The Minor Adjustment Beauty Salon (No. 1 Ladies' Detective Agency Series)
Description
From Publishers Weekly The No. 1 Ladies' Detective Agency could be about to lose its #2 investigator in Smith's endearing 14th installment of the bestselling Botswana-set series (after 2012's The Limpopo Academy of Private Detection). One hardly needs the renowned deductive powers of agency head Mma Precious Ramotswe to notice the growing bulk beneath the increasingly voluminous garb of recently married second-in-command Mma Grace Makutsi. But the normally frighteningly efficient assistant stays mum as the pair try to establish whether the young nephew attempting to claim a dead man's estate is in fact an imposter. Meanwhile, Mma Ramotswe allows herself to be snookered into figuring out who's mounting a smear campaign against the titular beauty establishment. The two story lines work as serviceably as Mma Ramotswe's doughty white van to propel the story forward, but the book's appeal lies less in deduction than irrepressible characters, intriguing local lore, and bone-deep love of Africa. Agent: Robin Straus, Robin Straus Agency. (Nov.) From Booklist *Starred Review* The titles of many of the No. 1 Ladies’ Detective Agency novels (this is the fourteenth) often have a wonderfully cheery tone. Think of The Full Cupboard of Life, for example, or Tea Time for the Traditionally Built. The latest title is brilliant in its hopefulness, implying, as it does, that a person may only be a mere tweak away from beauty. This hopeful attitude is exemplified by Mma Ramotswe, the owner and operator of Botswana’s only detective agency, who resolutely tackles the problems people bring to her in her small, out-of-the-way office under an acacia tree. The clients’ problems showcase the usual suspects of greed, envy, sloth—all the vices that cause trouble for others. This time, the owner of the nearest town’s new beauty salon receives a tiny thing, a feather from a ground hornbill bird. But this artifact is a traditional way of conveying hate. This is followed by a highly effective smear campaign. The other case Mma Ramotswe works on here concerns an heir to a great cattle farm who may actually be an imposter. Mma Ramotswe must track the truth alone because her assistant Mma Makutsi is absent (no plot spoiler here). As usual, these novels are only a bit about actual mysteries. They’re leisurely, wonderfully crafted descriptions of life in the agency and at home, the beauties of Botswana, and the joys, big and small, of life. This latest is, especially, a tribute to enduring friendship. --Connie Fletcher “Forgiveness and generosity, she ultimately concludes, are the answer to most of life’s ills. Which may explain the longevity of the series. Precious Ramotswe’s adventures, as inconsequential as they may seem, do not so much offer an escape from life’s woes as a suggestion for how to make the whole deal more palatable—fragility, fruit cake, and all.”— The Boston Globe “Deep into a series, it’s not unusual for the characters or plots to lose their luster, but that’s not the case with this series. McCall Smith’s thoughtful observations on life and human nature, as well as his distinctive writing style and gentle humor, make this volume as enjoyable as the ones that have come before.”— The Wichita Eagle “A particularly endearing entry in the long-running series, which has lost none of its gentleness or its love for Botswana, of which McCall Smith clearly has fond memories.”— The Christian Science Monitor “When you are in the company of Mma Ramotswe, you know that, despite the clamor and chaos that passes for modern life, somewhere out there, all is right with the world.”xa0— BookReporter “They’re leisurely, wonderfully crafted descriptions of life in the agency and at home, the beauties of Botswana, and the joys, big and small, of life. This latest [novel] is, especially, a tribute to enduring friendship.”— Booklist (starred review) Alexander McCall Smith is the author of the No. 1 Ladies’ Detective Agency series, the Isabel Dalhousie series, the Portuguese Irregular Verbs series, and the 44 Scotland Street series. He is professor emeritus of medical law at the University of Edinburgh in Scotland and has served with many national and international organizations concerned with bioethics. He was born in what is now known as Zimbabwe and taught law at the University of Botswana. He lives in Scotland. Excerpt. © Reprinted by permission. All rights reserved. There had been no further debate on the issue, and Mma Ramotswe had learned to steer clear of certain topics—such as that one—that could be guaranteed to elicit an extreme response from her somewhat prickly assistant. Mma Makutsi had many merits, she came to realise, and these easily outweighed her occasional faults. And now, with Mma Makutsi on maternity leave and the office seeming strangely quiet as a result, there was something else that she came to realise: she missed her assistant in a way and to a degree that she had never anticipated. She missed her occasional outbursts; she missed her comments on what was in the newspapers; she even missed the way in which she would intervene in the conversation Mma Ramotswe was having with clients, dropping in observations from her position to the rear and making them stop and turn their heads to reply to somebody over their shoulder—not an easy thing to do. All of that she missed, just as she missed Mma Makutsi’s knack of putting her teacup down on the desk in a manner that so completely revealed her thinking on the subject under discussion. There was nobody else she knew who could put a cup down on a desk to quite the same effect. It was, she decided, one of the many respects in which Mma Makutsi was—and here she could think of only one word to express it—irreplaceable. There simply could never be another Mma Makutsi. There could never be another woman from Bobonong, of all places, with flashing round glasses and ninety-seven per cent in the final examinations of the Botswana Secretarial College. There could never be another person who was even remotely capable of standing up to somebody like Mma Potokwane, or putting Charlie in his place when, with all the confidence and ignorance of the young male, he made some outrageous comment. If Mma Makutsi decided not to return from maternity leave then Mma Ramotswe thought that the No. 1 Ladies’ Detective Agency would never be the same again, and might not be worth continuing with.xa0She looked about her. She had worked as a detective for some years now, and in that time she had done her best for her clients. She liked to think that she had made a difference to the lives of at least some people and helped them to deal with problems that had become too burdensome for them to handle on their own. Now, however, surveying the shabby little office, she wondered whether she really had achieved very much. It was a rare moment of gloom, and it was at this point that she realised she was doing something that she very seldom did. She supported many people in their tears—for tears could so easily come to those who were recounting their troubles—but there were few occasions on which she herself cried. If you are there to staunch the tears of the world, then it does not cross your mind that you yourself may weep. But now she did, not copiously but discreetly and inconsequentially, and barely noticeably—except to Mr. J.L.B. Matekoni, who chose that moment to come into the room, wiping the grease off his hands, ready with a remark about what he had just discovered under the latest unfortunate car.xa0For a moment he stood quite still. Then, letting the lint fall from his hands, he swiftly crossed the room and put his arm about his wife’s shoulder, lowering his head so that they were cheek to cheek and she could feel the stubble on his chin and the warmth of his breath.xa0“My Precious, my Precious.”xa0She reached up and took his hand. There was still a smear on it—some vital fl uid of the injured car to which he had been attending—but she paid no attention to that.xa0“I’m sorry,” she said. “There is really no reason for me to cry. I am being silly.”xa0“You are not silly, Mma. You are never silly. What is it?”xa0With her free hand she took the handkerchief from where it was tucked into the front of her dress. She blew her nose, and with some determination too. After all, the blowing of a nose can be the punctuation that brings such moments to an end.xa0“I am much better now,” she said. “I have been sitting and thinking when I should be working. And without Mma Makutsi to talk to, well, you know how hard it can be to sit with the problems of other people.”xa0He knew, or thought he knew. Yes, he knew how she felt. “Just like cars,” he said. “You sit and look at a car and you think of all its problems, and it can get you down.”xa0“Yes, I’m sure it can.” She smiled at him. “I’ll be all right, Mr. J.L.B. Matekoni. Mma Makutsi will come back and everything will be the same again.”xa0He removed his hand from her shoulder and stood up. “I will make you tea,” he said.xa0She looked at him with fondness. For some reason, Mr. J.L.B. Matekoni did not make very good tea. It was something to do with the quantities of tea he put in the pot, or with not allowing the water to boil properly, or with the way he poured it. For whatever reason, his tea was never quite of the standard achieved by her or by Mma Makutsi. So she thanked him and said that it would be good for her to do something instead of sitting at her desk and moping, and then she made the tea for herself and for her husband, and for Charlie and Fanwell too, and Mr. J.L.B. Matekoni took his cup back into the garage where he sipped at it thoughtfully while he decided what to do. Read more
Features & Highlights
- Modern ideas get tangled
- up with traditional ones in the latest intriguing installment in the beloved, best-selling No. 1 Ladies’ Detective Agency series. Precious Ramotswe has taken on two puzzling cases. First she is approached by the lawyer Mma Sheba, who is the executor of a deceased farmer’s estate. Mma Sheba has a feeling that the young man who has stepped forward may be falsely impersonating the farmer’s nephew in order to claim his inheritance. Mma Ramotswe agrees to visit the farm and find out what she can about the self-professed nephew. Then the proprietor of the Minor Adjustment Beauty Salon comes to Mma Ramotswe for advice. The opening of her new salon has been shadowed by misfortune. Not only has she received a bad omen in the mail, but rumors are swirling that the salon is using dangerous products that burn people’s skin. Could someone be trying to put the salon out of business? Meanwhile, at the office, Mma Ramotswe has noticed something different about Grace Makutsi lately. Though Mma Makutsi has mentioned nothing, it has become clear that she is pregnant . . . But in Botswana—a land where family has always been held above all else—this may be cause for controversy as well as celebration. With genuine warmth, sympathy, and wit, Alexander McCall Smith explores some tough questions about married life, parenthood, grief, and the importance of the traditions that shape and guide our lives.
- This is the fourteenth installment in the series.





