Telling True Stories: A Nonfiction Writers' Guide from the Nieman Foundation at Harvard University
Telling True Stories: A Nonfiction Writers' Guide from the Nieman Foundation at Harvard University book cover

Telling True Stories: A Nonfiction Writers' Guide from the Nieman Foundation at Harvard University

Paperback – January 30, 2007

Price
$13.00
Format
Paperback
Pages
317
Publisher
Plume
Publication Date
ISBN-13
978-0452287556
Dimensions
5.3 x 0.8 x 8 inches
Weight
10.1 ounces

Description

“Tantalizing essays… Ultimately this is a book about why stories matter and how journalists can and should master the craft of storytelling, whether they work in newspapers, magazines, books, radio, television, or film… [B]rims with wisdom on how to get to the emotional core of nonfiction stories. It contains useful advice on everything from how to get people to open up… to how to distill all the material you have gathered into a polished story that glues readers to the page…xa0This is the kind of book that any aspiring storyteller can dip into and learn from, no matter what the stage of his or her career.”— Alison Bass, Harvard Review “Tips spill from every chapter of the book… Every page—and I mean every page—contains important wisdom for every journalist. Telling True Stories is the relatively rare guide that offers value to veteran journalists, to novices, to investigative journalists and to beat reporters.— Steve Weinberg, The IRE Journal “A virtuoso collection of essays by writers on writing non-fiction; these remarkable insights into the craft were collected at Harvard University and includes selections from such notable veteran scribes as Tom Wolfe, Tracy Kidder, Susan Orlean, David Halberstam, Nora Ephron and Malcolm Gladwell.”— The Seattle Post-Intelligencer “Practical advice for writers on how to get published, write a memoir, and more.”— Boston Magazine “Provides advice from 51 nonfiction writers, including notables Tom Wolfe, Gay Talese, and Nora Ephron… Writers coming to this book should not expect one clear-cut path for producing strong nonfiction; instead, the book provides pointed but wide-ranging advice on writing-a good illustration of the creativity behind nonfiction and the individuality of the writing process. There is enough variety for almost any nonfiction writer to find inspiration and guidance. Topics include interviewing techniques, storytelling, using tape recorders and notebooks, developing characters and scenes, and editing. The section titled ‘Building a Career in Magazines and Books’ will especially help new writers.”— Library Journal Mark Kramer was writer-in-residence in the American Studies Program at Smith College (1980-1990), writer-in-residence and a professor of journalism at Boston University (1990-2001), and writer-in-residence and founding director of the Nieman Program on Narrative Journalism at Harvard University (2001-2007). He's written for the New York Times Magazine , National Geographic , The Atlantic Monthly, and many other periodicals. He's co-author of two leading textbook/readers on narrative nonfiction: Telling True Stories and Literary Journalism . He's written four additional books: Mother Walter and the Pig Tragedy , Three Farms , Invasive Procedures , and Travels with a Hungry Bear . He's currently at work on a book about writing narrative nonfiction. His website is www.tellingtruestories.com. Wendy Call is author of No Word for Welcome: The Mexican Village Faces the Global Economy , winner of the 2011 Grub Street National Book Prize for Nonfiction. She co-edited Telling True Stories: A Nonfiction Writers' Guide . Wendy has served as Writer in Residence at 20 institutions, five national parks, four universities, a public hospital, and a historical archive. She writes and edits nonfiction, translates Mexican poetry and short fiction, and works as a teacher at Richard Hugo House and Goddard College. Before turning to full-time word-working in 2000, she devoted a decade to work for social change organizations in Boston and Seattle. The daughter of a middle-school math teacher and a career Navy officer from Michigan, Wendy grew up on and around military bases in Florida, Pennsylvania, southern California, and southern Maryland. She lives and works in Seattle.

Features & Highlights

  • Interested in journalism and creative writing and want to write a book? Read inspiring stories and practical advice from America’s most respected journalists.
  • The country’s most prominent journalists and nonfiction authors gather each year at Harvard’s Nieman Conference on Narrative Journalism.
  • Telling True Stories
  • presents their best advice—covering everything from finding a good topic, to structuring narrative stories, to writing and selling your first book. More than fifty well-known writers offer their most powerful tips, including:•
  • Tom Wolfe
  • on the emotional core of the story•
  • Gay Talese
  • on writing about private lives•
  • Malcolm Gladwell
  • on the limits of profiles•
  • Nora Ephron
  • on narrative writing and screenwriters•
  • Alma Guillermoprieto
  • on telling the story and telling the truth• Dozens of Pulitzer Prize–winning journalists from the
  • Atlantic Monthly, New Yorker, New York Times, Los Angeles Times, Washington Post
  • and more . . .
  • The essays contain important counsel for new and career journalists, as well as for freelance writers, radio producers, and memoirists. Packed with refreshingly candid and insightful recommendations,
  • Telling True Stories
  • will show anyone fascinated by the art of writing nonfiction how to bring people, scenes, and ideas to life on the page.

Customer Reviews

Rating Breakdown

★★★★★
60%
(204)
★★★★
25%
(85)
★★★
15%
(51)
★★
7%
(24)
-7%
(-24)

Most Helpful Reviews

✓ Verified Purchase

A writer's conference for the cost of a trade paperback!

From my review in the January 2008 newsletter of the American Society of Journalists and Authors:

In nearly 100 short essays, this book offers an unbelievable wealth of excellent advice and information, from 51 contributors such as Tom Wolfe, David Halberstam, Susan Orlean, Tracy Kidder, Adrian Nicole LeBlanc and Gay Talese. It's like attending a "who's who" conference on nonfiction writing, all for the price of a trade paperback. The book is helpfully divided into categories; you don't have to read the whole thing (although you'll be a better writer, guaranteed, if you do). Categories include finding topics, settling on your sub-genre, structure, building quality into your work, ethics, editing, narrative in news and building a career in magazines and books. The best parts of the book are the tidbits of insight dispersed by pros who have had decades of experience to figure out what makes them so good at their jobs. Gay Talese talks about his decision to spend more time "with people who were not necessarily newsworthy . . . that the role of the nonfiction writer should be with private people whose lives represent a larger significance." Katherine Boo reveals that she finds her stories "because I never learned to drive. . . . I take the bus. I walk around. By being out there -- not the driver of my story but the literal and figurative rider -- I have the opportunity to see things that I would never otherwise see." S. Mitra Kalita offers the startling -- but obvious on contemplation -- observation from her colleague Mirta Ojito at The New York Times, that "the more you know, the less they tell you." This is a book you'll speed through and quote to your friends, read over and over, and find new insights on each pass through.

I have a system when I'm reviewing books of putting Post-It notes on the edges of pages that seem especially cogent, well-written, etc. I usually have 8 or 10 Post-Its on a book that's finished, but on this one, I had so many it looked like the book had sprouted its own little line of prayer flags!
84 people found this helpful
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Extremely helpful

As several other reviewers have noted, this collection offers very useful, nut-and-bolts discussions of how to write great non-fiction. As a working writer, I found the sections on structure, editing and "building quality" the most relevant and useful. The editors have done a fine job of making sure that ALL the articles are clear, specific and practical. I also appreciated that this volume didn't waste space providing exercises or "questions to consider."

My only reservation about the book is that it's often (but not always) aimed specifically (and solely) at journalists writing article length pieces about contemporary subjects. I would have liked to see more about longer form non-fiction such as biography and history - two instances where there are often no living witnesses.
37 people found this helpful
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Like Going to a Conference, Not a Class

No concrete instruction here, but an inspiring, entertaining, and insightful collection of conference presentations. Since I can't afford to attend the conferences, this was a nice substitute, but I've learned more substantive lessons about nonfiction writing from other books that I refer to more often (I never referred to this after I read it, so it obviously didn't stick with me).
24 people found this helpful
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A fascinating glimpse into the greatest minds in storytelling

I just finished this book, and I'm eager for more. I'm not a professional writer by any means -- I'm a physicist -- but this book provides such a compelling glimpse into the writing profession that I consider it a necessary guide to anyone who has to communicate for a living, or anyone who desires to see their own work in the light of greats they wouldn't otherwise get to meet.

Writing must be a tricky business, where you fly by the seat of your pants, and politics aside, you really are judged based on the merit of your work. Writers must feel so VULNERABLE! So to see the lessons learned by those who have succeeded at it -- that's an experience I'll never forget. Thanks to the writers who contributed to this excellent guide.
18 people found this helpful
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Best New Writing Book of the Year

Every writing teacher needs this book. One of the best I've found. Already teaching from it. Plus, The Nieman Foundation Website offers more useful writing & teaching tools than most fee-based services. Should be required reading for all creative nonfiction and journalism undergrad and grad students.
15 people found this helpful
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Great Writing Resource

Not every anthology turns out as strong as TELLING TRUE STORIES, but this is truly a first-rate volume. The writing advice is varied, and yet often arrives at the same destination--have a point, edit the excess out, always make sure that it is interesting to the reader, love what you are doing. The contributions of Tom French and Jim Collins were so strong that I directly purchased a book from each to read more. Highly Recommended.
12 people found this helpful
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Fantastic and inspirational

I learned of this book through a "textbook sale" and it's been a continuing education treasure. I ordered it just before vacation and it arrived the day before I left, so I had the great fortune of sinking blissfully into the essays, some humorous, all passionate, about narrative journalism. Don't skip the intro, where the editors define the genre by all its names: literary journalism, narrative/creative non-fiction, etc. They get the labels out of the way so we all know what we're talking about.

Then prepare to be inspired, educated, and guided by the pros. Every aspect of "the story" is covered here, from managing relationships with editors and subjects to--above all--getting to the emotional heart of the story. I am not a journalist but something of a memoirist and this book is inspiring me to do more researched, investigative work. I feel like I have a master's course on my bookshelf, but these writers are so good, you sometimes feel as if you sitting and talking shop with them over drinks.

Kudos to the editors for pulling the best work out of these former conference presentations, too. It's no mean feat to transpose the oral presentation to a piece that runs well on paper. Just an excellent book any writer can use for years to come.
11 people found this helpful
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Nothing special

I read this while in the graduate journalism program at UC Berkeley. OK, nothing special, and it skated over the changing business realities. I've written for the LA Times and many others, and the truth is that now clickbait and ideology are what counts, not fairness and accuracy. The positive is, you can write for your readers directly now via Amazon books, platforms, etc.
10 people found this helpful
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Essential reading for serious writers

"Telling True Stories" belongs on every serious writer's bookshelf. Including insights from many of the luminaries in the narrative non-fiction world, it is not only an essential read for someone working in this field, but a lively and inspiring one as well. Highly recommended!
7 people found this helpful
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If you’re serious about writing non-fiction, get this book!

I would love to get an MFA but with a couple of master’s degrees, I can’t justify the cost or the time this would take. Hence, to try to improve my craft, I devour stacks of writing craft books. I ‘always’ learn something.

However, being a strict non-fiction writer, I’ve found there is a dearth of craft books that focus on non-fiction writing. Yes, writing is writing to a large degree but there are areas unique to non-fiction. For instance, in fiction, I can always add obstacles for my protagonist to increase my story’s tension. However, in non-fiction, I need to build the story around what happened, not what I wished happened. I imagine this is like building a house from a stack of scrap lumber. I must use what I have rather than what I could go to a lumber yard and get. Given the implicit non-fiction contract, everything must be true, no if’s, and’s, or but’s. No matter how tempting, nothing can be made up or half-told to make the story more interesting. This is not to mention the need to do extensive research to make sure all the facts are verified, making non-fiction writing yet more challenging.

I can’t recommend Telling True Stories enough! Although it is focused on narrative journalism it is packed with so many wonderful non-fiction storytelling tips. The book is comprised of dozens of short essays written by notable non-fiction writers to include Tom Wolfe, Katherine Boo, Tracy Kidder, Gay Talese, Jon Franklin, Malcolm Gladwell, and others.

If you’re serious about writing non-fiction, get this book!
5 people found this helpful