Tell Them of Battles, Kings, and Elephants
Tell Them of Battles, Kings, and Elephants book cover

Tell Them of Battles, Kings, and Elephants

Hardcover – Illustrated, November 27, 2018

Price
$19.07
Format
Hardcover
Pages
144
Publisher
New Directions
Publication Date
ISBN-13
978-0811227049
Dimensions
5.7 x 0.7 x 8.3 inches
Weight
10.2 ounces

Description

"If all you have is a bridge, then everything begins to look like a chasm; the incessant drive to overcome all differences has, unsurprisingly, created more division. Énard’s radical suggestion has been, instead, to think about who is being connected to whom, and what is being bypassed along the way." ― Art in America "Énard packs a feast for the senses into this short book." ― Boyd Tonkin, Financial Times "The story of Il Maestro’s invitation from the sultan to design a bridge over the Golden Horn is beautifully wrought in its simplicity―credit must go to Charlotte Mandell’s translation―with a perfectly paced narrative that reaches a dramatic denouement...Enard’s taut prose carries the reader swiftly and satisfyingly through chapters (which are more like fragments, really) to the extent that one does not wish for the tale to end.xa0" ― Irish Times "Too interesting to pass up." ― Literary Hub "Any year Mathias Enard brings us new work is always worth celebrating. He invites us to engage with subjects as intricate as beauty, history and art, and always finds some way to make it still feel vital, leaving you with a resounding sense of hope and generosity. While Tell Them of Battles, Kings and Elephants may at times feel like reading the most beautiful poem as the world slowly degrades around you, it might also convince you that art is invincible. An important idea to hold on to, I think, as we wait for our political pantomimes to play out. Charlotte Mandell translates and the book is a miracle." ― Guy Gunaratne, New Statesman "Énard weaves an imaginative and suspenseful tale of civilizations and personalities clashing, of love, of being an artist in a violent era." ― Juan Vidal, NPR "A historical novel of exquisite beauty." ― Publishers Weekly "Continues Énard’s deep, humanistic explorations of the historical and ongoing connections between Europe and Asia, Islamdom and Christendom." ― The Millions "Even as the tragedies of history are spoken, the listeners are asleep. And yet, Énard remains optimistic, his novels a powerful reminder that the possibility for connection remains." ― Isaac Zisman, The Millions "There is a lush materiality to Énard’s prose, thick and smooth, so that following the artist’s expeditions through Ottoman opium dens feels nearly as immersive as being in them." ― The New York Times " Tell Them of Battles, Kings, and Elephants (deftly translated, like Énard’s three previous English releases, by Charlotte Mandell) is a tale of bastard genius that might have been, and a cautionary fable about the consequences of parochial timidity." ― Julian Lucas, The New Yorker "In this charming little reverie of a book, inspiration springs from our unguarded confrontations with the unfamiliar." ― Sam Sacks, The Wall Street Journal "Mathias Énard weaves tantalizing facts and fragments into the tapestry of a slender historical novel." ― World Literature Today "All of Énard’s books share the hope of transposing prose into the empyrean of pure sound, where words can never correspond to stable meanings. He’s the composer of a discomposing age." ― Joshua Cohen, The New York Times Book Review "Énard fuses recollection and scholarly digression into a swirling, hypnotic, stream-of-consciousness narration." ― Sam Sacks, The Wall Street Journal "No one else writes like Mathias Énard." ― Francine Prose "In his fiction, Énard is constructing an intricate, history-rich vision of a persistently misunderstood part of the world―mesmerizing." ― Jacob Silverman, The New Yorker Mathias Énard is the author of Compass (winner of the Prix Goncourt, the Leipzig Prize, and the Premio von Rezzori, and shortlisted for the 2017 Man Booker International Prize), Tell Them of Battles, Kings, and Elephants , Zone , and Street of Thieves . Charlotte Mandell has translated works by a number of important French authors, including Proust, Flaubert, Genet, Maupassant, and Blanchot.

Features & Highlights

  • Financial Times
  • Book of the Year
  • An adventure of Michelangelo in Constantinople from the “mesmerizing” (
  • New Yorker
  • ) and “masterful” (
  • Washington Post
  • ) author of
  • Compass
  • In 1506, Michelangelo―a young but already renowned sculptor―is invited by the Sultan of Constantinople to design a bridge over the Golden Horn. The sultan has offered, alongside an enormous payment, the promise of immortality, since Leonardo da Vinci’s design had been rejected: “You will surpass him in glory if you accept, for you will succeed where he has failed, and you will give the world a monument without equal.”
  • Michelangelo, after some hesitation, flees Rome and an irritated Pope Julius II―whose commission he leaves unfinished―and arrives in Constantinople for this truly epic project. Once there, he explores the beauty and wonder of the Ottoman Empire, sketching and describing his impressions along the way, and becomes immersed in cloak-and-dagger palace intrigues as he struggles to create what could be his greatest architectural masterwork.
  • Tell Them of Battles, Kings, and Elephants
  • ―constructed from real historical fragments―is a story about why stories are told, why bridges are built, and how seemingly unmatched pieces, seen from the opposite sides of civilization, can mirror one another.

Customer Reviews

Rating Breakdown

★★★★★
30%
(91)
★★★★
25%
(76)
★★★
15%
(45)
★★
7%
(21)
23%
(70)

Most Helpful Reviews

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Sorry. It's not you, it's me.

Mathias Enard's latest (I read his previous Compass pleasantly), Tell Them Of Battles, Kings & Elephants, begins as a historical novel based upon Michelangelo Buonarotti's commission by the Sultan to build a bridge over the Golden Horn around 1506. From the aphoristic journal entries by the artist, little more than grocery lists; his local Constantinople poet-guide, Mesihi who's crushin big time on him filling out the rather undramatic political intercourse between the Sultan's minions and the foreign infidel in the cajoling of a master plan for the bridge from the artist, some of the artist's peeves, his bad business relations with the Pope back home still rankling and threatening his good name; and the interstitial koan-brief chapters by the androgynous singer/dancer with whom Michelangelo infatuatedly shares a bed, if nothing else, a one-sidedly loveless relationship (the artist has a heart of ice! Quel tragique!), there's precious little to sustain what eventually pretends to be a romantic thriller. No true engagement of the heart, by protagonist or author, no connection, empathy or insight into the artistic process.
But, as I say, this is MY fault: my recent reads have spoiled me. For insight into the artist's mind and process, Haruki Murakami's recent Killing Commedatore is ne plus ultra; for prose on the cusp of poetry, Robin Robertson's book-length L.A. noir, The Long Take runs rings around Enard for evocative though succinct narrative; and finally, the only reason I had to read this was because of a friend's ardent recommendation and Amazon's inability to send me more expeditiously the product of my recent burgeoning Yasunari Kawabata binge, perhaps the best writer one could name in evoking true Haiku-lie distillation of radiant word-play.
So, maybe it just wasn't my time for this book. But, under the circumstances, gotta say: "Meh."
34 people found this helpful
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Tell Them of Battles, Kings and Elephants is an amusing dialogue between history and conjecture.

It’s easy to be intrigued by a story that not only contains a Kipling epigraph, but also entitles the novel with a quote from a Kipling poem. And, by the way, has Michelangelo as its protagonist straddling Renaissance Italy and Ottoman Turkey. And does all this in a lyrical 140 pages.

Mathias Enard wrote Tell Them of Battles Kings and Elephants as historical fiction inspired by real incidents from Michelangelo’s life including the Turkish Sultan’s invitation to the artist to visit Constantinople and a rendering – probably by Michelangelo – of a bridge spanning the Golden Horn. Enard’s work is also replete with actual contemporary personages.

Tell Them is a dialogue between history and conjecture positing that Michelangelo spent a sabbatical in the Ottoman capital wrestling with the architectural challenges of spanning the Golden Horn with the building materials extant a half a millennia ago. He is also portrayed as wrestling with the distractions of love and lust and the frisson generated by competing cultures – as well as his own pride and three dozen psychological demons.

Tell Them is evidently an out-take from Enard’s much longer and more complex story Zone, a 150,000 word novel written as a single sentence (holy smoke!). However, Tell Them is plenty complicated in its own way; more of a novella than a novel, the story nevertheless is packed with ideas and motifs. It’s by turns allusive and precise with several lists of everyday items that Michelangelo encountered as part of his travels.

The novel’s themes seem to include artistic creativity confronting power, the inspiration for creativity, the collision of competing cultures, in this case the Christian kingdoms of sixteenth century Western Europe and the Ottoman Turkish Empire near the zenith of its power in the eastern Mediterranean. Further, Tell Them notes the power of a story to delight and divert us from despair.

Love and jealousy are also part of this story in the form of a triangle between an Albanian court poet, a dancer and Michelangelo that comes to a sticky end, but inspires the sculpture and poet to creative flights.

So what’s not to like about Tell Them? For starters, the characters can seem rather flat particularly Michelangelo who is sketched and then marched through his paces. Likely, this is partly due to the brevity of the story; perhaps Enard set himself the challenge of crafting a very short novel and then limed the character with others’ reactions to Michelangelo and his occasional letter home. Further, the great sculptor has already been portrayed in any number of biographies and biographical novels such as The Agony and the Ecstasy, full of the Sturm und Drang of titanic egos battling over the Sistine Chapel’s ceiling. Aside from Tell Them’s episodic dives into Michelangelo’s psyche, delving further into his mentality may have seemed pointless. Speaking of drama, the poet, Mesihi, the foil to Michelangelo, is also a bit overwrought.

Further, the linear plot can appear to be just a framework to paste episodes onto from various points of view with poetic, but spare descriptions of action and setting. And, throughout, the novel seems self-aware and mannered with grand, wonderful, but only touched on themes.

However, the work’s virtues outweigh its challenges and for a less august author of fantasy and historical fiction such as myself, Tell Them is a concise, imaginative and ambitious effort that’s edifying to read. Along these lines, even without being a member of the academy, it’s great fun to watch Enard blend an awareness of modernist and postmodernist structural concerns with interesting story-telling in an absorbing historical era.
2 people found this helpful
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Commission

I relaxed into the flow of Mathias Énard’s novel titled, Tell Them of Battles, Kings, and Elephants, in which he describes the time that Michelangelo Buonarotti spent in Constantinople designing a bridge for the Sultan that would cross the Golden Horn. This novel is an homage to art and to the artist, and while I read the lyrical English translation, I can only assume that in French the poetry must soar. This is a short and quirky novel which draws from some historical fragments.

Rating: Four-star (I like it)
1 people found this helpful
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Yawn--cashing in on LBGT pop

It is not news that Michelangelo had a bad temper and was bisexual. Interesting that Sultan wanted him to design bridge to cross the Bosporus. Picture of his drawing is interesting (and, relatively, unknown). The rest is fantasy about what the artist (and fictional people around him) felt and thought while in a place he never went, working on a project he never worked on, and having sex with people he never met. Never once does the author comes close to the genius of that artist's mind.
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Pricey short book

A short book that was a good read but nowhere near worth the hardcover price.
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Fun Book... fast, easy read.

Great Book