The Alchemyst: The Secrets of the Immortal Nicholas Flamel
The Alchemyst: The Secrets of the Immortal Nicholas Flamel book cover

The Alchemyst: The Secrets of the Immortal Nicholas Flamel

Paperback – June 24, 2008

Price
$7.68
Format
Paperback
Pages
375
Publisher
Ember
Publication Date
ISBN-13
978-0385736008
Dimensions
5.12 x 0.81 x 8 inches
Weight
10.2 ounces

Description

Praise for The Secrets of the Immortal Nicholas Flamel series: A New York Times Bestselling Series A USA Today Bestseller A Kids' Indie Next List Selection A New York Public Library Book for the Teen Age An ILA Young Adult Choice Book An ILA Children’s Choice Winner “The Secrets of the Immortal Nicholas Flamel has everything you loved about Harry Potter , including magic, mystery, and a constant battle of good versus evil. ”— Bustle ★ “ [A] riveting fantasy . . . fabulous read.” —School Library Journal, Starred ★ “ Readers will be swept up. ” —Kirkus Reviews, Starred xa0 “ Fans of adventure fantasies like Rick Riordan’s Percy Jackson and the Olympians series will eat this one up. ” —VOYA xa0 “An exciting and impeccably thought-out fantasy, well-suited for those left in the lurch by Harry Potter’s recent exeunt. ” —Booklist Michael Scott is an authority on mythology and folklore and one of Ireland’s most successful authors. A master of fantasy, science fiction, horror, and folklore, Michael has been hailed by the Irish Times as “the King of Fantasy in these isles.” He is the New York Times bestselling author of The Secrets of the Immortal Nicholas Flamel series: The Alchemyst , The Magician , The Sorceress , The Necromancer , The Warlock , and The Enchantress . You can follow Michael Scott on Twitter @flamelauthor and visit him at DillonScott.com. Excerpt. © Reprinted by permission. All rights reserved. CHAPTER ONE “OK—answer me this: why would anyone want to wear an overcoat in San Francisco in the middle of summer?” Sophie Newman pressed her fingers against the Bluetooth earpiece as she spoke. On the other side of the continent, her fashion-conscious friend Elle inquired matter-of-factly, “What sort of coat?” Wiping her hands on the cloth tucked into her apron strings, Sophie moved out from behind the counter of the empty coffee shop and stepped up to the window, watching men emerge from the car across the street. “Heavy black wool overcoats. They’re even wearing black gloves and hats. And sunglasses.” She pressed her face against the glass. “Even for this city, that’s just a little too weird.” “Maybe they’re undertakers?” Elle suggested, her voice popping and clicking on the cell phone. Sophie could hear something loud and dismal playing in the background— Lacrimosa maybe, or Amorphis. Elle had never quite got over her Goth phase. “Maybe,” Sophie answered, sounding unconvinced. She’ d been chatting on the phone with her friend when, a few moments earlier, she’d spotted the unusual-looking car. It was long and sleek and looked as if it belonged in an old black-and-white movie. As it drove past the window, sunlight reflected off the blacked-out windows, briefly illuminating the interior of the coffee shop in warm yellow-gold light, blinding Sophie. Blinking away the black spots dancing before her eyes, she watched as the car turned at the bottom of the hill and slowly returned. Without signaling, it pulled over directly in front of The Small Book Shop, right across the street. “Maybe they’re Mafia,” Elle suggested dramatically. “My dad knows someone in the Mafia. But he drives a Prius,” she added. “This is most definitely not a Prius,” Sophie said, looking again at the car and the two large men standing on the street bundled up in their heavy overcoats, gloves and hats, their eyes hidden behind overlarge sunglasses. “Maybe they’re just cold,” Elle suggested. “Doesn’t it get cool in San Francisco?” Sophie Newman glanced at the clock and thermometer on the wall over the counter behind her. “It’s two-fifteen here . . . and eighty-one degrees,” she said. “Trust me, they’re not cold. They must be dying. Wait,” she said, interrupting herself, “something’s happening.” The rear door opened and another man, even larger than the first two, climbed stiffly out of the car. As he closed the door, sunlight briefly touched his face and Sophie caught a glimpse of pale, unhealthy-looking gray-white skin. She adjusted the volume on the earpiece. “OK. You should see what just climbed out of the car. A huge guy with gray skin. Gray. That might explain it; maybe they have some type of skin condition.” “I saw a National Geographic documentary about people who can’t go out in the sun . . . ,” Elle began, but Sophie was no longer listening to her. A fourth figure stepped out of the car. He was a small, rather dapper-looking man, dressed in a neat charcoal-gray three-piece suit that looked vaguely old-fashioned but that she could tell had been tailor-made for him. His iron gray hair was pulled back from an angular face into a tight ponytail, while a neat triangular beard, mostly black but flecked with gray, concealed his mouth and chin. He moved away from the car and stepped under the striped awning that covered the trays of books outside the shop. When he picked up a brightly colored paperback and turned it over in his hands, Sophie noticed that he was wearing gray gloves. A pearl button at the wrist winked in the light. “They’re going into the bookshop,” she said into her earpiece. “Is Josh still working there?” Elle immediately asked. Sophie ignored the sudden interest in her friend’s voice. The fact that her best friend liked her twin brother was just a little too weird. “Yeah. I’m going to call him to see what’s up. I’ll call you right back.” She hung up, pulled out the earpiece and absently rubbed her hot ear as she stared, fascinated, at the small man. There was something about him . . . something odd. Maybe he was a fashion designer, she thought, or a movie producer, or maybe he was an author—she’d noticed that some authors liked to dress up in peculiar outfits. She’d give him a few minutes to get into the shop, then she’d call her twin for a report. Sophie was about to turn away when the gray man suddenly spun around and seemed to stare directly at her. As he stood under the awning, his face was in shadow, and yet for just the briefest instant, his eyes looked as if they were glowing. Sophie knew—just knew—that there was no possible way for the small gray man to see her: she was standing on the opposite side of the street behind a pane of glass that was bright with reflected early-afternoon sunlight. She would be invisible in the gloom behind the glass. And yet . . . And yet in that single moment when their eyes met, Sophie felt the tiny hairs on the back of her hands and along her forearms tingle and felt a puff of cold air touch the back of her neck. She rolled her shoulders, turning her head slightly from side to side, strands of her long blond hair curling across her cheek. The contact lasted only a second before the small man looked away, but Sophie got the impression that he had looked directly at her. In the instant before the gray man and his three overdressed companions disappeared into the bookshop, Sophie decided that she did not like him. G G G Peppermint. And rotten eggs. “That is just vile.” Josh Newman stood in the center of the bookstore’s cellar and breathed deeply. Where were those smells coming from? He looked around at the shelves stacked high with books and wondered if something had crawled in behind them and died. What else would account for such a foul stink? The tiny cramped cellar always smelled dry and musty, the air heavy with the odors of parched curling paper, mingled with the richer aroma of old leather bindings and dusty cobwebs. He loved the smell; he always thought it was warm and comforting, like the scents of cinnamon and spices that he associated with Christmas. Peppermint. Sharp and clean, the smell cut through the close cellar atmosphere. It was the odor of new toothpaste or those herbal teas his sister served in the coffee shop across the road. It sliced though the heavier smells of leather and paper, and was so strong that it made his sinuses tingle; he felt as if he was going to sneeze at any moment. He quickly pulled out his iPod earbuds. Sneezing with headphones on was not a good idea: made your ears pop. Eggs. Foul and stinking—he recognized the sulfurous odor of rotten eggs. It blanketed the clear odor of mint . . . and it was disgusting. He could feel the stench coating his tongue and lips, and his scalp began to itch as if something were crawling through it. Josh ran his fingers through his shaggy blond hair and shuddered. The drains must be backing up. Leaving the earbuds dangling over his shoulders, he checked the book list in his hand, then looked at the shelves again: The Complete Works of Charles Dickens, twenty-seven volumes, red leather binding. Now where was he going to find that? Josh had been working in the bookshop for nearly two months and still didn’t have the faintest idea where anything was. There was no filing system . . . or rather, there was a system, but it was known only to Nick and Perry Fleming, the owners of The Small Book Shop. Nick or his wife could put their hands on any book in either the shop upstairs or the cellar in a matter of minutes. A wave of peppermint, immediately followed by rotten eggs, filled the air again; Josh coughed and felt his eyes water. This was impossible! Stuffing the book list into one pocket of his jeans and the headphones into the other, he maneuvered his way through the piled books and stacks of boxes, heading for the stairs. He couldn’t spend another minute down there with the smell. He rubbed the heels of his palms against his eyes, which were now stinging furiously. Grabbing the stair rail, he pulled himself up. He needed a breath of fresh air or he was going to throw up—but, strangely, the closer he came to the top of the stairs, the stronger the odors became. He popped his head out of the cellar door and looked around. And in that instant, Josh Newman realized that the world would never be the same again. Read more

Features & Highlights

  • Nicholas Flamel appeared in J.K. Rowling’s
  • Harry Potter
  • —but did you know he really lived? And his secrets aren't safe!
  • Discover the truth in book one of the
  • New York Times
  • bestselling series the Secrets of the Immortal Nicholas Flamel.
  • The truth:
  • Nicholas Flamel's tomb is empty.
  • The legend:
  • Nicholas Flamel lives.   Nicholas Flamel is the greatest Alchemyst to ever live. The records show that he died in 1418, but what if he's actually been making the elixir of life for centuries?    The secrets to eternal life are hidden within the book he protects—the Book of Abraham the Mage. It's the most powerful book that has ever existed, and in the wrong hands, it will destroy the world. And that's exactly what Dr. John Dee plans to do when he steals it.     There is one hope. If the prophecy is true, Sophie and Josh Newman have the power to save everyone. Now they just have to learn to use it.  “The Secrets of the Immortal Nicholas Flamel has
  • everything you loved about Harry Potter
  • , including
  • magic, mystery, and a constant battle of good versus evil.
  • ”—
  • Bustle
  • Read the whole series!
  • The Alchemyst
  • The Magician
  • The Sorceress
  • The Necromancer
  • The Warlock
  • The Enchantress

Customer Reviews

Rating Breakdown

★★★★★
60%
(2.4K)
★★★★
25%
(1K)
★★★
15%
(608)
★★
7%
(284)
-7%
(-285)

Most Helpful Reviews

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What a find!

They say that out of the mouths of babes...etc. In this case, I borrowed a book from a grandson. He was right. This is a terrific story and a great family adventure. I see that some of these reviews, in fact, most were not necessarily written by young adults. It's always clear. And though I kept in mind as I was reading that this was not specifically addressed to my generation, still I fell under the considerable spell of a really good story which transcended age. When I see a review getting very very literal and probing,even"erudite" I must say, I have my doubts as to the reviewers intentions. I was up for a good read, plain and simple and I got it. The ability for young readers to Google every single character except the twins is unparalleled in fiction. My grandson showed me how and what could be more engaging. It lends a life beyond the story. Great!
179 people found this helpful
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I find it hard to believe...............

It seems reviewers always forget a MAJOR aspect when reading a series, especially a YA fiction series.......................... You will NEVER get all the answers in the first book!!!!!!!!!! DUH!!!! If it's a series it's MEANT to be broken in to lots of pieces and make you wonder the obvious. JK Rowling did it with Harry and many other authors have done it with their respective series'. Repetition is also consistent in many FIRST books of a series to make sure you remember WHO your reading about, the role in the story this character portrays, and the importance of remembering details.

This series cannot be compared to Harry Potter!!!!!!!!! These are two different storylines and two different types of authors! M.T.S. is a REAL historian, while Rowling had a story come to her on napkins in a cafe. Both found inspiration in COMPLETELY different ways!!

I find the book to be a breath of fresh air. Historical figures left and right, good introduction for a first part in a series, and true to style in the YA Fiction world (grown ups get over yourselves and your supposed intelligence level). The twins represent a ying and yang (silver and gold) in my opinion being very different but alike at the same time. The guidance provided by Nicholas and his band of friends, mysterious as they all are, keeps it interesting as well.

When you start a book, no matter how hard, FINISH IT!! Then, and only then, will your review have any kind of significant weight.
54 people found this helpful
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Kudos for potential and initial effort, but that's really where the positive things stop.

I don’t even know where to start. There may be minor spoilers, I’m really sorry about that.

Frankly, I very nearly DNFed the book. It was a close call. I probably should have, but I always feel bad about DNFing – what if it gets better? In the end I really did want to know how the plot goes on, but if I’m honest with myself, I wasted days on a book I didn’t enjoy. The plot was alright, I suppose. I wouldn’t have put the book on my TBR if I hadn’t been interested, after all. After all it is called The Alchemyst, so you bet I’m interested. Alchemy? Hell yeah. It didn’t quite turn out that way. It just wasn’t what I thought it would be. For one thing I thought it would be set at some point in the past. I don’t know why, but it was ages ago when I put it on my TBR, so heaven knows what I had been thinking. Turns out that the book is not set in ye olde times, but that was fine. I was cool with that. And it started out fine too.

There’s Sophie, who works in a coffee shop, and Josh, who works in the bookshop across the street. Sophie observes something shady going on while talking to her friend. It started out great! – But it didn’t continue that way. If the author wouldn’t have specifically said that they were 15-year-old twins at one point, I would’ve pegged Sophie for early twenties, and Josh for about six years old considering his behaviour. There’s Nick Fleming – Nicholas Flamel – who owns the bookshop Josh works in over the summer.

And then there is a whole lot of mess. The story was alright-ish, but it felt very choppy and just randomly put together. There was a golden thread but it might have just been coincidence that it worked.

In general I enjoyed the idea of this book, but reading it was very very exhausting. It took forever for me to get through certain parts because I just didn’t care and everything was just so boring and unnecessary. After the halfway point I just gave up and skimmed the rest until I was done because I just couldn’t take it anymore. I don’t want to trash this book, but there were so many things that bugged me. For example, the author kept calling characters by their full name. Now, that’s okay if you have 47 different Joshes and Sophies milling about, but that was not the case. It wasn’t necessary to literally keep calling them “Josh Newman” and “Sophie Newman” – at all. I kind of couldn’t ever forget their names after the first five times, thank you very much.

“That is just vile.” Josh Newman stood in the center of the bookstore’s cellar and breathed deeply.
—–
And in that instant, Josh Newman realized that the world would never be the same again.
—–
Fleming tossed another invisible ball into the corner of the room. Josh Newman followed the motion of his boss’s arm.
—–
“I’ve been practicing, John,” Nick Fleming said, sliding toward the open cellar door, shoving Josh Newman farther down the stairs.
—–
Josh Newman nodded; he knew the shop.
—–
Josh Newman waited until Scathach had rounded the end of the corridor before turning to his sister.
—–
Josh Newman jerked open the door of the black SUV and felt a wave of relief wash over him.

IS THERE ANY OTHER GUY NAMED JOSH IN THIS BOOK? IS THERE?! NO, THERE ISN’T.

Aside from that the characters were just very wishy-washy. I liked Scathach, she seemed to be the only sane person in a pile of people I couldn’t possibly make sense of. Flamel is a bit like a Dumbledore figure, except that he doesn’t look his age – but he isn’t likeable like good old Dumbles. I just found him very shady. Josh is an obnoxious teenager who thinks he’s the smartest but doesn’t know when to shut up. Of course he suffers from jealousy later on. Sophie is… around. That’s it. She’s a plot device. That’s all there is to her. Occasionally she shushes her brother, but in general both kids are mostly just plot devices. Unless there is something for them to be doing plot-wise, they’re just standing around. Sometimes literally.

The adaptation of myths in the book started out great until it was just as if the author had taken literally every mythological thing he had ever heard of and just stirred it all together. Arthurian legend. Norse myth. Egyptian myth. Irish myth. Flamel himself, of course. It’s all there. I don’t mind that it is, but there wasn’t much of a connection between them and I for one would’ve enjoyed actually reading a paragraph or two about why the heck two or three gods from different myths are apparently the same guy. Or something like that, I’m not sure I actually understood most of this book. It’s all tell and no show at all, I’m afraid. Then there’s the repetition of certain things. Yes, thank you, I got it the first time when it was said that the twins’ parents are archeologist. Again, thank you, I really did understand it the first time when it was mentioned that if you died in a video game you could just start over and real life was nothing like that. I got that.

Add to that the constant name dropping of certain brands and I was eerily reminded of Mr. Penumbra’s 24-Hour Bookstore. Sorry, but listing five different video games, a tv show and a film that your character likes doesn’t give him a personality. Nor do I really care whether or not the bad guy has the X-Files theme as his ringtone. Amazing, I know. What is also amazing is that this is set in 2007 where good old Sophie Newman uses a bluetooth headset to phone her friend, but her brother has to use Altavista to figure out the spelling of Scathach – and then once he knows that he moves on to Google so he can get to Wikipedia. Uhm. Right. I doubt somebody as versed in the ways of modern technology as Josh Newman would actually use Altavista, even if it is 2007. I mean, come ooooon. :( All the random name dropping and brand dropping just irked me a lot, because it wasn’t necessary at all. Nor were all the myths necessary. It just gave me a feel of a slightly altered Rule 34: If it exists, it will be in this book. Except for Harry Potter. Those books clearly do not exist in this universe (why? The Simpsons and The X-Files and Shrek and Myst and X-Men exist as franchises, but Harry Potter doesn’t?) because these kids have never heard of Nicholas Flamel before.

All in all it was a very disappointing read. It had so much potential – magic, alchemy, Nicholas Flamel, Elder Gods, Irish myth! But it just wasn’t polished enough. Even the ending was disappointing. I suppose it’s meant to be a cliffhanger, but it just felt like it randomly stopped. I know that as a reader I’m meant to be intrigued for the next book (there are five sequels, holy banana boat), but I’m not sold on it, unfortunately.

I wanted to like the book and I know lots of people do, but it was just not for me and I wouldn’t recommend it either.
25 people found this helpful
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The best series since The Benedict Society!!

I’m reading this book with my dyslexic middle schoolers. They love the exciting plot and excellent vocabulary. We are all disappointed when class ends as each day is a new plot twist. The icing on the cake is that this series has made them all excited about the dreaded task of reading! So much so that they all want to read the entire series!! If that doesn’t sell everyone on wanting to read a new and innovative series for teens to adults, I don’t know what will. ♥️
15 people found this helpful
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Good world building, incompetently used

Soulless. The author dishes out one magical wonder after another with little or no emotional involvement of the main characters and, therefore, the reader. There is no sense of mystery: everything is clear from page one, and abundantly explained each time in advance. After that, it's just a series of magical encounters, D&D style. While the author is describe as an 'expert on myth' on the back cover, he reads more like an expert in Google and Wikipedia searches. What a waste of (not that original) material. With one chapter of this, Meyer would have written an angsty 600 pages volume
13 people found this helpful
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There's no magic here!

Although the premise of the book is very interesting, the writing is horribly underdeveloped and obvious. The plot is very poorly contrived and the book seems very amateurish. This was a great disappointment. The editor(s) should have helped the author produce a higher quality book. I am uncertain as to how this book became published in its current state. Instead of this book, try Harry Potter, The Eldest, Twilight, or Abhorsen.
13 people found this helpful
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Flat characters....

The ideas behind the story for this book are interesting, unfortunately, the writing is not. I found the characters flat and one dimensional. I honestly found it difficult to care what, if anything, happened to them. I also found the writing style repetitive and overly dramatic. The book just couldn't keep my attention.. and with a story based on magic, elder races, immortal men and a fight for humanity.. it should have.

Such a shame.
12 people found this helpful
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A Fun Little Fiction

Based on the historical but rather mysterious characters of Nicholas Flamel and Dr. John Dee, THE ALCHEMYST by Michael Scott is an almost-frantic romp through an imaginative modern-day world in which magical figures still exist, hidden amidst ordinary humans. The conflict in the book is nothing new, being a rehash of the ancient struggle between good and evil. The fact that mythological and magical characters take an active part in the struggle, using magic as their weapons, is reminiscent of Rowling's Harry Potter books and of Tolkien's Lord of the Rings. In fact, while Nicholas Flamel is historical and could have provided inspiration for both Rowling and Scott writing quite independently of each other, one wonders if Rowling's use of Flamel and his "Sorcerer's Stone" in her first book did not provide Scott's inspiration. The fact that Tolkien provided inspiration is indisputable, since Scott goes out of his way to mention "Hobbits," or at least their fossilized remains, in THE ALCHEMYST. Such being the case, it would have been only courteous of Scott to have acknowledged the works of Rowling and of Tolkien in the "Author's Note" or the "Acknowledgments" pages at the back of his book, and the fact that he does not strikes me as rather mean-spirited.

I also have a problem with the depiction of Josh. He frequently comes across as a stereotyped image of an adolescent boy full of equal parts of bravado and ignorance, one who is quicker to open his mouth than to think. While the other characters generally come across as believable (assuming one accepts the premise that we are in a world full of hidden magic), Josh seems artificial, stilted, and two-dimensional by contrast. Perhaps part of this reaction derives from the fact that the reader concludes early on that Josh and his twin sister will prove to be the heroes in the epic struggle of good and evil, and the reader is therefore disappointed in Josh's immature thoughts and actions, the fact that he is only fifteen years old notwithstanding. After all, his twin sister, who is, obviously, also fifteen, is far more level-headed and adapts sensibly to changing situations in the story, underscoring Josh's rebellious denial of "reality."

Let us hasten not to make too much of this book, however. Unlike Tolkien's writing, Scott's is devoid of meaningful symbolism or allegory. Unlike Rowling, Scott does not explore the psychology of his characters or see them develop--they remain "flat," i.e., the same at the end of the book as they were at its beginning. Scott's THE ALCHEMYST depends entirely upon the superficial action to sustain reader interest. On the positive side, Scott does rely upon well-described mythological and historical characters, rather skillfully interweaving their traditional selves into a modern-day context. He also sustains the action very well indeed--the story absolutely gallops along. We should note also that the book is not complete, being only the beginning of the story, which is continued in a sequel, THE MAGICIAN: BOOK 2 OF the SECRETS OF THE IMMORTAL NICHOLAS FLAMEL.

Overall, my sense is that THE ALCHEMYST will appeal primarily to young readers, pre- and early-teenage, but then it's also a purely fun read for more mature readers looking for a fast, escapist story with lots of action, something to distract them from the stresses and worries of the real world for a brief time. It's a fun little fiction.
11 people found this helpful
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Harry Potter Fan? Then skip this book!

I went on to other books and decided to give this one a try then Chapter Four bothers me so much that I am not going to finish this book. Why? Harry Potter fans will understand this (paraphrased) "I learned the secret to the philosopher's stone . . .I learned how to change metal into gold . . . but more than this I found the recipe for a formulation of herbs and spells that keeps disease and death at bay." Then it goes on to say that this book is needed to make a potion they must drink once a month to keep them alive and without the recipe they will die.

Okay if you are over two centuries old because of a recipe would you not have it memorized by now? Besides that fact J.K. Rowling had stated that the Philosophers / Sorcerers stone was the elixir of life and Lord Voldemort wanted it to live . . . not a stupid book.

In a nutshell the author never understood J.K. Rowling and needs to realize the kind of audience he is writing to. This would be good for teenagers but the world of Harry Potter and beyond are way older than 15.
11 people found this helpful
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OKish, but not worth the effort

I'm not a young adult. I should state that up front, since that may qualify my review. I am 3/4ths of the way through the last book of the series, and truthfully, I'm not sure I'm going to finish it. I no longer care about any of the protagonists. The teens who are central to the story don't show any signs of character development, and no real inherent redeeming characteristics. I'm almost to the end of the series and I still don't have much insight into the motivations of the adults, John Dee excepted. It's one big dysfunctional family, slogging their way through one book's worth of plot spread over four books. With historical figures name-dropped in all higgledy-piggly. When Virginia Dare and Billy the Kid showed up I started getting embarrassed for the author. I wish I could recommend this. I like the premise, name-dropping aside, but I really truly can't.
10 people found this helpful