The Careful Use of Compliments (Isabel Dalhousie Series)
The Careful Use of Compliments (Isabel Dalhousie Series) book cover

The Careful Use of Compliments (Isabel Dalhousie Series)

Price
$12.33
Format
Paperback
Pages
247
Publisher
Anchor
Publication Date
ISBN-13
978-1400077120
Dimensions
5.21 x 0.58 x 7.93 inches
Weight
7.8 ounces

Description

“Delightful…. McCall Smith's talent for dialog is matched only by his gift for characterization.”— Chicago Tribune “Just the right sort of thing to slip into a suitcase for an end-of-summer vacation.”— Dallas-Ft. Worth Star Telegram “Isabel Dalhousie is one of the most irresistible sleuths in modern fiction.”— Tucson Citizen Alexander McCall Smith is the author of the international phenomenon The No. 1 Ladies' Detective Agency series, the Isabel Dalhousie series, the Portuguese Irregular Verbs series, and the 44 Scotland Street series. He is professor emeritus of medical law at the University of Edinburgh in Scotland and has served on many national and international bodies concerned with bioethics.www.AlexanderMcCallSmith.com Excerpt. © Reprinted by permission. All rights reserved. Chapter One Take one hundred people,” said Isabel.Jamie nodded. “One hundred.”“Now, out of those one hundred,” Isabel continued, “how many will mean well?”It was typical of the sort of trying question Isabel asked herself, in the way in which we sometimes ask ourselves questions that admit of no definitive answer. She was an optimist when it came to humankind, unfashionably so, and so she thought the answer was ninety-eight, possibly even ninety-nine. Jamie, the realist, after a few moments’ thought, said eighty.But this was not a question which could be disposed of so easily; it raised in its wake other, more troubling questions. Were those one or two people the way they were because of the throw of the genetic dice—a matter of patterns and repeats deep in the chemistry of their DNA—or was it something that went wrong for them a long time ago, in some dark room of childhood, and stayed wrong? Of course there was quite another possibility: they chose . She was sitting in a delicatessen when she remembered this conversation with Jamie. Now, from that convenient vantage point, she looked out of the window—that man who was crossing the road right then, for example; the one with the thin mouth, the impatient manner, and the buttoned collar, was perhaps one of that tiny minority of the malevolent. There was something about him, she felt, that made one uneasy; something in his eyes which suggested ruthlessness, a man who would not wait for others, who did not care, who would suffer from road rage even while walking . . . She smiled at the thought. But there was certainly something unsettling in his demeanour, a hint of poisoned sexuality about him, she felt; a whiff of cruelty, something not quite right.She looked away; one did not want such a person to see one staring; nor, she reminded herself, did she want to catch herself engaging in such idle speculation. Imagining things about perfect strangers might seem a harmless enough pursuit, but it could lead to all sorts of ridiculous fantasies and fears. And Isabel was aware that of all her manifold failings, thinking too much about things was one of the most egregious.Of course a delicatessen in Edinburgh was not the most obvious place to entertain such thoughts on the nature of good and evil, but Isabel was a philosopher and knew full well that philosophical speculation came upon one in the strangest places and at the strangest times. The delicatessen was owned by her niece, Cat, and in addition to selling the usual things that such shops sold—the sun-dried tomatoes and mozzarella cheese, the fresh anchovy fillets and the small bars of Austrian marzipan—this delicatessen served coffee at the three or four small marble-topped tables that Cat had found on a trip to the Upper Loire valley and that she had carted back to Scotland in a hired self-drive van.Isabel was sitting at one of these tables, a freshly made cappuccino before her, a copy of that morning’s Scotsman newspaper open at the crossword page. Her coffee had been made by Cat’s assistant, Eddie, a shy young man to whom something terrible and unexplained had happened some time ago and who was still awkward in his dealings with Isabel and with others. Eddie had gained in confidence recently, especially since he had taken up with a young Australian woman who had taken a job for a few months in the delicatessen, but he still blushed unexpectedly and would end a conversation with a murmur and a turning away of the head.“You’re by yourself,” said Eddie, as he brought Isabel’s coffee to her table. “Where’s the . . .” He trailed off.Isabel smiled at him encouragingly. “The baby? He’s called Charlie, by the way.”Eddie nodded, glancing in the direction of Cat’s office at the back of the delicatessen. “Yes, of course, Charlie. How old is he now?”“Three months. More or less exactly.”Eddie absorbed this information. “So he can’t say anything yet?”Isabel began to smile, but stopped herself; Eddie could be easily discouraged. “They don’t say anything until they’re quite a bit older, Eddie. A year or so. Then they never stop. He gurgles, though. A strange sound that means I’m perfectly happy with the world. Or that’s the way I understand it.”“I’d like to see him sometime,” said Eddie vaguely. “But I think that . . .” He left the sentence unfinished, yet Isabel knew what he meant.“Yes,” she said, glancing in the direction of Cat’s door. “Well, that is a bit complicated, as you probably know.”Eddie moved away. A customer had entered the shop and was peering at the counter display of antipasti; he needed to return to his duties.Isabel sighed. She could have brought Charlie with her, but she had decided against it, leaving him instead at the house with her housekeeper, Grace. She often brought him to Bruntsfield, wheeling him, a wrapped-up cocoon, in his baby buggy, negotiating the edge of the pavement with care, proud in the way of a new mother, almost surprised that here she was, Isabel Dalhousie, with her own child, her son. But on these occasions she did not go into Cat’s delicatessen, because she knew that Cat was still uncomfortable about Charlie.Cat had forgiven Isabel for Jamie. When it had first become apparent that Isabel was having an affair with him, Cat had been incredulous: “Him? My ex-boyfriend? You?” Surprise had been followed by anger, expressed in breathless staccato: “I’m sorry. I can’t. I just can’t get used to it. The idea.”There had been acceptance, later, and reconciliation, but by that stage Isabel had announced her pregnancy and Cat had retreated in a mixture of resentment and embarrassment.“You disapprove,” said Isabel. “Obviously.”Cat had looked at her with an expression that Isabel found impossible to interpret.“I know he was your boyfriend,” Isabel continued. “But you did get rid of him. And I didn’t set out to become pregnant. Believe me, I didn’t. But now that I am, well, why shouldn’t I have a child?”Cat said nothing, and Isabel realised that what she was witnessing was pure envy; unspoken, inexpressible. Envy makes us hate what we ourselves want, she reminded herself. We hate it because we can’t have it.By the time that Charlie arrived, tumbling—or so it felt to Isabel—into the world under the bright lights of the Royal Infirmary, Cat was talking to Isabel again. But she did not show much warmth towards Charlie; she did not offer to hold him or to kiss him, although he was her cousin. Isabel was hurt by this, but decided that the best thing to do was not to flaunt Charlie before her niece, but allow her to come round in her own time.“You can’t carry on disliking a baby for long,” said Grace, who, imbued with folk wisdom, was often right about these things. “Babies have a way of dealing with indifference. Give Cat time.”Time. She looked at her watch. She had put Charlie down for his nap almost two hours ago and he would be waking up shortly. He would want feeding then, and although Grace could cope with that, Isabel liked to do it herself. She had stopped breast-feeding him only a few days after his birth, which had made her feel bad, but the discomfort had been too great and she had found herself dreading the experience. That was not a way to bond with one’s child, she thought; babies can pick up the physical tension in the mother, the drawing back from contact. So she had switched to a baby formula.Isabel would not leave the delicatessen without exchanging a few words with Cat, no matter how strained relations might be. Now she rose from her table and made her way to the half-open door to the office. Eddie, standing at the counter, glanced briefly in her direction and then looked away again.“Are you busy?”Cat had a brochure in front of her, her pen poised above what looked like a picture of a jar of honey.“Do people buy lots of honey?” Isabel asked. It was a banal question—of course people bought honey—but she needed something to break the ice.Cat nodded. “They do,” she said, distantly. “Do you want some? I’ve got a sample somewhere here. They sent me a jar of heather honey from the Borders.”“Grace would,” said Isabel. “She eats a lot of honey.”There was a silence. Cat stared at the photograph of the jar of honey. Isabel drew in her breath; this could not be allowed to go on. Cat might come round in the end—and Isabel knew that she would—but it could take months; months of tension and silences.“Look, Cat,” she said, “I don’t think that we should let this go on much longer. You’re freezing me out, you know.”Cat continued to stare fixedly at the honey. “I don’t know what you mean,” she said.“But you do,” said Isabel. “Of course you know what I mean. And all that I’m saying is that it’s ridiculous. You have to forgive me. You have to forgive me for having Charlie. For Jamie. For everything.”She was not sure why she should be asking her niece’s forgiveness, but she was. When it came to forgiveness, of course, it did not matter whether somebody was wronged or not— what counted was whether they felt wronged. That was quite different.“I don’t have to forgive you,” said Cat. “You haven’t done anything wrong, have you? All you’ve done is have a baby. By my . . .” She trailed off.Isabel was astonished. “By your what?” she asked. “Your boyfriend? Is that what you’re saying?”Cat rose to her feet. “Let’s not fight,” she said flatly. “Let’s just forget it.” Read more

Features & Highlights

  • ISABEL DALHOUSIE - Book 4Nothing captures the charm of Edinburgh like the bestselling Isabel Dalhousie series of novels featuring the insatiably curious philosopher and woman detective.  Whether investigating a case or a problem of philosophy, the indefatigable Isabel Dalhousie, one of fiction’s most richly developed amateur detectives, is always ready to pursue the answers to all of life’s questions, large and small.
  • In the fourth installment of this enchanting, beloved series, Isabel Dalhousie, who is now a mother, returns to investigate an irresistible puzzle in the art world.
  • Isabel Dalhousie—the nosiest and most sympathetic philosopher you are likely to meet—now has a son, Charlie, whose doting father Jamie has an intriguing idea to pose to Isabel: marriage. But Isabel wonders if Jamie is too young to be serious? And how would Cat respond? On top of these matters, the ambitious Professor Dove has seized Isabel's position as editor of the
  • Review of Applied Ethics
  • . However, nothing it seems can diminish Isabel's innate curiosity. And when she recognizes that two paintings attributed to a deceased artist have simultaneously appeared on the market, she can't help but think that they're forgeries. So Isabel begins an investigation and soon finds herself diverted from her musings about parenthood and onto a path of inquiry into the soul of an artist.

Customer Reviews

Rating Breakdown

★★★★★
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Most Helpful Reviews

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A Tale of Two Paintings

The Careful Use of Compliments (2007) is the fourth mystery novel in the Isabel Dalhousie series, following [[ASIN:0375423001 The Right Attitude to Rain]]. In the previous volume, Isabel Dalhousie found a lover and broke up an engagement. She also became pregnant.

In this novel, Andrew McInnes was a painter who lived and died on the island of Jura. Isabel has a McInnes painting along her stairway. Then she sees an offering of a larger piece on the same subject and goes to view it at the auction house.

Guy Peploe is a friend of Isabel and the co-owner of an art gallery. She had seen him at the auction and later he calls her with news of another McInnes painting that he has recently acquired. Isabel goes to view it and believes it to be a McInnes work.

Professor Lettuce -- chairman of editorial board for the Review of Applied Ethics -- writes a letter to Isabel stating that she is being replaced by Christopher Dove at the end of the year. He first mentions the increase in subscriptions under her purview as the editor of the Review and finishes with a hand-written note about the recent death of a reviewer. Isabel decides Lettuce is feeling rather guilty about his contributions to this putsch.

Christopher Dove comes to visit Isabel to discuss the transition. While he is there, her niece Cat comes to return the sweater that Isabel had left at her flat. Dove and Cat have a very friendly conversation and Dove stays over the weekend.

In this story, Isabel decides to bid on the first painting, but something about it puzzles her. She allows herself to be outbid by a neighbor, Walter Buie. She also has some questions about the second painting.

Isabel travels to Jura -- where McInnes had died eight years before -- and visits Barnhill, the house where George Orwell wrote 1984. There she finds something that convinces her that the paintings were done by someone other than McInnes. She passes her findings on to Guy and he agrees to check on the matter.

Cat is having problems with jealousy about Isabel and Jamie. She insists that Isabel stole Jamie from her, but Isabel knows that Cat had already rejected Jamie despite his efforts to return to her good graces. Isabel cannot seem to talk to Cat without fanning the flames.

This tale is mostly about personal relationships and the moral obligations that those incur. Isabel wonders about moral impartialism; could anyone be completely even-handed in their actions and should they be? She firmly believes in social justice, but is also uncertain whether the government can provide it.

Everything she does seemingly provokes her moral senses. Isabel has been told often that she thinks too much. Enjoy!

Highly recommended for McCall Smith fans and for anyone else who enjoys tales of Scottish society, ethical problems, and a middle-aged mother.

-Bill Jordin
14 people found this helpful
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Life is Change

Isabel Dalhousie's life has been in upheaval since the previous novel (THE RIGHT ATTITUDE TO RAIN). She had decided that the fourteen year gap in age between herself and Jamie really did not matter after all. Well except perhaps to certain gossips, who did not matter and to her niece Catherine, who did. Now though that Isabel and Jamie were the proud parents of a baby boy, Charlie, the opinions of others mattered very little to her any longer. Isabel's life was just adjusting to a new, post-Charlie order, an order that included her housekeeper Grace taking a prominent role in the care of Charlie, as did Jamie who rather than fleeing had become an even more important part of her life. The new order though did not seem to encompass niece Catherine who had never adjusted to Isabel's relationship with Jamie and who tried to pretend that Charlie did not exist. The one part of her life that had remained constant was her job as editor of the Review of Applied Ethics, a safer outlet for her philosophical interests than her occasional meddling into the lives of others that Isabel saw as her moral obligation to her fellow man. It seemed though that that one constant in her life was to be taken from her when she discovered that there had been a palace coup, and that she was to be replaced in her position as editor by a particularly loathsome colleague. When Isabel sought solace from this development by purchasing a painting by a favorite painter she was confronted by more moral questions. She had doubts about the authenticity of the painting, should she mention her concerns even though she had been outbid when she tried to buy it? As Isabel attempted to sort through this and other issues she was forced to confront some questions about her own moral compass as well.

Anyone looking for a classic mystery involving multiple dead bodies and breath taking chases should look elsewhere. The emphasis in this series is heavy on the 'cozy' and very light on the 'mystery'. The questions raised here are not so much 'who done it?' as 'what should I do?' Isabel is charming and intelligent. She raises questions and grapples with issues that readers will have no problem relating to.

This author is more well known for his NO. 1 LADIES' DETECTIVE AGENCY series. Like that series this one is filled with a large cast of recurring characters and a charming location but Isabel is most definitely not a Scottish version of gentle Precious Ramotswe. There is a strong overall story arc to this series so for maximum enjoyment read the series in order.
2 people found this helpful
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A Gem

I've read and reviewed the first four books in this series one after another so I think the differences are more clear to me than they would have been if I had read each one months or years apart. The series continues to improve and this time I think the author got it right. I've finally gotten a sense of the soulful beauty of Scotland the "mystery" was FINALLY resolved satisfactorily.

As other reviewers have noted, you can't even really call these mystery novels. Isabel is not a private detective, a member of law enforcement, a lawyer, or a mystery writer. She just has a compulsive habit of "looking into things," almost always without invitation. In fact, the "mysteries" are usually a secondary part of the story. The most interesting part of the books is the description of the relationships between Isabel, her friends and family members, and her housekeeper, Grace.

I do have a couple of continuing complaints about the series. First, Isabel identifies herself as a "philosopher," not as a description of her personality or interests, but as if that's some sort of a profession. She is not Socrates, she's the editor of a journal called "The Review of Applied Ethics." In fact, she doesn't even write the articles herself.

Second, when her interior dialogue gets going on the subject of philosophy, things can quickly get boring. Isabel tends to over-think everything and she takes herself way too seriously. On one hand you have to admire the way she lives according to a moral code, and on the other hand you sometimes want to say, "Get over yourself."

Still, book by book, Isabel's character is becoming more fully formed and her honesty, vulnerability and loving nature keep readers interested in knowing what will happen to her next.
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Interesting New Developments

Well, well--Isabel's life is really in flux. She and Jamie now have an infant son, Charlie. Jamie has proposed marriage, but she did not accept for fear that his youth and beauty will eventually lead him away from her. Nonetheless, they settle into being parents together and are in total agreement about the joy of that experience.

But life does not stop at the family door. Niece Cat has not taken this new development well. And the conniving Professor Dove, in an unexpected challenge, has wrested away Isabel's position as the editor of the Review of Applied Ethics. When two paintings attributed to a deceased artist (whose work is very familiar to Isabel) come on the market at the same time, she suspects they may be forgeries. So all these issues must be dealt with as well, and McCall Smith adroitly weaves the plotlines together. With each new book in this series, Isabel becomes a fuller character and it is satisfying to take this journey with her.
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Mystery without the Mayhem

A "mystery" of a somewhat unusual sort, this one demonstrates that you don't need murder and mayhem to keep the "detective" in the game. Isabel Dalhousie is a Scottish lady in her early forties who has inherited quite a bit of money and so needn't work for a living -- but she does anyway, in a marginal sort of way, as editor of a philosophy review with a smallish circulation amongst academics and some fellow travelers. She doesn't earn much from the gig but doesn't need to, while she is enabled by it to pursue her true passion: seeking answers to the questions of philosophy.

Moral philosophy, that is, which is apparently her core interest: How to live the good life and what good ought we to pursue? But Ms. Dalhousie does not stand apart from the world she is endlessly contemplating, as it is with some philosophers. In fact, she maintains a wide circle of friends, and some family members, who keep her tightly tied to the game of life. And what else would a moral philosopher need but such ties since they are the grist of the philosophic mill?

As the book opens we learn that Isabel is a recent mother, albeit unwed, though neither she nor most in her society (and especially not within her immediate social milieu) think there's anything wrong with that. Her lover, a musician who is a good deal younger than she and the former lover of her niece, is greatly attached to his new son by Isabel and quite prepared to make an "honest woman" of the child's mother. Indeed, he loves Isabel, it would seem, though with a level of passion more befitting a thoughtful and sensitive artiste than with the more usual abandon of ardent youth. But Isabel is having none of it . . . for now anyway.

On the other hand her relationship with Jamie, the child's father, has brought its own complications since Jamie's former lover, Cat, Isabel's headstrong niece, resents her aunt's "acquisition" of her own cast-off lover and is made uncomfortable by the presence of the man's infant son in Isabel's spinster household. Into this complex of entanglements comes a mystery of sorts when Isabel, the ever thoughtful and self-doubting philosophical thinker, decides to purchase a newly discovered painting by a now deceased Scottish painter, Andrew MacInnes. The painting appears genuine to Isabel's gallery-owning friend except for some small oddities but Isabel is outbid at the auction by an unknown person in the back who departs hastily before she can identify him.

Resolved to make the best of her loss, our heroine gets on with her life and is soon embroiled in the political shenanigans of academia which her role as editor of the Review has thrust her into. Trying to sort out her own feelings and choices under the pressure of the professoriate, Isabel is abruptly surprised to learn certain new facts about the mysterious painting. Despite the urgings of her young lover to stay out of others' affairs, the philosophically curious Isabel cannot resist the bait of the mysterious painting and the surprising coincidences that keep coming up concerning it and off she plunges into a fray consisting, in equal measure, of certain mysterious persons and the tale of a long dead painter whose future was bright though his past was troubled when he suddenly disappeared off the Scottish coast in what might have been accident, suicide . . . or something worse.

The story is well told; the nuances of dialogue and, even more, the internal musings of the various characters are all fascinating and extraordinarily well done. The characters' interactions are also very tight and yet vividly real. But Isabel, herself, is just a bit tiresome -- someone who cannot ever seem to manage to act without extensive reflection, and then reflection on her reflections, and who is perpetually troubled by an overwhelming desire to choose rightly and, of course, well. She does not want to harm others and is always weighing the consequences of her choices well in advance of acting though she is not above a bit of human selfishness, herself, if she can justify it within a larger moral scheme and thereby assure herself that others will not be hurt unduly, or more than is right given their own choices and circumstances.

The real mystery here is less the resolution of the painter's strange disappearance or the peculiarities of his newly discovered painting than how Isabel will resolve her many social entanglements without causing more harm than good in the world in which she moves. Along the way, we're treated to a lovingly traced picture of the Scottish countryside and, especially, it's rugged western coast, and of Edinburgh. Ever present throughout is the apparent British obsession with one's place in, and obligation to, the larger society as manifested in an almost obsessive concern for one's carbon footprint, the rightness of having and using wealth when others have less, etc.

As a character and detective, Miss Dalhousie is an intriguingly pleasant companion but she's no Philip Marlow nor even a Miss Marple. On the other hand, we're long overdue for the philosopher qua detective and Alexander McCall Smith has answered that call with skill and verve. I remember reading somewhere that the well-known eccentric 20th century Cambridge philosopher Ludwig Wittgenstein was quite partial to the mystery genre when he wasn't contemplating more weighty matters. I think he'd have liked Smith's Dalhousie had he lived long enough to read about her.

SWM
author of [[ASIN:0738801526 The King of Vinland's Saga]]
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disappointed

This copy was listed as "very good" which is what I usually buy from Amazon. I belong to two book clubs and I like to own the book, rather than get it from the public library. This one arrived if really bad condition. The cover was all bent over and slightly ripped. The book had been marked with a marker throughout. My definition of "very good" does, obviously, not jive with the sellers definition. I will not use this source in the future.
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still delightful

I was excited to read the next book in Isabel's series, and was far from disappointed. It was everything that previous books have led me to expect, and was a very pleasurable and quick read. I only wish it had picked up earlier in the story - it would have been interesting to hear more about Isabel's pregnancy and Charlie's birth. I did find it interesting that Smith decided to not have Isabel breastfeed, which I think was mainly to free her up for her normal activities - after all, having to be home so often to nurse the baby would prevent the housekeeper from being able to look after him - unless she pumped or something - and that just seems like more complicated details for the storyline. (I am nursing right now, and so I am a little more aware of all those details than I might otherwise be.)

But all in all, a wonderful book, and I am looking forward to the next entry to this great series!
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Never fails to please

Alexander McCall Smith is always a pleasure. I love best his Botswana detective lady, but Isabel Dalhousie is entertaining also.
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Four Stars

Character is long winded.
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Five Stars

Love, love, love this series. Isabel and Jamie are my heroes!