The Life of the Mind: A Novel
The Life of the Mind: A Novel book cover

The Life of the Mind: A Novel

Hardcover – March 2, 2021

Price
$19.04
Format
Hardcover
Pages
240
Publisher
Hogarth
Publication Date
ISBN-13
978-0593229897
Dimensions
5.77 x 0.84 x 8.52 inches
Weight
12.3 ounces

Description

“One of the wittiest, most deliciously farcical novels I’ve read in a long time.” —Maureen Corrigan, NPR, Fresh Air “Smallwood is . . . a delightfully stylish rambler; a conjurer of a heightened, carefully choreographed version of consciousness. Reading her is like watching an accomplished figure skater doing a freestyle routine.” —John Williams , The New York Times “This book made me laugh out loud.” — The New York Review of Books “[An] excellent debut.” —Sam Sacks, The Wall Street Journal “Hilarious, recognizable, and helplessly wise—a perfect foil for its namesake.” —Rivka Galchen, author of Little Labors “Brilliant and pleasurable, funny and dark,xa0cerebral and visceral—a must-read for the bleeding human survivors of the modern age.” —Melissa Broder, author of The Pisces and Milk Fed “Smallwood’s achievement is to describe, with humor and precision, the affective conditions—what Dorothy’s students might call the ‘vibe’—of a generation living at the end of the end of history but with very little sense of the future.”— Maggie Doherty, The Nation “Impossibly good, fizzy like a freshly shaken soda can . . .xa0 near-perfection. God, can Smallwood write.” —The Believer “Wholly original, ultra-precise and very funny... the perfect book for anyone who—consciously or not—narrativizes their life, and sometimes gets filled with an overwhelming senseof dread that they’ve lost the plot.” —Refinery29 “An intellectual page-turner that commands one’s attention completely from the first sentence to the final line. . . urgent, essential reading for our troubling times.” —Andrew Martin, author of Early Work and Cool for America “Smart, sharp, often very funny. . .xa0 absolutely fearless.” —Christopher Beha, author of The Index of Self-Destructive Acts Christine Smallwood ’s fiction has appeared in The Paris Review, n+1, and Vice . Her reviews, essays, and cultural reporting have been published in many magazines, including The New Yorker, Bookforum, T: The New York Times Style Magazine, and The New York Times Magazine , where she is a contributing writer. She has also written the “New Books” column for Harper’s Magazine , where she is a contributing editor, and been an editor at The Nation . She has a PhD in English from Columbia University, is a founding faculty member of the Brooklyn Institute for Social Research, and is a fellow at the New York Institute for the Humanities. Excerpt. © Reprinted by permission. All rights reserved. The End of March Dorothy was taking a shit at the library when her therapist called and she let it go to voicemail. The therapist was calling because Dorothy, who at this moment was rereading the flyer for student health services taped to the wall above the receptacle for used feminine-xadhygiene products, had left a voicemail at eleven o’clock last night canceling today’s session. It wasn’t that the miscarriage was such a big deal or that she was broken up in grief about it; it was that she hadn’t told her therapist she was pregnant, and didn’t want to have a whole session about her tendency to withhold. In the asymmetrical warfare of therapy, secrets were a guerrilla tactic. Not that Dorothy had been plotting to keep things to herself. She wasn’t the plotting type.It was day six, and she was still bleeding. Not the unceasing hemorrhage of the first ten hours—xadnow it was thick, curdled knots of string, gelatinous in substance. In most cases of gestational stall it wasn’t necessary to intervene; the body knew to spontaneously expel its failures. Perhaps that accounted for the trauma in other women’s accounts—xadthe element of surprise. You will know not the day nor the hour! In her case the body had held on, deferential, waiting for her to clear her schedule. The result was less than a trauma and more than an inconvenience. She would never know exactly when it had happened—xadwhen it had stopped happening—xadonly that she had persisted for some time idly believing that she was persisting, her body busy fulfilling its potential like some warehouse or shipping center. How typical of her not to know something was over when it was over. And how typical that it was proving more difficult to extricate herself from the dead-xadend pregnancy, the halted progression, than it had been to become pregnant in the first place. Her womb would not let go. The contractions had needed two Cytotec suppositories before they would even start. Misoprostol was the drug’s generic name, the same one they gave you for a medication abortion. But when she did it, when she self-xadadministered the uterine evacuation, terminating a—xadwhat was it, exactly? What did you call it when a life stopped developing, but didn’t end?tests got you stressed? the flyer quizzed. don’t despair. text to talk it out. A sad stick figure in one corner, a smiling stick figure in the other. kill yourself, someone had written in green ink above the smiler. stop the hate, someone else had written alongside, in letters so small they seemed afraid to draw attention to themselves. Then the hand in green ink had returned to draw a drooling penis with a thick beard and a natty top hat. Dorothy wondered if she had taught any of these students. It was possible.She hadn’t intended to lie to her therapist—xadif an omission even counted as a lie. Dorothy hadn’t been pregnant for very long, but she had been pregnant long enough to understand that unless she was very tactical in her behavior, her body and what she did with it, what she put into it, would be a matter of community interest. Maybe pregnancy changed the body from a private to a public thing, or maybe it exposed the nature of the body as already public. Whatever it was, it was something she wanted to talk out with her therapist, except when it was on her tongue to do so, the therapist had interrupted a warm-xadup story that Dorothy was telling about her boyfriend, Rog, to remark that he was “a keeper.” Dorothy saw at once that after the language of “keeping” had been introduced into the room, it would be impossible to keep it from becoming attached to the pregnancy, to define the pregnancy in terms of a keeping or a not-xadkeeping, when in fact Dorothy was not ready to talk about retention, even as a future decision toward which she was inevitably hurtling, and so she, driven into a cul-xadde-xadsac by a linguistic overdetermination that would have been rich material if she only could have borne it, said nothing.The therapist had apologized for calling Rog “a keeper.”“Who you keep is up to you, not me,” she had said, gazing earnestly into Dorothy’s eyes, willing her into compliance, but Dorothy disagreed. What was this American fixation on doing it yourself? Wasn’t she in therapy so that someone would tell her what to do? What use was expert knowledge, the years paid out acquiring experience, if it was kept in reserve, hoarded like canned goods, while the masses stumbled about, starving and ignorant? Voicing these opinions only worsened the situation; they spent the rest of the session processing the incident, and when Dorothy returned the following week, she couldn’t find her way back, couldn’t justify not having confessed the pregnancy right away. Time had xadintervened; an innocent delay had become a falsehood. So she kept it to herself. And kept it the next week. And again the week after that. And then she “lost” the pregnancy—xadmisplaced it, like a keychain—xadand now she thought she might keep it forever, so awful was the thought of returning to the beginning of the story, now that she was in its end.Martin Luther thought up the “95 Theses” while he was on the toilet.Dorothy couldn’t remember where she had read that.She wiped, examined her fingernails, wiped again. She wiped back to front. She knew this was incorrect, but she had been doing it her whole life, and there are habits one gives up on breaking.The toilet didn’t have an automatic flush, so Dorothy could sit for hours if she chose and never be sprayed with water. She opened her phone and scrolled back through her photos. There was an old one that she liked a great deal, of Rog playing with his brother’s dog. Rog was at peace, and the dog’s face was a rictus of joy. Rog had dumb long hair then. The dog in the photo was now dead. It had died of a mysterious ailment that manifested as a sudden explosion of tumorous growths all over its long body. Dorothy remembered stroking the dog the day before they put it under. It was like stroking a sock filled with gravel.Dorothy did not frequent the large women’s room by the water fountain, with its row of six open-xadbottomed stalls under which could be passed fistfuls of paper or whatever else a person required. She used the single-xadoccupancy bathroom by the critical-xadtheory reading room. The bathroom was large—xaddesigned to be wheelchair accessible, though everyone used it—xadand smelled faintly of disinfectant. She bent over and took from her bag a small bottle of peppermint oil and sniffed.The handle of the bathroom door shuttled back and forth.“I’m in here!” Dorothy called.If she had opted for the in-xadoffice procedure, they would have vacuumed her clean. But she had wanted to bleed at home. It had seemed less official that way. She hadn’t known how degrading the dribble would be. Dorothy was starting to fear it might never end; that until the last of her days, whenever she wiped, the tissue would come back bloody and brown. She didn’t have much experience with blood, abscesses, sores, things of that nature. She had never broken a bone or needed stitches. Once she saw a cyst explode. It happened in college. Her roommate, Alyssa, had developed a soft lump on her elbow that over several weeks expanded like a balloon being pumped with water until one afternoon she bent her arms to put her hair in a pony and streams of white confetti burst out, decorating the books, pencils, etc., on her desk, as well as her denimed lap, with foamy spray. Dorothy ran from the room in horror, but Alyssa, fascinated by the materials of the body, took photographs.Alyssa had a “natural” approach to life. Dorothy had learned this early in their friendship, when during a wild party for spring fling they fell into an embrace. Dorothy would estimate the number of rum-xadbased drinks she enjoyed that evening at five. She and Alyssa kissed and groped and were soon scouring the building, whose name was Trotter, for a room with a door, pursuing like two moles the feeling of being shut in, unobservable, burrowed. The classrooms were locked, but the spacious single-xadoccupant bathroom on the ground floor was open.In her memory the floor sparkled cold and blindingly white, as did the lavatory’s other features: the walls, the sink, the toilet, the light, the grout that separated and conjoined the tiles. There was a word for that, “cleaving,” for what joined together and pushed apart. Alyssa jerked down her pants, exposing a tangle of hair, and reached a hand inside. She pulled out a maroon latex cup that came to a point like a nipple. It was called, Dorothy remembered, a keeper. Hippies used them, vegans, people like that. In her drunken enthusiasm Alyssa was clumsy and spilled the blood. It left a trail like drizzled syrup on her blond leg, across the clean tiled floor. Alyssa’s reaction was merry. She tossed the cup into the sink and wiped the blood away with the cheap single-xadply toilet paper, leaving smudges everywhere, and without pausing to apologize showed Dorothy how to form her first two fingers into a rod and ram it back and forth in the place where the keeper had been, and as Dorothy did this for Alyssa she was overcome with a feeling of desolation and loneliness and fatigue. Dorothy wasn’t used to being so active, sexually speaking. She preferred lying down on something soft and warm like a bed and letting someone else do the ramming. Read more

Features & Highlights

  • ONE OF THE BEST BOOKS OF THE YEAR:
  • Time,
  • NPR,
  • The Atlantic, Electric Lit, Thrillist, LitHub, Kirkus Reviews
  • • A witty, intelligent novel of an American woman on the edge, by a brilliant new voice in fiction—“the glorious love child of Ottessa Moshfegh and Sally Rooney” (
  • Publishers Weekly,
  • starred review)
  • “[A] jewel of a debut . . . abundantly satisfying.”—Jia Tolentino,
  • The New Yorker
  • As an adjunct professor of English in New York City with little hope of finding a permanent position, Dorothy feels “like a janitor in the temple who continued to sweep because she had nowhere else to be but who had lost her belief in the essential sanctity of the enterprise.” No one but her boyfriend knows that she’s just had a miscarriage—not her mother, her best friend, or her therapists (Dorothy has two of them). She wasn’t even sure she wanted to be a mother. So why does Dorothy feel like a failure?
  • The Life of the Mind
  • is a book about endings—of youth, of ambition, of possibility, but also of the meaning that an inquiring mind can find in the mess of daily experience. Mordant and remorselessly wise, this jewel of a debut cuts incisively into life as we live it, and how we think of it.

Customer Reviews

Rating Breakdown

★★★★★
30%
(82)
★★★★
20%
(55)
★★★
15%
(41)
★★
7%
(19)
28%
(76)

Most Helpful Reviews

✓ Verified Purchase

I'll get you, my pretty! Bwah-hah-hah!

An unsympathetic main character is never a good idea, especially one who shows no growth whatsoever over the course of the story. I could barely get through this book, disappointed by finding nothing likeable about her. Unlike her students who all get the same (good but meaningless) grade after she skims their papers and then throws them in the trash, Dorothy earns what she gets. Boo-hoo.

Readers put off by disgusting details about Dorothy's body fluids should understand them as a metaphor for the author's view of academe: The life of the mind is just as gross as the life of the body. Flaky snot and uterine excretions are just as bad as administrative bloat, temp-agency faculty, and meaningless grades. The details of her endlessly bleeding miscarriage represent the slow bleed-out that academia as an occupation currently faces.

But I found it hard to give a damn about Dorothy's situation because the author portrays only the negative aspects of higher education. She is accurate in her observations. (Academe truly is full of pomposity, competitiveness, low self-esteem, and laziness.) I had a lousy graduate school/adjunct prof experience myself (not in English) but I grew up and moved on.

The author misses the boat completely on the positive aspects of the academic world, and that is where Dorothy's plight failed to move me. I have seen my partner navigate through graduate school, post-doc limbo, the job market, and tenure, also in English. This journey has brought us to interesting places to live, lifelong friendships, and months of free time every summer (plus semester breaks) to travel, pursue creative projects, and more. Regarding the job opportunities for English majors, he constantly reminds his students that the ability to communicate well will take them ANYWHERE they want to go in life. His students have gone on to become successful authors, screenwriters, lawyers, scientists, and (yes) even professors. The life of one's mind is one's own to manage.

The author has her own axe to grind, and that's fine. She isn't wrong about university culture, but universities are not the idyll we like to imagine. Click your heels, Dorothy.
26 people found this helpful
✓ Verified Purchase

Neither entertaining or profound

Much of this book had the main character smelling her miscarriage; I am not exaggerating here. Why something like this not only gets published, but gets on best of lists, is a mystery to me. It is not entertaining nor interesting, though the writing can be at times clever. Waste of time and money.
11 people found this helpful
✓ Verified Purchase

Not what I expected

I have read several books in the last 10 weeks and will review them later, but I decided I needed to review the one I just read, "The Life of the Mind" by Christine Smallwood, because if I wait I wait more then a day I will have forgotten everything about it. In fact it is one of those books that is easy to forget as you are reading. The best way I can describe it is "Ulysses", but with more punctuation scattered about, not always where it is needed. Perhaps my problem with it was that I'm used to reading books with a plot or at least with a point. I got to the end and turned the page for the rest of the book and it wasn't there. That was my second biggest disappointment, the first was that I bought it. My advice is don't waste your time.
10 people found this helpful
✓ Verified Purchase

Like being allowed to read a diary, but you wish you hadn't

Too much personal minutia and not enough plot to qualify as a good novel. Got enough tedium in my own life I don't need to get into someone else's. Parts of it were funny, but overall not the best read for me.
8 people found this helpful
✓ Verified Purchase

pointless

I’m sure I’ve read books as pointless as this but none so disgusting. I kept thinking, surely this book will go somewhere, something will happen, something will make sense. She talks to a shrink, goes to Los Vegas, talks to a shrink, does some karoake, examines her vaginal excretions, examines her vaginal excretions. I’m thinking, if hear one more detail about the excretions of this woman’s vagina, this book goes in the recycle bin. I can only think it got the attention it did because it trashed academia; everybody loves to trash academia. There’s an analogy here?— academia is like a miscarriage, something like that. But I see no evidence of warmth, generosity, capacity for friendship in this person, nothing that would make me want to hire her to teach, that’s sure. She portrays her one friend as a ding-bat; her most assertive act in this book is to lie to her and congratulate herself for it. Life sucks, being an adjunct really sucks, but sometimes, just sometimes, we play a role in what happens to us.
7 people found this helpful
✓ Verified Purchase

Wasted read

Seems like a novel written by an English PhD student trying to make sure we all know that she knows “big words” and can explore the vagaries of the female physical body. Silly and pretentious.
6 people found this helpful
✓ Verified Purchase

So Sorry I Bought This

Bought this based on an enthusiastic NYT review. It was, rather than engaging and or well-written, page after page of obsessive and deeply troubling narrations on the look, feel, taste and touch of post-abortion bleeding. Whatever story the author was trying to tell was lost to these all too frequent descriptions of blood. I’m troubled about even donating it to the library for a used-book sale.
4 people found this helpful
✓ Verified Purchase

Hilarious!

I laughed so hard - I could REALLY relate!
4 people found this helpful
✓ Verified Purchase

Dorothy is a Real Debbie Downer

This is another entrant in the academic nightmare category of novels, one that refers to “the decadent twilight of the profession,” that makes the academic world into a joyless snake-pit of ruthless competition, endless terrors and humiliations, and hopeless strivings that always end in failure for most, while a few anointed types rise to great heights. Although this may well be true for many of those caught in “adjunct hell,” it surely isn’t a full, accurate picture of university life!

The protagonist, Dorothy, is unlikable to the point of being obnoxious and revolting, although also a bit pathetic. How she holds onto the apparently decent boyfriend she lives with is a mystery to me. She is so neurotic that she’s seeing TWO therapists— the second in order to critique the competence of the first! She is abjectly terrified of the woman who should be her mentor— her former dissertation advisor. When she accidentally becomes pregnant (what?— woman with a PhD who doesn’t use birth control?), she learns that the fetus is failing to develop, and so she has an at-home-administered procedure variously described as an assisted miscarriage and later as an abortion. We learn a lot more than we ever wanted to know about the exact color, volume, consistency and smell of the bodily discharges that follow.

Dorothy is so consistently awful— so hapless, awkward, depressed, and always compelled to say the utterly wrong thing— that I found it impossible to sympathize with her predicament. She furthermore fails to develop in any way in the course of the novel. The author has an excellent prose style and comes up with many good turns of phrase, but she fails to make her main character interesting and even slightly likable.
3 people found this helpful
✓ Verified Purchase

A slog of a read

Shapeless, pretentious, tasteless, labored, and needed an editor or at least a better one than it got. Here and there humorous, but here and there can't carry this slog of a read.
3 people found this helpful