The Light of Amsterdam: A Novel
The Light of Amsterdam: A Novel book cover

The Light of Amsterdam: A Novel

Hardcover – November 13, 2012

Price
$18.01
Format
Hardcover
Pages
384
Publisher
Bloomsbury USA
Publication Date
ISBN-13
978-1608197026
Dimensions
5.97 x 1.24 x 8.4 inches
Weight
1.06 pounds

Description

From Booklist Park follows his award-winning, politically hard-hitting novel The Truth Commissioner (2008), about the Troubles in Ireland, with a quieter if no less astutely observed story. Three families set off for a long weekend in Amsterdam, and although they are all from Belfast, their backgrounds are completely different. Art professor Alan, newly divorced, is hoping to make a connection with his teenage son, Jack, who has become increasingly withdrawn, by taking him to a Bob Dylan concert. Single-mother Karen, a cleaner working double shifts to pay for her daughter’s wedding, is part of the hen party anticipating the nuptials. And Marion and Richard, the hardworking owners of a garden center, are celebrating Marion’s birthday. Against the beautifully rendered backdrops of Amsterdam’s museums, parks, and squares, all are able to gain new insight into their problems. Alan discovers his son’s musical gifts, Karen realizes that she has sacrificed too much for a daughter who is not very appreciative, and Marion is startled to learn that she has long misread her husband’s intentions. A humane and deeply empathetic writer, Park turns the most ordinary of interactions into a moving story of people’s greatest hopes and fears. --Joanne Wilkinson “This is a novel about people, about feelings, thoughts, and struggles, and Park does an excellent job of developing the characters and making the reader care about them...a humane and touching read.” ― The Library Journal “Remarkable...At once an amalgam of sensitive character studies, Park's newest is also a gorgeous portrait of the Venice of the North.” ― Publishers Weekly “Poetic, hopeful.” ― O Magazine “A humane and deeply empathetic writer, Park turns the most ordinary of interactions into a moving story of people's greatest hopes and fears.” ― Booklist David Park has written eight previous books including The Big Snow , Swallowing the Sun , The Truth Commissioner and, most recently, The Light of Amsterdam . He has won the Authors' Club First Novel Award, the Bass Ireland Arts Award for Literature, the Ewart-Biggs Memorial Prize, the American Ireland Fund Literary Award and the University of Ulster's McCrea Literary Award, three times. He has received a Major Individual Artist Award from the Arts Council of Northern Ireland and been shortlisted for the Irish Novel of the Year Award three times. In 2014 he was longlisted for the Sunday Times EFG Short Story Award. He lives in County Down, Northern Ireland. Read more

Features & Highlights

  • It is December; Christmas is approaching and the magic of one of Europe's most beautiful cities beckons. A father looks for himself in the past, struggling to deal with a recent divorce, his teenage son in tow. A single, selfless mother accompanies her only daughter and friends for a weekend-long bachelorette party. And a husband treats his wife to a birthday weekend away, somehow heightening her anxieties and insecurities about age, desire, and motherhood.During their brief stay in the city, the confusions and contradictions inherent in their relationships assert themselves in unexpected ways, forcing each couple into a sometimes painful reassessment and a new awareness of the price that love demands. As these people brush against each other in the squares, museums, and parks of Amsterdam, their lives are transfigured in the winter light as they encounter the complexities of love in a city that challenges what has gone before. Tender and humane, elevating the ordinary to something timeless and important,
  • The Light of Amsterdam
  • is a novel of compassion and rare dignity.

Customer Reviews

Rating Breakdown

★★★★★
30%
(68)
★★★★
20%
(45)
★★★
15%
(34)
★★
7%
(16)
28%
(64)

Most Helpful Reviews

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The Inner City

This book attracted me on a personal level, since it concerns a bunch of people from Belfast (my birthplace) flying for a weekend to Amsterdam, a city that is dear to my heart. In my day, about the only place you could fly to from Belfast was London, but in recent years easyJet has been offering cheap direct flights to several European cities, thus making them accessible to people who do not often travel. I doubt that David Park's novel will be adopted by the City of Amsterdam for publicity purposes any time soon, for the visitors' encounter with the town is at first a matter of fast food, cheap hotels, and non-stop drinking. But the city eventually works its magic, to produce moments of real beauty near the end.

A quote from The Guardian on the back of the book says "Park excels at examining the covert thought-processes of the secret self." Absolutely correct: this is an internal book, focusing on desires, excuses, and regrets much more than action or dialogue. The first hundred pages are heavy going, because all Park's travelers are unhappy people. We have Alan, a washed-up painter and art-school lecturer, lamenting his recent divorce brought about by a single act of his own stupidity; he has tickets to hear a farewell concert by Bob Dylan, but is squeezed into taking his disaffected sixteen-year-old son along with him. We have Karen, an unmarried mother who works as a cleaner in a retirement home, roped in to join her daughter's riotous hen party. And we have Marion, devastated by the confidence-sapping effects of menopause, and convinced that her husband of many years (and her partner in prosperous garden center) no longer loves her. It is not the physical cities of Belfast or Amsterdam that matter here (although Park gets the details very much right), but the cluttered inner city of these three people's minds, and whether the trip can open up new vistas and let in some light.

Shakespeare perfected a kind of comedy (for example in AS YOU LIKE IT or A MIDSUMMER NIGHT'S DREAM) in which characters escape some intolerable situation in the real world to enter some magic place in which everything gets sorted out. Park is clearly writing in the same tradition, but his proportions are different. It is a disadvantage, I think, that the magic takes so long to take hold, though each character will have at least one epiphany that is quietly moving. They will also begin to cross paths and tentatively reach out to one another. Park also differs from Shakespeare in avoiding neat happy endings, and in this I wholeheartedly applaud him. There is understanding there, acceptance, and even hope, but Park leaves us in no doubt that these are only the first steps in a longer journey. But it is a journey I would be interested in taking with them, much more than I ever thought when that plane took off for Amsterdam.
8 people found this helpful
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My inarticulate reaction: GRRRRRRRR!

(Spoilers)
I think I can truly say that I hate this book. At first I thought it was a little Maeve Binchy-like, with its language and Irish-ness. Made me a little nervous since I'm not a big fan of her writing but I was willing to see where it would go. That feeling ended pretty fast. For one thing, Binchy has a sense of humor and and her characters are appealing. The characters in Mr. Park's novel are the most painful and frustrating gang of losers I've come in contact with in a long time. (1) Alan has one sexual encounter with a student, then tells his wife who ends the marriage and as a result throws their teenage son into turmoil; (2) Marion is, by all evidence happily married, but decides that her husband will cheat on her and to "get it over with" hires a prostitute (online????) as a gift for her husband; (3) Karen, who has raised her daughter alone after having been dumped by the father when she was pregnant, goes on a hen party for her nasty, selfish daughter with a group of women with whom she has nothing in common. Why in the world would I want to spend time with, let alone care about, people who seem so hell-bent on being as miserable as possible? Why do any of the other characters want to spend time with them?

Alan might have been appealing if he'd had some spine but he seemed as clueless and powerless as his teenage son. And what was the point of the ending? What was THAT?! Marion's husband asks her more than once why she hired a prostitute and she really gives no reasonable answer -- what could it be except "I'm out of my mind". I wish he'd given her what she wanted: a divorce. But the worst is Karen. She steals a bracelet from one of the old ladies in the retirement home but why? To pay for.... what? And she agrees to go on a trip to Amsterdam with her daughter which she should NEVER have agreed to and which, when she does, makes her look impossibly weak and miserable. I thought Mr. Park made up the concept of women dressing up for hen parties but turns out it's true. Is it also true that seating on flights from Ireland to Amsterdam are first come-first serve? Whatever the case, I haven't seen such cruel disregard by a daughter for her mother as Shannon for Karen -- Shannon's a creep and Karen's unbelievable for putting up with it. After all these years of living with her, it's only on this trip that Karen realizes how selfish her daughter is. Each of the main characters come off as incredible.

By the way, is Mr. Park afraid of using names? Throughout the novel I was struck by how Mr. Park avoided using proper names and instead used the personal pronoun.

The only reason I pressed on with this novel was to get to the end to find out what the other reviewers were referring to and I am just as baffled. But not as baffled as I am about why this got published in the first place. ACK!!!!!
3 people found this helpful
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odd ending

I enjoyed this book and found the story of Jack and his father to be the most compelling. However, the ending is incomprehensible to me. Can someone explain it?
1 people found this helpful