The Mystery of Mercy Close: A Walsh Sister Novel
The Mystery of Mercy Close: A Walsh Sister Novel book cover

The Mystery of Mercy Close: A Walsh Sister Novel

Hardcover – April 9, 2013

Price
$16.38
Format
Hardcover
Pages
400
Publisher
Viking
Publication Date
ISBN-13
978-0670025244
Dimensions
6.25 x 1.5 x 9.5 inches
Weight
1.28 pounds

Description

From Booklist Keyes brings back the popular Walsh family, this time in a decidedly different kind of novel. Instead of the laugh-out-loud women’s-fiction milieu in which the other Walsh sisters appear (Watermelon, 1998; Anybody Out There? 2006; etc.), Keyes goes for a darker tone and tosses in a bit of a mystery. Helen Walsh is a depressive private investigator on the brink of a nervous breakdown. Her flat has been foreclosed, her clients are leaving her, and she’s not quite sure where she stands with her new boyfriend. When ex-boyfriend Jay, a music producer, hires her to track down the missing member of a boy band, she reluctantly takes the job. After all, a girl’s gotta pay the bills. What seems like an easy case gets twisty when Helen discovers just how many people stand to lose money if the reunion doesn’t go off as planned, and everyone from bandmates to neighbors to shady con men becomes a suspect. Not quite a mystery, not quite standard women’s fiction, this will still appeal to Keyes’ many fans. --Rebecca Vnuk Praise for Marian Keyes The Mystery of Mercy Close “Keyes’s portrayal of depression is nuanced and authentic. Helen’s vibrant voice is spot-on….”— Publishers WeeklyThe Brightest Star in the Sky “Keyes manages to stuff a smorgasbord of genres into one tasty tale….The real joy is in the journey itself; watching Keyes' quirky characters as they change partners, reveal battle scars and command your attention on every page.” — People “THE BRIGHTEST STAR IN THE SKY is a well-crafted novel with engaging characters and a gripping plot.”— Christian Science Monitor “…a pleasure to read….a sharp and honest exploration of a favorite Keyes theme: resilience.”— Cleveland Plain Dealer Marian Keyes, a preeminent writer of contemporary women’s fiction, is the internationally bestselling author of more than ten novels and two autobiographical works. She lives in Dún Laoghaire, Ireland, with her husband. Excerpt. © Reprinted by permission. All rights reserved. I wouldn’t mind—I mean this is the sheer irony of the thing—but I’m the only person I know who doesn’t think it would be delicious to go in to “someplace” for “a rest.” You’d want to hear my sister Claire going on about it, as if waking up one morning and finding herself in a mental hospital would be the most delightful experience imaginable. “I’ve a great idea,” she declared to her friend Judy. “Let’s have our nervous breakdowns at the same time.” “Brilliant!” Judy said. “We’ll get a double room. It’ll be gorgeous.” “Paint me a picture.” “Weeeeell. Kind people . . . soft, welcoming hands . . . whispering voices . . . white bed linen, white sofas, white orchids, everything white . . .” “Like in heaven,” Judy said. “Just like in heaven!” Not just like in heaven! I opened my mouth to protest, but there was no stopping them. “. . . The sound of tinkling water . . .” “. . . The smell of jasmine . . .” “. . . A clock ticking in the near distance . . .” “. . . The plangent chime of a bell . . .” “. . . And us lying in bed off our heads on Xanax . . .” “dreamily gazing at dust motes . . .” “. . . Or reading Grazia . . .” “. . . Or buying Magnum Golds from the man who goes from ward to ward selling ice cream . . .” But there would be no man selling Magnum Golds. Or any of the other nice things, either. “A wise voice will say”—Judy paused for effect—“‘Lay down your burdens, Judy.’ ” “And some lovely, floaty nurse will cancel all our appointments,” Claire said. “She’ll tell everyone to leave us alone, she’ll tell all the ungrateful bastards that we’re having a nervous breakdown and it was their fault and they’ll have to be a lot nicer to us if we ever come out again.” Both Claire and Judy had savagely busy lives—kids, dogs, husbands, jobs and an onerous, time-consuming dedication to looking ten years younger than their actual age. They were perpetually whizzing around in minivans, dropping sons off at rugby practice, picking daughters up from the dentist, racing across town to get to a meeting. Multitasking was an art form for them—they used the dead seconds stuck at traffic lights to rub their calves with fake-tan wipes, they answered emails from their seat at the cinema, and they baked red velvet cupcakes at midnight while simultaneously being mocked by their teenage daughters as, “A pitiful fat old cow.” Not a moment was wasted. “They’ll give us Xanax.” Claire was back in her reverie. “Oh lovvvvely.” “As much as we want. The second the bliss starts to wear off, we’ll ring a bell and a nurse will come and give us a top-up.” “We’ll never have to get dressed. Every morning they’ll bring us new cotton pajamas, brand new, out of the packet. And we’ll sleep sixteen hours a day.” “Oh, sleep . . .” “It’ll be like being wrapped up in a big marshmallow cocoon, we’ll feel all floaty and happy and dreamy . . .” It was time to point out the one big nasty flaw in their delicious vision. “But you’d be in a psychiatric hospital.” Both Claire and Judy looked wildly startled. Eventually Claire said, “I’m not talking about a psychiatric hospital. Just a place you’d go for . . . a rest.” “The place people go for a ‘rest’ is a psychiatric hospital.” They fell silent. Judy chewed her bottom lip. They were obviously thinking about this. “What did you think it was?” I asked. “Well . . . sort of like a spa,” Claire said. “With, you know . . . prescription drugs.” “They have mad people in there,” I said. “Proper mad people. Ill people.” More silence followed, then Claire looked up at me, her face bright red. “ God , Helen!” she exclaimed. “You’re such a cow. Can’t you ever let anyone have anything nice?” Thursday 1 was thinking about food. Stuck in traffic, it’s what I do. What any normal person does, of course, but now that I thought about it, I hadn’t had anything to eat since seven o’clock this morning, about ten hours ago. A Laddz song came on the radio—the second time that day, how about that for bad luck?—and as the maudlin, syrupy harmonies filled the car, I had a brief but powerful urge to drive into a pole. There was a petrol station coming up on the left, the red sign of refreshment hanging invitingly in the sky. I could extricate myself from this gridlock and go in and buy a doughnut. But the doughnuts they sold in those places were as tasteless as the sponges you find at the bottom of the ocean—I’d be better off just washing myself with one. Besides, a swarm of huge black vultures was circling over the petrol pumps and they were kind of putting me off. No, I decided, I’d hang on and— Wait a minute! Vultures? In a city? At a petrol station? I took a second look and they weren’t vultures. Just seagulls. Ordinary Irish seagulls. Then I thought, Ah no, not again. Fifteen minutes later I pulled up outside my parents’ house, took a moment to gather myself, then started rummaging for a key to let myself in. They’d tried to make me give it back when I’d moved out three years ago but—thinking strategically—I’d hung on to it. Mum had made noises about changing the locks, but seeing as she and Dad took eight years to decide to buy a yellow bucket, what were the chances that they’d manage something as complicated as getting a new lock? I found them in the kitchen, sitting at the table drinking tea and eating cake. Old people. What a great life they had. Even those who don’t do tai chi (which I’ll get to). They looked up and stared at me with barely concealed resentment. “I’ve news,” I said. Mum found her voice. “What are you doing here?” “I live here.” “You don’t. We got rid of you. We painted your room. We’ve never been happier.” “I said I’ve news. That’s my news. I live here.” The fear was starting to creep into her face now. “You have your own place.” She was blustering but she was losing conviction. After all, she must have been expecting this. “I don’t,” I said. “Not as of this morning. I’ve nowhere to live.” “The mortgage people?” She was ashen (beneath her regulation-issue Irish-mammy orange foundation). “What’s going on?” Dad was deaf. Also frequently confused. It was hard to know which disability was in the driving seat at any particular time. “She didn’t pay her MORTGAGE,” Mum yelled, into his good ear. “Her flat’s been RECLAIMED.” “I couldn’t afford to pay the mortgage. You’re making it sound like it’s my fault. Anyway, it’s more complicated than that.” “You have a boyfriend,” Mum said hopefully. “Can’t you live with him?” “You’ve changed your tune, you rampant Catholic.” “We have to keep up with the times.” I shook my head. “I can’t move in with Artie. His kids won’t let me.” Not exactly. Only Bruno. He absolutely hated me but Iona was pleasant enough and Bella positively adored me. “You’re my parents. Unconditional love, might I remind you. My stuff is in the car.” “What! All of it?” “No.” I’d spent the day with two cash-in-hand blokes. The last few sticks of furniture I owned were now stashed in a massive self- storage place out past the airport, waiting for the good times to come again. “Just my clothes and work stuff.” Quite a lot of work stuff, actually, seeing as I’d had to let my offi ce go over a year ago. And quite a lot of clothes too, even though I’d thrown out tons and tons while I’d been packing. “But when will it end?” Mum said querulously. “When do we get our golden years?” “Never.” Dad spoke with sudden confidence. “She’s part of a syndrome. Generation Boomerang. Adult children coming back to live in the family home. I read about it in Grazia .” There was no disagreeing with Grazia . “You can stay for a few days,” Mum conceded. “But be warned. We might want to sell this house and go on a Caribbean cruise.” Property prices being as low as they were, the sale of this house probably wouldn’t fetch enough money to send them on a cruise of the Aran Islands. But, as I made my way out to the car to start lugging in my boxes of stuff, I decided not to rub it in. After all, they were giving me a roof over my head. “What time is dinner?” I wasn’t hungry but I wanted to know the drill. “Dinner?” There was no dinner. “We don’t really bother anymore,” Mum confessed. “Not now as it’s just the two of us.” This was distressing news. I was feeling bad enough, without my parents suddenly behaving like they were in death’s waiting room. “But what do you eat?” They looked at each other in surprise, then at the cake on the table. “Well, cake, I suppose.” Back in the day this arrangement couldn’t have suited me better—all through my childhood my four sisters and I considered it a high-risk activity to eat anything that Mum had cooked—but I wasn’t myself. “So what time is cake?” “Whatever time you like,” Mum said. That wouldn’t do. “I need a time.” “Seven, then.” “Okay. Listen . . . I saw a swarm of vultures over the petrol station.” Mum tightened her lips. “There are no vultures in Ireland,” Dad said. “Saint Patrick drove them out.” “He’s right,” Mum said forcefully. “You didn’t see any vultures.” “But—” I stopped. What was the point? I opened my mouth to suck in some air. “What are you doing?” Mum sounded alarmed. “I’m . . .” What was I doing? “I’m trying to breathe. My chest is stuck. There isn’t enough room to let the air in.” “Of course there’s room. Breathing is the most natural thing in the world.” “I think my ribs have shrunk. You know the way your bones shrink when you get old.” “You’re only thirty-three. Wait till you get to my age and then you’ll know all about shrunken bones,” Mum said. Even though I didn’t know what age Mum was—she lied about it constantly and elaborately, sometimes making reference to the vital part she played in the 1916 Rising (“I helped type up The Declaration of Independence for young Pádraig to read on the steps of the GPO,”), other times waxing lyrical on the teenage years she spent jiving to “The Hucklebuck” the time Elvis came to Ireland (Elvis never came to Ireland and never sang “The Hucklebuck” but if you try telling her that, she just gets worse, insisting that Elvis made a secret visit on his way to Germany and that he sang “The Hucklebuck” specifically because she asked him to)—she seemed bigger and more robust than ever. “Catch your breath there, come on, come on, anyone can do it,” she urged. “A small child can do it. So what are you doing this evening? After your . . . cake? Will we watch telly? We’ve got twenty-nine episodes of Come Dine with Me recorded.” “Ah . . .” I didn’t want to watch Come Dine with Me . Usually I watched at least two shows a day, but suddenly I was sick of it. I had an open invitation to Artie’s. His kids would be there tonight and I wasn’t sure I had the strength for talking to them; also, their presence interfered with my full and free sexual access to him. But he’d been working in Belfast all week and I’d . . . yes, spit it out, might as well admit it . . . I’d missed him. “I’ll probably go to Artie’s,” I said. Mum lit up. “Can I come?” “Of course you can’t! I’ve warned you!” Mum had a thing for Artie’s house—you’ve probably seen the type, if you read interior-decorating magazines. From the outside it looks like a salt-of-the-earth working-class cottage, crouched right on the pavement, doffing its cap and knowing its place. The slate roof is crooked and the front door is so low that the only person who could sail through with full confidence that they won’t crack their skull would be a certified midget. But when you actually get into the house, you find that someone has knocked off the entire back wall and replaced it with a glassy futuristic wonderland of floating staircases and suspended bird’s-nest bedrooms and faraway skylights. Mum had been there only once—an accident, I had warned her not to get out of the car but she had blatantly disobeyed me—and it had made such a big impression on her that she had caused me considerable embarrassment. I would not permit it to happen again. “All right, I won’t come,” she said. “But I’ve a favor to ask.” “What?” “Would you come to the Laddz reunion concert with me?” “Are you out of your mind?” “Out of my mind? You’re a fine one to talk, you and your vultures.” Read more

Features & Highlights

  • A witty novel of second chances from internationally bestselling author Marian Keyes
  • As the youngest of the five Walsh girls, Helen has had a tough time finding her way in the world—at thirty-three, she has her job as a private investigator that has proven less than fruitful and after losing her flat, she’s moved back in with Mammy Walsh. Her hunky new boyfriend, Artie, and his three adorable children are a great distraction, but his beautiful ex-wife lives a little too close for comfort. Meanwhile, Helen runs into her ex-boyfriend Jay Parker and reluctantly signs on to help him locate Wayne Diffney, the recently disappeared fourth member of Ireland’s biggest mid-nineties boy band, Laddz. Of the five Laddz, the Talented One has long gone on to better things, but the Cute One, the Gay One, and the Other One are all busily shunning carbs and rehearsing their reunion tour, and it’s Helen’s job to track down Wayne, the Wacky One. Wayne hasn’t left a trace, and Helen throws herself into the search wholeheartedly, leaving no stone unturned while watching her own life slowly fall apart, one unpaid bill at a time.

Customer Reviews

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Most Helpful Reviews

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The Witty and Sardonic Walsh Family

I love the Walsh family. I wish I was a member of the Walsh family even though they are SO DYSFUNCTIONAL, still they love each other and they are hilarious. Marian Keyes' latest Walsh sister's novel is "The Mystery of Mercy Close" and it revolves around down-on-her-luck Dublin Private Investigator, Helen Walsh. The mystery is about the disappearance of a semi-famous singer who is part of an aging "boy band" trying to have a reunion tour.

The plot and the mystery are engaging and entertaining, but what is most compelling about this novel is Helen's descriptions of her past bout with clinical depression, and her looming dread that she is sinking into another abyss. Marian Keyes herself has suffered debilitating depression so I'm certain that these vivid descriptions and details are very authentic; they are heartbreaking to read. By letting her readers into this dark world of depression, Keyes generously shares her affliction while doing a service for the many who suffer this way by putting into words what they are feeling.

Make no mistake, this is NOT a depressing book. It's witty and sardonic and most of the characters are people you would love to meet and spend time with.
12 people found this helpful
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I Wanted to Love This But...

I had been waiting for the book for a long time. I always love Keyes' books, particularly those about the Walsh "girls." Her humor always shines through even when writing about difficult and life challenging situations. Unfortunately I could not love this book. I found myself taking a long time to read it when I usually fly through her books in a day. To me the plot dragged quite slowly with very little happening. And while I understand this was about Helen dealing with depression in her life, I thought her spunk and wit from bits in previous novels would emerge. They didn't. Although it was "nice" to get a glimpse of the Walsh girls and of course, Mammy Walsh, again, all told, I did not enjoy the book.
3 people found this helpful
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Disappointed again.

I used to be a great fan of Marian Keyes' work. I especially liked the Walsh sisters' stories. However, the last few books were not up to her usual standards and I cannot reconcile this book with the other Walsh novels. The story goes off in too many directions and we never get a chance to get truly invested in any one area. We are only allowed glimpses into areas of Helen's life - her mental state, her love life, her family, her job, her friends (or lack thereof), her past, and then we are whisked away to another place and because of that we can't develop a relationship with the character. We know that Helen suffers from debilitating depression but yet she is running around Ireland looking for the missing band member. Following Helen solve the "mystery" was like sitting on one of those tour buses that keep going around and around the city and you can get on and off at different stops. She just kept going back and forth. It was dizzying. I loved the other Walsh sister books because even among the sadness or craziness, there were some great laughs. Not so much here. Mammy Walsh seems the same but everyone else has changed for the worse. Too bad. I miss them.
2 people found this helpful
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Different, but not a disappointment

After learning a few months ago that Marian Keyes had battled depression, I totally got the fact that the subject played a major role in this book that I just finished. I absolutely love all of her books and especially the Walsh sisters series. Mercy Close is somewhat of a surprise, as the author does not specialize in mysteries, so keep that in mind if you find as I did, that you know fairly early-on the answer to the mystery. The whole mystery-thing is not the main point of the book. It provides the storyline in which you get to know Helen in-depth and realize that she's not the one-dimensional, seemingly emotion-less, wisecracking character we've glimpsed in past books. She has a depth of character and feeling that was satisfying to discover. Marian's past Walsh-sisters books have each dealt with rather dark/heavy issues (death/healing, infidelity/divorce, drug addiction, etc.) but I think the subject of depression is one that doesn't necessarily touch as many lives as the others. Perhaps learning in great detail what this illness is and what it's like to live with made the critics of this book feel a darkness to it that wasn't as prevalent in the other books. Don't worry though, Keyes' humor is still very much in evidence. If you're a fan of Marian's books, definitely give this one a chance. I don't think you'll be disappointed. I have so much respect for her for wanting to educate her fans about depression. If there's a way for her to revisit the Walsh family under I-can't-imagine-what premise in the future, I'd be thrilled.
2 people found this helpful
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Loved the tone of this book

I think I have read all that Ms. Keyes has written. One of the things I love about her stories is that there is often a serious theme to them. "Rachel's Holiday" dealt with drug addition. "Anybody Out There" was about the death of a spouse. In this book, she tells the story with first hand experience about depression. Helen is depressed, severely so, as the story goes on. She voluntarily checked into a hospital earlier on, told in a 'flashback'. As the story progresses, Helen is becoming more depressed and suicidal. That being said, there is another story being told as well. The missing Wayne. The search for the missing is told with humor, some of it rather dark. Even with Helen's depression and the missing Wayne, there is humor throughout and what I thought was a very satisfying ending. I think the last paragraph of the acknowledgements at the back of the book give a very personal peek into Ms. Keyes depression. It touched me to tears. What a brave soul you are, Ms. Keyes.
1 people found this helpful
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Keyes combines a very real depiction of depression with a contemporary story of life as it is lived nown up-to-the-minu

Marian Keyes finishes up her Walsh sister titles with this story of the youngest, Helen. In the last Walsh outing, Anybody Out There, which focused on Helen's older sister Anna, Helen was featured in an annoying subplot about her latest makeover as a private investigator. In The Mystery of Mercy Close, that job takes center stage, with Helen a bona fide investigator on the case of a boy-band member who goes missing a few days before the group's reunion concert. But this isn't the lighthearted Helen of earlier Walsh titles. Since the last Walsh outing, Helen has suffered a nervous breakdown and been hospitalized for depression. In this novel, she can feel the darkness descending again, hovering just out of sight of her family, lover and friends as she works the case. Helen's struggle with depression mirrors that of Keyes, who returns to fiction with this novel after taking a timeout from writing to deal with her own problems. Keyes fans who want a jaunty laugh-a-minute story may be disappointed with Helen's story, but as she did in This Charming Man, once again Keyes has found a way to marry a very real depiction of a serious problem that some women face with an up-to-the-minute contemporary story that captures life as it is lived now.
1 people found this helpful
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Marvelous Marian!

I waited a long time to get my hands on The Mystery of Mercy Close. When I saw the UK version of the cover, I was willing to wait for my husband to bring it back to NZ from a trip across the world.

I was not disappointed. How lovely it was to have Marian Keyes entertaining and captivating writing back in my hands.

I have always secretly loved Helen. I think I fell in love with her in Watermelon when she was off to Northern Ireland and giving Mammy Walsh all kinds of grief.

I love that in The Mystery of Mercy Close, Helen ends up back in her Mammy's house, as so many of us do these days. Marian doesn't shy away from the tough subjects. The recession, mental health, suicide, mixed families. But her characters are fighters. They are funny and caring and sometimes a little bit crazy!

I loved how Marian brought everything together at the end of the book.

If you haven't read it yet - what are you waiting for!

Now I'm off to build me a bird house!
1 people found this helpful
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If I were a dog, you'd shoot me

Those Irish Walsh sisters are at it again. Over the years, each of the older of the 5 Walsh sisters has had her own novel, written by the enormously talented author Marian Keyes. It was finally time for little sister Helen to have her own book, and boy does she get it in this book.

Helen, the most brash, unapologetic and unconventional of the sisters had a somewhat thriving business as a private detective. She had her own apartment (even if the decor and furnishing were alarming to most people), a great friend (her only friend) named Bronagh, and a relationship with the equally oddball Jay Parker. Then it all came crashing down. The Irish economy took a severe hit at the same time that Helen was hit with crippling depression. The novel opens with Helen dealing with the repercussions of all this mess -- her business has dried up, she can no longer afford to pay her mortgage, all her furniture has been repossessed, and even Bronagh and Jay are not in the picture any longer.

What else is there to do but move back in with Mammy Walsh? Mr. and Mrs. Walsh aren't too pleased to see the 32-year-old Helen coming back home, but she's family, so it's accepted as part of the bargain. Luckily, things aren't all gloom and doom for Helen. She does have a hunky new boyfriend in the form of policeman Artie, but he comes with baggage: three kids ranging from clingy (Bella) to hostile (Bruno) and a gorgeous ex-wife who seems to spend an awful lot of time at his house. Also, Jay Parker has turned back up offering to hire Helen as a private investigator to find Wayne Diffney, member of the boyband Laddz, before their reunion tour begins in less than a week. Wayne has disappeared, and all Jay's efforts at finding him have come to nothing.

Helen is relieved to have a job to do again, mainly because she's begun experiencing the horrible beginnings of another bout with depression. It was quite insightful to read about the symptoms Helen experienced, as well as her efforts to find some sort of treatment that would magically cure her. Since the author herself has written quite a lot about her own battles with depression, most recently in the cookbook [[ASIN:071815889X Saved By Cake: Over 80 Ways to Bake Yourself Happy]] I know that she was speaking from experience.

Helen's lack of progress in the case, coupled with her less-than-ideal living situation, cause her to spiral downward into more severe depression. Still, she continues on with trying to find Wayne, even when another member of Laddz hires another private detective. Her work on the case is the only thing that's keeping her from suicide, and eventually even that isn't enough of a distraction to keep her mind from wandering in that direction.

Although this book, like many others by Marian Keyes, has, at its heart, a very sad story, she has such a funny way of writing and and her characters are so charming that the books don't feel terribly sad at all. I hope that we will still have more books about the Walsh sisters and Mammy Walsh to look forward to in the future.
1 people found this helpful
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witty with a bit of mystery

Just a heads up, Marian Keyes is one of my favorite authors. I've read and loved all her books, even the collection of short stories (though not her cook book). Like many of her other books, this centers on the Irish Walsh Family and their five daughters. This is the last book in the series, and it's fun to read a book and know the other characters so well.

The novel starts off with private investigator Helen Walsh getting a very secretive job from her ex-boyfriend. A member of a popular 90's boy band is missing, and she has five days to find him. She has just lost her apartment and is short on money, so she takes the job though she'd rather not be working with her ex.

The story goes back and forth between her search for Wayne, the "Wacky One," and flashbacks to her past relationships and struggles with depression. Helen is a unique, dark, nutty character, and enjoyable to read about.

Looking back on the book, there may be some plot holes in a few of the character arches, but the mystery was strong enough to make me not notice those things.

If you haven't read any of Keyes' books, I highly recommend picking one up, and finding a comfy spot to spend a few hours. I recommend it to people who like Bridget Jone's Diary, The Shopaholic Series, or books by Jen Lancaster.
1 people found this helpful
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The perfect contemporary who-dun-it

[[ASIN:1405911824 Mystery of Mercy Close]]

The Mystery of Mercy Close is the first novel I have read by multi-time author Marian Keyes, and I have to wonder why I haven't discovered her before. Keyes' writing is quick-witted and highly refreshing, and with that she has written a novel that is just plain entertaining.

Her protagonist Helen Walsh is an opinionated, loud mouthed, difficult woman that you can't help but love. At one minute she is filled with determination to solve the mystery and the next she is hopelessly depressed and considering ending it all.

Rounding out the quirky cast of characters are Helen's slightly off kilter parents, her ex-boyfriend Jay Parker with his questionable ethics and constant badgering for a second chance, members of a washed up boy band all with their own personal demons, and of course her new lover the handsome and sexy Artie Devlin. These cohorts all are well planted into the story and frankly are what makes this wacky mystery shine.

Without giving away too much of the plot, the story goes like this. In the midst of rehearsing for a comeback reunion concert, The Laddz, a washed up Irish boy band, whose members incidentally all need the money earned from the show to keep their heads afloat, lose track of front man Wayne Diffney, an integral member of the group. The slightly frantic band enlists the services of the down-on-her luck P.I. Helen Walsh to find him, and fast. The investigation has to be kept out of the media as it could potentially ruin the ticket sales causing investors, some of whom are on the nefarious side, to lose a bundle of cash.

Piecing together leads in a frustratingly slow fashion Helen comes up empty handed and fears she may not be able to solve the case which could be detrimental to not only her livelihood but most likely her own life. Added to the fire is Helen's recurring bout of depression that could possibly sideline her case, and a mounting debt load that she needs to address if she has any hope of enlisting the help of "information specialists."

The Mystery of Mercy Close is a twisted soap opera-esk classic who-dun-it story with thugs, drugs, alcohol and adultery all tied up and packaged in a pretty little ending. I highly recommend the read.

Disclaimer: The ARC of this book was given to me by the publisher for an honest and unbiased review.
1 people found this helpful