The Language of Flowers: A Novel
The Language of Flowers: A Novel book cover

The Language of Flowers: A Novel

Paperback – April 3, 2012

Price
$5.43
Format
Paperback
Pages
334
Publisher
Ballantine Books
Publication Date
ISBN-13
978-0345525550
Dimensions
5.22 x 0.77 x 8.01 inches
Weight
9.6 ounces

Description

“Instantly entrancing.”— Elle “[An] original and brilliant first novel . . . a mesmerizing storyteller . . . I would like to hand Vanessa Diffenbaugh a bouquet of bouvardia (enthusiasm), gladiolus (you pierce my heart) and lisianthus (appreciation). . . . And there is one more sprig I should add to her bouquet: a single pink carnation (I will never forget you).”—Brigitte Weeks, The Washington Post “A captivating novel in which a single sprig of rosemary speaks louder than words . . . The Language of Flowers deftly weaves the sweetness of newfound love with the heartache of past mistakes. . . . [It] will certainly change how you choose your next bouquet.”—Minneapolis Star Tribune “Fascinating . . . Diffenbaugh clearly knows both the human heart and her plants, and she keeps us rooting for the damaged Victoria.”— O: The Oprah Magazine (book of the week) xa0 “Diffenbaugh effortlessly spins this enchanting tale, making even her prickly protagonist impossible not to love.”— Entertainment Weekly “Compelling . . . immensely engaging . . . unabashedly romantic . . . an emotional arc of almost unbearable poignance.” —The Boston Globe Vanessa Diffenbaugh was born in San Francisco and raised in Chico, California.xa0 After studying art education at Stanford University, she went on to teach at-risk youth in East Palo Alto and Sacramento. xa0She and her husband, PK, have four children: Donovan, 24, Tre'von, 22, Chela, 7, and Miles, 6. xa0Inspired by her own experience as a foster parent, her first novel, The Language of Flowers , has been translated into more than 40 languages. xa0Following the success of her novel, Diffenbaugh co-founded Camellia Network, whose mission is to create a national network that connects every youth aging out of foster care to the critical resources, opportunities, and the support they need to thrive in adulthood. Excerpt. © Reprinted by permission. All rights reserved. 1.For eight years I dreamed of fire. Trees ignited as I passed them; oceans burned. The sugary smoke settled in my hair as I slept, the scent like a cloud left on my pillow as I rose. Even so, the moment my mattress started to burn, I bolted awake. The sharp, chemical smell was nothing like the hazy syrup of my dreams; the two were as different as Indian and Carolina jasmine, separation and attachment. They could not be confused.Standing in the middle of the room, I located the source of the fire. A neat row of wooden matches lined the foot of the bed. They ignited, one after the next, a glowing picket fence across the piped edging. Watching them light, I felt a terror unequal to the size of the flickering flames, and for a paralyzing moment I was ten years old again, desperate and hopeful in a way I had never been before and would never be again.But the bare synthetic mattress did not ignite like the thistle had in late October. It smoldered, and then the fire went out.It was my eighteenth birthday.In the living room, a row of fidgeting girls sat on the sagging couch. Their eyes scanned my body and settled on my bare, unburned feet. One girl looked relieved; another disappointed. If I’d been staying another week, I would have remembered each expression. I would have retaliated with rusty nails in the soles of shoes or small pebbles in bowls of chili. Once, I’d held the end of a glowing metal clothes hanger to a sleeping roommate’s shoulder, for an offense less severe than arson.But in an hour, I’d be gone. The girls knew this, every one.From the center of the couch, a girl stood up. She looked young—?fifteen, sixteen at most—and was pretty in a way I didn’t see much of: good posture, clear skin, new clothes. I didn’t immediately recognize her, but when she crossed the room there was something familiar about the way she walked, arms bent and aggressive. Though she’d just moved in, she was not a stranger; it struck me that I’d lived with her before, in the years after Elizabeth, when I was at my most angry and violent.Inches from my body, she stopped, her chin jutting into the space between us.“The fire,” she said evenly, “was from all of us. Happy birthday.”Behind her, the row of girls on the couch squirmed. A hood was pulled up, a blanket wrapped tighter. Morning light flickered across a line of lowered eyes, and the girls looked suddenly young, trapped. The only ways out of a group home like this one were to run away, age out, or be institutionalized. Level 14 kids weren’t adopted; they rarely, if ever, went home. These girls knew their prospects. In their eyes was nothing but fear: of me, of their housemates, of the life they had earned or been given. I felt an unexpected rush of pity. I was leaving; they had no choice but to stay.I tried to push my way toward the door, but the girl stepped to the side, blocking my path.“Move,” I said.A young woman working the night shift poked her head out of the kitchen. She was probably not yet twenty, and more terrified of me than any of the girls in the room.“Please,” she said, her voice begging. “This is her last morning. Just let her go.”I waited, ready, as the girl before me pulled her stomach in, fists clenched tight. But after a moment, she shook her head and turned away. I walked around her.I had an hour before Meredith would come for me. Opening the front door, I stepped outside. It was a foggy San Francisco morning, the concrete porch cool on my bare feet. I paused, thinking. I’d planned to gather a response for the girls, something biting and hateful, but I felt strangely forgiving. Maybe it was because I was eighteen, because, all at once, it was over for me, that I was able to feel tenderness toward their crime. Before I left, I wanted to say something to combat the fear in their eyes.Walking down Fell, I turned onto Market. My steps slowed as I reached a busy intersection, unsure of where to go. Any other day I would have plucked annuals from Duboce Park, scoured the overgrown lot at Page and Buchanan, or stolen herbs from the neighborhood market. For most of a decade I’d spent every spare moment memorizing the meanings and scientific descriptions of individual flowers, but the knowledge went mostly unutilized. I used the same flowers again and again: a bouquet of marigold, grief; a bucket of thistle, misanthropy; a pinch of dried basil, hate. Only occasionally did my communication vary: a pocketful of red carnations for the judge when I realized I would never go back to the vineyard, and peony for Meredith, as often as I could find it. Now, searching Market Street for a florist, I scoured my mental dictionary.After three blocks I came to a liquor store, where paper-wrapped bouquets wilted in buckets under the barred windows. I paused in front of the store. They were mostly mixed arrangements, their messages conflicting. The selection of solid bouquets was small: standard roses in red and pink, a wilting bunch of striped carnations, and, bursting from its paper cone, a cluster of purple dahlias. Dignity. Immediately, I knew it was the message I wanted to give. Turning my back to the angled mirror above the door, I tucked the flowers inside my coat and ran.I was out of breath by the time I returned to the house. The living room was empty, and I stepped inside to unwrap the dahlias. The flowers were perfect starbursts, layers of white-tipped purple petals unfurling from tight buds of a center. Biting off an elastic band, I detangled the stems. The girls would never understand the meaning of the dahlias (the meaning itself an ambiguous statement of encouragement); even so, I felt an unfamiliar lightness as I paced the long hall, slipping a stem under each closed bedroom door.The remaining flowers I gave to the young woman who’d worked the night shift. She was standing by the kitchen window, waiting for her replacement.“Thank you,” she said when I handed her the bouquet, confusion in her voice. She twirled the stiff stems between her palms.Meredith arrived at ten o’clock, as she’d told me she would. I waited on the front porch, a cardboard box balanced on my thighs. In eighteen years I’d collected mostly books: the Dictionary of Flowers and Peterson Field Guide to Pacific States Wildflowers, both sent to me by Elizabeth a month after I left her home; botany textbooks from libraries all over the East Bay; thin paperback volumes of Victorian poetry stolen from quiet bookstores. Stacks of folded clothes covered the books, a collection of found and stolen items, some that fit, many that did not. Meredith was taking me to The Gathering House, a transitional home in the Outer Sunset. I’d been on the waiting list since I was ten.“Happy birthday,” Meredith said as I put my box on the backseat of her county car. I didn’t say anything. We both knew that it might or might not have been my birthday. My first court report listed my age as approximately three weeks; my birth date and location were unknown, as were my biological parents. August 1 had been chosen for purposes of emancipation, not celebration.I slunk into the front seat next to Meredith and closed the door, waiting for her to pull away from the curb. Her acrylic fingernails tapped against the steering wheel. I buckled my seat belt. Still, the car did not move. I turned to face Meredith. I had not changed out of my pajamas, and I pulled my flannel-covered knees up to my chest and wrapped my jacket around my legs. My eyes scanned the roof of Meredith’s car as I waited for her to speak.“Well, are you ready?” she asked.I shrugged.“This is it, you know,” she said. “Your life starts here. No one to blame but yourself from here on out.”Meredith Combs, the social worker responsible for selecting the stream of adoptive families that gave me back, wanted to talk to me about blame. Read more

Features & Highlights

  • NEW YORK TIMES
  • BESTSELLER
  • The Victorian language of flowers was used to convey romantic expressions: honeysuckle for devotion, asters for patience, and red roses for love. But for Victoria Jones, it’s been more useful in communicating mistrust and solitude. After a childhood spent in the foster-care system, she is unable to get close to anybody, and her only connection to the world is through flowers and their meanings. Now eighteen and emancipated from the system with nowhere to go, Victoria realizes she has a gift for helping others through the flowers she chooses for them. But an unexpected encounter with a mysterious stranger has her questioning what’s been missing in her life. And when she’s forced to confront a painful secret from her past, she must decide whether it’s worth risking everything for a second chance at happiness.
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Customer Reviews

Rating Breakdown

★★★★★
30%
(5K)
★★★★
25%
(4.2K)
★★★
15%
(2.5K)
★★
7%
(1.2K)
23%
(3.8K)

Most Helpful Reviews

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Don't read this if you are depressed

One of the most depressing novels I have ever read. When my Book Club chose it as a selection, I decided to give it a second try to be fair and hated it even more the second time around.
61 people found this helpful
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Read this. It will be one of your favorites!

5 Stars, really....5 Stars. It is a GREAT book. Finished it in two days (and I have three kids, a full time job and a BUSY life...so you know...not a lot of sleep!) The writer isn't overly intellectual in her writing, but the topic of using a Victorian-era "language" could get really intricate in description. I would guess that she wanted to add a lot of factual info from her research and then decided that, based on the age of the characters, adding in all of that would have made the story less believable...so, kudos to your restraint Ms. Diffenbaugh! I was looking for a read that wouldn't be too emotional. Something that would pull me in gently and move quickly. I have read too many books, recently that just go on about nothing and 10 pages in you feel like you haven't left the scene....or you're not far from where you were. (Okay, 10 pages is an exaggeration, but you know what I mean...fluff!) I highly recommend this book to anyone looking to enjoy a book after maybe spending too long in T.V.-land, or Rat-Racing through life. This is a nice little place of respite and enrichment.
48 people found this helpful
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unrealistic chick lit

i bought this because i love the Victorian language of flowers and thought it would be interesting to see that incorporated into a novel. I thought this novel would be about an ex-foster making her way in the world. Sadly, half the book is flash-backs to her miserable childhood. The part about her new life is pretend-ish nonsense that's about as realistic as the "Mixed Up Files of Mrs Basil E Frankweiler" kids living at the museum undetected. She lives off gallons of milk or sneaks into restaurants to finish the meals of diners who just vacated the table. real plausible. She sleeps in the park at night and even tends a garden of her own there, undisturbed. She gets a job offer despite not having washed in a week, working weddings dressed like a bum, which no one seems to mind or even notice. In a city as large as S.F., she runs into a childhood acquaintance while doing her job, what are the odds? and despite both their miserable complicated pasts, they are both still obsessed with the language of flowers. Her career now on the right track, the novel goes in another direction, to her unplanned pregnancy and attempts at young motherhood. if you like to read about breast-feeding, this is the book for you, because it goes on forever about that. Not at all what i was hoping for.
34 people found this helpful
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I read this for a book club and hated it.

Spoilers ahead.

I am not sure why I use amazon customer reviews to set my expectations, even slightly, on books anymore because there are so many 4.5 star reads with reviews in the thousands that end up being *complete* flops for me. This is yet another one.

The idea of exploring Victorian ideas of the meanings of flowers sounded very intriguing and interesting, unfortunately even that twist could not save this trite, chick-lit book. Perfect ending with an impossibly perfect man? Check. Entire supporting cast of characters falling over themselves to save this incredibly self-centered heroine? Check. Impossible to forgive betrayal that is forgiven in the blink of an eye? Check. Wildly successful, trendy business catering to bridezillas run by a homeless, unshowered teenager? Check.

This book is so implausible, and so caught up in a tidy, happily-ever after ending that makes it impossible to take even remotely seriously.That is too bad, because the author wanted to draw attention to the plight of foster kids/orphans, a truly worthy topic for examination and education.
32 people found this helpful
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Heartbreaking but fascinating!

This story was heartbreaking and fascinating and moving and frustrating all at once! It's a fabulously written, compelling read - I finished it in one day! Her descriptions of a childhood filled with desertion and betrayal were thoroughly believable. The love story is meticulously crafted and not sexually graphic. The detailed descriptions of flowers and their meanings was captivating.

I highly recommend this book if you like a memoir-style read (and don't mind flashbacks). Though there are hints of violence related to her past - growing up in foster homes and orphanages, however, the author steers well clear of anything graphic or disturbing, which I found refreshing. It is heartbreaking, but utterly readable.
31 people found this helpful
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If you like dumb main characters, you'll love this

Though I enjoyed reading about how flowers have a "language," that was all I liked about this debut novel. Victoria, I felt was an unlikable character whose stupidity was not to be believed. OK, so you got pregnant, dumped the perfectly nice guy, hid it, didn't seek prenatal care, and chose to give birth in hiding all by yourself ... but then you don't realize you might have to buy diapers afterward ... come on! Oh, and some food for yourself would be good. After she literally starves and nurses herself to death, rather than seek out help from the kind midwife who eventually helps her birth, she leaves the baby alone twice, then dumps the baby onto the unsuspecting father. Her stupidity was irritatingly excessive and unrealistic -- even for a girl who grew up in the foster system, which is no excuse. Two stars for a ridiculous main character with whom I felt absolutely no connection.
26 people found this helpful
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Couldn't finish

About 3/4 through the book I couldn't wait any longer for the main character, Victoria, to redeem herself and get over her self-pity and self-destructive behavior. I know she had a tough childhood, but as an adult many people reached out to help her. Just when I thought Victoria was going to turn herself around, she spiraled down into another episode of self loathing. I am too frustrated with the main character to care any longer about what happens to her and will go on to another book. Can't understand how this book got so many 5 Star reviews.
23 people found this helpful
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very overrated

All of the characters suffer the effects of abuse and mental illness. None are particularly believable or likeable, especially the narrator. The story is full of unbelievable events and magical solutions. It is fun to think about the language of flowers, but this story is no fun at all.
22 people found this helpful
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Unique story of an unusual girl who finds love thru 2 other unique loners, told thru great writing skills

This was an amazing book; probably the best I've read all year. At my book club, we unanimously loved it. While the definitions of the flowers was a nice addition, one could argue as to whether they fit well ("Peony" to me is not "anger"; but other definitions were better). It was more the story of a small group of unusual people who dont seem like they could ever find love, ...but DO find love. It centers around a girl who goes thru dozens of bad foster homes, and ends up on the street at 18 years old. Her only talent is understanding flowers...their meanings and how to grow and arrange them. Two people cross her path, and eventually love, patience, and flowers brings them happiness (not counting the flower store owner, who is a positive influence). Some of the situations we found shocking, but believeable. Also, the author kept us in suspense thru good writing techniques. it was almost impossible to predict what happened next. We also were satisfied with the ending. I also encourage people to read the back of the book. First, is the list of definitions (which both the author and the girl int he book developed thru multiple books on flowers). Second there are notes that explain why the author chose the subject that add a new dimension to the storyline.
21 people found this helpful
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language of flowers

Have no idea how anyone could give this insipid book more than one star. Plot line was improbable to say the least. The characters were all stereotypes, and the story really made no sense. A complete waste of my time and money.
18 people found this helpful