The Passage: A Novel (Book One of The Passage Trilogy)
The Passage: A Novel (Book One of The Passage Trilogy) book cover

The Passage: A Novel (Book One of The Passage Trilogy)

Audio CD – Abridged, September 11, 2012

Price
$19.99
Publisher
Random House Audio
Publication Date
ISBN-13
978-0449806944
Dimensions
5.05 x 1.05 x 5.85 inches
Weight
10.6 ounces

Description

“Read this book and the ordinary world disappears.”—Stephen King“[A] blockbuster . . . astutely plotted and imaginative.”— The New York Times Book Review “Don’t wait to dive into The Passage . . . . Simmering in the background of this frightening thriller . . . is a heartfelt portrayal of the human capability to fight, endure and hope for a better world.”— USA Today “Engrossing . . . By the third chapter, trash was piling up in our house because I was too scared to take out the garbage at night.”—Ron Charles, The Washington Post “Mythic storytelling.”— San Francisco Chronicle Justin Cronin is the New York Times bestselling author of The Passage, The Twelve, The City of Mirrors, Mary and O’Neil (which won the PEN/Hemingway Award and the Stephen Crane Prize), and The Summer Guest . Other honors for his writing include a fellowship from the National Endowment for the Arts and a Whiting Writers’ Award. A Distinguished Faculty Fellow at Rice University, he divides his time between Houston, Texas, and Cape Cod, Massachusetts. Excerpt. © Reprinted by permission. All rights reserved. Wolgast had been to the Compound only once, the previous summer, to meet with Colonel Sykes. xa0Not a job interview, exactly; it had been made clear to Wolgast that the assignment was his if he wanted it. xa0A pair of soldiers drove him in a van with blacked out windows, but Wolgast could tell they were taking him west from Denver, into the mountains. xa0xa0The drive took six hours, and by the time they pulled into the Compound, he’d actually managed to fall asleep. xa0He stepped from the van into the bright sunshine of a summer afternoon. xa0He stretched and looked around. xa0xa0From the topography, he’d have guessed he was somewhere around Telluride. xa0It could have been further north. xa0The air felt thin and clean in his lungs; he felt the dull throb of a high-altitude headache at the top of his skull.xa0He was met in the parking lot by a civilian, a compact man dressed in jeans and a khaki shirt rolled at the sleeves, a pair of old-fashioned aviators perched on his wide, faintly bulbous nose. xa0This was Richards.xa0xa0“Hope the ride wasn’t too bad,” Richards said as they shook hands. xa0xa0Up close Wolgast saw that Richards’ cheeks were pockmarked with old acne scars. xa0“We’re pretty high up here. xa0If you’re not used to it, you’ll want to take it easy.”Richards escorted Wolgast across the parking area to a building he called the Chalet, which was exactly what it sounded like: a large Tudor structure, three stories tall, with the exposed timbers of an old-fashioned sportsman’s lodge. xa0The mountains had once been full of these places, Wolgast knew, hulking relics from an era before time-share condos and modern resorts. xa0The building faced an open lawn, and beyond, at a hundred yards or so, a cluster of more workaday structures: cinderblock barracks, a half-dozen military inflatables, a low-slung building that resembled a roadside motel. xa0Military vehicles, Humvees and smaller jeeps and five ton trucks, were moving up and down the drive; in the center of the lawn, a group of men with broad chests and trim haircuts, naked to the waist, were sunning themselves on lawn chairs.xa0xa0Stepping into the Chalet, Wolgast had the disorienting sensation of peeking behind a movie set; the place had been gutted to the studs, its original architecture replaced by the neutral textures of a modern office building: gray carpeting, institutional lighting, acoustic tile drop ceilings. xa0He might have been in a dentist’s office, or the high-rise off the freeway where he met his accountant once a year to do his taxes. xa0They stopped at the front desk, where Richards asked him to turn over his handheld and his weapon, which he passed to the guard, a kid in cammos, who tagged them. There was an elevator, but Richards walked past it and led Wolgast down a narrow hallway to a heavy metal door that opened on a flight of stairs. xa0They ascended to the second floor, and made their way down another non-descript hallway to Sykes’ office.xa0Sykes rose from behind his desk as they entered: a tall, well-built man in uniform, his chest spangled with the various bars and little bits of color that Wolgast had never understood. xa0His office was neat as a pin, its arrangement of objects, right down to the framed photos on his desk, giving the impression of having been placed for maximum efficiency. xa0xa0Resting in the center of the desk was a single manila folder, fat with folded paper. xa0Wolgast knew it was almost certainly his personnel file, or some version of it.xa0xa0They shook hands and Sykes offered him coffee, which Wolgast accepted. xa0He wasn’t drowsy but the caffeine, he knew, would help the headache.xa0xa0“Sorry about the bullshit with the van,” Sykes said, and waved him to a chair. xa0“That’s just how we do things.”A soldier brought in the coffee, a plastic carafe and two china cups on a tray. xa0Richards remained standing behind Sykes’ desk, his back to the broad windows that looked out on the woodlands that ringed the Compound. xa0Sykes explained what he wanted Wolgast to do. xa0It was all quite straight forward, he said, and by now Wolgast knew the basics. xa0The Army needed between ten and twenty death-row inmates to serve in the third-stage trials of an experimental drug therapy, codenamed Project Noah. xa0xa0In exchange for their consent, these men would have their sentences commuted to life without parole. xa0It would be Wolgast’s job to obtain the signatures of these men, nothing more. xa0Everything had been legally vetted, but because the project was a matter of national security, all of these men would be declared legally dead. xa0Thereafter, they would spend the rest of their lives in the care of the federal penal system, a white-collar prison camp, under assumed identities. xa0The men would be chosen based upon a number of factors, but all would be men between the ages of twenty and thirty-five with no living first-degree relatives. xa0Wolgast would report directly to Sykes; he’d have no other contact, though he’d remain, technically, in the employment of the Bureau.xa0xa0“Do I have to pick them?” xa0Wolgast asked.Sykes shook his head. xa0“That’s our job. xa0You’ll get your orders from me. xa0All you have to do is get their consent. xa0Once they’re signed on, the Army will take it from there. xa0They’ll be moved to the nearest federal lock-up, then we’ll transport them here.”Wolgast thought a moment. xa0xa0“Colonel, I have to ask--““What we’re doing?” xa0He seemed, at that moment, to permit himself an almost human-looking smile.Wolgast nodded. xa0“I understand I can’t be very specific. xa0But I’m going to be asking them to sign over their whole lives. xa0I have to tell them something.”Sykes exchanged a look with Richards, who shrugged. xa0“I’ll leave you now,” Richards said, and nodded at Wolgast. xa0“Agent.”xa0When Richards had left, Sykes leaned back in his chair. xa0“I’m not a biochemist, agent. xa0You’ll have to be satisfied with the layman’s version. xa0Here’s the background, at least the part I can tell you. About ten years ago, the CDC got a call from a doctor in La Paz. xa0He had four patients, all Americans, who had come down with what looked like Hantavirus – high fever, vomiting, muscle pain, headache, hypoxemia. xa0The four of them had been part of an eco-tour, deep in the jungle. xa0They claimed that they were part of a group of fourteen but had gotten separated from the others and had been wandering in the jungle for weeks. xa0It was sheer luck that they’d stumbled onto a remote trading post run by a bunch of Franciscan friars, who arranged their transport to La Paz. xa0Now, Hanta isn’t the common cold, but it’s not exactly rare, either, so none of this would have been more than a blip on the CDC’s radar if not for one thing. xa0All of them were terminal cancer patients. xa0The tour was organized by an organization called ‘Last Wish.’ xa0You’ve heard of them?”Wolgast nodded. xa0“I thought they just took people skydiving, things like that.”xa0“That’s what I thought, too. xa0But apparently not. xa0Of the four, one had an inoperable brain tumor, two had acute lymphocytic leukemia, and the fourth had ovarian cancer. xa0And every single one of them became well. xa0Not just the Hanta, or whatever it was. xa0No cancer. xa0Not a trace.”Wolgast felt lost. xa0xa0“I don’t get it.”Sykes sipped his coffee. xa0“Well, neither did anyone at the CDC. xa0xa0But something had happened, some interaction between their immune systems and something, most likely viral, that they’d been exposed to in the jungle. xa0Something they ate? xa0The water they drank? xa0xa0No one could figure it out. xa0They couldn’t even say exactly where they’d been.” xa0He leaned forward over his desk. xa0“Do you know what the thymus gland is?”Wolgast shook his head.Sykes pointed at his chest, just above the breastbone. xa0“Little thing in here, between the sternum and the trachea, about the size of an acorn. xa0In most people, it’s atrophied completely by puberty, and you could go your whole life not knowing you had one, unless it was diseased. xa0Nobody really knows what it does, or at least they didn’t, until they ran scans on these four patients. xa0The thymus had somehow turned itself back on. xa0More than back on: it had enlarged to three times its usual size. xa0It looked like a malignancy but it wasn’t. xa0And their immune systems had gone into overdrive. xa0A hugely accelerated rate of cellular regeneration. xa0And there were other benefits. xa0Remember these were cancer patients, all over fifty. xa0It was like they were teenagers again. xa0Smell, hearing, vision, skin tone, lung volume, physical strength and endurance, even sexual function. xa0One of the men actually grew back a full head of hair.”“A virus did this?’Sykes nodded. xa0“Like I said, this is the layman’s version. xa0But I’ve got people downstairs who think that’s exactly what happened. xa0Some of them have degrees in subjects I can’t even spell. xa0They talk to me like I’m a child, and they’re not wrong.” “What happened to them? xa0The four patients.” Sykes leaned back in his chair, his face darkening a little. 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Features & Highlights

  • NEW YORK TIMES
  • BESTSELLER •
  • This thrilling novel kicks off what Stephen King calls “a trilogy that will stand as one of the great achievements in American fantasy fiction.”
  • NOW A FOX TV SERIES!
  • NAMED ONE OF
  • PASTE
  • ’S BEST HORROR BOOKS OF THE DECADE • NAMED ONE OF THE TEN BEST NOVELS OF THE YEAR BY
  • TIME
  • AND ONE OF THE BEST BOOKS OF THE YEAR BY
  • The Washington Post • Esquire • U.S. News & World Report •
  • NPR/
  • On Point • St. Louis Post-Dispatch • BookPage • Library Journal
  • “It happened fast. Thirty-two minutes for one world to die, another to be born.”
  • An epic and gripping tale of catastrophe and survival,
  • The Passage
  • is the story of Amy—abandoned by her mother at the age of six, pursued and then imprisoned by the shadowy figures behind a government experiment of apocalyptic proportions. But Special Agent Brad Wolgast, the lawman sent to track her down, is disarmed by the curiously quiet girl and risks everything to save her. As the experiment goes nightmarishly wrong, Wolgast secures her escape—but he can’t stop society’s collapse. And as Amy walks alone, across miles and decades, into a future dark with violence and despair, she is filled with the mysterious and terrifying knowledge that only she has the power to save the ruined world.
  • Look for the entire Passage trilogy:
  • THE PASSAGE
  • THE TWELVE
  • THE CITY OF MIRRORS
  • Praise for
  • The Passage
  • “[A] blockbuster.”
  • The New York Times Book Review
  • “Mythic storytelling.”
  • San Francisco Chronicle
  • “Magnificent . . . Cronin has taken his literary gifts, and he has weaponized them. . . .
  • The Passage
  • can stand proudly next to Stephen King’s apocalyptic masterpiece
  • The Stand,
  • but a closer match would be Cormac McCarthy’s
  • The Road:
  • a story about human beings trying to generate new hope in a world from which all hope has long since been burnt.”
  • Time
  • “The type of big, engrossing read that will have you leaving the lights on late into the night.”
  • The Dallas Morning News
  • “Addictive.”
  • Men’s Journal
  • “Cronin’s unguessable plot and appealing characters will seize your heart and mind.”
  • Parade

Customer Reviews

Rating Breakdown

★★★★★
30%
(5.7K)
★★★★
25%
(4.7K)
★★★
15%
(2.8K)
★★
7%
(1.3K)
23%
(4.3K)

Most Helpful Reviews

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Five Stars

great book! no glittery vampires in this thriller!
1 people found this helpful
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Four Stars

fast paced end of the world survuval
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Not quite on the level of Stephen King's "The Stand" but pretty darn good

This was an epic spellbinder. Not quite on the level of Stephen King's "The Stand" but pretty darn good. Characters are well developed and the flow of the novel makes you want to sit in your car to hear the end of a chapter. I've already ordered the second book in the series.
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Five Stars

Great series.
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Four Stars

it was ok
✓ Verified Purchase

Great story

Makes you want to read the sequel, "The Twelve." My husband and I listened to this book on CD while driving to another state and back. Was easy to follow in the car, not too complicated, but enough depth and action and character development to hold our interest.
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An interesting story, but long and drawn out way of telling it

Justin Cronin has taken it upon himself to tell a rather long and ambitious tale. The Passage, weighing in at 784 pages, is just the first installment of this saga, so be prepared to settle in for the long haul. The book requires patience, as Cronin weaves between different perspectives and time periods as he slowly and methodically lays out his tale.

The Passage tells the story of the rise of vicious vampire-type creatures that have caused the near destruction of the world. The first half of the book explains that circumstances surrounding the creation of these monsters and their subsequent infection of society. The second half of the book follows survivors of the catastrophe and their struggle to try to save what is left of the human race.

From the description, it sounds like this is an epic, action-packed story. Not so much. Don't get me wrong, there are quite a few action scenes and some of them are very well told. The scene where all hell breaks loose at the secret compound in Denver was very well-written. However, the action seems few and far between, as they are spread out among a lot of long-winded prose explaining all of the characters in great, and often, unnecessary detail.

For example, the book opens by telling the hard-knock life story of Amy's mother. Amy is a vital character to the plot of series, not just this first book. However, the author could have given the mother's background in a few sentences, rather than a few chapters. In fact, the writing style reminded me at times Mary Shelley's Frankenstein, seeming overly focused on everyone's internal motivations and past history. This is not a compliment, I could not finish Frankenstein. Cronin's opus is indeed slightly more enjoyable, I did make my way through to the end, after all.

The book often felt a little ADD, changing perspective AND writing styles. I am generally not bothered by alternating point of views, but Cronin took this a bit to the extreme. He would spend a lot of time focusing on a group of characters, then boom, he is off somewhere completely different. Oh, and he tells the story through a combination of narrative, letters, and diary entries.

The author was also guilty of committing one of my worst fantasy/sci-fi infraction, conflicting mythology. He has described that sunlight is harmful to his creatures and harms them. This premise is a key component to the survival of his characters. However, he has a scene where his characters flee the "sticks" (their derogatory name for the creatures) in broad daylight, and yet the creatures give chase. How is that possible? Further, his Mensa-candidate survivors decide to take refuge in a mall where there is plenty of shade to aid the sticks. It makes no sense! Gah!

Overall, the book wasn't bad. There were compelling characters and the story was interesting. It probably would have been better told in at least 200 fewer pages. After hanging in there until the very end, I was rewarded with an ending that just kind of petered off. I am sure the author intends to pick up the thread in the next book, but the question is, will I care enough to read it? The jury is still out.
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One of the BEST....

The Passage is one of the best books I have ever read and I loved the sequel as well. Justin Cronin is a fabulous storyteller and the character development is amazing. I stayed up many nights to read this book!
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The Beginning of an Epic

The Passage is a little bit Richard Matheson's I Am Legend, and a little bit Stephen King's The Stand all rolled into one. A highly contagious virus escapes from a government testing facility, sweeping the continent, and presumably the world, in a matter of days. Many die, but many are transformed into deadly and powerful creatures of the night, predators with nearly super-human abilities. All that remains of humanity are small pockets of survivors here and there, struggling to stay alive, and living in fear of the dark.

Now, I should mention here that I don't typically enjoy vampire stories. That's okay because Justin Cronin's undead are not your typical vampires: no wooden stakes or strings of garlic. The characters in The Passage do use crosses for protection, but they are actually crossbows, which I thought was a clever twist. Justin Cronin's vampires are more like highly evolved wild animals, far more deadly, and ultimately more terrifying, than traditional vampires.

I enjoyed Justin Cronin's The Passage a lot. His descriptions of the fall of modern society are convincing and terrifying. I have always enjoyed post-apocalyptic stories like the ones I mentioned above, and this audiobook is a fine addition to the genre. My only complaint was that I didn't like how the audiobook ended, but then I found out that The Passage is only the first audiobook in a trilogy, so I haven't seen the ending yet. The Twelve is due out in 2012, and City of Mirrors in 2014. Looks like I'll be waiting a long time to finish this story.

Scott Brick is my least favorite audiobook narrator. Having said that, I have to admit that I think he did a pretty good job with The Passage. I was actually able to detect some feeling as he read this audiobook. Maybe he's getting better over time, or maybe The Passage stirred some emotion in him that just hasn't been there before. Whatever the case, I can't complain about the job he did.

The Passage is a great audiobook. If you like stories about the end of the world, this is the audiobook for you.
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Long and boring

While initially the story grabbed some attention, it moved so slowly that eventually I just wanted to give up. Since this was an audio book, I couldn't even skim over parts.