The Bourne Identity (Bourne Trilogy No.1)
The Bourne Identity (Bourne Trilogy No.1) book cover

The Bourne Identity (Bourne Trilogy No.1)

Mass Market Paperback – March 1, 1984

Price
$13.99
Publisher
Bantam
Publication Date
ISBN-13
978-0553260113
Dimensions
4.17 x 1.19 x 6.85 inches
Weight
9 ounces

Description

"Mr. Ludlum stuffs more surprises into his novels than any other six-pack of thriller writers combines."— The New York Times From the Inside Flap Jason Bourne. He has no past. And he may have no future. His memory is blank. He only knows that he was flushed out of the Mediterranean Sea, his body riddled with bullets. There are a few clues. A frame of microfilm surgically implanted beneath the flesh of his hip. Evidence that plastic surgery has altered his face. Strange things that he says in his delirium -- maybe code words. Initial: "J.B." And a number on the film negative that leads to a Swiss bank account, a fortune of four million dollars, and, at last, a name: Jason Bourne. But now he is marked for death, caught in a maddening puzzle, racing for survival through the deep layers of his buried past into a bizarre world of murderous conspirators -- led by Carlos, the world's most dangerous assassin. And no one can help Jason Bourne but the woman who once wanted to escape him. "Mr. Ludlum stuffs more surprises into his novels than any other six-pack of thriller writers combines." -- The New York Times Robert Ludlum was the author of twenty-one novels, each a New York Times bestseller. There are more than 210 million of his books in print, and they have been translated into thirty-two languages. In addition to the Jason Bourne series— The Bourne Identity , The Bourne Supremacy , and The Bourne Ultimatum —he was the author of The Scarlatti Inheritance , The Chancellor Manuscript , and The Apocalypse Watch , among many others. Mr. Ludlum passed away in March, 2001. Excerpt. © Reprinted by permission. All rights reserved. The New York Times Friday, July 11, 1975 FRONT PAGEDIPLOMATS SAID TO BE LINKED WITH FUGITIVE TERRORIST KNOWN AS CARLOS PARIS, July 10-France expelled three high-ranking Cuban diplomats today in connection with the worldwide search for a man called Carlos, who is believed to be an important link in an international terrorist network.The suspect, whose real name is thought to be Ilich Ramirez Sanchez is being sought in the killing of two French counterintelligence agents and a Lebanese informer at a Latin Quarter apartment on June 27.The three killings have led the police here and in Britain to what they feel is the trail of a major network of international terrorist agents. In the search for Carlos after the killings, French and British policemen discovered large arms caches that linked Carlos to major terrorism in West Germany and led them to suspect a connection between many terrorist acts throughout Europe. Reported Seen in London Since then Carlos has been reported seen in London and in Beirut. Lebanon. Associated Press Monday, July 7, 1975 syndicated dispatch A DRAGNET FOR ASSASSIN LONDON (AP)-Guns and girls, grenades and good suits, a fat billfold, airline tickets to romantic places and nice apartments in a half dozen world capitals. This is the portrait emerging of a jet age assassin being sought in an international manhunt.The hunt began when the man answered his doorbell in Paris and shot dead two French intelligence agents and a Lebanese informer. It has put four women into custody in two capitals, accused of offenses in his wake. The assassin himself has vanished--perhaps in Lebanon, the French police believe.In the past few days in London, those acquainted with him have described him to reporters as good looking, courteous, well educated, wealthy and fashionably dressed.But his associates are men and women who have been called the most dangerous in the world. He is said to be linked with the Japanese Red Army, the Organization for the Armed Arab Struggle, the West German Baader-Meinhof gang, the Quebec Liberation Front, the Turkish Popular Liberation Front, separatists in France and Spain, and the Provisional wing of the Irish Republican Army.When the assassin traveled--to Paris, to the Hague, to West Berlin-bombs went off, guns cracked and there were kidnappings.A breakthrough occurred in Paris when a Lebanese terrorist broke under questioning and led two intelligence men to the assassin's door in Paris on June 27. He shot all three to death and escaped. Police found his guns and notebooks containing “death lists” of prominent people.Yesterday the London observer said police were hunting for the son of a Venezuelan Communist lawyer for questioning in the triple slaying. Scotland Yard said, “We are not denying the report,” but added there was no charge against him and he was wanted only for questioning.The Observer identified the hunted man as Ilich Ramirez Sanchez, of Caracas. It said his name was on one of the four passports found by French police when they raided the Paris apartment where the slayings took place.The newspaper said Ilich was named after Vladimir Ilych Lenin, founder of the Soviet state, and was educated in Moscow and speaks fluent Russian.In Caracas, a spokesman for the Venezuelan Communist Party said filch is the son of a 70-year-old Marxist lawyer living 450 miles west of Caracas, but “neither father nor son belong to our party.”He told reporters he did not know where Ilich was now. Chapter One The trawler plunged into the angry swells of the dark, furious sea like an awkward animal trying desperately to break out of an impenetrable swamp. The waves rose to goliathan heights, crashing into the hull with the power of raw tonnage; the white sprays caught in the night sky cascaded downward over the deck under the force of the night wind. Everywhere there were the sounds of inanimate pain, wood straining against wood, ropes twisting, stretched to the breaking point The animal was dying.Two abrupt explosions pierced the sounds of the sea and the wind and the vessel's pain. They came from the dimly lit cabin that rose and fell with its host body. A man lunged out of the door grasping the railing with one band, holding his stomach with the other.A second man followed, the pursuit cautious, his intent violent. He stood bracing himself in the cabin door; he raised a gun and fired again. And again.The man at the railing whipped both his hands up to his head, arching backward under the impact of the fourth bullet. The trawler's bow dipped suddenly into the valley of two giant waves, lifting the wounded man off his feet; he twisted to his left unable to take his hands away from his head. The boat surged upward, bow and midships more out of the water than in it, sweeping the figure in the doorway back into the cabin, a fifth gunshot fired wildly. The wounded man screamed, his hands now lashing out at anything he could grasp, his eyes blinded by blood and the unceasing spray of the sea. There was nothing he could grab, so he grabbed at nothing; his legs buckled as his body lurched forward. The boat rolled violently leeward and the man whose skull was ripped open plunged over the side into the madness of the darkness below.He felt rushing cold water envelop him, swallowing him, sucking him under, and twisting him in circles, then propelling him up to the surface--only to gasp a single breath of air. A gasp and he was under again.And there was heat, a strange moist heat at his temple that seared through the freezing water that kept swallowing him, a fire where no fire should burn. There was ice, too; an icelike throbbing in his stomach and his legs and his chest, oddly warmed by the cold sea around him. He felt these things, acknowledging his own panic as he felt them. He could see his own body turning and twisting, arms and feet working frantically against the pressures of the whirlpool. He could feel, think, see, perceive panic and struggle--yet strangely there was peace. It was the calm of the observer, the uninvolved observer, separated from the events, knowing of them but not essentially involved.Then another form of panic spread through him, surging through the heat and the ice and the uninvolved recognition. He could not submit to peace! Not yet! It would happen any second now; he was not sure what it was, but it would happen. He had to be there!He kicked furiously, clawing at the heavy walls of water above, his chest burning. He broke surface, thrashing to stay on top of the black swells. Climb up! Climb up!A monstrous rolling wave accommodated; he was on the crest, surrounded by pockets of foam and darkness. Nothing. Turn! Turn!It happened. The explosion was massive; he could hear it through the clashing waters and the wind, the sight and the sound somehow his doorway to peace. The sky lit up like a fiery diadem and within that crown of fire, objects of all shapes and sizes were blown through the light into the outer shadows.He had won. Whatever it was, he had won.Suddenly he was plummeting downward again, into an abyss again. He could feel the rushing waters crash over his shoulders, cooling the white-hot heat at his temple, warming the ice-cold incisions in his stomach and his legs and . . . His chest His chest was in agony! He had been struck--the blow crushing, the impact sudden and intolerable It happened again! Let me alone. Give me peace.And again!And he clawed again, and kicked again . . . until he felt it. A thick, oily object that moved only with the movements of the sea. He could not tell what it was, but it was there and he could feel it, hold it.Hold it! It will ride you to peace. To the silence of darkness . . . and peace.The rays of the early sun broke through the mists of the eastern sky, lending glitter to the calm waters of the Mediterranean. The skipper of the small fishing boat, his eyes bloodshot, his hands marked with rope burns, sat on the stern gunnel smoking a Gauloise, grateful for the sight of the smooth sea. He glanced over at the open wheelhouse; his younger brother was easing the throttle forward to make better time, the single other crewman checking a net several feet away. They were laughing at something and that was good; there had been nothing to laugh about last night. Where had the storm come from? The weather reports from Marseilles had indicated nothing; if they had he would have stayed in the shelter of the coastline. He wanted to reach the fishing grounds eighty kilometers south of La Seyne-sur-Mer by daybreak, but not at the expense of costly repairs, and what repairs were not costly these days?Or at the expense of his life, and there were moments last night when that was a distinct consideration.'Tu es fatigue, hein, mon frere?” his brother shouted, grinning at him. “Va te coucher mainaintenant. Laisse-moi faire.”“D'accord,” the brother answered, throwing his cigarette over the side and sliding down to the deck on top of a net. “A little sleep won't hurt.”It was good to have a brother at the wheel. A member of the family should always be the pilot on a family boat; the eyes were sharper. Even a brother who spoke with the smooth tongue of a literate man as opposed to his own coarse words. Crazy! One year at the university and his brother wished to start a compagnie. With a single boat that had seen better days many years ago. Crazy. What good did his books do last night? When his compagnie was about to capsize.He closed his eyes, letting his hands sonic in the rolling water on the deck. The salt of the sea would be good for the rope burns. Burns received while lashing equipment that did not care to stay put in the storm.“Look! Over there!”It was his brother; apparently sleep was to be denied b... Read more

Features & Highlights

  • Jason Bourne.
  • He has no past. And he may have no future. His memory is blank. He only knows that he was flushed out of the Mediterranean Sea, his body riddled with bullets. There are a few clues. A frame of microfilm surgically implanted beneath the flesh of his hip. Evidence that plastic surgery has altered his face. Strange things that he says in his delirium -- maybe code words. Initial: "J.B." And a number on the film negative that leads to a Swiss bank account, a fortune of four million dollars, and, at last, a name: Jason Bourne. But now he is marked for death, caught in a maddening puzzle, racing for survival through the deep layers of his buried past into a bizarre world of murderous conspirators -- led by Carlos, the world's most dangerous assassin. And no one can help Jason Bourne but the woman who once wanted to escape him.

Customer Reviews

Rating Breakdown

★★★★★
30%
(2.3K)
★★★★
25%
(1.9K)
★★★
15%
(1.1K)
★★
7%
(527)
23%
(1.7K)

Most Helpful Reviews

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Exciting with lots of plot twists.

I promised I'd read The Bourne Identity after having seen the trailer starring Matt Damon in next year's movie by the same name. When I realized that Robert Ludlum had written the original book in 1980, I went to the library to pick up a copy. There's a similarity between the leading characters in Robert Ludlum's books. They're usually male, headstrong (and ultimately always the good guy), determined and they fall for a girl that complements the guy in some way.
A couple of persnickety points I have to mention in my reviews(as always): I found it irritating the way Marie St. Jacques (the leading lady) speaks to Jason Bourne. She uses "Darling" a lot and her speech seems somewhat formal and affected. The author also uses italics to indicate what's going on in a character's mind from time to time. The recurring themes in this book are: be a sponge (because you've got amnesia), move! (because you're being hunted), don't kill if you don't have to (because deep down you're actually a good guy - a govt. guy). But sometimes, it just feels redundant and tedious to read. The first Ludlum book I've read is the recent bestseller The Sigma Protocol. I rated and reviewed that book on Amazon as well. In my review I ended by saying the author got preachy towards the end to do some last minute plot explanation before ending the book. I see a slight hint of that in this book as well.
Some good points to consider are: It is my opinion that the author makes improvements to the style and tone of the sequel to this book called The Bourne Supremacy (which I liked better). I found it more action packed and rythmic. (The fact that I had spent most of my childhood summers in Hong Kong also helped.) I also enjoy his usage of local dialect interspersed in the characters' speech to give color and that authentic feel to the characters in his books. (Turns out he's been using this technique for the past 20+ years. You still see it in his latest novel The Sigma Protocol.)
If I had to give a more precise rating for this book, I'd rate it a 4.5. I'm saving the higher ration of 5.0 for The Bourne Supremacy, which I'll write a review for next. Stay tuned.
61 people found this helpful
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Great book -- Couldn't put it down...

This was my first Ludlum book -- and I was very impressed. For this genre, it is rare that you find yourself thinking about the details of the plot between the times you are able to read.
I really enjoyed how the author slowly revealed the main character to the audience. My only complaint is that the other characters seemed to be a little shallow (minus a star for this...)
The story is that a man is brought to a doctor with horrible injuries and no memory of who he is or was. The doctor only shows him a piece of microfilm surgically implanted into his body with the name "Jason Bourne" and a number of a bank account. This man must figure out who he is while he is being chased by the police and other assassins (who know him, but he doesn't know them...)
Great story -- You will probably figure out the ending towards the end of the book, but you won't be able to put it down regardless.
24 people found this helpful
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A laugh a minute, but a sad laugh at Ludlum's expense.

So *this* is the best-of-genre, best-of-author novel, correct?
I'm not impressed. I'm disappointed, actually, and so thoroughly frustrated by two rampant flaws in Ludlum's work that I found it hard to finish the book.
One, Ludlum has constructed a plot with so many poor and impossible devices that I now see why the genre had acquired a bad name. *This* novel may be the progenitor of all bad cliches for spy thrillers; if not, it certainly represents the pinnacle of achievement. Example: the protagonist's companion has an omniscient ability to root out the intent of the US government; more likely, Ludlum found no way to tie in his loose threads other than to make her a forensic genius. Or: the convenience of all encounters working to our protagonist's advantage. The general who sees something trustworthy in his face, the woman who sees something courageous in his actions, neither holding any grudges or connecting past behaviour to the present. Can you say "inconsistent"?
The characters are unbelievable. It's as if I'm reading a parody, but since it's played straight, it's even worse. For Ludlum to play off these ridiculous characterizations, his tongue would have to be *through* his cheek and not in it.
Two, and this is by far the most egregious, is that this novel was far, far longer than it needed to be. The pacing is uneven; the beginning was hyper and subsequently, all chapters seem subdued in comparison. However, the necessary buildup for the next part of the roller coaster is wholly inadequate. And the complexity of the plot is unbelievable, both in scope and execution. There's a secret government agency, but it's imbued with good people; there's a secret assassination cartel, but it has admirable ethics; the protagonist just happens to hook up with a beautiful woman who falls in love with him - loves him! - in a matter of a few weeks; the protagonist consistently outwits a professional killer, apparently just by going to school for it.
Oh, would that I could get back the time spent in reading this thing. The reviews for this book serve as poor indicators of what's to be found; let this sacrificial review be a warning to readers of Andrew Vachss, Stephen Hunter, even Tom Clancy. You'll find no consistency or solid writing here. Don't pay to read this book.
22 people found this helpful
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Convoluted and Ultimately Unsatisifying.

On the back of this paperback edition, one review highlight reads, Ludlum stuffs more surprises into his novels than any other six-pack of thriller writers combined. True. Every 10 to 20 pages is yet another plot twist. At well over 500 pages, that's a few too many.

I really tried to like this novel. I enjoy mystery novels and really liked the film Bourne Identity, so I figured I would enjoy this book. Well, it was enjoyable, certainly in the first third, but after a while, it dragged on to an awkward conclusion. This book is jam-packed with plot turns, new character introductions, and lots of repetitive inner-monologue.

I was really shocked. With Ludlum's reputation, I really expected a tight thriller. It was anything but. I grew tired of the yet-another-plot-device about 150 pages before the conclusion. Which for me, was the worst part...

The ending is very unfulfilling. The books leads up to a climax, yet... well, I won't ruin it for you, in case you decide to see for yourself. I'll just say this - GIGANTIC loose ends (one almost impossible to believe), which left me wanting. So...

I picked up Bourne Supremacy to see if Ludlum begins to tie the loose ends up. After all, I am aware this is the Bourne Trilogy. But... nope. Bourne Supremecy - brand new plot, without trying to clear up the unanswered questions of the first book. I had to stop reading that book for fear of more unfulfilled plot promises.

It reminded me of the sprawling plot twists in the endless X-Files series, which ultimately petered out without conclusion. With so much invested, in this case 535 pages, you've got to give me an ending. Jeez.

The movie, it should be stated, is very different, tossing the entire (main) Carlos-the-Assassin plot, for a very tight, streamlined film that BARELY resembles this book. Which is good for the movie. I haven't seen Supremacy, so I have no comment, but I've heard from friends that it strays even farther from the novels.

Wait... The movie is BETTER than the book?! Yep. No one's more shocked than me.
20 people found this helpful
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Who Is Jason Bourne?

Robert Ludlum did a fantastic job coming up with a unique story. The book opens with Jason Bourne taking a bullet in the head on a boat in the middle of the Mediterranean Sea. He is rescued from the stormy waters by a group of fishermen who take him to the local doctor. The doctor repairs our man's wounds and nurses him back to health. When Bourne is finally awakes from his comma, he discovers that he doesn't remember a thing, not even his name. The doctor starts Bourne on his journey with a piece of microfilm with a Swiss bank account number on it, and the realization that Bourne's features have been changed recently by surgery and that he speaks three languages. We also find out that Bourne is deadly in the arts of hand-to-hand combat. If this isn't enough to get you reading, it's time to find a different genre of books to pursue.
Ludlum is a strong writer in the action, deception, and overall plot sense. Unfortunately, he is terrible at character interactions. The female character, Marie St. Jacques, and Bourne feel as if they were forced together by the author because it was the only way the story would work. There is very little tension between the two of them, even when she was with him against her will. She is also entirely too bright, able to guess many of the things from Bourne's past. I think Ludlum was concerned that his audience might lose their way, and Marie was there to give them the inside scoop. My only other complaint about the book is Bourne's ability to attract bullets. He has more holes in him than most cheeses.
The plot is good. There are several areas were it is a little weak, but the momentum of the book carries you through these areas before you realize that there is something wrong with it. This is a very good action thriller that will keep you reading well past your bedtime. Ludlum let's on Bourne's past in such a way that you keep reading to find out more about him. The Bourne character is fairly well developed, with quite a history behind him even though we only see it in brief glimpses. Bourne is a good problem solver and great manipulator. We learn a lot of Bourne's motivation even though we never quite understand what is behind the other characters' actions.
This seems like it might have been originally a complete book, but someone got the idea that this could easily be turned into a series. Therefore, the ending isn't as strong as it could be, leaving obvious gaps to be answered in the subsequent books. This is one of the better books that I've read in a long while. I do recommend it.
16 people found this helpful
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Weak Sauce

"The Bourne Identity" by Robert Ludlum.

1975, The Mediterranean Sea off the coast of Port Noir; Fishermen find a man that appears to be dead floating in the sea. After extricating the body from the water they realize that though bullet ridden the man is still alive. With nowhere to turn the fishermen deliver the man to a drunkard of a Doctor in Port Noir who might attempt to bring this man back from death's clutch. Dr. Washburn quickly determines that his recovering patient is no normal man. The patient is struggling with almost total amnesia. There is evidence of plastic surgery having been completed and the small microfilm has been implanted in his hip with the name of a bank and an account number on it. 5 to 6 months pass on Port Noir and the un-named man decides to pursue his only clue which must reside in the account that was on the hidden micro film...

There are very few book to movie translations in which the successor surpasses it's predecessor. Unfortunately for me The Bourne Identity is one of those cases. The movie is actually only vaguely similar to the book and moves in almost a completely different direction with greater success I might add. Do not make the mistake I did in thinking that since you enjoyed the movie you are apt to enjoy the book even more. The only thing to be found down that path of reasoning is disappointment.

The Good: The book has a few moments though I am having trouble recalling any of them currently. It suffices to say that for me the bad far out weighed the good.

The Bad: One of the biggest problems I had with the book was the numerous annoying writing habits of Mr. Ludlum. I'll give you a warm up: Get Carlos. Trap Carlo. Cain is for Charlie and Delta is for Cain. You are going to read that line a maddening number of times. Also be sure to brush up on your French because Mr. Ludlum has no problem throwing some French into the mix.

The Marie Character and her relationship with Bourne lacks any sense of believability. The move version was well thought out and worked, the book version, Not so much. For starters the character is PHD who is employed by the Canadian government. A woman who you would expect to be intelligent and interested in self preservation. Not someone who falls into a puppy love type state with someone who was just recently smacking her in the face, kidnapping her and holding her at gun point. In a matter of days after a very traumatic introduction the Marie character is so in love that she can't bear to be parted from Jason and is constantly referring to him as "My love" or "My darling" or a variation thereof. It is not believable in the least.There is so much time spent in hotel rooms where the Marie character is consoling poor Jason and trying to convince him he isnt who he believes he is even though she has almost no reason to belive it herself all the while calling him my darling etc. Very painful reading.

The plot is also spread a little too far and eventually becomes convoluted. This combined with unbelievable characters makes for an extremely tedious read.

Overall: Avoid this at all cost. If you have a Bourne craving you are better off stopping at Blockbuster.
15 people found this helpful
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Very good spy thriller

After finishing this novel, I promptly ran out and picked up The Hades Factor. This was surprising for me, considering I don't normally care for spy novels - I've tried to read LeCarre, and, to my knowledge, have never actually managed to finish one. I guess that's some sort of bar as to whether the novel's any good or not.
The plot is simple at first, but grows more complicated as the twists and turns continue. The main character, who we later learn is named Jason Bourne (I hope that's no spoiler), washes up in the Mediterranean Sea and has no memory. He's not without his gifts, though. He is fully trained with weapons of all sorts and has military-like reflexes. He acts without thinking. The novel follows him closely as he wanders instinctively into the world and tries to find out who he is. At every stop, somebody is hunting him. He needs to find out why. (I hope I'm not saying too much in disclosing that he will eventually tied in with a network of assassins, who compete for supremacy.)
I found the novel worked on several levels for me. I particularly liked the moral dilemmas Mr. Bourne had to go through early in the novel, when he's just finding out who he is (or was). He has people he doesn't know firing at him - does he fire back? how does he know they're bad? He has to take a hostage to stay alive, but how far should he go? He doesn't know what he's done, what he's wanted for - is it worth killing an innocent bystander for? And, of course, what if, in his past life he actually had deserved to be killed? Could he risk bringing somebody into his world knowing this?
There are also issues with loyalty and personal loss. Even in the extreme distress of their situations, the characters are able to dig for deeper meaning, in people's eyes, and in their hearts. It isn't all guns and politics. I found the loyalties between some of the characters very touching, as when Marie St. Jacques stands by Jason because he saves her - even thought he'd previously held a gun to her head.
Of course, there is the standard fair share of shooting and running and all-round suspense. At every turn, there's something forcing Jason to keep his wits about him and make impulse decisions. It all makes for a great read.
Matty J
13 people found this helpful
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I give up!

I can count on one hand the number of books I have not finished once started. This is one of them. The movies were OK so I figured I'd give the book a try. I managed to make it 164 pages and just can't force myself to go on. It's pretty bad that the author can't keep track of what kind of gun is being carried by a given character. First it's a revolver, then a paragraph or two later it's an automatic, then it's a revolver again, all describing the same gun! Even worse, one of the bad guys is described as carrying a long-barreled revolver with a silencer. Anyone at all familiar with firearms knows that you can not silence a revolver! For those not in the know, a tremendous amount of blast and noise escapes from around the cylinder gaps. Can't silence that.

I could go on but I would just be repeating what many of the other 1 and 2 star reviewers have stated.

I'm just glad I bought the book used and am only out a couple bucks.
12 people found this helpful
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BOUR-ING!

I decided to pick up this book based on the favorable reviews and the upcoming movie. Sadly, this book was nothing but an EXTREMELY boring disappointment.
It has its moments, but Ludlum can't sustain the intensity. One chapter may be compelling enough to reel you in, but then it allows your mind to wander in a cascade of lackluster chapters. Not only is Ludlum a very poor writer, but he's also not a particularly good story teller. Through the mind of Jason Bourne, he routinely states the obvious and continues to restate the obvious through extremely tedious dialogue. Although I'm sure it's a great sleep aid for insomniacs, it took all of my will power just to finish The Bouring Identity to the bitter end.
11 people found this helpful
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Amnesiac Spy

Robert Ludlum's The Bourne Identity, is the explosive beginning to the Bourne Series. It is a great book to read for all people; young adult to adult. "Two abrupt explosions pierced the sounds of the sea.... A man lunged out of the door grasping the railing with one hand, holding his stomach with the other. A second man followed.... The man at the railing whipped both his hands up to his head, arching backward under the impact of the fourth bullet" (7). Within the first paragraph of chapter one we are introduced to so much imagery and action.

A classic page-turner is just one way of describing this book that follows the journey of one man to self-discovery. This unknown man is pulled out of the Mediterranean Sea off the coast of Port Noir, France by two fishermen where he'd been dumped after being shot. For three weeks he is slowly nursed back to health by a drunken English doctor who finds a thin strip of microfilm imbedded under the flesh of his hip leading him to a bank in Zurich, Switzerland. Armed with an address, a bank account number, no name and no memory, he travels to Zurich and he leaves with $4 million dollars and a name, Jason Bourne, his first link to his former life. As he continues along his journey he's confronted by memories, enemies and seemingly close old friends that he may or may not be able to trust. Throughout the story Ludlum employs imagery, characterization and a representation of reality to appeal to and engage the everyday reader.

Imagery
All throughout the novel Ludlum utilizes imagery, giving picture-perfect descriptions of locations that allow the reader to be transported into the book, to feel the cold of the sea, to taste the salty air of the Mediterranean, and to hear the busy streets of Paris. "The waves rose to goliathan heights, crashing into the hull with the power of raw tonnage; the white sprays caught in the night sky cascaded downward over the deck under the force of the night wind" (7). You can see waves in the storm and feel their power. "The rue Sarrasin was no more than two hundred feet long, frozen in time between the stone walls of waterfront buildings, devoid of streetlights, trapping the mists that rolled off the harbor" (41). The darkness surrounds you and you can visualize where you are. "He knew the lobby; the heavy, dark, polished wood was familiar... somehow. And the huge plateglass window that looked out over Lake Zürich" (48). The bank becomes a real place that we can visualize going into through Ludlum's description. "And there were other sounds - three - lethal, sharp, sudden. Cracks of muted weapon - weapons; wood splintered on the molding of the proscenium arch" (73). Without explicitly stating that a gun was fired at them, Ludlum, through description carries the point across.

Characterization
Ludlum also makes use of characterization to let the reader connect to the characters and feel for them. "The languages, your knowledge of geography - cities I've never or barely heard of - your obsession for avoiding the use of names, names you want to say but won't" (16). This is our first look at Bourne before we know his name or anything about him. He doesn't know why he knows these things and neither do we but we all want to discover the answer. We grow with Bourne as he goes from a semi-one dimensional to a multi-dimensional character. Bourne intuitively gives the name of a hotel to his cab driver. The clerk at the hotel recognizes him and helps him fill out his check in sheet giving him his name. "You are J. Bourne, citizen of the United States, resident of New York City, `seventeen-twelve - zero-fourteen - twenty-six-zero' are the most important things in your life." He recites this to himself in the mirror to memorize who he is, mostly to convince himself. However, as Bourne learns more of his past and first endangers and later saves Marie St. Jacques, someone he can finally trust, you begin to understand him and his motive; to find out his past. The reader is just like Bourne; he doesn't know his past and neither do we. As readers we find out everything about Bourne at the same time as he does.

In addition to Bourne, we are given another character to watch change with Bourne. "[She was in her] mid-thirties and spoke French softly, rapidly" (64). "A woman in a dark red dress, the rich color of the silk complementing her long, titian hair.... Auburn hair" (68). Marie St. Jacques first encounters Bourne in an elevator and the two don't talk until he requests her help with something. At first she comes across as stuck-up and then very emotional. However, Marie has the same reaction to Bourne as the reader does at first; Bourne is ruthless and calculating yet as we come to know Bourne we change our view, and Marie comes to want to help him.

Representation of Reality
Ludlum's extensive knowledge of events in the book allows us to step into an alternate reality of espionage, an amnesic spy and danger. This is partly due to the accuracy of his description of places and dealings but also through the use of foreign languages. Through his extensive knowledge Ludlum invites us into the world of Jason Bourne, to live what he lives. "The cranial wound was the real problem; not only was the penetration subcutaneous, but it appeared to have bruised the thalamus and hippocampus fibrous regions" (13). The description of where the wound is is vivid and we know exactly where on the head Bourne was shot. Bourne and Marie are chased by German hired killers who yell at them in German. Similarly Bourne and Marie interrupt an Italian presenter and he yells "è insoffribile! Ci sono comunisti qui!" (73). Through the foreign language we get a real sense for where we are and who these people are.

Conclusion
As the tangled web of espionage, conspiracy, and suspense begins to unravel, the reader is taken along for Bourne's journey to self-discovery and inner struggle between good and evil, entering a world of double crossing, betrayal and back-stabbing. Ludlum uses vivid imagery, extensive characterization and a real sense of reality to appeal to all readers creating an amazing book that all should read.
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