The Road Back: A Novel (All Quiet on the Western Front)
The Road Back: A Novel (All Quiet on the Western Front) book cover

The Road Back: A Novel (All Quiet on the Western Front)

Paperback – January 27, 1998

Price
$17.00
Format
Paperback
Pages
320
Publisher
Random House Trade Paperbacks
Publication Date
ISBN-13
978-0449912461
Dimensions
5.47 x 0.69 x 8.23 inches
Weight
10.4 ounces

Description

“The world has a great writer in Erich Maria Remarque. He is a craftsman of unquestionably first rank, a man who can bend language to his will. Whether he writes of men or of inanimate nature, his touch is sensitive, firm, and sure.”— The New York Times Book Review From the Inside Flap KAfter four grueling years the Great War has finally ended. Now Ernst and the few men left from his company cannot help wondering what will become of them. The town they departed as eager young men seems colder, their homes smaller, the reasons their comrades had to die even more inexplicable. For Ernst and his friends, the road back to peace is more treacherous than they ever imagined. Suffering food shortages, political unrest, and a broken heart,xa0xa0Ernst undergoes a crisis that teaches him what there is to live for--and what he has that no one can ever take away. "A great writer . . . He is a craftsman of unquestionably first rank, a man who can bend his language to his will. Whether he writes of men or of inanimate nature, his touch is sensitive, firm, and sure."--The New York Times Book Review Erich Maria Remarque , who was born in Germany, was drafted into the German army during World War I. Through the hazardous years following the war he worked at many occupations: schoolteacher, small-town drama critic, race-car driver, editor of a sports magazine. His first novel, All Quiet on the Western Front, was published in Germany in 1928. A brilliant success, selling more than a million copies, it was the first of many literary triumphs. When the Nazis came to power, Remarque left Germany for Switzerland. He rejected all attempts to persuade him to return, and as a result he lost his German citizenship, his books were burned, and his films banned. He went to the United States in 1938 and became a citizen in 1947. He later lived in Switzerland with his second wife, the actress Paulette Goddard. He died in September 1970. Excerpt. © Reprinted by permission. All rights reserved. Part One xa0 xa0 ROADS STRETCH FAR through the landscape, the villages lie in a grey light; trees rustle, leaves are falling, falling. xa0 Along the road, step upon step, in their faded, dirty uniforms tramp the grey columns. The unshaved faces beneath the steel helmets are haggard, wasted with hunger and long peril, pinched and dwindled to the lines drawn by terror and courage and death. They trudge along in silence; silently, as they have now marched over so many a road, have sat in so many a truck, squatted in so many a dugout, crouched in so many a shell hole—without many words; so too now they trudge along this road back home into peace. Without many words. xa0 Old men with beards and slim lads scarce twenty years of age, comrades without difference. Beside them their lieutenants, little more than children, yet the leaders of many a night raid. And behind them, the army of slain. Thus they tramp onward, step by step, sick, half-starving, without ammunition, in thin companies, with eyes that still fail to comprehend it: escaped out of that underworld, on the road back into life. xa0 1 xa0 The company is marching slowly, for we are tired and have wounded with us. Little by little our group falls behind. The country is hilly, and when the road climbs we can see from the summit the last of our own troops withdrawing before us, and behind us the dense, endless columns that follow after. They are Americans. They pour on through the avenues of trees like a broad river and the restless glitter of their weapons plays over them. But around them lie the quiet fields, and the tree tops in their autumnal colours tower solemn and unconcerned above the oncoming flood. xa0 We stopped for the night in a little village. Behind the houses in which we billeted flows a stream lined with willows. A narrow path runs beside it. One behind another in a long file we follow it. Kosole is in front. Behind him runs Wolf, the company mascot, and sniffs at his haversack. xa0 Suddenly at the crossroad, where the path opens into the high road, Ferdinand springs back. xa0 “Look out!” xa0 On the instant our rifles are up and we scatter. Kosole crouches in the ditch by the roadside, ready to fire; Jupp and Trosske duck and spy out from behind a clump of elders; Willy Homeyer tugs at his hand-grenade belt; even our wounded are ready for fight. xa0 Along the road are coming a few Americans. They are laughing and talking together. It is an advance patrol that has overtaken us. Adolf Bethke alone has remained unperturbed. He advances calmly a few paces clear of the cover. Kosole gets up again. The rest of us recover ourselves also, and embarrassed and sheepish, readjust our belts and our rifle slings—for, of course, fighting has ceased some days now. xa0 At sight of us the Americans halt suddenly. Their talk stops. Slowly they approach. We retire against a shed to cover our backs, and wait. The wounded men we place in the middle. xa0 After a minute’s silence an American, tall as a tree, steps out from the group, stands before us and beckoning, greets us. xa0 “Hello, Kamerad!” xa0 Adolf Bethke raises his hand in like manner. “Kamerad!” The tension relaxes. The Americans advance. A moment later and we are surrounded by them. Hitherto we have seen them so closely only when they were either prisoners or dead. xa0 It is a strange moment. We gaze at them in silence. They stand about us in a semicircle, fine, powerful fellows; clearly they have always had plenty to eat. They are all young; not one of them is nearly so old as Adolf Bethke or Ferdinand Kosole—and they are not our oldest by a long chalk. On the other hand none is so young as Albert Trosske or Karl Bröger—and they are by no means the youngest of us. xa0 They are wearing new uniforms and greatcoats; their boots are water-tight and fit well; their rifles are good and their pouches full of ammunition. They are all fresh and unused. xa0 Compared to these fellows we are a perfect band of robbers. Our uniforms are bleached with the mud of years, with the rains of the Argonne, the chalk of Champagne, the bog waters of Flanders; our greatcoats ragged and torn by barbed wire, shell splinters and shrapnel, cobbled with crude stitches, stiff with clay and in some instances even with blood; our boots broken, our rifles worn out, our ammunition almost at an end; we are all of us dirty, all alike gone to wrack, all weary. The war has passed over us like a steam roller. xa0 xa0 Yet more troops gather around us. The square is filled with curious eyes. xa0 We stand in a corner grouped about our wounded men—not because we are afraid, but because we belong together. The Americans nudge one another and point at our old, worn-out gear. One of them offers Breyer a piece of white bread, but though hunger is apparent in his eyes, he does not take it. xa0 With a sudden ejaculation one of them points to the bandages on our wounded. These are of crêpe paper, made fast with pack thread. They all have a look, then retire and whisper together. Their friendly faces are full of sympathy as they see that we have not even muslin bandages. xa0 The man who first addressed us now puts a hand on Bethke’s shoulder. “Deutsche—gute Soldat,” he says, “brave Soldat.” xa0 The others nod emphatically. xa0 We make no answer. We are not yet able to answer. —The last weeks have tried us bitterly. We had to return again and again to the battle, losing our men to no purpose, yet we made no protest; we did as we have always done; and at the end our company had thirty-two men left of two hundred. —So we came out from it thinking no more, feeling no more than that we had faithfully done what had been laid upon us to do. xa0 But now, under the pitying eyes of these Americans, we perceive how much in vain it has all been. The sight of their interminable, well-equipped columns reveals to us against what hopeless odds in man power and material we made our stand. xa0 We bite our lips and look at each other. Bethke withdraws his shoulder from under the American’s hand; Kosole stares ahead into vacancy; Ludwig Breyer draws himself up—we grip our rifles more firmly; we brace our knees, our eyes become harder and our gaze does not falter. We look back once more over the country whence we have come; our faces become tight with suppressed emotion and once again the searing memory passes through us: all we have done, all we have suffered, and all that we have left behind. xa0 We do not know what is the matter with us; but if a bitter word were now loosed against us, it would sting us to fury, and whether we wanted to or not we would burst forward, wild and breathless, mad and lost, to fight—in spite of everything, to fight again. xa0 xa0 A thick-set sergeant with a ruddy face elbows his way toward us. Over Kosole, who stands nearest him, he pours a flood of German words. Ferdinand winces, it so astonishes him. xa0 “He talks just the same as we do!” he says to Bethke in amazement; “what do you make of that, now?” xa0 The fellow speaks German better and more fluently even than Kosole himself. He explains that he was in Dresden before the war, and had many friends there. xa0 “In Dresden?” asks Kosole, even more staggered. “Why, I was there once myself for a couple of years——” xa0 The sergeant smiles as though that identified him once and for all. He names the street where he had lived. xa0 “Not five minutes from me!” exclaims Ferdinand excitedly. “Fancy not having seen one another! You will know Widow Pohl, perhaps, at the corner, Johannis Street? A fat old body with black hair. My landlady.” xa0 But the sergeant does not know her and in exchange submits Zander, a clerk in the Treasury, whom Kosole in his turn cannot recall. Both of them, however, remember the Elbe and the castle, and their eyes light up with pleasure. Ferdinand seizes the sergeant by the arm. “Why, man—you talk German like a native! So you’ve been in Dresden, eh? —Man, but what have we two been fighting about?” xa0 The sergeant laughs. He doesn’t know either. He takes out a packet of cigarettes and offers it to Kosole, who reaches for it eagerly—there is not a man of us but would willingly give his soul for a good cigarette. Our own are made from beech leaves and dried grass, and even those are only the better sort. Valentin Laher declares that the ordinary ones are made of seaweed and dried horse dung, and Valentin is a connoisseur of such things. xa0 Kosole blows out the smoke lingeringly, with relish. We sniff enviously. Laher changes colour. His nostrils quiver. “Give’s a draw,” he says imploringly to Ferdinand. But before he can take the cigarette another American has offered him a packet of Virginia tobacco. Valentin looks at him incredulously. He takes it and smells it. His face lights up. Then reluctantly he returns the tobacco. But the other declines it and points energetically at the cockade on Laher’s forage cap, which is sticking out from the top of his haversack. xa0 Valentin does not understand him. “He wants to exchange the tobacco for the cap badge,” explains the sergeant from Dresden. But Laher understands that even less. This spanking tobacco for a tin cockade? The man must be balmy. Valentin would not swop the packet for a commission. He offers the cap, badge and all, to the American, and with trembling hands greedily fills his first pipe. xa0 And now we realize what is expected—the Americans want to exchange. It is apparent that they have not long been in the war; they are still collecting souvenirs, shoulder straps, badges, belt buckles, decorations, uniform buttons. In exchange we stock ourselves with soap, cigarettes, chocolate and tinned meat. They even want us to take a handful of money for our dog—but we draw the line there; let them offer what they will, the dog stays with us. On the other hand, our wounded bring us luck. One American, with so much gold in his mouth that his face looks like a brass foundry, is anxious to get some pieces of bandage with blood on them, in order to be able to demonstrate to the folk at home that they actually were made of paper. He is offering first-rate biscuits and, better still, an armful of real bandages in exchange. With the utmost satisfaction he carefully stows the rags away in his pocketbook, especially those belonging to Ludwig Breyer; for that is actual lieutenant’s blood, you see. Ludwig must write on it in pencil, the place, his name and regiment, so that every one in America may see the thing is no fake. He is unwilling at first—but Willy persuades him, for we need good bandages sorely. And besides, the biscuits are an absolute godsend to him with his dysentery. xa0 But Arthur Ledderhose makes the best coup. He produces a box of Iron Crosses that he found in an abandoned Orderly Room. An American, as wizened as himself, with just such another lemon-yellow face, wants to buy the whole box at one deal. But Ledderhose merely gives him one long, knowing slant from his squinting eyes. The American returns the look just as impassively, just as seemingly harmless. One suddenly saw in them a family likeness, as of two brothers. —Something that has survived all the chances of war and death has flashed between them,—the spirit of trade. xa0 Ledderhose’s antagonist soon sees that there is nothing doing. Arthur is not to be tricked; his wares will be decidedly more profitable disposed of in retail, so he barters them one by one, till the box is empty. About him there gradually rises up a pile of goods, even butter, and silk, eggs, linen and money, until finally he stands there on his bandy legs looking like a departmental store. Read more

Features & Highlights

  • The sequel to the masterpiece
  • All Quiet on the Western Front, The Road Back
  • is a classic novel of the slow return of peace to Europe in the years following World War I.
  • After four grueling years, the Great War has finally ended. Now Ernst and the few men left from his company cannot help wondering what will become of them. The town they departed as eager young men seems colder, their homes smaller, the reasons their comrades had to die even more inexplicable.For Ernst and his friends, the road back to peace is more treacherous than they ever imagined. Suffering food shortages, political unrest, and a broken heart, Ernst undergoes a crisis that teaches him what there is to live for—and what he has that no one can ever take away.
  • “The world has a great writer in Erich Maria Remarque. He is a craftsman of unquestionably first rank, a man who can bend language to his will. Whether he writes of men or of inanimate nature, his touch is sensitive, firm, and sure.”—
  • The New York Times Book Review

Customer Reviews

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Most Helpful Reviews

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Remarque nailed it early on...

There seems to be a plethora of both novels and non-fiction books now about the ravages of war and its aftermath, describing both the physical and emotional scars, now that the world has gone through World War II, Vietnam, and scores of other wars. However, when Remarque was writing, there was very little literature of this sort. He nailed it early on, when the Allies were still celebrating their triumphs after the War to End All Wars, and no one outside Germany really cared what happened there. In the West, even today, we have been conditioned to think of Germany during the World Wars as an army of emotionless automatons who blindly followed orders and suffered no moral apprehension. This novel, and others by Remarque, show this to be untrue. The Germans died, cried, loved, lost, and suffered, both physically and emotionally, as much as any soldier of any army. This is the fitting sequel to "All Quiet on the Western Front" (Paul Baumer even gets a passing mention as the protagonists remember lost comrades), and while it lacks the grit and guts of Remarque's wartime novel, it shows the sense of loss, grief, and hopelessness felt by many on both sides after the Great War, and other wars as well.
52 people found this helpful
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Much harder than surviving the war

"Yes, things were much simpler at the Front; there, so long as a man was still alive, all was well."

The sequel to "All Quiet on the Western Front," this novel explores the lives of the surviving members of Paul Baumer's regiment, as they attempt to integrate back into society in postwar Germany. Peace has come at last, yet the "road back" to civilization is a hard, arduous journey that countless ex-soldiers lose their way. Although the war has ended, the youth whose lives were ever changed are still soldiers at heart, trained to kill. The years in the trenches have rendered the soldiers hollow and incapable of recovering their former innocence. Whereas life in the trenches taught comradeship and survival, life back at home is a tedious, mind-numbing process of seemingly petty trifles and inconveniences.

No members from the original novel, save for Tjaden, appear, but there are references made to the original gang (who were killed, of course). The novel is told in the first person by Ernst Birkholz, and 18-year old student who returns home after the armistice. In style and form, Remarque delivers a novel similar to the original. In a terse and direct style, Remarque paints a portrait of Ernst as he struggles with disillusionment and fear, for the battle back in civilization is far more arduous and heart-wrenching than the trenches.

Throughout the novel, Ernst attempts to recapture his youth, for it is his youth that was taken from him. Although he has survived the war, he was irrevocably damaged psychologically. Everything has changed. Even the simple pleasures of a pre-war existence have vanished, although they may physically be the same. For, once a boy becomes a soldier, he can never recapture his youth.

Yet, for all the broken soldiers, Remarque does deliver hope. Not all of his comrades have fallen victim to the ravages of war. Tjaden, Arthur, and Bruno show that one can find happiness back in society. In the midst of the chaos of the Weimar Revolution, there can be found peace and contentment. Although he fails to find it until the very end, it seems as if Ernst has discovered the secret to navigating the "road back."

I must say that I am surprised this novel hasn't generated more interest on Amazon, as I am only the 9th reviewer. Although the novel doesn't have quite the edge of the first one, which is a war novel afterall, it does deliver a poignant image of struggle and redemption. And the novel is not totally devoid of war scenes, for flashbacks occur periodically, particularly the haunting image of the English captain whose legs were blown off by Ernst's grenade. This is a superb book and is a brilliant sequel to the original.
20 people found this helpful
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A first-hand account of the destructive experience of war even for those who survive

“The Road Back” is a sequel to “All Quiet on the Western Front”. The central fictional character is Ernst Birkholz, a German soldier who enlisted at the beginning of the First World War at the young age of eighteen, whose experience during the War was the subject of the earlier novel. After four years fighting in the front, during which he experienced trench warfare, constant bombardment, hand-to-hand combat, strong comradeship with fellow young soldiers in the same company, etc., he and a handful of his comrades survived when the war ended. The Road Back is an account of the experiences of Ernst and several of his surviving friends when they tried to pick up their lives that were broken up by the War.

There were external and internal experiences. Externally, people who had not been to war thought that war was a glorious and patriotic undertaking and did not understand what the soldiers had experienced. This caused difficulties with parents, former teachers, and hometown folks in general. Internally, the war experience produced profound changes in one’s outlook of life. There was the realization that one’s youthful enthusiasm, hopeful dreams and love of life before the war were shot to pieces. Conditions in society were worse than before the war, including decline in morals, scarcity of food, and civil unrest. Hence it was obvious that all their sacrifice was in vain. The feeling among many returning soldiers was that they were not welcome, and that they were not good for anything else other than soldiering. This led to depression, lack of confidence, and even suicide. Indeed, one former comrade, Georg Rahe, concluded that the most suitable thing for him to do was to go back to be a soldier again, hoping to find some remnants of comradeship there. Instead, what he found was mere “barbarized gang spirit”, he told Ernst. Deeply disillusioned, he ended his life by killing himself. A poignant description was given of what thoughts and memories flashed through Georg’s mind while dying.

There were other noteworthy poignant passages.

- On one occasion, Ernst was at his parents’ home and dosed off. When he woke up, he found his mother staring at him in horror. Apparently, he said something in his dream, using languages common for soldiers at the trenches, not the kind he would use before he enlisted. When he asked his mother what caused her concern, his mother said that she was shocked how bad things happened even to her gentle child. In her mind, the war was full of bad people trying to harm her child, who was always gentle and innocent. She had no idea what her child had gone through and had changed into a soldier – he had endured constant bombardment and watched his comrades blown to pieces; he had killed soldiers on the other side and watched their slow, agonizing death. These young soldiers killed by her son, through no faults of their own, were thrust into the war just like her child. The passage was among the most moving account of how war was misunderstood and how people were changed by its horrific experience.

- When peace was announced and the soldiers were to be dispersed, the company commander, a fellow named Heel, in a parting conversation with Mark Weil, said that although Weil’s life will henceforth be less bloody, it will be less heroic. Being heroic, in Heel’s opinion, is the best thing in life. To which Weil responded: “The misery of millions is too big a price to pay for the heroics of a few.”

- There was a melancholy and tragic narration of the parade of wounded soldiers who protested about high inflation, food prices, and that the government had not adequately provided for them. The parade was formed by sections, marching in fours. Big white placards were carried: “Where is the Fatherland’s gratitude?” “The War Cripples are starving.” There were men with one arm carrying the placards, followed by blind men with their sheep dogs. Behind the blind came the men with one eye, the tattered faces of men with head wounds: wry, bulbous mouths, faces without noses and without lower jaws……. On these follow the long lines of men with legs amputated….

- Mark Weil, though not wounded, supported the parade by speaking out on behalf of the protesters. He was shot to death by order of Heel, who was on the side of the government.

Although the book deals with serious matters, there were occasional passages that invoke smiles. One was a remark by Ernst when he arrived home that it had been two years since he saw an egg. Another was that, in a dinner party, the friends found they were being looked at by others because they were eating with their hands, since this mode of eating was what they were accustomed to in the trenches. They had forgotten that forks and knifes were to be used.

At the end of the book, the author, in his reflections, came up with a memorable quote:

“All learning, all culture, all science is nothing but hideous mockery, so long as mankind makes war in the name of God and humanity with gas, iron, explosive and fire.”

In conclusion, The Road Back is a first-hand account of the disastrous experience of war even for those who survive. I read the book in May 2022, when war was raging savagely in Ukraine and humanity is again at a very dangerous moment.
16 people found this helpful
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Better than the original

The war is over and the soldiers go home. What they find there is not what they spent four years dreaming about. When they get home there is protest all over Germany. Those who did not serve are giving lofty speeches about what the soldiers did on the battlefield to the returning soldiers who knew what happened. Ernst and several of the others go back to school to finish their educations but they have a hard time with it. They are too battle weary and too emotionally scarred to fit in to civilian life. Some go back to their "aristocratic" lifestyle and forget the camaraderie of the Front. Others try to get back their old lives but have changed too much to understand those who stayed home. Others try but cannot fit in. Some have breakdowns; others commit suicide. Those who were not in battle have no understanding what these men have gone through. Ernst tells it like it is and Ludwig does also. None who came home alive escaped unscarred.

This is a book shows what is like for those coming back and the disrespect given to them, especially if on the losing side. A generation was lost. No one cares but these men whose lives were stolen and broken. This is a book that should be taught in school so that those who will be called to serve in future wars know that it is not glory and victory that come from war but loss--of self, of friends, of home, of life. Was it worth it? Ludwig was right. It was not.
10 people found this helpful
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Essential reference for PTSD. Remarque-able

German soldier returns home from WW1 trenches after a lost war,
A soldier’s firsthand experience about surviving chaos, comradeship, memories, expectations, while searching for a place to belong.
Discussed “Road Back” in book club.
The meeting was unusual in that we spent a significant amount of time just reading selections from the book. We were often speechless. No one could add to the author’s insights / feelings. Credit to the translator AW Wheen.
There are a lot of characters in Road Back, RB. It is distracting trying to keep up individual character development. But the main ideas are so insightful and powerful that it does not matter who is talking. AQ, All Quiet, is narrated by “Paul Braumer” and Road Back by “Ernst Birkholz”. Recommend reading both. But Road Back can stand on its own.
Key passages we read aloud. (Part.Chapter)
Pg 43~47 (1.3) – “Heel tries to say a few words in farewell. But nothing will come; he has to give up. No words in the world can…” Compares values of war (Heel) vs home (Weil).
Pg 112~117 (2.5) – “The principle is clearing his throat for a speech…” The Principle compares sacrifices of soldiers at the front with civilians back home. See Q2
Pg 133 (3.2) – “Now I sit here before my mother…she says gently…You have changed. You have become very restless… I feel how alien and alone I really am…” Q3
Pg 143~145 (3.4) – “He was buried during the fighting at Fleury, and for several hours he lay…” Q4
Pg 175~177 (4.3) – “She looks across.... Has memory played me false here too, then? Did it grow too, until it has outgrown the reality?...Yes, it is a hard thing to part; but to come back again, that is sometimes far harder”… Q4
Pg 194~197 (4.5) – “Rahe crashes his fist down on the table. – “It was in vain, Ludwig – that’s what makes me mad!...The told us it was for Honour…Patriotism…fighting for freedom… the war still goes on – but a dirty low-down war – every man against his fellow” Q5
Pg 297~298 (7.2) – “You should have come to our help~ - But no, you left us alone in that worst time of all, when we had to find a road back again…. You should have shown us again what life is~ you should have taught us to live again. But no, you left us to stew in our juice! You left us to go to the dogs! You should have taught us to believe again in kindliness, in order, in culture, in love!...” Q6
==== discussion questions ======
Q1. Is Heel a product of war or the cause? Can Heel and Weil co-exist?
Q2. Can you compare soldier sacrifices with civilian? Why / why Not? What are the differences?
Q3. How are expectations part of the soldiers Road Back? Soldiers and those at home? (i.e. mom, wife, family, school, society).
Q4. How do memories affect the soldiers Road Back? Giesecke, Ernst, Adolf Bethke, Willy
Q5. Compare feelings of George Rahe, Ludwig, and Ernst.
Q6. How has society helped soldiers Road Back since WW1? Any improvements.
Q7. PTSD = Post TRAUMATIC Stress Disorder. Can non-soldier have PSTD? What is unique about soldier’s trauma?
Q8. How do we help soldiers today with PTSD?
We actually did not make it through entire book in 2 hour discussion. We made it to the trial. There is a many other significant sections and lot to think about in this book. In fact, IMO, the Road Back is better than AQ, All Quiet. Yet Road Back is little known.
Remarque-able.
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Great followup to All Quiet

I loved the limited amount of Remarque's books I could get my hands on in the 70s, and have just recently begun seeking out the ones I missed out on then. All Quiet is one of my all time favorite books, and this one is just as amazing - I am so glad to have decided to hunt up more from Remarque! This book is about the horrors of the war being over and the horrors of Ernst and the other few remainders of Platoon Company 2 try to assimilate back into society just beginning. All Quiet was about the same group of young men - but, of course, most all of them are dead at the end of that book - so new characters populate this volume. It was originally written in installments (per what I've read about it) and is more a series of 'vignettes' than a plotted novel - which doesn't detract from it at all. Remarque (I think) wrote most of his books from his own experiences, and while this is listed as fiction - there surely is a lot of Fact in here. His own life mirrors all too much the things that he writes of to not be a semi-autobiographical work. Almost all his books are about the 'lost' generation -- those who were young and hadn't made their place in life yet (which is pretty much what all armies like to draw their ranks from - impressionable, moldable youth). Having had no life but killing the enemy, they are ruined for settling into a peaceful society again and the misc. characters struggle to overcome their nightmares. A rare few do settle in quite well, but most are unable to adapt to doing something other than killing as an occupation, and suicide is (and was also in real life) all too common. This is probably one of the first books to achingly show what PTSD was probably like to live through.
Since this was written (and translated) many, many years ago - there are a few words that one will likely need a dictionary for - i.e. puttees - the spiral cloth wrappings that were part of some Allied uniforms. The scenes of the English soldier with puttees esp. horrified me because there are pictures of my grandfather wearing those with the Canadian Army in 1918.
I liked the scene where the bedraggled platoon is observed by and then talks to the Americans - who realize how Brave the German soldiers were because they had fought so hard despite such poor supplies and arms.
One of the characters in the book, Willy, decides he will take a small stand against war and proposes to teach his students that their country is their homeland, Not a political party. I think this is what Remarque found to do with his life (after several misc. jobs before finding his calling as an author) - and he has been able to share his experiences and speak out against wars to the many millions who have read his works. I can't think of anything more noble he could have done ........
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Essential Reading

This is Erich Maria Remarque sequel to "All Quiet on the Western Front" and is essential reading for the historians, psychologists, social workers, and therapists. The effects of battlefield trauma are deep and long-lasting and for many they are intractable. The more we know the better. World War One was an unbelievable disaster on so many levels and them men and women who went through that deserve our undying respect.
4 people found this helpful
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Cracking Up After War

"The Road Back" by Erich Maria Remarque is dark and foreboding, a grim reminder of the psychological toll that combat takes on foot soldiers. Re-adjustment back home is actually impossible in the black market milieu and the harsh realities of an ignorant and uncaring civilian populace, who can behave only as they did in years past. There really is no "Road Back," just more misery. The soldiers would prefer the trenches than their disillusionment and despair back home. They all felt betrayed and that their sacrifice was for nothing. The story is irredeemably sad, and it is often painful to read. Remarque's remarkable talent to describe the beauty of nature, the skies and the changing seasons do not diminish the overall tone of the book. It is a book that is remembered for the somber, disquieting mood it sets and maintains. The reader is absorbed into this mood.

I believe that the book was probably beautifully written in its original German language, but to tell the truth (my view), the translation is inconsistent and very often quite unacceptable. I just did not understand why the translator, A. W. Wheen, chose so many "strange" English language words and phrases. To be blunt, much of the translation read as if it were performed by a German national, who perhaps had a fair-to-middling understanding of English, but a very poor vocabulary, and who, in a panic, resorted to literal, old-fashioned, dictionary-style translations - perhaps a British 19th Century dictionary. Too much of the translation is just "out of left field" for an American reader in 2010. Many times, I wrote the word "huh?" in the margin, puzzled once again by such a poor choice of words by Wheen. The lingo and speaking style of the modestly educated characters in the story would not be lost by an elevated 21st Century re-translation. I doubt that anyone reading this book in the original German would have such a criticism. The translator's style almost ruined the reading of this wonderful book for me.

The story's main problem, is that it goes nowhere. Perhaps the structure of the story reflects the psychology described - men adrift back home after a horrible war experience. The book reads a little like a serial publication, one that might have been published weekly over time, with one chapter not necessarily leading to the next, but rather becoming a somewhat disconnected group of episodes in the lives of the returned war soldiers. There are vague thematic threads in the story that continue from beginning to end, however. The book's ending was too sweet and too hopeful, given the bulk of the story line, and the ending (epilogue) was almost unrelated to the main story. I did not like the ending at all. It didn't fit.

Life after World War I in pre-Hitler Germany, just before the great depression killed the old Germany for good, was in fact awful. Remarque truly brings that reality to life, as well as the tensions between the Communists and the Old Order. But the full effect of the Treaty of Versailles had not yet taken its economic and psychological toll on the German people. However, one can see the handwriting on the wall: Germany will rise again, and it will not be a pretty sight when it does.

Notwithstanding its two great flaws (an awful translation and a story that reads more like a painting than a tale with a beginning, middle and end), the book is still sensational. It may not be Remarque's best work ("Three Comrades" and "All Quiet on the Western Front" are superior), but nonetheless it is excellent and gives a clear and convincing view of war's psychological damage on all people - whether soldiers or not. Remarque is at his best when showing how civilians, who never were near the front lines, have no idea at all who these soldiers really are, could never have any idea of what life was like in the trenches and what the soldiers went through. It's a gruesome reminder of that truism: if you haven't been there, you don't know. It doesn't matter what war is under discussion. The same phenomenon happens again and again. In this way, history does fatally repeat itself, and humankind does not learn.

I liked Ernst, the narrator, although he was a bit of a drama queen. His role at the "trial" near the end was almost entirely out of keeping of his personality developed throughout the early part of the book. The trial itself was unrealistic and was the worst part of the book. But the trial provided Remarque with a platform to make his political points, driving them home again and again and again. There's lots of anger in this book. We got it.

All in all, a 4 on Amazon's rating scale.
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Beautifully-written sequel to All Quiet on the Western Front

A day or two after seeing the new German film "All Quiet on the Western Front" (which is outstanding and deserves every award it gets) I got this book and tore through it in one day. It is about some comrades of Paul Bäumer (the main character in AQ on the WF) who survive the war and go home to people and a society that can't possibly understand what they've been through, and are largely indifferent to their suffering.

These young guys, some barely out of their teens, still have only each other to lean on and help each other survive, just as they did at the Western Front. But, as happened to Paul and his buddies during the war, life crushes them one-by-one. (Those who miss Paul might be pleased that he comes back to make a brief appearance to his comrade as a ghost, although a tragic one.)

The story is heartbreaking but the writing is thoughtful and beautiful, as is the case with Remarque. The main character, Ernst, does a lot of reflecting on his lost boyhood and, as Thomas Woolf wrote, sadly concludes that "You can't go home again" ... especially not if you've spent years in hell, as he and his friends have done.

This translation does feel outdated and clunky in places. The conversations make the guys sound like a bunch of English lads. But the read is worth it. One cares about these young men, their fraternal love for each other, and their struggles to fit into post-war Germany, but the plot is really universal, not specific to that time and place. In the right hands, this story would also make a powerful movie. Netflix?

If you liked reading "All Quiet" and cared about Paul and the other youngsters there, then you'll like this novel as well.
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Part Two on WWI

This book is part two of the famous "All Quiet on the Western Front" book. It covers what happens to the soldiers when they come home. All Quiet has been the subject of a lot of films including one on Netflix. I think filmmakers need to make a movie from this book. It is that good of a book.

The book covers the challenges the guys face when they come home. The book carries you through the troubles they face like finding work, cheating spouses, trouble with the law, and other things. As I read the book I was struck by the universal nature of the story. This could have been the same story but with characters coming home from wars in Iraq or Afghanistan. I found one answer in the book about the plague of veteran suicide. Two characters talk about the war after one of the challenges of getting back to civilian work. He said "there is war again but with no comradeship"
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