The Right Stuff
The Right Stuff book cover

The Right Stuff

Paperback – September 1, 1983

Price
$11.00
Format
Paperback
Pages
384
Publisher
Bantam
Publication Date
ISBN-13
978-0553275568
Dimensions
4.5 x 1.25 x 7.25 inches
Weight
6.4 ounces

Description

Tom Wolfe began The Right Stuff at a time when it was unfashionable to contemplate American heroism. Nixon had left the White House in disgrace, the nation was reeling from the catastrophe of Vietnam, and in 1979--the year the book appeared--Americans were being held hostage by Iranian militants. Yet it was exactly the anachronistic courage of his subjects that captivated Wolfe. In his foreword, he notes that as late as 1970, almost one in four career Navy pilots died in accidents. " The Right Stuff ," he explains, "became a story of why men were willing--willing?--delighted!--to take on such odds in this, an era literary people had long since characterized as the age of the anti-hero." Wolfe's roots in New Journalism were intertwined with the nonfiction novel that Truman Capote had pioneered with In Cold Blood . As Capote did, Wolfe tells his story from a limited omniscient perspective, dropping into the lives of his "characters" as each in turn becomes a major player in the space program. After an opening chapter on the terror of being a test pilot's wife, the story cuts back to the late 1940s, when Americans were first attempting to break the sound barrier. Test pilots, we discover, are people who live fast lives with dangerous machines, not all of them airborne. Chuck Yeager was certainly among the fastest, and his determination to push through Mach 1--a feat that some had predicted would cause the destruction of any aircraft--makes him the book's guiding spirit. Yet soon the focus shifts to the seven initial astronauts. Wolfe traces Alan Shepard's suborbital flight and Gus Grissom's embarrassing panic on the high seas (making the controversial claim that Grissom flooded his Liberty capsule by blowing the escape hatch too soon). The author also produces an admiring portrait of John Glenn's apple-pie heroism and selfless dedication. By the time Wolfe concludes with a return to Yeager and his late-career exploits, the narrative's epic proportions and literary merits are secure. Certainly The Right Stuff is the best, the funniest, and the most vivid book ever written about America's manned space program. --Patrick O'Kelley From the Publisher "Tom Wolfe at his best." --The New York Times From the Inside Flap When the future began...The men had it.xa0xa0Yeager.xa0xa0Conrad.xa0xa0Grissom.xa0xa0Glenn.xa0xa0Heroes...the first Americans in space...battling the Russians for control of the heavens...putting their lives on the line.xa0xa0The women had it.xa0xa0While Mr. Wonderful was aloft, it tore your heart out that the Hero's Wife, down on the ground, had to perform with the whole world watching...the TV Press Conference: "What's in your heart?xa0xa0Do you feel with him while he's in orbit?"The Right Stuff.xa0xa0It's the quality beyond bravery, beyond courage.xa0xa0It's men like Chuck Yeager, the greatestxa0xa0test pilot of all and the fastest man on earth.xa0xa0Pete Conrad, who almost laughed himself out of the running.xa0xa0Gus Grissom, who almost lost it when his capsule sank.xa0xa0John Glenn, the only space traveler whose apple-pie image wasn't a lie. Tom Wolfe is the author of a dozen books, among them such contemporary classics as The Electric Kool-Aid Acid Test , The Right Stuff , and The Bonfire of the Vanities . A native of Richmond, Virginia, he earned his B.A. at Washington and Lee University and a Ph.D. in American studies at Yale. He lives in New York City. From the Trade Paperback edition. Excerpt. © Reprinted by permission. All rights reserved. The Angels Within five minutes, or ten minutes, no more than that, three of the others had called her on the telephone to ask her if she had heard that something had happened out there.“Jane, this is Alice. Listen, I just got a call from Betty, and she said she heard something’s happened out there. Have you heard anything?” That was the way they phrased it, call after call. She picked up the telephone and began relaying this same message to some of the others.“Connie, this is Jane Conrad. Alice just called me, and she says something’s happened...” Something was part of the official Wife Lingo for tiptoeing blindfolded around the subject. Being barely twenty-one years old and new around here, Jane Conrad knew very little about this particular subject, since nobody ever talked about it. But the day was young! And what a setting she had for her imminent enlightenment! And what a picture she herself presented! Jane was tall and slender and had rich brown hair and high cheekbones and wide brown eyes. She looked a little like the actress Jean Simmons. Her father was a rancher in southwestern Texas. She had gone East to college, to Bryn Mawr, and had met her husband, Pete, at a debutante’s party at the Gulph Mills Club in Philadelphia, when he was a senior at Princeton. Pete was a short, wiry, blond boy who joked around a lot. At any moment his face was likely to break into a wild grin revealing the gap between his front teeth. The Hickory Kid sort, he was; a Hickory Kid on the deb circuit, however. He had an air of energy, self-confidence, ambition, joie de vivre. Jane and Pete were married two days after he graduated from Princeton. Last year Jane gave birth to their first child, Peter. And today, here in Florida, in Jacksonville, in the peaceful year 1955, the sun shines through the pines outside, and the very air takes on the sparkle of the ocean. The ocean and a great mica-white beach are less than a mile away. Anyone driving by will see Jane’s little house gleaming like a dream house in the pines. It is a brick house, but Jane and Pete painted the bricks white, so that it gleams in the sun against a great green screen of pine trees with a thousand little places where the sun peeks through. They painted the shutters black, which makes the white walls look even more brilliant. The house has only eleven hundred square feet of floor space, but Jane and Pete designed it themselves and that more than makes up for the size. A friend of theirs was the builder and gave them every possible break, so that it cost only eleven thousand dollars. Outside, the sun shines, and inside, the fever rises by the minute as five, ten, fifteen, and, finally, nearly all twenty of the wives join the circuit, trying to find out what has happened, which, in fact, means: to whose husband.After thirty minutes on such a circuit — this is not an unusual morning around here — a wife begins to feel that the telephone is no longer located on a table or on the kitchen wall. It is exploding in her solar plexus. Yet it would be far worse right now to hear the front doorbell. The protocol is strict on that point, although written down nowhere. No woman is supposed to deliver the final news, and certainly not on the telephone. The matter mustn’t be bungled! — that’s the idea. No, a man should bring the news when the time comes, a man with some official or moral authority, a clergyman or a comrade of the newly deceased. Furthermore, he should bring the bad news in person. He should turn up at the front door and ring the bell and be standing there like a pillar of coolness and competence, bearing the bad news on ice, like a fish. Therefore, all the telephone calls from the wives were the frantic and portentous beating of the wings of the death angels, as it were. When the final news came, there would be a ring at the front door — a wife in this situation finds herself staring at the front door as if she no longer owns it or controls it — and outside the door would be a man ... come to inform her that unfortunately something has happened out there, and her husband’s body now lies incinerated in the swamps or the pines or the palmetto grass, “burned beyond recognition,” which anyone who had been around an air base for very long (fortunately Jane had not) realized was quite an artful euphemism to describe a human body that now looked like an enormous fowl that has burned up in a stove, burned a blackish brown all over, greasy and blistered, fried, in a word, with not only the entire face and all the hair and the ears burned off, not to mention all the clothing, but also the hands and feet, with what remains of the arms and legs bent at the knees and elbows and burned into absolutely rigid angles, burned a greasy blackish brown like the bursting body itself, so that this husband, father, officer, gentleman, this ornamentum of some mother’s eye, His Majesty the Baby of just twenty-odd years back, has been reduced to a charred hulk with wings and shanks sticking out of it. My own husband — how could this be what they were talking about? Jane had heard the young men, Pete among them, talk about other young men who had “bought it” or “augered in” or “crunched,” but it had never been anyone they knew, no one in the squadron. And in any event, the way they talked about it, with such breezy, slangy terminology, was the same way they talked about sports. It was as if they were saying, “He was thrown out stealing second base.” And that was all! Not one word, not in print, not in conversation — not in this amputated language! — about an incinerated corpse from which a young man’s spirit has vanished in an instant, from which all smiles, gestures, moods, worries, laughter, wiles, shrugs, tenderness, and loving looks — you, my love! — have disappeared like a sigh, while the terror consumes a cottage in the woods, and a young woman, sizzling with the fever, awaits her confirmation as the new widow of the day.The next series of calls greatly increased the possibility that it was Pete to whom something had happened. There were only twenty men in the squadron, and soon nine or ten had been accounted for ... by the fluttering reports of the death angels. Knowing that the word was out that an accident had occurred, husbands who could get to a telephone were calling home to say it didn’t happen to me. This news, of course, was immediately fed to the fever. Jane’s telephone would ring once more, and one of the wives would be saying:“Nancy just got a call from Jack. He’s at the squadron and he says something’s happened, but he doesn’t know what. He said he saw Frank D — take off about ten minutes ago with Greg in back, so they’re all right. What have you heard?”But Jane has heard nothing except that other husbands, and not hers, are safe and accounted for. And thus, on a sunny day in Florida, outside of the Jacksonville Naval Air Station, in a little white cottage, a veritable dream house, another beautiful young woman was about to be apprised of the quid pro quo of her husband’s line of work, of the trade-off, as one might say, the subparagraphs of a contract written in no visible form. Just as surely as if she had the entire roster in front of her, Jane now realized that only two men in the squadron were unaccounted for. One was a pilot named Bud Jennings; the other was Pete. She picked up the telephone and did something that was much frowned on in a time of emergency. She called the squadron office. The duty officer answered.“I want to speak to Lieutenant Conrad,” said Jane. “This is Mrs. Conrad.”“I’m sorry,” the duty officer said — and then his voice cracked. “I’m sorry ... I...” He couldn’t find the words! He was about to cry! “I’m — that’s — I mean ... he can’t come to the phone!” He can’t come to the phone! “It’s very important!” said Jane.“I’m sorry — it’s impossible — ” The duty officer could hardly get the words out because he was so busy gulping back sobs. Sobs! “He can’t come to the phone.”“Why not? Where is he?”“I’m sorry — ” More sighs, wheezes, snuffling gasps. “I can’t tell you that. I — I have to hang up now!”And the duty officer’s voice disappeared in a great surf of emotion and he hung up.The duty officer! The very sound of her voice was more than he could take! The world froze, congealed, in that moment. Jane could no longer calculate the interval before the front doorbell would ring and some competent long-faced figure would appear, some Friend of Widows and Orphans, who would inform her, officially, that Pete was dead.Even out in the middle of the swamp, in this rot-bog of pine trunks, scum slicks, dead dodder vines, and mosquito eggs, even out in this great overripe sump, the smell of “burned beyond recognition” obliterated everything else. When airplane fuel exploded, it created a heat so intense that everything but the hardest metals not only burned — everything of rubber, plastic, celluloid, wood, leather, cloth, flesh, gristle, calcium, horn, hair, blood, and protoplasm — it not only burned, it gave up the ghost in the form of every stricken putrid gas known to chemistry. One could smell the horror. It came in through the nostrils and burned the rhinal cavities raw and penetrated the liver and permeated the bowels like a black gas until there was nothing in the universe, inside or out, except the stench of the char. As the helicopter came down between the pine trees and settled onto the bogs, the smell hit P... Read more

Features & Highlights

  • When the future began...The men had it.  Yeager.  Conrad.  Grissom.  Glenn.  Heroes...the first Americans in space...battling the Russians for control of the heavens...putting their lives on the line.  The women had it.  While Mr. Wonderful was aloft, it tore your heart out that the Hero's Wife, down on the ground, had to perform with the whole world watching...the TV Press Conference: "What's in your heart?  Do you feel with him while he's in orbit?"The Right Stuff.  It's the quality beyond bravery, beyond courage.  It's men like Chuck Yeager, the greatest  test pilot of all and the fastest man on earth.  Pete Conrad, who almost laughed himself out of the running.  Gus Grissom, who almost lost it when his capsule sank.  John Glenn, the only space traveler whose apple-pie image wasn't a lie.

Customer Reviews

Rating Breakdown

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Most Helpful Reviews

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An absolute classic

As good as "The Right Stuff" is as a movie, the book is even better. Thomas Wolfe's account of post war American test pilots and the first American astronauts is frank, amusing, moving and ultimately triumphant. Wolfe humanzies the cocky heroes that made America's space program successful. He punctures the myths that have grown up around such legendary men as Chuck Yeager, John Glenn and Alan Shepard and portrays them honestly, warts and all. The test pilot sequences and the onerous astronaut training are the best parts, but the whole book is utterly fascinating. "The Right Stuff" may very well be the best aviation story ever written.
27 people found this helpful
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The great American novel -- except that it's true

For a very long time "The Right Stuff" was my favorite book (excluding the Bible, which is unique). Even after reading Dante's "Divine Comedy," I'm not sure Wolfe's book has been dislodged from its position.
Wolfe begins to work his literary magic on the first page. A young, beautiful woman is worried about her husband, a Navy test pilot, having heard that there has been a plane crash. Space buffs like me reading the book are fascinated to realize that the woman is Jane Conrad, wife of Pete Conrad (which, incidentally, tells us that the bad news that day won't be about her husband). If this scene appeared in a different book about the space program, even one as superb as Andrew Chaikin's "A Man on the Moon" or Jim Lovell and Jeffrey Kluger's "Apollo 13," the account of events, while exciting and suspenseful, would remain on a somewhat mundane plane of everyday reality. Wolfe's glittering, idiosyncratic literary style lifts events into a world of super-reality. We experience Jane Conrad's concern and dread as if we were Jane Conrad. Perhaps more than any other book I have read, "The Right Stuff" has caused me to remember the events it relates as if I lived through them rather than reading about them.
One noteworthy feature of Wolfe's style in this book is his nearly Wagnerian use of verbal "leitmotiven," key phrases which pop up over and over in the book and come to convey far more than the simple content of the words. Anyone who has read the book will remember for a long time Wolfe's use of such phrases as "bad streak," "Flying and Drinking and Drinking and Driving," "the Integral," "our rockets always blow up," "the Presbyterian Pilot," "single combat warrior," "ziggurat," and, of course, "the right stuff."
The book also contains the funniest set-piece in any book I have ever read, the description of the celebration when the astronauts and their families first visit Houston, including the fan dance by the ancient Sally Rand. Interestingly, in the excellent film version of the book this scene was transformed from a hilarious comedy sequence into something elegiac, intercut with the sequence of Chuck Yeager bailing out of a plane (which happened on a different day in reality and in the book) to create drama and suspense. In this radically different form the two sequences are just as effective in the movie as they are in the book.
"The Right Stuff" has sometimes been criticized for being overly fictionalized, or at least speculative. These criticisms probably have a great deal of validity, but they do not alter the fact that "The Right Stuff" is the definitive evocation of that brief era around 1960 when almost anything, good or bad, seemed possible. It is an unforgettable literary achievement.
16 people found this helpful
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Wolfe's prose push the envelope

This non-fiction tells more than the story of America's race for space - but actually tells a deeper story: of America's push into the next frontier and how it discarded the heroes and heroism that led the way. Beginning with the early years of the jet age - when jets were prone to disintegrate at transonic speeds if they didn't just fail, Wolfe charts the conquest of the sonic barrier by Chuck Yeager. When the Russians jump the gun and pioneer the artificial satellite (and the nuclear-capable ICBM that lofted it into orbit) the US responds with its own programs - which fail miserably. The triumph of Gagarin's and Leonov's space flights spur the Americans to use unproven and flimsy hardware, and respond with apparently less success. (Unlike the first Soviet space flights which achieved orbit, the first American astronauts flew short suborbital missions; though superior technology allowed the west to loft satellites comparable to Sputnik but much smaller, conventional wisdom held the grapefruit-sized satellites as inferior). Though military test pilots had been flying (and dying) in virtual anonymity for years, those chosen to fly the American rockets become national heroes before the first launch. Wolfe parallels the civilian Mercury program that lofted the first Astronauts with the exotic but military X-15 program (which did not reach as high or as fast, but was at least flown by a pilot like an airplane) as if paralleling a more promising program with one that people were more interested in. The distinction is between the heroism that the Mercury astronauts stood for, and the heroism X-15 pilots (who snapped up no book deals) actually embodied.
"The Right Stuff" is a triumph. Though it doesn't tell the whole story of the space program, Wolfe sets up an ingenious theme. The pilots and astronauts of the day were heroes, like knights of the round table, and the cold war was there crusade. While this sense of the epic was an outgrowth of the end of WWII, the burgeoning missile and nuclear technologies meant it would soon become impossible to see the world in simplistic terms. Though technology improved, those who developed or relied on it matured as well, shedding their addiction to the epic - John Glenn (whom Wolfe paints as a sincere hero) clashes with NASA bigwigs and never flies again (until the late 1990's), while Chuck Yeager assumes command of test pilot school, only to confront Kennedy-era political correctness. The book ends on a bittersweet note - with Mercury giving way to Gemini, and the end of the X-15. Wolfe describes these events and others as hallmarks of the cold-war's end. No longer would American's fly in space solo like warriors of old, while the demise of the X-15 eliminated American warriors from spaceflight entirely. Paralleling this were the Cuban missile crisis and the DC-Kremlin hotline. There would still be a cold war but, divorced from its epic delusions, we would learn how to end it...eventually. So profound was this change in mentality that, JFK's assassination at the crosshairs of a pro-Castro militant did not raise red-scare hsyteria.
"The Right Stuff" also triumphs because of its unique perspective of the time which seems to parrot the hysteria of the day without actually condescending to it. Through the book we see the world marvel at the illusion of Russian ingenuity ("imagine, they kept a man alive up there a whole day!") while remaining fatalistic about American blunders ("our boys always screw up!" "Our rockets always explode!!") Wolfe inspired a new school of journalism and history, but none have come close to matching this feat.
5 people found this helpful
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I really enjoyed this book for a number of reasons. . .

. . .but there were a number of reasons it doesn't score 5 stars, at least in the mind of this reviewer.
There is no doubt that Wolfe has written a very, very good "novel" (history, really) about the great test pilots of the 1950's and especially the Mercury 7 astronauts. He as gone far to try to make the story as accurate and honest as possible. For this, he should be commended. And frankly, the book was just plain fun to read, especially for someone (like myself) who is a staunch supporter of the space program.
However, I was put off by Wolfe's casual writing style. Yes, it's a personal beef -- but this is a personal review, and I just didn't resonate with him stylistically! More serious, though, to my mind, was what the book 'did' -- and that is, to seriously deconstruct a myth. The men (and their families) depicted in the book, were (and to a certain extent, still are) heros in the minds of many Americans -- in a time when American badly needed heros. And to my mind, Wolfe trimmed those heros down to size. I'm not convinced that this was necessary -- or a good idea.
No, I'm not naive. I realize that ALL heros have feet of clay. I'm just not sure that it is appropriate -- or healthy -- to exploit that clay.
5 people found this helpful
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The Write Stuff!

What do you get when you mix an historian and a world-class writer? The Right Stuff. Tom Wolfe takes us back to a black and white time when America was apple pie and comic book heroes--at least in nostalgic hindsight. Amidst these glory years of the '50s and '60s there was trouble brewing, however. The Russians were winning the Space Race. Up to the plate step a group of true blue American heroes, men like John Glenn, Gus Grissom, Alan Shepard, and Chuck Yeager, men with the Right Stuff. Together they overcame technical barriers, tragedy, and the limits of human endurance to prevent the Soviets from controlling Space, the high ground from which they could drop nukes on us at will.
This superbly told story brings history alive. We are brought into the lives and heads of these complex real-life characters, family men who risked 25% mortality rates to "press the envelope" first as test pilots and then as astronauts. We cheer as the records fall and mourn the loss of those who "crash and burn."
Full research, high use of language, insightful character analysis, and exciting drama. You can't go wrong with the Right Stuff. --Christopher Bonn Jonnes, author of Wake Up Dead.
4 people found this helpful
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Sometimes "The Wrong Stuff"

Tom Wolf did a great job with most of his facts. However I believe he made a dreadful mistake when he implied Gus Grissom panicked and blew the hatch on the Liberty Bell 7. The official investigation did not place any blame on Gus. Yet Tom Wolfe would make the reader believe Gus was some kind of fool. If that were the case, would NASA have then given him command of both the first Gemeni and Apollo flights?
Obviously Tom Wolfe must have felt the needed to smear the name and reputation of this National Hero -- many years after Gus, Ed White and Roger Chaffee had died in the launch pad fire of Apollo 1 on January 27, 1967. It was certainly too late for Gus to defend himself personally. Others can help by understanding that "The Right Stuff" is wrong about Gus Grissom.
4 people found this helpful
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Subtle criticism of the first American astronauts

Wolfe is (arguably, of course) one of the greatest writers and commentators on popular culture than this country has ever read. And nowhere is this claim better embodied than in the masterful The Right Stuff. Most people remember the movie, which did an able enough job of capturing the most obvious of Wolfe's subtle criticism of the first American astronauts. But it is only through his text that we realize the completeness of his extended comparison of men like John Glenn ("a balding and slightly tougher looking version of the cutest-looking freckle-faced boy you ever saw") to men like Chuck Yeager ("the boondocker, the boy from the back country, with only a high-school education, no credentials, no cachet or polish of any sort, who took off the feed-store overalls and put on a uniform and climbed into an airplane and lit up the skies over Europe"). Whatever your feelings about the space program, this book is a compelling and informative read by a living legend.
3 people found this helpful
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It Had To End Somewhere

This is a page turner, par excellence. Most media descriptions of astronauts and space exploration are bland at best. This is history as narrative and you never want it to end. The astronauts themselves come to life as never before or since. Mr. Wolfe captures the era perfectly. It is as if you are right there with the whole cast of characters in the space program. This is exciting stuff, unlike the endless boring coverge of space exploration on television that dominated the era. This is the real stuff. Mr. Wolfe's masterful description of what it is like to land a jet fighter on a aircraft carrier will stay with you forever. Sadly, The Right Stuff has to end, and Mr. Wolfe admits that he could have continued on and on but had to end it somewhere. I am sorry that was true.
3 people found this helpful
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The Wrong Stuff

I thought I would read this book after seeing a long reference to it in "Adventures in the Screenwriting Trade" by William Goldman. Goldman describes writing a screenplay of this book which was never used because of factors beyond his control. Goldman, who wrote Marathon Man and The Princess Bride, gives a synopsis of The Right Stuff that made me interested in reading the novel.
I had to put the book down after the first chapter. Wolfe's flippant style is grating. After each fatal crash he mockingly repeats his description of the trainees ritualistic behavoir in donning their bridge coats (their formal uniform) to attend the funeral.
The writer relates how worried the young pilots wives are, how they live in fear that their men are going to crash and burn. This is an unusual viewpoint to take in writing about heroic figures. It's as if someone sat down to write a book about Caesar or William the Conqueror written from the perspective of their worried wives...
2 people found this helpful
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Let's get spaced!

Who is the true hero of the American space-race? Is it an astronaut that started in the space program? Or perhaps a man that we think of as 'a boy behind the rudder of America's self-esteem?' If you think you know, then you might be surprised by this book.
The story is that of the development of the space program that eventually becomes NASA. It is told in such a unique style and quasi hum-haw way that it keeps the reader gripping the pages and saying, "Holy Mackin-oly son. This is tense!"
But I bet if an english teacher ever picked up this book they'd cringe (i.e. 'and the pilots soared and came back down to earth in a charred ball and the rest of the pilots brought out their blue dress suits and went to the funeral and sighed.)
But hey! This is entertainment...mixed with a some serious history. So the level of enjoyment for the reader is up there. I read the book in three days and laughed, cried or did both multiple times.
I think what made the book interesting was the fact that it was basically told from the perspective of one of the astronaut's wives. Basically, but no wholely.
And who do you think the true hero is in this story? Alan Shepard? Neil Armstrong? Buzz Aldrin? How about another astronaut? Or could it possibly be a man who's never been in space but has directed some of the best pilots in the world and has done incredible feats with those sound busting rockets strapped to his behind. Could it be, Chuck Yeager? Naw! It couldn't be, could it? Read the book!
2 people found this helpful