 1.5 x 9.25 inches
Weight
1.1 pounds

Description

Praise for The Second Life of Nick Mason “[ The Second Life of Nick Mason ] is so good, it legitimately stands shoulder to padded paranoid shoulder with the classics of the crime noir genre… There are so many terrific elements in this novel—Nick’s haunted character, a plot that never darts in the direction you expect it to, and a truly ingenious climax—that I could be here till Labor Day singing its praises.”—Maureen Corrigan, NPR Fresh Air“A high-octane, tension-filled novel that's received well-deserved praise from great authors.”— Huffington Post “[A] heart-pounding thriller with cinematic appeal...Hamilton cleverly imbues the narrative with myriad of twists and turns, allowing the intricate plot to unfold with stunning and extraordinary skill and suspense. From the honor amongst thieves, to the honor amongst those sworn to protect us, to the loyalty among childhood friends and beloved family, multiple worlds collide as Hamilton catapults us into Nick Mason's complex psyche.”—Esquire.com xa0“As fertile as Chicago is for crime fiction, it isn't often that an outsider captures the underside of the local scene as memorably as Steve Hamilton does with The Second Life of Nick Mason , the terrific first installment in a projected series...The novel more than lives up to its hype.”— Chicago Tribune “In this edgy noir from a crime fiction maestro, an ex-con struggles with unexpected freedom, falteringly rebuilding his life while a depraved puppet master still behind bars pulls his strings.”— O Magazine “[A] reinvention of the noir thriller...Hamilton gives us a bad guy who is willing—and able—to do worse....Edgy and intelligent entertainment that hits with the force of a narrative bullet.”— Arizona Republic “Steve Hamilton’s new novel, The Second Life of Nick Mason , is every bit as good as Don Winslow and Harlan Coben and Michael Connelly say it is.”— New York Daily News “A captivating thriller...Hamilton's latest novel is ambitious in its criminal scope and it rises to the challenge of not only creating compelling three-dimensional characters, but also fearlessly confronting our classic perceptions of right and wrong, good and evil, as Mason desperately tries to escape his unholy bonds of criminal servitude, regain his autonomy and perhaps whatever's left of his humanity...Time will tell where Mason will ultimately end up, but the next installment in this enthralling series is sure to be another Hamilton page-turner, and can't come soon enough.”— Esquire “A suspenseful, fast-paced crime novel with the same heart, well-drawn characters and muscular prose that fans of [Hamilton’s] popular Alex McKnight series and his fine stand-alone novels such as The Lock Artist have come to expect.”—Bruce DeSilva, Associated Press xa0“A fine premise, a vibrant setting, a charismatic antihero...it's a tight, gripping book about a man hellbent on reinventing himself against long odds.”— The New York Times “The sinner who gets a chance to start over is an archetypal figure in crime fiction. Steve Hamilton works a smart variation on it in The Second Life of Nick Mason .”—Marilyn Stasio, The New York Times Book Review “[An] intelligent thriller....The reader has a vulnerable underdog to root for: a loser who may yet be born to win.”— The Wall Street Journal “Fast and deadly.”— Sacramento Bee “Hamilton gets just about everything right in [ The Second Life of Nick Mason ]. The narrative is spare, descriptions lean and settings authentic.”— The Arizona Republic “A tense, coiled thriller...It moves like a bullet train, told in a deceptively simple, gin-clear prose that all but sucker punches the reader....One of [Hamilton’s] best.”— Booklist (starred review)“Hamilton surpasses himself with Mason, who inspires storytelling of the leanest, most gripping sort...A terrific new hero.”— Kirkus Reviews (starred review)“[A] high-octane series launch...Hamilton guns it like Nick’s 1968 Mustang for a fast and furious ride.”— Publishers Weekly (starred review)“Trust Stephen King. This book is the real deal.”—Stephen King“Steve Hamilton amazes me. Every time I think he's going to zig he zags. As original as any writer I've ever read, Hamilton once again reinvents himself and the genre with another wonderful character and story. Get in on the ground floor with The Second Life of Nick Mason . It's a great read.”—Michael Connelly “A gamechanger. Nick Mason is one of the best main characters I've read in years. An intense, moving, absolutely relentless book—it will grab you from the first line and never let go.”—Harlan Coben “Stunning. A gripping non-stop thriller. An engrossing read from page one. Steve Hamilton has delivered a fascinating new character. A flat out terrific read. I could not put this book down.”—Don Winslow “Whatever he writes, I'll read. Steve Hamilton's that good.”—Lee Child xa0 “If this book were a bullet, it would blow a hole right through you. Once Steve Hamilton pulls the trigger, the action in The Second Life of Nick Mason never lets up. Hamilton's tale of a man released from one prison only to find himself trapped in another is told with all the style and power we expect from an Edgar Award-winning author. This is crime fiction at its finest.”—William Kent Krueger (2014 Edgar Winner for Best Novel of 2013) Steve Hamilton is the New York Times -bestselling author of twelve novels, most recently Die a Stranger and Let It Burn .xa0 His debut, A Cold Day in Paradise , won both an Edgar and a Shamus Award for Best First Novel. His standalone novel The Lock Artist was a New York Times Notable Crime Book and won an Alex Award and the Edgar Award for Best Novel. He attended the University of Michigan, where he won the prestigious Hopwood Award for writing, and now lives in Cottekill, NY, with his wife and their two children. Excerpt. © Reprinted by permission. All rights reserved. -1- Nick Mason’s freedom lasted less than a minute. xa0 He didn’t see it then, but he’d look back on that day and mark those first free steps through the gate, after five years and twenty-eight days inside. Nobody was standing over him, nobody was watching him, nobody was telling him where to go and when. He could have walked anywhere in that moment. Pick any direction and go. But the black Escalade was waiting forxa0him, and as soon as he took those thirty steps and opened the passenger’s side door, his freedomxa0was gone again. xa0 Mason had effectively signed a contract. When most men do that, they know what’s expected of them. They get to read the terms, understand what the job’s going to be, know exactly what they’ll be expected to do. But Mason didn’t get to read anything, because this contract wasn’t on paper at all, and instead of actually signing anything, he simply gave his word, with no idea what would come next. It was late afternoon, the heart of the day spent on processing and change-out. The dailyxa0discharge from USP Terre Haute. Typical prison operations, hurry up and wait, the screws dragging their feet all the way to the end. There were two other inmates with him, both anxious to get outside. One of the men he’d never seen before. Not unusual in a prison with so many separate units. The second man was vaguely familiar. Someone from his original unit, before he made his move.xa0 “You’re getting out today,” that man said, looking surprised. You don’t talk about the length of your sentence with most men in this place, but there’s no need to keep it a big secret, either. This man had obviously figured Mason for a long-timer. Or maybe he’d heard it from someone else. Mason didn’t care. He shrugged the man off without another word and went back to his final release forms. When Mason was done with those, the clerk slid a plastic tray across the counter with the clothes he’d been wearing the day he processed in. It felt like a lifetime ago. He’d arrived here in this same room and been told to put his clothes in the tray. The black jeans and the white button- down shirt. Now, it felt strange to be taking off the khaki, like the color was a part of him. But the old clothes still fit. xa0 All three men walked out together. The concrete walls, the steel doors, the two rows of chain-link fence topped with razor wire – all left behind as they stepped out onto the hot pavement and waited for the gate to grind open. There were two families waiting there. Two wives, five kids, all of them looking like they’d been standing there for hours. The kids held handmade signs with multicolored letters, welcoming their fathers home. There was no family waiting for Nick Mason. No signs. xa0 He stood there blinking for a few seconds, feeling the hot Indiana sun on the back of his neck. He was clean shaven and fair-skinned, a little over six feet tall. His body was taut withxa0muscle, but lean like a middleweight. An old scar ran the length of his right eyebrow. He saw the black Escalade, idling near the sidewalk. The vehicle didn’t move, so hexa0walked down to it. xa0 The windows were tinted. He couldn’t see who was inside until he opened the front passenger’s side door. Once he did, he saw that the driver was Hispanic, with dark sunglasses covering his eyes. One arm draped over the steering wheel, the other at rest on the gear shift. He wore a simple white T-shirt with the sleeves cut off, jeans and work boots, one thin gold chain around his neck. Dark hair pulled back and tied with a black band, and as Mason’s eyes adjusted, he saw the gray threaded through the man’s hair and the lines on the man’s face. He was at least ten years older than Mason, maybe a few more. But he was rock solid. His arms were tattooed all the way down both arms to his fingers, and he had three rings in his right ear. Mason couldn’txa0see the other, because the man did not turn to him. “Mason,” the man said. A statement, not a question. “Yes,” Mason said. “Get in.” xa0 Out five minutes, Mason said to himself, and I’m already about to break my rules. xa0Rule Number One: Never work with strangers. Strangers put you in prison or they put you in the ground. A stranger already put me in the first. I don’t need another stranger to put me in the other. Today, Mason didn’t have a choice. He got in and closed the door. The man still hadn’t turned to face him. He put the vehicle in gear and accelerated smoothly out of the prison parking lot. Mason scanned the vehicle. The interior was clean. The leather seats, the carpet, thexa0windows. He had to give the man credit for that much. The vehicle looked like it had just rolled out of the showroom.xa0 He gave the man’s tattoos another look. No prison ink here. No spider webs. No clocks without hands. This man had spent a lot of time and money in the chair of a real pro, even if some of the color had faded over time. There was an Aztec lattice going all the way up the right arm, with a snake, a jaguar, a headstone, and some Spanish words meaning God knows what. What was unmistakable were the three letters in green, white, and red on the shoulder. LRZ. La Raza . The Mexican gang that ruled the West Side of Chicago. Another rule broken, Nick thought. Rule Number Nine: Never work with gang members. They’ve sworn a blood oath of loyalty. But not to you. xa0 An hour of silence passed. The driver hadn’t offered so much as a sideways glance. Mason couldn’t help but wonder what would happen if he turned on the radio. Or actually said something out loud. Something made him stay silent. Rule Number Three: When in doubt, keep your mouth shut . After driving past every exit on US-41, they finally pulled off. For an instant, Mason wondered if this whole thing had been a setup. It was an unavoidable prison reflex, to be ready for the worst at any moment. Two hours away from the prison, somewhere in the middle of western Indiana, the driver could pull off on the most abandoned exit he could find, drive a few miles into the farmland and then put a bullet in the passenger’s head. Leave his body right there in the ditch beside the road. You wouldn’t go to that much trouble to do something that could have been done already, on any given day standing around the prison yard, but Mason could still feel his body tensing as the vehicle slowed down. The driver pulled into a gas station. He got out and pumped gas into the tank. Mason satxa0there in the passenger’s seat, looking out at the little minimart. A young woman came out through the glass door. Maybe twenty years old. Shorts and a tank top, flip flops on her feet. Mason hadn’t seen a live woman dressed this way in five years.xa0 The driver got back in and started the vehicle. He pulled out and drove back onto the highway, pointed north and hit seventy on the speedometer. Dark clouds began to assemble in the sky. By the time they reached the Illinois border, it was raining. The driver turned on the wipers. The traffic got heavier and the lights from the other cars were reflected on the rain- slicked road. The tall buildings were lost in the clouds, but Mason would have known this place, no matter how dark the sky or how low the clouds hung over the city streets. He was almost home. xa0 But first the long pass over the Calumet River, the cranes and drawbridges and power lines. The harbor was down there. The harbor and the one night in his life when everything changed. The one night that led him all the way to Terre Haute and to a man named Cole. Then somehow all the way back, a lot sooner than he expected. He counted down the streets. Eighty-seventh Street. Seventy-first Street. They were on the South Side now. The rain kept falling. The driver kept driving. Garfield Avenue. Fifty-first Street. You want to start an argument, you go into any bar around here, ask the regulars if Canaryville starts at Fifty-first or Forty-ninth. Stand back and watch the words fly. Then the fists if it’s late enough. They passed the big train yard, a thousand boxcars waiting for an engine. Then the tracks running high along the eastern edge of his old neighborhood. Mason took a breath as they passed Forty-third Street. His whole life came back to him at once in a sudden flood of almost randomxa0memories, both good and bad – Eddie’s dad taking them to old Comiskey Park, the first car he ever stole, the only game he ever got to see Michael Jordan play in person, the first time Mason spent the night in jail, the party where he met a Canaryville girl named Gina Sullivan, the day he bought their house, the only place he could ever call home… it was all right here, wrapped up together in the city of Chicago. The alleys and the streets of this place ran through him like the veins in his body.xa0 The lights were on at the new Sox park, but it was still raining too hard to play. The Escalade went all the way downtown, crossing the Chicago River. The Sears Tower – always and forever the Sears Tower, despite whatever new name they try to give it – dominated the skyline and looked down at them through a sudden break in the clouds, its two antennae like a devil’s horns. The driver finally got off the highway and took North Avenue all the way across the North Side, until Mason could see the shores of Lake Michigan. The water stretched out in blues and grays forever, blending into the rainclouds. When they turned on Clark Street, Mason was about to say something. You bring me all the way up to the North Side for what, pal? A Cubs game, maybe? Good luck with that one. Mason hated the Cubs. He hated everything about the North Side. Everything it represented. When he was growing up, the North Side was everything he didn’t have, and never would have. The driver made his last turn, onto the last street Mason thought he’d see that day. Lincoln Park West. It was four blocks of high-end apartment buildings overlooking the gardens and the conservatory and the lake beyond. There were a few townhouses between the apartment buildings, still tall enough to look down at the street and on everyone who passed by. The driver slowed down and stopped right in front of one of those townhouses. It sat at the end of the block, rising three stories above the heavy front door and the garage bays, the upper-floor windows all covered with iron latticework. Built out to the side was another one story with a balcony on top, overlooking the cross street, the park, and the lake beyond it. Five million for this place? Hell, probably more. The driver broke the silence. “My name is Quintero.” He made the name sound like it came from the bottom of a tequila bottle. KeenTAYro . “You work for Cole?” xa0 “Listen to me,” Quintero said. “Because everything I’m about to say is important.” xa0 Mason looked over at him. xa0 “You need something,” Quintero said, “you call me. You get in a situation, you call me. xa0 Don’t get creative. Don’t try to fix anything yourself. You call me . Clear so far?” xa0 Mason nodded. xa0 “Beyond that, I don’t give a fuck what you do with your time. You were inside for five years so go have a drink, get yourself laid, I don’t care. Just understand, you need to stay out of trouble. You get picked up for anything , now you’ve got two problems. The one you got picked up for… and me.” Mason turned and looked out the window. xa0 “Why are we here?” xa0 “This is where you live now.” xa0 “Guys like me don’t live in Lincoln Park,” Mason said. xa0 “I’m going to give you a cell phone. You’re going to answer this phone when I call you. Whenever that may be. Day or night. There is no busy. There is no unavailable. There is onlyxa0you answering this phone. Then doing exactly what I tell you to do.” xa0 Mason sat there in his seat, thinking that one over. xa0 “The phone is in here,” Quintero said, reaching behind the seat and bringing out a largexa0envelope. “Along with the keys to the front and back doors, and the security code.” xa0 Mason took the envelope. It was heavier than he expected. xa0 “Ten thousand dollars in cash, and the key to a safe-deposit box at First Chicago onxa0Western. There’ll be ten thousand more on the first day of each month.” xa0 Mason looked over at the man one more time. xa0 “That’s it,” Quintero said. “Keep your phone on.” xa0 Mason opened the passenger’s side door. Before he could get out, Quintero grabbed his arm. Mason tensed up – another prison reflex, someone grabs you, your first reaction is deciding which finger to break first. “One more thing,” Quintero said, holding on tight. “This isn’t freedom. This is mobility .xa0Don’t get those two things confused.” xa0 Quintero let him go. Mason stepped out and closed the door. The rain had stopped. xa0 Mason stood there on the sidewalk and watched Quintero’s vehicle pull away from the curb, then disappear into the night. He reached into the envelope and took out the key. Then he opened the front door and went inside. xa0*** xa0 The townhouse entranceway had a high ceiling and the light fixture hanging over Mason’s head was a piece of modern art with a thousand slivers of glass. The floor was large tiles laid diagonally in a diamond pattern. The stairs were polished cherry. He stood there for a moment until he noticed a beeping noise. He saw the security panel on the wall, took out thexa0code from the envelope and entered it on the keyboard. The beeping stopped. xa0 The door to his right opened to a two-car garage. In one space he saw a black Mustang. He knew exactly what this was. It was a 1968 390 GT Fastback, a jet-black version of the car Steve McQueen drove in Bullitt . He’d never stolen a car like this, because you don’t steal a masterpiece and take it to the chop shop. You don’t steal a car like this and drive it yourself, no matter how much you want to. That’s how amateurs get caught. The other spot in the garage was empty. He saw the faint outline of tire tracks. Another car belonged here. Mason opened another door and saw a full gym. A row of dumbbells neatly arranged in pairs ranged from nothing to the big fifty-pounders at the end. A bench with a rack, a treadmill, an elliptical trainer. A television was mounted high in one corner of the room. A heavy bag hung in another corner. The back wall was a full mirror. Mason looked at his own face from twenty feet away. Cole had told him he could go anywhere in the world with this face, but he never thought he’d end up in a Lincoln Park townhouse. He went up the long flight of stairs to what was obviously the main floor of the townhouse. The sleek, modern kitchen had polished granite countertops, an island with a Viking stove and a restaurant hood hanging over it. The bar top looked out over a great open area dominated by the largest television screen Mason had ever seen. He was pretty sure the square footage of the screen was larger than the square footage of the cell he woke up in that morning. In front of the television was a U-shaped expanse of black leather, with a large oak coffee table in the middle. You could easily sit a dozen people here. It made the quiet emptiness of the place feel like a sin. The formal dining room had a table long enough to seat all dozen people that hadxa0watched the television in the other room. He left that room and went into what turned out to be the billiards room. An actual room for billiards with a red felt table and a woven net under each pocket. There was dark paneling on the walls. A pair of stained glass Tiffany lamps hung over the table. The far corner of the room was set up for darts, and yet another corner had two overstuffed leather chairs with a three-foot tall humidor between them. Looking through thexa0glass at the selection of cigars inside, Mason remembered how a single cigarette could go for ten dollars in Terre Haute. A carton could get someone killed.xa0 He went up another set of stairs to the top floor. There were bedrooms on each side of a long hallway. When he got to the last door, he tried turning the knob. It was locked. Mason went back downstairs and found a door on the other side of the kitchen. Hexa0walked through and saw another bedroom suite. There was an iron-framed bed topped with black linen, and on top of that were several shopping bags. He took a quick look through them. Pants, shirts, shoes, socks, underwear. Belts, a wallet, everything a man could possibly need. Most ofxa0the bags had come from Nordstrom and Armani. One from Balani, the custom shop on Monroexa0Street. He did a quick check on the tags. Everything was his size. xa0 I don’t see my new friend Quintero doing this, he thought. xa0 Mason went back out to the kitchen and opened up the refrigerator. After five years of prison food, Mason stood there staring at the salmon, at the cooked and chilled lobster, at the aged steaks. He didn’t know where to start. Then he saw the bottles of beer on the lower shelf. He shuffled through the selection, mostly microbrews he’d never heard of. Then he found a bottle of Goose Island. He opened the bottle and took a long swallow. It took him back to summer nights sitting out on his porch. Listening to a ballgame with Eddie and Finn. Or listening to his wife andxa0watching their daughter try to catch fireflies. xa0 He found a takeout container of beef tenderloin with some kind of shiitake mushroom sauce, with angel hair pasta. He went through the drawers until he found the silverware, grabbed a fork and ate the entire dish cold, standing there in the middle of the kitchen. He wondered what the inmates in Terre Haute had for dinner that night. Wednesday night, he said to himself. Usually hamburger night. Or at least what they called hamburger. When he was done eating, he went to the black leather couch, found the remote control, and turned on the television. Leaning back and putting his feet up on the table, he took another long swallow from his beer, found the rain-delayed White Sox game, and watched the last inning. The Sox won. Then he spent a few minutes flipping up and down through the channels,xa0just because he could. You try doing that on the television in the common room and you’ll start axa0riot. He shut the television off. xa0 He went back to the refrigerator and took out another Goose Island, then went outside through the big sliding glass door off the kitchen. Still high above the street, with a swimming pool sunk into the great concrete monolith beneath the patio, the water surrounded by bluestone, lit up with underwater lights and glowing aquamarine in the darkness. A table, chairs, and a grill with a wet bar stood by, ready for an outdoor party. Mason went to the rail and looked out at the park, and beyond that the endless horizon of Lake Michigan. He could see the lights from a half-dozen boats on the water. He could hear the distant bass notes from a car cruising by on the street. A perfect summer night to be out on the town, no matter where you were going. A breeze came off the lake and gave him a brief chill. Sixteen hours ago, Mason hadxa0woken up in a maximum security prison cell. Now he was standing in a townhouse in Lincolnxa0Park, drinking a bottle of Goose Island and looking out at the lake. xa0I knew this man had power, he said to himself. But that was a federal fucking prison I walked out of today. How does one man make that happen? xa0Unless there’s even more to him than I know… xa0 As he was about to turn away, he looked up and saw the security camera, its little red light blinking. There was a similar camera on each of the other three corner posts. Someone, somewhere, was watching him. This was his life now. It felt like he was holding his breath, waiting to see what this would truly cost him. How long until that happened? How long until that phone rings? xa0 When he finally went back into his room and lay down in his bed, he stared at the ceiling for a long time. He was tired. But his body was waiting for the guard to call lights out. Waiting for the metallic click of his cell door locking shut. Then the horn, that lonely faraway buzz that sent him to bed, every single night, for the last five years. He laid awake, waiting. The sounds never came. Read more

Features & Highlights

  • An NPR and
  • Kirkus Reviews
  • Best Book of the YearA
  • Library Journal
  • Best Thriller of the Year
  • “A gamechanger. Nick Mason is one of the best main characters I've read in years.”—Harlan Coben
  • From
  • New York Times
  • -bestselling, two-time Edgar-award-winning author Steve Hamilton comes an unforgettable new hero, a man who will walk out of prison and into a harrowing double life that is anything but free.
  • Nick Mason has already spent five years inside a maximum security prison when an offer comes that will grant his release twenty years early. He accepts—but the deal comes with a terrible price. Now, back on the streets, Nick Mason has a new house, a new car, money to burn, and a beautiful roommate. He’s returned to society, but he's still a prisoner. Whenever his cell phone rings, day or night, Nick must answer it and follow whatever order he is given. It’s the deal he made with Darius Cole, a criminal mastermind serving a double-life term who runs an empire from his prison cell. Forced to commit increasingly more dangerous crimes, hunted by the relentless detective who put him behind bars, and desperate to go straight and rebuild his life with his daughter and ex-wife, Nick will ultimately have to risk everything—his family, his sanity, and even his life—to finally break free.

Customer Reviews

Rating Breakdown

★★★★★
30%
(844)
★★★★
25%
(704)
★★★
15%
(422)
★★
7%
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23%
(647)

Most Helpful Reviews

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Don't understand all the positive reviews.

i don't understand the wildly positive reviews on Amazon's website for Steve Hamilton's "The Second Life of Nick Mason." True, there is a lot of fast-paced action in the last part of the story and Hamilton writes well, but other aspects of this book are pretty mediocre and a few are downright disturbing.
I'm a huge fan of Hamilton's Alex McKnight series. I've read them all and hope he writes many more. The characters are funny, interesting and likeable. Alex makes mistakes, errors in judgment, gets beaten up in almost every imaginable way but he's basically a good guy who tries hard, has a pretty decent sense of right and wrong and is like a bulldog in the pursuit of his objectives. I've always been interested in what Alex does and what he's going to do next, which is to say I care about the character. He's credible. Even when the Alex does something I think is ill advised or foolish, I understand where he's coming from.
Not so with Nick Mason. Mason is not a "terrific new hero," as Kirkus Reviews suggests. Nor did I see him as some poor victim of circumstance or even a particularly likeable guy. He starts out as a small-time criminal who spends time and effort perfecting his 'craft' and who is later imprisoned for getting caught. Through a strange twist of fate, a pretty unbelievable one, he graduates to much more serious crimes and ends up a killer. I see Mason as a maker of bad decisions who lacks the usual traits of character that go into the making of a hero. The only honorable act he performs in the first part of the book is to take the fall for the other men who committed the crime along with him in which a federal agent is killed. While that kind of sacrifice is definitely no small thing, Nick Mason is still a criminal.
It's difficult to understand why Mason is singled out to become Darius Cole's hitman on the outside. The reader is given little evidence he has distinguished himself from the rest of the prison population in any real way, just that he's quiet and a loner. Cole tells him he has "bushido" (which means "way of the warrior," and refers to a complex set of Japanese values stressing honor and loyalty to country and family above all else), but nothing I read substantiated that claim. It's also unbelievable that Cole sets Mason up in a high-end townhouse in a fashionable suburb of Chicago. Why? And why give him classic cars that are easily distinguishable from anything else on the road, making him more noticeable, not exactly a plus for someone in Nick's line of work.
The two main female characters are without dimension and are, frankly, naive and/or stupid. On the basis of one night spent together and a conversation about a dog, Lauren and Nick decide they're in love and want to build a life together. The explanation for Lauren's naivete and stunning lack of concern about Nick's past is that nice girls are attracted to the charms of bad boys. Diana is just plain confusing and strange. This isn't the first time Hamilton has written odd women characters. I'm reminded of a love interest for Alex in a previous McKnight book. I found that character to be a self-centered person for whom I had surprisingly little sympathy despite her troubled history, who proved undeserving of Alex's loyaltyand friendship. I was glad she was written out of the story quickly.
Here's something I found disturbing. At one point, working up his courage to kill the first guy on Cole's hitlist, Mason forces himself to keep the image of his daughter's face before him so he can carry out his assignment. There's something really twisted and creepy about using one's child for that purpose. Further, Mason made this arrangement with Darius Cole so he could have a future with his daughter. Really? To what end and at what cost? So Nick agrees to kill people at Cole's bidding so that he can get out of jail and be a loving dad.
Chalk up a couple more less-than-credible points. After Mason decides to double-cross Cole, he is strangely naive about his future -- "I'll go back and serve my time," he tells the cop, Sandoval. It's hard to see how that could happen or how he could even think it was a possibility. Note, too, toward the end of the book Mason is suddenly transformed into James Bond or Clint Eastwood's Dirty Harry. Where did those skills come from?
Nothing in this book makes any sense to me. None of the characters have any awareness that their thinking is faulty or unrealistic. None of them seems to have a clue about how they got into their current situations or what it would take to extricate themselves. Victim thinking and muddled logic abound. That the special agents turn out to be dirty cops is supposed to somehow exonerate Mason or lessen his guilt, or even more far-fetched -- make him a hero? It's like a bad reality TV show.
After finishing the book I still don't like the guy. The only characters I felt sympathetic toward were Nick's ex-wife and her new husband, Brad. One can only imagine what Nick's presence in their lives will mean. That Mason's daughter, in all her adolescent wisdom, rushes to her birth father's defense near the end of the book is a clue to that.
But I honestly don't care. In order to commit to a book series, I think the reader needs to be able to relate to or connect with the protagonist some of the time. Because Steve Hamilton is a favorite author for me, I'm genuinely sorry to say there is nothing in this first book that makes me want to go on to book two.
In our current culture where the lines between good and bad too often seem hopelessly blurred, the Nick Mason character is perhaps clever, certainly flawed, but he's not redemptive or admirable. He's a criminal, not a hero. I couldn't get past that.
83 people found this helpful
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Great Potential, Two Problems . . .

This was a good book and has a great main character, Nick Mason. The premise is unique, the plotting is done well, and the author has done a great job of working in the 'gray' area. Even by the end of the book you aren't sure who the bad guys are and who the good guys are.

But for all its good, there are a couple of things that bothered me and hurt the experience of the book overall. The cars Mason drives are all classic cars in mint condition, regularly wrecked and chopped up, and the next dream car is brought up. This just doesn't work and it feels like a cheap way to give the main character a James Bondian quality. It just feels so far-fetched that it hurts the overall experience of the book. In the same way, the relationship with Lauren the pet store owner seems ridiculously forced. Fortunately there's only about 8 pages or so total that cover it, but very far-fetched and unnecessary. If Mason drove regular cars and just skipped the girlfriend, I would have been more lost in the book itself instead of thinking how ridiculous it was at certain points.

Overall, a good quick read that has more potential than delivered. Will try the next book in the series.
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Save Your Time and Money

Mostly unbelievable, totally predictable, full of plot cliche and one-dimensional characters. I read books in order to step away from the spoon-feeding of most television and movies... and yet. One reviewer summed it up pretty well: It's about a man who lives by a code, except when he doesn't, which is pretty much all the time. The first paragraph of the book was about as good as it got. At any point when there could have been a twist, there wasn't, or when something needed deeper explanation (like, you know, the whole plot), there wasn't. Why explain it when you can just ignore it? It's maybe the least imaginative book I've read in years. The worst part: Does anyone really believe that a criminal who's in jail for life would really have so much sway (or really, any at all) on the outside world? I mean, if you received word that a locked-up man wanted you to do his bidding from within jail, you'd pretty much let the authorities know, and they'd go into his cell and correct his attitude, probably with a fire-hose. End of his terror reign. And even if they wouldn't resort to such techniques, it's more believable than this ridiculousness. Furthermore, I love (feel the sarcasm) how a woman who appears to have her act together suddenly falls like a dropped rock for a criminal who's been out of jail for five minutes and has spent that time murdering people. "Ho hum. I sure loved my old life of accomplishment and self-worth, but I'll trade it all to go in with a murdering criminal so I can probably go to jail or be killed myself. I mean, after all, he said it wasn't his fault so... oh, what's that? He has an ex-wife and daughter he pines for? Yippee! How fast can we run toward the altar?"
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Don't Waste Your Time -- Overhyped to the Point of Fraud

I can't recall being as disappointed in another book as I was by this one. The only reason I'm taking the time to write this is to try to counteract the ridiculously unearned praise this novel is getting in the press. I listened to Maureen Corrigan's rave review on NPR (blurbed by Amazon above), and I actually pulled my car over to write down the title. To listen to her, you would actually think this book was on par with Chandler. It's not. Other reviewers have noted the books flaws: flat characters, implausible plot, zero humor, no atmosphere, the absence of any interesting relationship between any of the thoroughly stock characters. I won't spend the time elaborating on all of those, but suffice it to say I agree wholeheartedly with all the one- and two-star reviews here. The book actually felt unfinished -- more like a thin sketch than a finished product. The book is only 288 pages long, but even then it feels much shorter. Nearly every page has multiple examples of the type of one-sentence paragraphs that hack sports columnists like to use when they're trying to sound deep or tough but haven't put in the actual work to earn those qualities.

It's that bad.

I've read my share of mystery series. I have particularly loved Raymond Chandler, Rex Stout, Philip Kerr (Bernie Guenther novels), John D. MacDonald's (Travis McGee series), Henning Mankell (Wallender), Gregory McDonald (Fletch), and Robert B. Parker (Spenser), among others. I like Michael Connelly as well -- especially the Bosch series -- though I put him a tier below the others I mentioned. Despite Connelly's effusive blurb above, this book is nowhere near any of the Bosch books, much less any of the other classic series in my list.

I haven't read anything else by Steve Hamilton. I've heard his Alex McKnight books are good, but nothing I read here makes believe that, or want to ready any further books in this series, if it becomes one. I cannot imagine what Maureen Corrigan was thinking in her review. If you're reading this, you'd be much better served picking any book from any of the series I referenced above instead of this one.
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UNDERWHELMING

I downloaded this book to my Kindle after I heard an NPR review by, I think, Maureen Corrigan. I don't know exactly which genre, other than summer reading, this book belongs to but it's not a category I usually read, however Ms. Corrigan made it sound interesting so I decided to give it a try. “The Second Life of Nick Mason” strikes me as a shallow tale told by a man about a man intended to be read by other men. The main character is flat and one dimensional and the woman characters are hardly people at all. I found myself reading and waiting for.....something.....more. What a waste of time and money.

Ps: 2023. This book is so forgettable I don’t remember anything about it. Or having even read it.
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So much hype for the book. Such little return!

The book starts out strong and goes south very quickly. The main character is underdeveloped and shallow. Didn't find myself rooting for him at all. The plot was unbelievable. It wasn't clear why Nick, a low-life car thief would be Cole'e choice. How does he go from petty theft to killer? Were did he even learn to shoot a gun? Both women characters were shallow and unbelievable. Diane character especially poorly created. Why would you put a criminal in a classic car? Don't you think he'd be noticed? The list goes on and on. The question I'm left with is how did this book get such strong reviews from people whom I respect?
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Strong writing, great action, but an unlikable lead character

Steve Hamilton is a gifted crime/suspense writer and “The Second Life of Nick Mason” is a solid launch to what will surely become another best-selling series. Solid but not brilliant.

I loved the central idea of the book – a master criminal, engineering the release from prison of another, less accomplished criminal, then controlling him from the inside, like a malevolent puppeteer. How will the puppet respond when he is released, when he tastes freedom for the first time in five years, when he encounters love again, only to find his master pulling him into a life he does not want?

And I loved the setting. Chicago, in all its big city glory and corruption, is a major character in this book. But that’s where my love ended.

I almost never say this but I felt this book would have benefited from being slightly longer. Fans who are willing to suspend belief in the service of violent action sequences will likely find this a very satisfying read. I found Nick Mason himself to be unsympathetic and relatively uninteresting — a petty criminal whose biggest achievement in life is becoming a ruthless killer. But more than that, Hamilton’s story suffers from too many unexplained leaps over gaps in the narrative and it takes too many unconvincing or simply bewildering plot twist for this book to rise above a three star level.
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A real dud

This book was absurd. Are we supposed to feel sympathy for Mason - any way you cut it the guy's a jerk, a killer, and shouldn't be anywhere near his former wife and child. Hamilton is almost childish in his gratuitous use of the F bomb, which gets old and stale after the 15,000 times its used. This is nowhere near the riveting and complex plots of a Burke or Connolley. Maybe worth 50 cents. Maybe.
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Criminal minds, and mimes.

This book has an interesting story line, if you like criminals. Basically, one imprisoned murderer, a drug dealer, helps another imprisoned murderer, a robber, get his conviction overturned by convincing a detective working on the case to lie and say he planted evidence. The price of the murderer's freedom is he has to kill people. He kills people to help the still imprisoned murderer stay in charge of his criminal enterprise while still in jail. There is some human interest thrown in: The freed murderer kills these people so he can keep in touch with his ex-wife and their daughter. The imprisoned drug dealer and murderer lets the freed murderer go back to his home town, a suburb of Chicago, to do his killing. The imprisoned drug dealer and murderer is also from Chicago. The freed murderer kills several people, all bad guys fortunately. The bad guys killed are almost all cops, but corrupt cops, and a rival drug dealer is also thrown in to balance out the story. There are several other nuances but these are best left to the discovery of the reader. The story moves along somewhat slowly at first as we get to find out the back stories of the imprisoned murder, the freed murderer, and others who will play critical roles in this fascinating and sure to be enthralling new series.
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Once The Trap Is Sprung There Is No Escape

Steve Hamilton has introduced us to a new series based on a character struggling to go straight after a life of crime. Nick Mason is the newest literary example of an imperfect hero who wants (and tries) to turn his life around after a hard upbringing in an Irish section of Boston. After a long stretch of successful nonviolent crimes, Nick violates one of his "rules to live by", gets caught in a drug delivery gone bad, and spends five years in prison. His early release is negotiated by a powerful inmate who needs someone outside to carry out his plans. Unfortunately "The Second Life Of Nick Mason" begins with Nick under the total control of his inmate boss, a puppet who moves only when his strings are pulled.

Several of my favorite authors have posted positive praise for this novel including Stephen King, Michael Connelly, Harlan Coben, and Lee Child. These gentlemen are master story tellers who hook their readers early on and make them buckle up for an interesting and fascinating ride. All four of them have written about imperfect heroes who manage to overcome difficult obstacles and 'save the day'. Steve Hamilton's new character, Nick Mason, finds himself in a non-negotiable position that could very well control him for the rest of his life. After having been exposed to an introduction of the original characters and the major plot line, it will be interesting to see how Nick manages to survive the situations thrown at him without selling his soul to the devil.

Steve Hamilton's writing is tight and descriptive without being flowery. His pacing is even and steady progress is made during the whole journey. It took me a while to adjust to his narrative style which is different but effective, and I have been persuaded by his writing and story telling ability to read some of his prior work. Anyone who enjoys crime and intrigue will enjoy this novel.
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