The City of Brass: A Novel (The Daevabad Trilogy)
The City of Brass: A Novel (The Daevabad Trilogy) book cover

The City of Brass: A Novel (The Daevabad Trilogy)

Hardcover – Illustrated, November 14, 2017

Price
$15.79
Format
Hardcover
Pages
544
Publisher
Harper Voyager
Publication Date
ISBN-13
978-0062678102
Dimensions
6 x 1.34 x 9 inches
Weight
1.55 pounds

Description

An Amazon Best Book of November 2017: George R. R. Martin’s Game of Thrones meets Naomi Novik’s Uprooted in this marvelous debut fantasy about a young con artist from 18th century Cairo who learns that her mysterious parentage—and her ability to work small magics—might be connected to the nearly forgotten legends of the djinn, Suleiman the Magnificent, and the mysterious brass city of Daevabad. When Nahri accidentally summons Dara, a djinn warrior with a long and bloody past, she plunges both of them into the brewing animosity among the ancient djinn tribes united only by their disdain for their half-human offspring, who have few rights in the djinn stronghold of Daevabad. But not all djinn think the half-humans should be persecuted. Alizayd, the djinn king’s second son, works in the shadows to right wrongs even as surging tensions birth battles in the streets. Deep and gorgeous world building plus the political plot corkscrews caused me to happily ruminate on this book and its characters weeks after I finished it. I have a few quibbles—Nahri doesn’t have as much to do in the second half as in the first—but Chakraborty’s heck of a finale was both a surprise and felt completely right…and left me quivering with anticipation for the second book in the trilogy. —Adrian Liang, The Amazon Book Review From School Library Journal Nahri, a common Cairo thief who can sense sickness in others and sometimes heal them, is thrust into a magical world when she accidentally summons a powerful djinn. The handsome Dara insists that he escort Nahri to the magical hidden Daevabad, the City of Brass, where Nahri will be protected by Prince Ali's family, who have the power of Suleiman's seal. Never sure whom to trust, Nahri must rely on her street smarts to survive the dangers of the beguiling city and the duplicitous natures of those who surround her. Chakraborty's compelling debut immerses readers in Middle Eastern folklore and an opulent desert setting while providing a rip-roaring adventure that will please even those who don't read fantasy. Though Nahri is in her early 20s, young adults will recognize themselves in her. The other narrator, Prince Ali, is an 18-year-old second son who doubts the current class structure of his kingdom. Chakraborty's meticulous research about Middle Eastern lore is evident, but readers won't be bogged down by excessive details. VERDICT A must-purchase fantasy for all libraries serving young adults.—Sarah Hill, Lake Land College, Mattoon, IL “ The City of Brass is the best adult fantasy I’ve read since The Name of the Wind . It’s stunning and complex and consuming and fantastic.xa0You must read it.” — Sabaa Tahir, #1 New York Times bestselling author of An Ember in the Ashes “An opulent masterpiece. Chakraborty’s debut is desire-soaked, intrigue-laced, and rife with so-delicious-you’ll-sink-your-teeth-into-it worldbuilding and equally mesmerizing characters. A must-read.” — Roshani Chokshi, New York Times bestselling author of The Star-Touched Queen “[ The City of Brass ]xa0reads like an invitation for readers from Baghdad to Fairbanks to meet across impossibly divergent worlds through the shared language and images of the fantastical.” — New York Times Book Review “Chakraborty writes a winning heroine in Nahri — flawed but smart and engaging. And her portrayal of the cultural conflicts in the magical city of Daevabad and of Ali’s inner turmoil is compelling and complex, serving as a strong counterpoint to the thrilling action.” — Washington Post "I loved the protagonist, there was a nice cast of supporting characters, and the plot had some twists and turns that I did not see coming… Her style is vivid and colourful and very readable. The best thing, though, was the setting. Instead of drawing on the European Dark Ages and Middle Ages, Chakraborty evoked the flavours of the Middle East and ARABIAN KNIGHTS and the legends of the djinns. I enjoyed the novel hugely, and I just ordered the second and third books in the trilogy so I may continue the adventure." — George R.R. Martin “Chakraborty’s debut dazzles... The City of Brass takes readers on an emotional roller-coaster, leaving them with an open ending that will have them desperate for the follow-up. Majestic and magical.” — Shelf Awareness (starred review) “Against [a] syncretic yet nonderivative and totally credible backdrop, Chakraborty has constructed a compelling yarn...culminating in a cataclysmic showdown that few readers will anticipate....Best of all, the narrative feels rounded and complete yet poised to deliver still more. Highly impressive and exceptionally promising.” — Kirkus Reviews (starred review) “This lyrical historical fantasy debut brings to vivid life the ancient mythological traditions of an Islamic world...Chakraborty’s grasp of Middle Eastern history, folklore, and culture inspires a swiftly moving plot, richly drawn characters, and a beautifully constructed world that will entrance fantasy aficionados.” — Library Journal (starred review) “ The City of Brass is more than a promising debut — it beguiles all the way...Chakraborty’s research and imagination are equally strong, and she deftly sets up a rich world — and ample suspense — for the rest of this trilogy.” — Vulture (The Ten Best Fantasy Booksxa0of 2017) “It’s hard to describe just how gorgeous and intricate this fantasy novel is.” — SYFY Wire “ The City of Brass is a mesmerizing fantasy tale of magic and intrigue that showcases the very best that the fantasy genre has to offer...a superbly written, lush fantasy story that deserves to be at the top of your to-read list.” — Hypable “With this rich and layered novel, Chakraborty builds a fantasy world as intricate and intriguing as its Middle Eastern setting. Following the various subplots is like pondering vibrant Arabic design; readers will lose themselves in the wonder and complexity.” — BookPage “Vivid descriptions percolate the lush prose, and a final twist leaves room for a sequel. Recommend this scintillating, Middle Eastern fantasy to fans of thoughtful, mystical adventures.” — Booklist “Chakraborty’s first book in her in Daevabad Trilogy introduces an enchanting world of magic and treachery that will leave you clamoring for book two.” — Paste Magazine “Chakraborty combines the plot’s many surprises with vivid prose, and leavens the action with wry humor. There is enough material here—a feisty, independent lead searching for answers, reminiscent of Star Wars ’s Rey, and a richly imagined alternate world—to support a potential series.” — Publishers Weekly “An extravagant feast of a book—spicy and bloody, dizzyingly magical, and still, somehow, utterly believable.” — Laini Taylor, New York Times bestselling author of Strange the Dreamer “Fast-paced, strong characters, and immersive world-building—S. A. Chakrabortyxa0debut isxa0a carpet-flying adventure of djinn-filled wonder that leaves you wishing for more.” — Michael J. Sullivan, New York Times bestselling authorxa0ofxa0the Riyriaxa0Revelations “S. A. Chakraborty’s debut novel is an adventure that sweeps readers through the streets of Cairo and out into a spellbinding landscape of magic, warring clans, sacrifice, and betrayal. Each page reveals a new wonder. Con-woman Nahri, djinn warrior Dara, and the enchanted city that they--and we--are only just beginning to understand, are captivating. What an exciting ride!” — Fran Wilde, award-winning author of Updraft , Cloudbound , and Horizon “ The City of Brass immerses you in a magnificent and vivid world. It’s a thrilling adventure, brimming with fabulous magic, compelling characters, and wonderful intrigue.xa0I can’t wait for book two!” — Sarah Beth Durst, award-winning author of The Queen of Blood “A richly imagined, stunningly immersive book that takes you into a world of darkly alluring djinn and beguiling magic...Peopled with irresistible characters and steeped in the myths of the Middle East, The City of Brass is a dazzlingly inventive tale.” — Ausma Zehanat Khan, award–winning author of the Khattak/Getty mysteries and The Bloodprint “I particularly love a story of twisty, complex, dangerous, and character-driven family and palace politics, steeped in hidden history, cruel betrayals, and desires that can’t be admitted. The City of Brass delivers on all counts.” — Kate Elliot, New York Times bestselling author of the Court of Fives “ The City of Brass is a true testament to Chakraborty’s writing [...] She has constructed a fantastic and immersive world brimming with Islamic lore, written characters that will stay with you long after the end of the book, and created a plot that will have you on tenterhooks.” — Cultured Vultures “ The City of Brass is fast-paced and totally engrossing. It’s the kind of book you can really immerse yourself in, and I’m so glad I was able to spend some time in this richly-detailed world.” — All About Romance “The political corkscrews of George R. R. Martin’s Game of Thrones meets the emotion and imagination of Naomi Novik’s Uprooted in this marvelous debut fantasy.” — The Amazon Book Review “Even a few pages will enmesh you in its magic.” — Robin Hobb, New York Times bestselling author Nahri has never believed in magic. Certainly, she has power; on the streets of eighteenth-century Cairo, she's a con woman of unsurpassed talent. But she knows better than anyone that the trades she uses to get by–palm readings, zars, and a mysterious gift for healing–are all tricks, both the means to the delightful end of swindling Ottoman nobles and a reliable way to survive. But when Nahri accidentally summons Dara, an equally sly, darkly mysterious djinn warrior, to her side during one of her cons, she's forced to reconsider her beliefs. For Dara tells Nahri an extraordinary tale: across hot, windswept sands teeming with creatures of fire and rivers where the mythical marid sleep, past ruins of once-magnificent human metropolises and mountains where the circling birds of prey are more than what they seem, lies Daevabad, the legendary city of brass–a city to which Nahri is irrevocably bound. In Daevabad, within gilded brass walls laced with enchantments and behind the six gates of the six djinn tribes, old resentments run deep. And when Nahri decides to enter this world, her arrival threatens to ignite a war that has been simmering for centuries. Spurning Dara's warning of the treachery surrounding her, she embarks on a hesitant friendship with Alizayd, an idealistic prince who dreams of revolutionizing his father's corrupt regime. All too soon, Nahri learns that true power is fierce and brutal. That magic cannot shield her from the dangerous web of court politics. That even the cleverest of schemes can have deadly consequences. After all, there is a reason they say to be careful what you wish for . . . Shannon Chakraborty is the author of the critically acclaimed and internationally bestselling Daevabad Trilogy. Her work has been translated into over a dozen language and nominated for the Hugo, Locus, World Fantasy, Crawford, and Astounding awards. You can find her online at www.sachakraborty.com or on Instagram and Twitter as @SAChakrabooks. Read more

Features & Highlights

  • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY
  • Library Journal
  • Vulture
  •  The Verge 
  •  SYFYWire
  • Step into
  • The City of Brass
  • , the spellbinding debut from S. A. Chakraborty, an imaginative alchemy of
  • The Golem and the Jinni, The Grace of Kings
  • , and
  • Uprooted,
  • in which the future of a magical Middle Eastern kingdom rests in the hands of a clever and defiant young con artist with miraculous healing gifts.
  • Nahri has never believed in magic. Certainly, she has power; on the streets of eighteenth-century Cairo, she’s a con woman of unsurpassed talent. But she knows better than anyone that the trades she uses to get by—palm readings, zars, and a mysterious gift for healing—are all tricks, both the means to the delightful end of swindling Ottoman nobles and a reliable way to survive.
  • But when Nahri accidentally summons Dara, an equally sly, darkly mysterious djinn warrior, to her side during one of her cons, she’s forced to reconsider her beliefs. For Dara tells Nahri an extraordinary tale: across hot, windswept sands teeming with creatures of fire and rivers where the mythical marid sleep, past ruins of once-magnificent human metropolises and mountains where the circling birds of prey are more than what they seem, lies Daevabad, the legendary city of brass—a city to which Nahri is irrevocably bound.
  • In Daevabad, within gilded brass walls laced with enchantments and behind the six gates of the six djinn tribes, old resentments run deep. And when Nahri decides to enter this world, her arrival threatens to ignite a war that has been simmering for centuries.
  • Spurning Dara’s warning of the treachery surrounding her, she embarks on a hesitant friendship with Alizayd, an idealistic prince who dreams of revolutionizing his father’s corrupt regime. All too soon, Nahri learns that true power is fierce and brutal. That magic cannot shield her from the dangerous web of court politics. That even the cleverest of schemes can have deadly consequences.
  • After all, there is a reason they say to be careful what you wish for . . .

Customer Reviews

Rating Breakdown

★★★★★
60%
(6.1K)
★★★★
25%
(2.5K)
★★★
15%
(1.5K)
★★
7%
(708)
-7%
(-709)

Most Helpful Reviews

✓ Verified Purchase

Great new fantasy novel despite the errors in amazon's description of it.

For fans of mythology, fantasy, and historical fiction, this is a great read. It took me awhile to get into it fully because I'm not a big fan of action packed road trips (which made up a fair sized portion of the beginning of the book), but once the story got to where it was going and the two pov characters met, I became hooked. However, unlike in the summery amazon gives for this novel, the Suleiman mentioned is not Sultan Suleiman I "the Magnificent" of the Ottoman Empire, but the prophet Suleiman, also known as Solomon. As disappointed as I was to figure this out, and no matter how little it related to "A Song of Ice and Fire"/"Game of Thrones," also unlike their description, it was a very enjoyable read and I found I couldn't put it down once I was about a third of the way through. Chakraborty makes the world she writes about come alive with a well fleshed out fictional history of the civilization and characters she created, and the political intrigues running through the book make each chapter ending a true cliffhanger.
123 people found this helpful
✓ Verified Purchase

Fantastic fantasy debut

I have been looking forward to this book since it was first announced, and I wasn't disappointed. THE CITY OF BRASS has some of the best fantasy world building I've ever read, along with compelling characters, an intriguing mystery, a dash of swoon-worthy romance, and roots in cultures that don't normally take center stage in fantasy. I mean, seriously, when was the last time you read a fantasy set in Egypt in the 19th century? On top of all this, the characters in THE CITY OF BRASS are some of the most complex and nuanced I've ever read. The book was constantly challenging my evaluations of specific characters, and keeping me guessing. If you are a fan of either adult or young adult fantasy (this one is adult, but I think has strong crossover appeal), I highly recommend THE CITY OF BRASS!!!
26 people found this helpful
✓ Verified Purchase

Below average writing

I made it through 10 percent of this book before I decided life is too precious to waste another moment. I can stick with a below average storyline if the writing is beautiful; there is no way I can muddle through even a great premise if the writing mimics an eighth grade book report. Such a shame.
17 people found this helpful
✓ Verified Purchase

I really wanted to like the book...

I received a copy of this book from the publisher as part of a giveaway. I was not asked to do a review in exchange.

I was drawn in by the synopsis and lovely cover art. As someone who is a fan of fantasy and the exotic the book starts off very promising. I really wanted to like the book but unfortunately not long in things become hard to follow. The story is very long at over 500 pages, and drawn out. Perhaps could be chopped down to a shorter story. I found myself becoming bored. The story just didn't draw me in. The writing was lacking and I was disappointed that I never felt that feeling of this is such a fantastic book I can't put it down....that feeling we all desire. Instead I felt like it was a slog to get through.

I found myself constantly having to refer to the glossary in the back for all of the non native English words. For this reason I could see this book not being a good audio book because readers / listener's would have even that much more of a difficult time following along and being that much more bored. As a book it's annoying to have to keep referring to the glossary and I could see ebook readers having a hard time flipping back and forth compared to a physical copy of the book.

I struggled to care about the story or the characters, not enough fantasy and too much political intrigue. By the end I was not only rushing to simply finish the book (out of good faith since I received this as a gift / contest win from the publisher) but also because I just wanted it to finally be over. I kept thinking is it just me? I kept wondering how the book received all these 5 star reviews. It's a difficult read and too hard to follow all the political roles, foreign terminology, and names that are unfamiliar. The POV changes often which adds to confusion and while it may work in some books, didn't here. It's putdownable and a snoozefest (I kept falling asleep). I think it needs more work instead of being turned into a trilogy and lauded as a great fantasy novel.

I'm all for diversity so I thought it was great to have a story about Muslim culture. I think teens or adults could enjoy it. It felt like it would make a good sci-fi /syfy channel movie but as a book not so much. It makes me sad to have to write a bad review for anything. I had such high hopes for this and was so excited to dive in that the disappointment level is still surprising for me. I wish the author the best in her future works.
15 people found this helpful
✓ Verified Purchase

Meh - there are far better speculative fiction books out there

As other 1-and-2-star raters have pointed out, Chakraborty's writing is lacking, and it shows that this is her first novel. The characters are somewhat forgettable, portrayed as two-dimensional and lacking the depth that allows us to connect with them fully. The books reads like a young adult novel, which is unintended and unfortunate.
I did like the idea of taking various real-world middle-eastern conflicts and setting the core of them into a magical time period, but alas - that's where it ended for me. We're in the late 1700's for no particular reason. We abandon time once we get to Daevabad. And then, magic becomes all but a convenient story mechanism. There's almost no point to magic in this kingdom because practically no one uses it. These are djinn of various tribes yet they seem to rarely use (or even know about) magic.
I found myself struggling to care about the story or the characters, and by the end was rushing to simply finish the book because I'd paid for it. I think Mrs. Chakraborty would be well served to examine the work of her magical peers - Deborah Harkness, Lev Grossman and Patrick Rothfuss - in order to really understand how to world-and-character-build and tell a tale of magic that is worth remembering. In a sea of accomplished speculative fiction, this one gets lost.
11 people found this helpful
✓ Verified Purchase

Very poor writing

At a meer four chapters in, there's a lot of promise in this book - the culture is vivid (old Egyptian), the magic is entrancing, and the multilingual ability is precisely what I would want if I could choose a superpower. But the writing is distractingly poor. The author over-emphasizes how characters feel and want to react without really showing those characters reacting. Somone throws out an insult and you're told the character is "outraged" and opens his mouth to respond - but then his companion silences him and he falls in line. A character is "furious" and his eyes flash - that's it, that's the whole development (and what does that even mean? This phrase is overused in bad writing). The main girl flips back and forth between terror and thirst and admiration and defiance with every new line when her reality is upended... Then proceeds to take a bath and wash her clothes, because apparently world-changing information is no biggie. Frankly the emotional expressions of the characters are shallow and feel tacked on to the ends of phrases out of duty, rather than thoughtful development. I am not good at writing but I can recognize bad writing when I read it, and the little bit of this book I've read stinks of middle school cliches.
7 people found this helpful
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Had potential, but...

This book had so much potential but ultimately was a let down. The narrative jumps around, and is a bit hard to follow because things happen so fast there was no build up to understand what is going on, things just happen and the reader is left with questions that never get answered. It started off that I was really interested in Nahri and her hidden past then the story just became nothing but the two main characters arguing with each other all the time, which to me is really tiresome, but,yes,of course they are becoming romantically attracted!.. and never get to really show it because a mythical creature attacks or a love triangle is thrown in with Ali the prince. If you add a djinn and a magic carpet to a mediocre story it becomes a wonderful fantasy? (not really). Then it turns into a bunch of political intrigue and tribal fighting and I am no longer interested. Because the author did not know where to then go with the story a main character is killed off and the book suddenly ends leaving the reader with no doubt that they are being set up for a sequel (or trilogy in this case) which I have no desire to read. It is the first work of an author that should have had more story and character development and editing before being lauded as a great fantasy. A nice try but it never actually gets off the ground.
7 people found this helpful
✓ Verified Purchase

I was very sure that this would become one of my favorite books. But the ending was highly disappointing and ...

The book started out strong and the story was very carefully structured. I was very sure that this would become one of my favorite books. But the ending was highly disappointing and left many questions unanswered, the epilogue did compensate for the unsatisfying finish but was still pretty underwhelming. Personally I feel like the author could have gotten in deeper with some of the characters. The story has a lot of potential for a trilogy, and I look forward to learning about the future of Daevabad.
7 people found this helpful
✓ Verified Purchase

I was very sure that this would become one of my favorite books. But the ending was highly disappointing and ...

The book started out strong and the story was very carefully structured. I was very sure that this would become one of my favorite books. But the ending was highly disappointing and left many questions unanswered, the epilogue did compensate for the unsatisfying finish but was still pretty underwhelming. Personally I feel like the author could have gotten in deeper with some of the characters. The story has a lot of potential for a trilogy, and I look forward to learning about the future of Daevabad.
7 people found this helpful
✓ Verified Purchase

Skip this one.

Mediocre as best and confusingly bad at worst. Characters were uninteresting, the city was uninteresting and the world was uninteresting. The only interesting part was the time period, which was abandoned plot-wise after the first act.
6 people found this helpful