The Lantern: A Novel
The Lantern: A Novel book cover

The Lantern: A Novel

Hardcover – Deckle Edge, August 9, 2011

Price
$8.83
Format
Hardcover
Pages
400
Publisher
Harper
Publication Date
ISBN-13
978-0062049698
Dimensions
6 x 1.25 x 9 inches
Weight
1.35 pounds

Description

Amazon Exclusive: A TALE OF PROVENCE: The story behind The Lantern I’ve been having a love affair with Provence for more than 25 years. The light, the views, the colors, the heat—I find them all intoxicating. I went for the first time with the college boyfriend who would become my husband; his family had had a house in the Luberon for some twenty years. We finally bought our own property in France five years ago after my husband decided to give up banking and realize his long-held ambition to compose music. “Les Genévriers” (not the property’s real name) is described in The Lantern more or less as we found it. Its setting is as accurate as I can make it without giving away its precise location. The Luberon area is one of the most sought-after locations in Provence, known for its hilltop villages, lavender, abundant fruit and clear bright light. It is the area Peter Mayle famously chronicled in A Year in Provence . In addition to the abandoned farming hamlet, the story has its roots in the lavender fields and perfume industry in the region. There are small lavender fields and tiny family-run lavender distilleries all around where we live, but the main centers are to the north in Sault and, as described in the novel, to the east at Manosque and the Valensole plateau. The idea of a blind perfumer came from the realization that there were strips of Braille on the packaging used by beauty product brand L’Occitane en Provence, based at Manosque. In 1997 the company created the foundation Provence dans tous les Sens (All the Senses of Provence) to introduce visually-impaired children to the world of perfume creation. In the novel, Marthe Lincel finds her true talent as a perfume “nose” after a visit to the Distillerie Musset from the school for the blind she attends in Manosque, although this episode takes place in the 1930s. For most of the 20th century in this region, there was a gradual erosion of traditional farming as young people moved to the towns to seek work in the new industries and factories. The struggle was intense for those left behind on the hill farms in a region that was poor until the advent of mass tourism. In The Lantern , as Pierre--the only brother--takes off for better-paid work, and Marthe finds increasing success in Paris, this is the struggle faced by Bénédicte at “Les Genévriers”—and the past which gradually comes to disquiet Eve, the heroine of the contemporary narrative strand of the novel. Like Eve, I am an avid reader and worryingly prone to over-imagination. While at the house our first summer, camping on stone floors, I re-read Daphne du Maurier’s Rebecca , and was as captivated by it as ever--but my thoughts wandered... what if I had come to this place knowing less about the area, or perhaps, less about the man I was with? -- Deborah Lawrenson A Look Inside The Lantern Click on the images below to open larger versions. Lavender field in sunlight Garden door to the walnut wine cellar View from Gordes to the Luberon ridge A room with a view Side door into the alleyway “ The Lantern is a smart, gothic, bodice ripper that transcends the genre, thanksxa0.xa0.xa0.xa0to Lawrenson’s gift for bringing the senses to life.” — People (3 ½ stars) “Deborah Lawrenson’s new novel, a modern Gothic tale set in the lavender-scented landscape of Provence, serves up an escapist mix of mystery, romance and murder.” — Wall Street Journal “I absolutely adored this beautifully written, modern Gothic novel, set in Provence, full of scents, colors and mystery. Reminiscent of Daphne du Maurier’s classic, Rebecca , The Lantern will hook you in from the start and weave its dark, lush magic around you.” — Tatiana de Rosnay, author of Sarah's Key and A Secret Kept “Sensuous…. Lawrenson’s poetic prose vibrantly conjures up both the beauty of southern France and the ghosts, real or imagined, from different eras. B+” — Entertainment Weekly “With The Lantern , Deborah Lawrenson delivers a feast of sights, sounds and smells that grow and change and linger, like a wonderfully complex perfume. I was captivated by this marvelous, haunting book―at times vivid and lush, at times provocative and chilling.” — Garth Stein, author of The Art of Racing in the Rain “A seductive mixture of a Gothic ghost story and a modern romance.xa0.xa0.xa0.xa0If the story doesn’t keep you up all night reading, the sharp and beautiful descriptions of the South of France will. Deborah Lawrenson has written an alluring, dark novel that will haunt you and leave you wanting more.” — Danielle Trussoni, author of Angelology “A luscious mix of romance and gothic ghost story.” — O, The Oprah Magazine “Deborah Lawrenson is a master of mood and shadow as she spins this absorbing tale of intense passion and growing dread. Her Provence is sumptuous and forbidding and utterly real. Prepare to be riveted.” — Paula McLain, author of The Paris Wife A modern gothic novel of love, secrets, and murder—set against thelush backdrop of Provence Meeting Dom was the most incredible thing that had ever happened to me. When Eve falls for the secretive, charming Dom in Switzerland, their whirlwind relationship leads them to Les Genévriers, an abandoned house set among the fragrant lavender fields of the South of France. Each enchanting day delivers happy discoveries: hidden chambers, secret vaults, a beautiful wrought-iron lantern. Deeply in love and surrounded by music, books, and the heady summer scents of the French countryside, Eve has never felt more alive. But with autumn’s arrival the days begin to cool, and so, too, does Dom. Though Eve knows he bears the emotional scars of a failed marriage—one he refuses to talk about—his silence arouses suspicion and uncertainty. The more reticent Dom is to explain, the more Eve becomes obsessed with finding answers—and with unraveling the mystery of his absent, beautiful ex-wife, Rachel. Like its owner, Les Genévriers is also changing. Bright, warm rooms have turned cold and uninviting; shadows now fall unexpectedly; and Eve senses a presence moving through the garden. Is it a ghost from the past or a manifestation of her current troubles with Dom? Can she trust Dom, or could her life be in danger? Eve does not know that Les Genévriers has been haunted before. Bénédicte Lincel, the house’s former owner, thrived as a young girl within the rich elements of the landscape: the violets hidden in the woodland, the warm wind through the almond trees. She knew the bitter taste of heartbreak and tragedy—long-buried family secrets and evil deeds that, once unearthed, will hold shocking and unexpected consequences for Eve. Deborah Lawrenson studied English at Cambridge University and worked as a journalist in London. She is married with a daughter, and lives in Kent, England. Deborah’s previous novels include The Lantern and The Sea Garden. Read more

Features & Highlights

  • Set in the lush countryside of Provence, Deborah Lawrenson’s
  • The Lantern
  • is an atmospheric modern gothic tale of love, suspicion, and murder, in the tradition of Daphne du Maurier's
  • Rebecca.
  • Drawn to a wealthy older man, Eve embarks on a whirlwind romance that soon offers a new life and a new home—Les Genévriers, a charming hamlet amid the fragrant lavender fields of Provence. But Eve finds it impossible to ignore the mysteries that haunt both her lover and the run-down old house. The more reluctant Dom is to tell her about his past, the more she is drawn to it—and to the mysterious disappearance of his beautiful ex-wife. An evocative tale of romantic and psychological suspense,
  • The Lantern
  • masterfully melds past and present, secrets and lies, appearances and disappearances—along with our age-old fear of the dark.

Customer Reviews

Rating Breakdown

★★★★★
30%
(116)
★★★★
20%
(77)
★★★
15%
(58)
★★
7%
(27)
28%
(109)

Most Helpful Reviews

✓ Verified Purchase

Perfumed out.

By half-time I'd just about had it with the angry mistral winds, the orange glows of clouds trickling like honey, and the bands of yellow ochre singing with stinging clarity between ropes of indigo. And I'd also had it with all the painful soul searching, the ominous secrets and gloomy foreboding that seemed to end every chapter with thoughts that things are only gonna get worse. But they don't. The sensuous descriptions, the dark moods and high anxieties continue - but nothing really happens until a couple of awkward and inadequate revelations are provided at the end. Moreover, the attempts to interwine the two generations of residents are both feeble and ludicrous. Waxing lyrical doesn't necessarily guarantee a good story.
13 people found this helpful
✓ Verified Purchase

dense and ponderous beginning makes reading a chore

I have tried on three separate occasions to sink into this novel to no avail. The opening pages of the book are so densly written they are profoundly boring and I simply cannot force myself to continue reading. I am really disappointed because the flap copy of the book sounds marvelous and I really want to read and enjoy it, but the bottom line is that if I had picked up this book in the bookstore and read a few pages, it would never have come home with me. I've read and reviewed several books in the time I've been trying to get through this one, but I just cannot sink into this story despite all my best efforts.
9 people found this helpful
✓ Verified Purchase

Just could not get into it

I tried to get through this book, I really did. I had heard great things about it and was looking forward to reading it.
But it just went so slow. I kept putting it down and picking it up again and having to reread pages. It certainly had potential but the plot just did not move. I wasn't able to engage with the characters quick enough for me to want to stay with the book despite it's slow pace. After about a month of this, I finally gave up. I hate to give up on a book unless the writing is bad but I just as if it wasn't going anywhere. I would not receommend this book.
8 people found this helpful
✓ Verified Purchase

Skip it

What a disappointment! Half the book was just description after description of Provence; the other half was a blatant, blatant pastiche of "Rebecca." Unfortunately, du Maurier did it a heck of a lot better than Lawrenson.
7 people found this helpful
✓ Verified Purchase

So Wanted To Like This Book!

I'm having such a difficult time with this book. I've wanted to love it after all the hype, but it's difficult. First, I got turned off by the author's trying so hard to be cultured and elegant, or making much of it. Maybe it's our American up-bringing, but isn't understatement preferable? So much seems contrived and overdone. It made the book move very slowly. Also, the scents seem to permeate the story too much-no pun intended, and they often don't make sense; the combinations she expresses are improbable. That's giving lenience for the symbolic, even! I grew so tired of hearing about them in every other paragraph. Fragrances need to be dabbed here and there to have the right impact, don't you think? Just so in literature; they would have a bigger impact sparingly used. It's also a cardinal rule in literature that when an author focuses too much on description and not enough on characterization, the book will not be a good one. Is it me, or is there just too much description here? For instance, we can't possibly know or understand Dom, the primary male protagonist, because there's been very little character development. What may be the biggest issue is that the author spent a great deal of time describing what I believe she sees out the window and inside of her "crumbling hamlet in Provence, France." (From her bio. on the book cover we find that she lives there as much as possible.) In the novel, you can really see that she's inspired by her surroundings, but the story she's telling seems adjunct to that. This makes for a painfully slow and uninteresting story with tension and suspense that is much too drawn out. A true story about her love of Provence, her hamlet, gardens and lower cellar would have been ever so much more exotic and interesting. It's the trying to create a story around those descriptions that makes this novel fail, to me. Provence, her hamlet, it's rennovations and discoveries would make a fascinating non-fiction account. I'm worried that Ms Lawrenson has tried so hard to write a modern version of "Rebecca" that it's fallen flat. I'm sad about it. I struggled to finish this novel because I don't like giving up. It was difficult. It would be great to have a contemporary novel in the vein of "Rebecca," but sometimes one simply can't compete with the classics. Those who hyped a comparison weren't helping Ms Lawrenson. Must give it 2 struggling stars scented by woodland violets in apple wine infusion with a hint of ash from a long-awaited crackling fire, dripping with lasting notes of a salamander's foot crossing the moss that once laid lightly on mist-drenched, mountain wood.
6 people found this helpful
✓ Verified Purchase

If Only She'd Remembered That Less Is More...

"I've been having a love affair with Provence for more than 25 years," says Deborah Lawrenson. As if that wouldn't be obvious to anyone who reads this book. "The Lantern" reads like a love letter to the coastal region, all its splendor illustrated through artful and meticulous wordplay. It is the novel's greatest strength and weakness, Lawrenson's excessive verbiage resulting in plot and pacing casualties.

In five parts, two stories are told: one is by Eve, a young woman who has run off with her lover Dom to live at Les Genévriers, a dilapidated farmstead in the south of France; the other is Bénédicte Lincel, the previous owner of the property. Eve struggles to connect with Dom and learn about his previous relationship with his ex-wife Rachel, an element of his past that he insists on keeping to himself. Bénédicte begins her story while she is still a child and proceeds all the way to old age, disclosing a catastrophic event at Les Genévriers that has been a niggling mystery to the general public for decades.

Lawrenson takes more care with her backdrop of Provence than with her characters. Many pages are used as a canvas to paint a loving portrait of the surroundings, the reader smothered with exhaustive and lavish prose describing vegetation, climate, and scents. Don't get me wrong - I love an author who can paint a beautiful picture with words, not to mention do it with a setting as romantic and luscious as Provence. But Lawrenson churns out an irksome surplus, making the book too long at 383 pages. The end result is a verbose text that causes a consistent loss of focus on the story. I kept thinking to myself whenever I came upon another passage describing smells, winds and such, "Oh, just get on with it already, would you?" Plot execution is so sluggish that the novel doesn't gain any momentum until Part IV, more than halfway in to the book. I read out of sheer tenacity to finish what I had started, determined to know everyone's secrets and how it all ends for them.

Once she did get the ball rolling I read in a frenzy, waiting for those secrets to hit me over the head. I wanted to be left reeling from their unveiling and chomping at the bit to recommend the book. Sadly, her conclusion left something to be desired. I found myself easily connecting the dots towards the end, the author choosing not to execute any twists that may have taken me by surprise (I felt disappointed by that as well). The final pages left me with but one thought: "Is that all?" It was like coming to the table ready for a steak dinner and getting a couple of rice cakes instead - it satisfied my need to chew on something but I didn't get much flavor or sustenance from it.

The story feels pointless to me because the author failed to make me care about or connect with the characters. Both of the female voices here are bland, absent of nuance or personality. The reader would probably not know the difference between the two if it wasn't for the supporting characters they mention while telling their own stories (and it's the only indicator - the voices switch every chapter). And speaking of chapters, they're too brief. They don't allow the reader to soak in one character's story before they're switched to the next, another of the book's frustrating traits. I struggled to find the symbolism in the book's title as well.

I really wanted to love "The Lantern". The prologue's promise of an unveiling of a dark secret whet my appetite, as did its haunted house and ghost themes (which were inadequate in their execution). I had hoped to get a glorious escape when I sat down to read it, a lush and suspenseful feast for the imagination. "The Lantern" is now a mere hors d'oeuvre for me among a banquet of more delectable books. If copious description of setting and an excruciatingly slow-building plot are to your taste, then by all means partake. If you like several satisfying courses followed by a smashing dessert, then go with another cook. Lawrenson may be a skilled purveyor of prose but the balance of flavor within "The Lantern" is too uneven for my persnickety palate.
6 people found this helpful
✓ Verified Purchase

Lots of suspense, not much payoff

The minute I read the description of this book, I was dying to read it. I am a huge fan of gothic novels, and I love the novel Rebecca. While this book did exhibit some of the things that make this genre so appealing to me, in the end, it just didn't live up to my expectations for it. I'll try to keep the spoilers to a minimum, but I may give some things away.

I think the biggest flaw in the novel for me was the relationship between Dom and Eve. I just did not get it. It didn't feel to me like they'd been together long enough and didn't have enough to bind them together for Eve to put up with his downright weird behavior. I simply could not get over this aspect. There were many points during the novel when I found myself dumbfounded that she wasn't insisting that he be more forthcoming with her. I get that the author was trying to convey Eve's fear of losing her tenuous hold on their relationship, but I didn't see why Eve would be worried about it. Dom just never felt very appealing to me at all. Even when all is revealed about the nature of his relationship with the wife that came before Eve, I just still couldn't get behind the idea of her staying with him.

As for this big revelation, I just didn't think much of it. There was a lot of suspense built throughout the novel, a lot of mystery, and when an explanation was finally offered, I just didn't see it as plausible. By this point, I was so turned off by Dom that I found myself wondering if he was even being truthful with Eve or if this was another of his attempts at smoke and mirrors. I just really thought the tale about his wife was outlandish. It may have worked a little better for me had the information been delivered by another character but, either way, it just didn't really work for me.

To me, the stronger of the two tales in this novel is that of Bénédicte. Here is where Lawrenson really shines. I was very intrigued by Bénédicte's story, and anxious to hear the unraveling of her tale. For me, this half of the novel was far more engrossing and felt far more real than the modern half. Bénédicte's family dynamic was fascinating and I found her brother so reviling that my reaction to him was also physical. I also really liked the story of Marthe. Had this been the entire novel, I'd have liked it much more than I did.

Because of this, I didn't feel the shifting perspectives worked. The risk with telling a story that way is always that one side of the story will be far more interesting than the other, and I really think that was the case here. I also found myself getting really irritated by the way each perspective was told in short bursts. This made the novel feel far too drawn out at times, as if some trickery was going on to try to increase the suspense. Some chapters offered up a really interesting bit only to then switch maddeningly to the other perspective. At times, I even found the events hard to follow because so much of the narrative is told in these quick little snapshots and because it does change from one perspective to the other in so few pages.

The other strength of the novel is in the atmosphere surrounding Les Genévriers. There was a great gothic feel to the novel, and the hamlet was suitably foreboding. I really enjoy novels where the setting is as much a character as the protagonist.
6 people found this helpful
✓ Verified Purchase

Gorgeous lush prose deserves better story

"The Lantern" by Deborah Lawrenson is being hailed as "the new Rebecca." It certainly has many of the major elements of the first Rebecca - the handsome brooding, older lover; the naive young protagonist; an isolated crumbling mansion in the countryside; the missing first wife - and, above all, atmosphere. Ms. Lawrenson is supremely gifted when it comes to evoking the sights, sounds, smells and tastes of the gorgeous Provencal countryside.

Unfortunately, for me, the rest of the novel didn't live up to its promise. The plot is a fairly standard Gothic story of a young woman who falls in love with a mysterious older man and goes off to live with him in a remote location, only to discover that the man she loves may have done some Truly Awful Things. Other Things Happen to derail their love. And so on.

One potentially-interesting plot twist was the addition of an alternative narrator, Benedicte Lincel, the former owner, who transports the story into the past, helping set the stage for the present-day situation. Although that is a useful and engaging plot device in some circumstances, the similarities between the two characters, both passive and allowing circumstances to overtake them; and the fact that the narrative sections were quite short - only four pages - distracted and irritated me. I would find myself getting swept into one character's mindset and thoughts, only to have that disrupted.

In addition to the fairly standard plot, I found Eve to be a fairly standard Gothic heroine. I would have no problem envisioning her showing up to meet the murderer in the middle of the night, wearing high heels and a white nightgown. After the initial infatuation faded, I didn't feel that she and Dom had a strong bond at all and didn't understand why she stayed with him. Your mileage may vary, but I prefer my heroines a little more self-actualizing and spunky. The other characters were similarly limited - the brooding hero, the mysterious former wife, the spiteful older woman, the wastrel brother, the long-suffering sister and so on.

Overall, the prose and atmosphere were lovely. I hope Ms. Lawrenson finds a stronger set of characters and a stronger plot for her next novel.

The other characters were also fairly derivative, although I did like the glimpses into the past.
6 people found this helpful
✓ Verified Purchase

Lushly written, evocative and mysterious. A fabulous read!

I just finished reading "The Lantern", and as an artist I must say that Ms. Lawrenson uses words in the same way that an accomplished artist uses her paints and brushes, dredging from them compositions heavily textured with passion, color, emotion and the stuff of dreams. A master at imagery, Lawrenson's paragraphs flow like honey from page to page in what was (for me) a hauntingly beautiful, deeply disturbing and richly brocaded novel of romance and mystery. The backdrop of the novel is a place unlike no other, hauntingly beautiful, yet provocative as a rose with thorns-Provence. Lawrenson's lush descriptions of Provence in its various seasons teeter between its sun-drenched glory days of summer, and the winter days of mistral-biting despair, igniting a passion and excitement within the reader in much the same way that Peter Mayle's description of Provence whetted the appetite for country French cuisine and truffles. In this place of rapidly changing landscapes, Lawrenson has done a masterful job of pitting loyalty against betrayal, and joie de vivre against despair. Don't start the book unless you have time on your hands. I couldn't put it down until it was finished.
5 people found this helpful
✓ Verified Purchase

Plodded Along

So, I FINALLy finished reading this book last night. I have to say that the end could not come soon enough for me. Although the author writes beautifully and her descriptions are very thorough there was way too much of this sort of thing throughout the book. So much so that I found myself skipping many paragraphs and sometimes just skimming pages just to make sure I didn't miss anything important--no worries there becaue she didn't get to the point until the VERY end. What a let down in the end too. Oh well, on to the next.
5 people found this helpful