The Clothes They Stood Up In
The Clothes They Stood Up In book cover

The Clothes They Stood Up In

Price
$14.83
Format
Hardcover
Pages
161
Publisher
Random House
Publication Date
ISBN-13
978-0375503061
Dimensions
4.28 x 0.67 x 6.26 inches
Weight
6.4 ounces

Description

From Publishers Weekly When life is pared down to the bare essentials, one can grow spirituallyAor shrink into one's basic instincts. Though profound statements as such are not to be found in British playwright Bennett's charmingly subversive and very amusing cautionary tale, his characters illustrate the principle in surprising ways. Mr. and Mrs. Ransome return to their London flat after a performance of Cos? fan tutte (Mozart's comic opera about changing identities) to find the place totally stripped. Even the casserole left warming in the oven is gone, along with the oven, all other appliances and every stitch of clothing. Mr. Ransome, a stodgy, misanthropic solicitor who is fussy about correct diction, is mainly concerned about the loss of his CD player and the earphones with which he has always insulated himself from his wife. Formerly cowed and repressed, Mrs. Ransome is surprised at her pleasure in replacing their lost possessions with a few inexpensive items. The burglary liberates her personality, allowing her to inch cautiously toward new interpersonal connectionsAfirst with an Asian grocer, then with the man who, the Ransomes eventually discover, has been living with their furniture and clothing in a storage facility, then with another man who holds the key to the bizarre thievery. Her social awakening occurs in counterpoint with her husband's more selfish gratifications, until a funny and fitting denouement permanently turns the tables between them. Bennett carries off his terse, surreal comedy with witty aplomb, adding to risibility with apt comments about the foibles of contemporary society and the consumer economy. (Feb. 8) Forecast: English readers familiar with Bennett's plays (The Madness of George III, etc.) snatched up this novella to the tune of 140,ooo copies. The premise of being left without any possessions is provocative enough to entice readers on these shores, and the small size of the volume (4x 6) reinforces the idea that simplicity can be liberating. Copyright 2000 Reed Business Information, Inc. From Library Journal British playwright Bennett here proves himself to be a master of fiction as well. Rosemary and Maurice, long-married but childless, return from a night at the opera to find that they have been divested of all their possessionsDright down to the toilet paper holder. Months later, they find that their habitat had been meticulously re-created in a storage facility. Ostensibly, the story involves finding out the who and the why of such an extraordinary chain of events, but it also exposes the abrasions and contusions, the fabrications and evasions that are common to many marriages. Rosemary is an immediately lovable character. Her innocence and her responses are sometimes laugh-out-loud funny, but her attempts to improve her marriage are also very poignant. This charming novel deserves a place in all fiction collections; one can only hope that Americans will receive it as warmly as their counterparts did. -DJudith Kicinski, Sarah Lawrence Coll. Lib., Bronxville, NY Copyright 2001 Reed Business Information, Inc. "Few write sharper dialogue or probe more tellingly into the frailties and occasional strengths of the human psyche than Alan Bennett. None knows more about getting each scene just right or is as consistently witty."—William Trevor"Full of jolly, broad, and very English humour...a charm-filled holiday read."—Alain de Botton, author of On Love and How Proust Can Change Your Life From the Inside Flap The Ransomes had been burgled. "Robbed," Mrs. Ransome said. "Burgled," Mr. Ransome corrected. Premises were burgled; persons were robbed. Mr. Ransome was a solicitor by profession and thought words mattered. Though "burgled" was the wrong word too. Burglars select; they pick; they remove one item and ignore others. There is a limit to what burglars can take: they seldom take easy chairs, for example, and even more seldom settees. These burglars did. They took everything.This swift-moving comic fable will surprise you with its concealed depths. When the sedate Ransomes return from the opera to find their Notting Hill flat stripped absolutely bare―down to the toilet paper off the roll (a hard-to-find shade of forget-me-not blue)―they face a dilemma: Who are they without the things they've spent a lifetime accumulating? Suddenly the world is full of unlimited and frightening possibility. But just as they begin adjusting to this giddy freedom, a newfound interest in sex, and a lack of comfy chairs, a surreal reversal of events causes them to question their assumptions yet again. The Ransomes' bafflement is the reader's delight. Alan Bennett's gentle but scathing wit, unerring ear for dialogue, and sense of the absurd make The Clothes They Stood Up In a memorable exploration of where in life true riches lie. Alan Bennett is the author of the number-one British bestseller Writing Home . He is a renowned playwright and essayist, whose screenplay for The Madness of King George was nominated for an Academy Award. Excerpt. © Reprinted by permission. All rights reserved. The Ransomes had been burgled. "Robbed," Mrs. Ransome said. "Burgled,"Mr. Ransome corrected. Premises were burgled; persons were robbed. Mr. Ransome was a solicitor by profession and thought words mattered. Though "burgled" was the wrong word too. Burglars select; they pick; they remove one item and ignore others. There is a limit to what burglars can take: they seldom take easy chairs, for example, and even more seldom settees. These burglars did. They took everything.The Ransomes had been to the opera, to Così fan tutte (or Così as Mrs. Ransome had learned to call it). Mozart played an important part in their marriage. They had no children and but for Mozart would probably have split up years ago. Mr. Ransome always took a bath when he came home fromwork and then he had his supper. After supper he took another bath, this time in Mozart. He wallowed in Mozart; he luxuriated in him; he let the little Viennese soak away all the dirt and disgustingness he had had to sit through in his office all day. On this particular evening he had been to the public baths, Covent Garden, where their seats were immediately behind the Home Secretary. He too was taking a bath and washing away the cares of his day, cares, if only in the form of a statistic, that were about to include the Ransomes.On a normal evening, though, Mr. Ransome shared his bath with no one, Mozart coming personalized via his headphones and a stack of complex and finely balanced stereo equipment that Mrs. Ransome was never allowed to touch. She blamed the stereo for the burglary as that was what the robbers were probably after in the first place. The theft of stereos is common; the theft of fitted carpets is not."Perhaps they wrapped the stereo in the carpet,"said Mrs. Ransome.Mr. Ransome shuddered and said her fur coat was more likely, whereupon Mrs. Ransome started crying again.It had not been much of a Così. Mrs. Ransome could not follow the plot and Mr. Ransome, who never tried, found the performance did not compare with the four recordings he possessed ofthe work. The acting he invariably found distracting. "None of them knowswhat to do with their arms," he said to his wife in the interval. Mrs. Ransome thought it probably went further than their arms but did not say so. She was wondering if the casserole she had left in the ovenwould get too dry at Gas Mark 4. Perhaps 3 would have been better. Dry it may well have been but there was no need to have worried. The thieves took the oven and the casserole with it.The Ransomes lived in an Edwardian block of flats the color of ox blood not far from Regent's Park. It was handy for the City, though Mrs. Ransome would have preferred something farther out, seeing herself with a trug in a garden, vaguely. But she was not gifted in that direction. An African violet that her cleaning lady had given her at Christmas had finally given up the ghost that very morning and she had been forced to hide it in the wardrobe out of Mrs. Clegg's way. More wasted effort. The wardrobe hadgone too.They had no neighbors to speak of, or seldom to. Occasionally they ran into people in the lift and both parties would smile cautiously. Once they had asked some newcomers on their floor around to sherry, but he had turned out to be what he called "a big band freak" and she had been a dental receptionist with a time-share in Portugal, so one way and another it had been an awkward evening and they had never repeated the experience. These days the turnover of tenants seemed increasingly rapid and the lift more and more wayward. People were always moving in and out again, some of them Arabs. Read more

Features & Highlights

  • The Ransomes had been burgled. "Robbed," Mrs. Ransome said. "Burgled," Mr. Ransome corrected. Premises were burgled; persons were robbed. Mr. Ransome was a solicitor by profession and thought words mattered. Though "burgled" was the wrong word too. Burglars select; they pick; they remove one item and ignore others. There is a limit to what burglars can take: they seldom take easy chairs, for example, and even more seldom settees. These burglars did. They took everything.This swift-moving comic fable will surprise you with its concealed depths. When the sedate Ransomes return from the opera to find their Notting Hill flat stripped absolutely bare—down to the toilet paper off the roll (a hard-to-find shade of forget-me-not blue)—they face a dilemma: Who are they without the things they've spent a lifetime accumulating? Suddenly the world is full of unlimited and frightening possibility. But just as they begin adjusting to this giddy freedom, a newfound interest in sex, and a lack of comfy chairs, a surreal reversal of events causes them to question their assumptions yet again. The Ransomes' bafflement is the reader's delight. Alan Bennett's gentle but scathing wit, unerring ear for dialogue, and sense of the absurd make
  • The Clothes They Stood Up In
  • a memorable exploration of where in life true riches lie.

Customer Reviews

Rating Breakdown

★★★★★
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★★★
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★★
7%
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Most Helpful Reviews

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Who would You Be?

Poor Maurice and Rosemary Ransome return home from the opera and discover their flat has been burglarized and everything has been taken. The dinner that was left warming in the oven, the furniture, the telephones even the toilet paper has been taken. After trying to convey the thouroughness of the robbery to the police (in an uncomfortable public phone booth , no less) Mr. Ransome returns to his empty house to wait with his wife...while waiting he notices not only the drapes but the curtain rings are gone! This slender British novel wittily and adeptly poses the question " What would you do, Who would you be, if everything was taken?". The Ransomes deal with the police (who proffer no hope of recovering their gear), the insurance company (however, EVERYTHING is gone, including the copy of their insurance policy) and wait for some semblance of normal to be restored in their lives. A few creature comforts are obtained to replace the many and then the tale takes a remarkable turn. This is a delightful tale, full of humor and with remarkable insight on people and their possessions. I have given my first copy away and have already reread the replacement book! A must have.
73 people found this helpful
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Poignant, Amusing and Insightful

Ever since his days as part of 'Beyond The Fringe' in 1960, Alan Bennett has continued to hold a valued position in the affections of the British public. His 1987 collection of monologues, 'Talking Heads' are classics of the genre and in 1995 he was even nominated for an Oscar for his screenplay, 'The Madness Of King George'. 'The Clothes They Stood Up In' is a further testament to his popularity. Appearing first in 'The London Review Of Books', Bennett later read the story on Radio 4, a performance later released on cassette. Now it has been published in a volume of its own. Like much of his other work, it is a comic story with elements of tragedy. The title refers to all Mr. and Mrs. Ransome have left after they return home from a night at the opera. To the horror of this middle class couple, everything in their flat has gone missing including the telephone, the toilet paper (Mr. Ransome has to use his program from the opera), the light bulbs, and Mr. Ransome's prized Mozart collection. The comic situations developing from this crisis are improbable yet curiously still believable. Communication problems and individual idiosyncrasies propel the humour along in these hilarious sequences, with Bennett's observation making the farce seem all the more real. Social workers, the police and daytime television shows all find themselves on the receiving end of Bennett's gentle (albeit razor sharp) wit. The cold Mr. Ransome, painfully aware of his impression on others, begins to crack now his respectability is threatened. His wife on the other hand discovers her independence. Bennett has admitted he finds it easier to write through female personas, and he succeeds in showing Mrs. Ransome's gradual growth as a human being and disenchantment with her cosy, starched, pre-theft lifestyle. Bennett's irony gets many opportunities to manifest itself in this story, as does his ability to juxtapose incongruent ideas. His elegant writing style is littered with lavatories and dog excrament. When the Ransomes find an audio tape with two people having sex on it, Mrs. Ransome says "It sounds like custard boiling". The story's message seems to be a warning against suppressing the true self and not living life to the full. The latter part of the book is particularly scathing towards Mr. Ransome's stiff and awkward outlook. One suspects that Bennett is intervening, using the opportunity to attack pompous middle class behaviour. The climax is a poignant but positive ending to what is an amusing, moving and insightful story.
16 people found this helpful
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Priceless!

Alan Bennett's writing so often reminds me of fractal forms; the twists and turns of his plots on the macro scale being matched perfectly on the micro scale by the endless convolutions of his individual sentences and paragraphs. There are times when his writing gives every impression of wandering aimlessly through a tangled mass of irrelevant side detail, with no possible single end point in mind, until suddenly, and with an almost shocking clarity, his words reveal themselves as carefully chosen after all, when they all unexpectedly lead plumb to centre of the narrative target that has been in his sights all along. I can see that, for some people, this technique may prove to be an impenetrable annoyance (although anyone brought up in Yorkshire - and more especially Leeds - where they talk like this all the time, should merely find it homely and comforting.) But examine his words closely and, for all their meandering, you'll see that they have an absolutely exquisite precision and economy to them. This is the work of a true (and truly English) literary craftsman.
This short story, "The Clothes They Stood Up In", receives the classic Alan Bennett treatment, both in terms of writing style and also in terms of another of his hallmarks: the at times almost surgical examination of the social mores (and boors) of Middle England. Although this book is very short indeed (it should not take even the most meticulous of readers more than a couple of hours to devour this tasty titbit) it nevertheless demonstrates this author's unerring capacity for dissecting away endless layers of social stereotyping, in order to expose the central nuggets of individuality at the heart of his characters (or else reveal such nuggets to be entirely absent) whilst at the same time pointing up the basically ridiculous natures - and faintly ludicrous habits - of even the most ordinary of people.
Amusing and poignant by turns, this small volume delivers some exquisite character studies of ordinary people in entirely extraordinary circumstances. As ever, it makes for a highly entertaining read for those open to Alan Bennett's distinctive writing style. Bargain hunters may like to be aware, though, that this story is available in various better-value boxed collections, alongside other Alan Bennett short stories (principally "Lady in the van" and "Father! Father! Burning Bright") There are also plans to publish it within a single compendium volume some time in 2002. Of course, some people may just consider such collections as altogether too much of a good thing!
6 people found this helpful
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Preposterous premise, but Bennett makes it work delightfully well

Another thoughtful and humorous novella by Alan Bennett. As with "The Uncommon Reader," this book has a preposterous premise, but Alan Bennett makes it work. And in fact, it's the ridiculousness of the premise that makes the book so compelling! Mr. and Mrs. Ransome come home from the opera one night to find that their flat has been completely cleaned out... down to the stove and appliances--including the casserole left to warm in the stove! This elicits very different reactions from Mr. and Mrs. Ransome, each of whom have been going through the motions for years, stuck in stagnation and complacency.

I didn't enjoy this one quite as much as "The Uncommon Reader," I didn't feel the same kinship with the Ransomes as I did with the Queen in "Reader." Still, this is a funny and though-provoking book, absolutely worth the afternoon it will take you to read it.
5 people found this helpful
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Definitely Bennett

I personally did not like this book. I personally do not like Bennett's works in general. That aside, this work was well written.
To those who are familiar with the tendencies in Bennett's plays and works for films.... the themes to be found in this book shall come as no surprise. British snootiness, clashes between generations and their values, clashes between the sexes, nationalism, sex humor, and bathroom humor are once again in Bennett's work.
The Ransome's return home from a night of listening to Mozart to find their home completely empty... toilet paper and all. During this time, they find themselves of having to get things to reidentify themselves. But along with the purchase of these things comes the questions... who do I really want to be and what do I want to be characterized by? At least these questions plague Mrs. Ransome as she runs across foreign stores that she would have never considered before. The book delves deeply into the awakening of identity of Mrs. Ransome and the resistance she meets from her husband.
This is one of Bennett's more interesting and solemn works. Though not a great in literature, it does capture a snapshot of British life in an age of transition.
Crazy James
5 people found this helpful
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This first novel doesn't stand out

The Clothes They Stood Up In is British playwright Alan Bennett's (author of the play The Madness of George III and later screenplay The Madness of King George) first novel.
The story revolves around the Ransomes, a reclusive and childless middle age couple who are living out their isolated lives in "an Edwardian block of flats the color of ox blood" known as Naseby Mansions. One evening, after returning from a production of Mozart's "Cosi fan tutte", they find that their flat has been burgled, leaving it devoid of every single item that the Ransomes have accumulated in their life together, much of which had been of little use at all anyway.
Faced with what would seem to be a devastating situation, the Ransomes in fact adapt to the situation as though it had been a blessing, and begin to rebuild their lives anew.
It was at this point that I began to suspect that the main underling motive of the work was to serve as a critique of our modern materialistic culture, but then Bennett added an interesting twist. Based on a query from a storage company, the Ransomes undertake an impromptu expedition to a storage facility, where, to their surprise--but indignation, rage, or even dismay--they find their stolen property. Oddly, not only did they find all of their possessions, these possessions were arranged exactly as they had been in their flat; moreover, somebody by the name of Martin had made himself quite at home, apparently ignorant to the fact that everything about him was stolen. In fact, he--and his lover--made himself more than just at home, which after the Ransomes have their possessions restored to them, is key to how the story plays itself out.
I have to say that the story proceeds along from this point in an interesting manner, although the ending in my opinion is somewhat indicative of the author's uncertainty as to how this off-beat tale should be resolved. This is of little consequence really, when one comes to think of it--the story, although possessing a certain degree social commentary, can easily be read superficially as a means of passing a few spare hours. Be forewarned: the format of this book is small, being smaller that the standard pocketbook and its stated length of 161 pp. is deceptive; the average word-per-page is much less than what one expects. For this reason, The Clothes They Stood Up In should really be considered a novella.
Although not an overly impressive book, The Clothes They Stood Up In will provide the reader with a few hours of casual entertainment while not being excessive mind-numbing and/or pathetic.
4 people found this helpful
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Bennet at his finest

Yet another masterpiece from Bennett, this time the victims of his seditious satire are Rosemary and Maurice Ransome, a
middle-aged, middle-class, childless couple who are gradually drifting apart from each other in a long-term emotional
withdrawal. Their lives are governed by order and routine with the one remaining ember of passion between them lying in
Maurice's love of Mozart. This escapism from the reality of each other is shattered one evening as they return from the opera to
discover that they have been burgled, not just a smash-and-grab but instead everything has been taken, right down to the
insurance policy! As they gradually attempt to restore some semblance of order to their lives, Maurice discovers further
fulfilment in the new hi-tech CD players he could buy to improve the quality of his Mozart. Rosemary undergoes something of a
cultural revolution with visits to the local Pakistani grocer shop and the occasional venture into a "thrift shop". In a startling climax, Rosemary discovers the motive behind the theft and Maurice finds his inner-self awakened but in the most unpleasant of circumstances. Bennett's perspective on those around him and the foundations of middle-England are ruthlessly portrayed here in what is one the one hand a wonderful social comment and, on the other, an familiarly disenchanted critique. The precision with which Bennett selects his characters and provides us with the ammunition to assassinate them is remarkable, there is not a word wasted or thought used to excess, stunning.
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hmm

really short but actually quite pleasant. it's a cute little tale that i think my mother would benefit from reading, but that I myself enjoyed.
1 people found this helpful
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Good Concept

I bought this book because my husband and I lost everything in a flood and had to start all over again: new location as well as new furniture, clothes, kitchen & bathroom items, etc.
So I wanted to see how this couple managed life, starting from scratch. The story had a lot of potential but it was a big letdown. It wasn’t a total waste of time (eg, a novel reason why all their things were taken), but I wouldn’t recommend this to anyone.
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Short, but sweet

Very funny, cute little read.