Shadows Over Paradise: A Novel
Shadows Over Paradise: A Novel book cover

Shadows Over Paradise: A Novel

Paperback – Illustrated, February 10, 2015

Price
$15.00
Format
Paperback
Pages
384
Publisher
Bantam
Publication Date
ISBN-13
978-0345533180
Dimensions
5.14 x 0.82 x 7.9 inches
Weight
8 ounces

Description

Praise for Shadows Over Paradise “An excellent choice for fans of Sarah Jio and Kate Morton.” — Booklist “Shifting focus from the present to the past with ease, this novel brings to the page the reality of the horrors of the Japanese-run internment camps in vivid and gory detail. [Isabel] Wolff’s latest will please fans of women’s stories that include a realistic depiction of life during wartime and the ability to overcome adversity.” — Library Journal “Beautifully written . . . an outstanding book club selection . . . If you liked Jamie Ford’s novels [then] you’ll like Shadows Over Paradise .” — Huntington News Praise for Isabel Wolff “With a wide cast of realistic, wonderfully drawn characters, a deft blending of the past with the present, and a seemingly effortless managing of several plots at once, this charming novel . . . deserves a place in all popular fiction collections.” — Library Journal (starred review) , on A Vintage Affair “Captivating, seductive . . . This novel reflects how beauty exists in all facets of life, especially in people.” — RT Book Reviews , on The Very Picture of You Isabel Wolff was born in Warwickshire and studied English at Cambridge. She is the author of ten bestselling novels, and has been published in twenty-nine languages. She lives with her family in London, where she is at work on her next novel, to be published by Bantam. Excerpt. © Reprinted by permission. All rights reserved. OneI knew that Nina’s wedding was going to change things between Rick and me, though I could never have guessed by how much. Up until then, it had all been so easy—xadhe and I had xadfitted into each other’s lives as though we’d always known one another. And now we were going to a wedding—xadour first one together—xadand suddenly being with Rick was hard.“They’ve got great weather for it,” he remarked as I locked the door of our small North London flat. The early haze had given way to a pristine blue sky.“A good omen,” I said as we walked to the car.Rick beeped open his old Golf. “I didn’t know you were superstitious, Jenni. But then I don’t know everything about you.” There was a slight edge to his voice.“Well, I am superstitious.” I put our gift, in its silvery bag, on the backseat. “But then I was born on Friday the thirteenth.”Rick smiled. “That should make you immune.”We drove west, talking pleasantly but with an unfamiliar reserve, born of the anguished conversations that we’d been having over the past two or three days.We sped down the A40 and were soon driving along rural roads past fields still stubbled and pale from the harvest. It was very warm for mid-xadOctober, and clear—xadan Indian summer’s day, piercingly beautiful with its golden light and long shadows.Nina’s parents lived at the southern end of the Cotswolds. Over the years I’d visited the house for weekends or the occasional party—xadNina’s twenty-xadfirst, and her thirtieth, which was already five years ago, I reflected soberly. For fifteen years, she and Honor had been my closest friends. And today it was Nina’s wedding, and before long, no doubt, there’d be a christening.Rick glanced at me. “You okay, Jen?”“Yes. Why?”He downshifted a gear. “You sighed.”“Oh .u2008.u2008. no reason. I’m just a bit tired.” A bad sleeper at the best of times, I’d lain awake most of the night. As I’d stared into the darkness, I’d longed for Rick to hold me and whisper that everything would be all right, but he’d turned away.“So where do we go from here?” For a moment I thought that Rick was talking about us. “Which way?”I spotted the sign for Bisley. “Go right.”Minutes later we turned on to Nailsford Lane, where a clutch of white balloons bobbed from a farm gate.“Looks like we’re the first,” Rick remarked as we drove into the parking field, which was empty except for an abandoned tractor. He parked in the shade of a huge copper beech; as he opened his door, I could hear its leaves rustle and rattle. “Is it going to be a big do?”“Pretty big—xadabout eighty, Nina told me.”“So, who will I know, apart from her and Jon?”I pulled down the visor and checked my reflection in the mirror.“I’m not sure—xadshe’s invited quite a few of the people we knew at Bristol; not that I’ve stayed in touch with that many .u2008.u2008.” I winced at my red-xadveined eyes and pale cheeks. “I’ve only really kept up with Nina and Honor.” I wound my long, dark hair into a bun, then pinned onto that the pale-xadpink silk flower that matched my dress.Rick pulled a blue tie out of his jacket pocket. “So I guess Honor will be here?”“Of course.” Rick grimaced; I glanced at him. “Don’t be like that, Rick—xadHonor’s lovely.”“She’s exhausting.”“Exuberant,” I countered, wishing that my boyfriend was a bit keener on my best friend.He groaned. “She never stops talking. So she’s in the right job, not that I listen.”“You should—xadher show’s the best thing on Radio Five.” As Rick looped and twisted the blue silk, I suppressed a dark smile. He’s tying the knot, I thought.Reaching into the back for the gift, I saw more cars arriving, bumping slowly over the field. We made our way across the grass, which was studded with dandelion heads, their downy seeds drifting like plankton. We strolled up Church Walk, then pushed on the lych-xadgate, which was garlanded with moon daisies, and went up the graveled path.Jon was waiting anxiously by the porch with his brothers, all three men in morning dress with yellow silk waistcoats. They greeted us warmly and we chatted for a minute or two; then the photographer, who had been sorting out his camera on top of a tomb, offered to take a picture of Rick and me.“Let’s have a smile,” he said as he clicked away. “A bit more—xadit’s a wedding, not a funeral,” he added genially. “That’s better.” There was another volley of clicks, then he squinted at the screen. “Lovely.”Tim handed Rick and me our Order of Service sheets, and we walked into the cool of the church.I’d been to Saint Jude’s before but had forgotten how small it was, and how simple the interior, with its plain walls, wooden roof, and box pews. There was the smell of beeswax and dust and age, mingled with the scent of the oriental lilies that festooned the columns and pulpit. It was also very light, with clear glass, except for the east window, which depicted Christ blessing the children. The sun streamed through its colored panes, scattering jeweled beams across the whitewashed walls.“Lovely church,” Rick murmured as we sat down.“It is,” I agreed, though today its beauty was a shard in my heart. Rick and I glanced through our service sheets as the church filled up, heels tapping over the flagstones, wood creaking as people sat down, then chatted quietly or just listened to the Bach partita the organist was playing.Jon’s parents went to their seats. Behind them I recognized a colleague of Nina’s, and now here was Honor, in a green bombshell dress that hugged her curves and complemented her creamy skin and blond hair. She blew me and Rick an extravagant kiss, then sat near the front.Now Jon and his older brother, James, took their places together, while their younger brother, Tim, ushered in a few latecomers. Nina’s mother, in a turquoise opera coat and matching hat, smiled benignly as she made her way to her pew.I turned and caught a glimpse of Nina. She stood on the porch, in the white silk dupion sheath that Honor and I had helped her choose, her veil drifting behind her.As the Bach drew to an end, the vicar stepped in front of the altar and welcomed everyone. Then there was a burst of Handel, and we all stood as Nina walked down the aisle on her father’s arm.After the opening prayers we sang “Morning Has Broken,” then Honor stepped up to the lectern to read the sonnet that Nina had chosen.“My true love hath my heart, and I have his,” she began, her dulcet voice echoing slightly. “By just exchange one for the other given. I hold his dear, and mine he cannot miss. There never was a better bargain driven .u2008.u2008.”As Honor read, I felt a sting of envy. The lovers understood each other so well. I’d thought I had that with Rick .u2008.u2008. “My true love hath my heart—xadand I have his,” Honor concluded.The vicar raised his hands. “Dearly beloved, we are gathered together here in the sight of God, and in the face of this congregation, to join together this Man and this Woman in holy Matrimony .u2008.u2008.” I looked at Nina and Jon, side by side in a pool of light, and wondered whether these words would ever be said for Rick and me. “Nor taken in hand wantonly,” the vicar was saying, “but reverently, discreetly, advisedly, and soberly, and in the fear of God, duly considering the causes for which Matrimony was ordained.” At that I felt Rick shift slightly. “First, it was ordained for the procreation of children .u2008.u2008.” I stole a glance at him, but his face gave nothing away. “Therefore, if any man can show any just cause, why they may not lawfully be joined together, let him now speak, or else, hereafter, forever hold his peace.”I tried to follow the service but found it suddenly impossible to focus on the music, or the sermon, or on the beauty and solemnity of the vows. As Nina and Jon committed themselves to each other with unfaltering voices, I felt another stab of pain. The register was signed, the last hymn sung, and the blessing given; then, as Widor’s Toccata mingled with the pealing bells, we followed Nina and Jon outside.We showered the couple with petals and took snaps with our phones; then the photographer began the formal photos of them while we all milled around by the porch.“Great to see you! Fantastic weather!”“Lovely service—xadmuch prefer the King James.”“Me too. Well read, Honor!”“Should we make our way to the house?”“Not yet. I think they want a group pic.”Rick and I, keen to get away from the crowd, strolled through the churchyard; we looked at the gravestones, most of which were very old and eroded, blotched with yellow lichen.Rick stopped in front of a slate headstone. “That’s odd. It’s got a pineapple on it.”I looked at the carved image. “A pineapple means prosperity, as do figs, and I guess this was a prosperous area, probably because of the wool trade.”We walked on in silence, past stones that had angels on them, and doves and candles, the symbolism of which was clear.We could hear the chatter of the guests, a sudden burst of Honor’s unmistakable laughter, then the photographer’s voice. “Could you look at me, Nina?”Rick approached another grave, by a yew. He peered at it. “This one’s got a bunch of grapes carved on it.”“Grapes represent the wine at the Last Supper.”Rick glanced at me. “How do you know all this, Jen? I didn’t think you were religious.”“I had to research it for one of my books. It was years ago, but I’ve remembered a lot of it.”“Now look at each other again.”“Here’s a rose,” Rick said, pointing to another headstone. “I assume that means love?”“Oh, very romantic.”“No. Roses show how old the person was when they died.” I studied the worn emblem. “This is a full rose, which was used for adults.” I read the inscription. “Mary Ann Betts .u2008.u2008. was .u2008.u2008.” I peered at her dates. “Twenty-xadfive. The stem’s severed, to show that her life was cut short.”“I see.” Our conversation felt stiff and formal, as though we were strangers, not lovers.“Can we have a kiss?”“A partially opened rose means a teenager.”“And another one. Lovely.”“And a rosebud is for a child.”“Hold his hand now.”Rick nodded thoughtfully. “A sad subject.”“Yes .u2008.u2008.”“Okay, all stand together, please—xadnice and close!”Rick and I joined everyone for the group photo, for which the photographer climbed onto a stepladder, wobbling theatrically to make us all laugh. We smiled up at him while he clicked away, then, hand in hand, Nina and Jon led us down the path, across the field, to the house.The Old Forge was just as I remembered it—xadlong and low, its pale stone walls ablaze with pyracantha and Virginia creeper. A large marquee filled the lawn. In the distance were the hills of Slad, the plunging pastures dotted with sheep, their bleats carrying across the valley on the still air.We joined the receiving line, greeting both sets of parents, then the bride and groom.Nina’s face lit up, and as we hugged I had to fight back sudden tears. I didn’t know whether they were tears of happiness for her or of self-xadpity. “You look so beautiful, Nina.”“Thank you.” She put her lips to my ear. “You next,” she whispered.Jon kissed me on the cheek, then clasped Rick’s hand.“Good to see you both! Thanks for coming!”“Congratulations, Jon,” Rick said warmly. “It was a lovely service. Congratulations, Nina.”Now we moved on into the large sunny sitting room where drinks were being served. I put our gift on a table among a cluster of other presents and cards. A waiter offered us a glass of champagne. Rick took one and raised it. “Here’s to the happy couple.”I sipped my fizz. “They are happy. It’s wonderful.”“How long have they been together?”“About the same as us. They got engaged on their first anniversary,” I added neutrally, then laughed at myself for ever having thought that Rick and I might do the same.I looked at Rick, so handsome, with his open expression, dark hair, and blue gaze. I tried, and failed, to imagine life without him. We’d agreed to talk things over again the next day. Before I could think about that, though, a gong summoned us into the marquee, which was bedecked with white agapanthus and pink nerines, the tables gleaming with silver and china. We found our names and stood behind our chairs while the vicar said grace.Rick and I had been placed with Honor, and with Amy and Sean, whom I’d known at college but hadn’t seen for years, and an old schoolfriend of Jon’s, Al. I was glad that Nina had put him next to Honor; she’d been single for a while now, and he was very attractive. Also at our table was Nina’s godfather, Vincent Tregear. I vaguely remembered him from her twenty-xadfirst birthday. A near neighbor named Carolyn Browne introduced herself. I steeled myself for the effort of making small talk with people I don’t know; unlike Honor, I’m not good at it, and in my frame of mind I knew it would be harder than usual.I heard Carolyn explain to Rick that she was a solicitor, recently retired. “I’m so busy though,” she confessed, laughing. “I’m a governor of a local school; I play golf and bridge; I travel. I was dreading retirement, but it’s really fine.” She smiled at Rick. “Not that you’re anywhere near that stage. So, what do you do?”He unfurled his napkin. “I’m a teacher—xadat a primary school in Islington.”“He’s the deputy head,” I volunteered proudly. Carolyn smiled at me. “And what about you, erm .u2008.u2008.u2008?”“Jenni.” I turned my place card toward her.“Jenni,” she echoed. “And you’re .u2008.u2008.” She nodded at Rick.“Yes, I’m Rick’s .u2008.u2008.” The word girlfriend made us seem like teenagers; partner made us sound as though we were in business, not in love. “Other half,” I concluded, though I disliked this too; it seemed to suggest, ominously, that we’d been sliced apart.“And what do you do?” Carolyn asked me.My heart sank—xadI hate talking about myself. “I’m a writer.”“A writer?” Her face lit up. “Do you write novels?”“No,” I replied. “It’s all nonfiction. But you won’t have heard of me.”“I read a lot, so maybe I will. What’s your name? Jenni”—xadCarolyn peered at my place card—xad“Clark.” She narrowed her eyes. “Jenni Clark.”“I don’t write under that name.”“So is it Jennifer Clark?”“No—xadwhat I mean is, I don’t write under any name.” Read more

Features & Highlights

  • For readers of Kate Morton and Jamie Ford comes a captivating novel of two very different women, struggling to come to terms with the ghosts from their past—by the internationally bestselling author of
  • A Vintage Affair
  • and
  • The Very Picture of You
  • Sometimes the only way forward is through the past.
  • Jenni Clark is a ghostwriter. She loves to immerse herself in other people’s stories—a respite from her own life, and from a relationship that appears to be nearing its end. Jenni’s latest assignment takes her to a coastal hamlet in England, where she’s agreed to pen the memoir of an elderly farm owner named Klara. Jenni assumes the project will be easy: a quiet, ordinary tale of a life well lived.  But Klara’s story is far from quiet. She recounts the tale of a family torn apart by World War II, and of disgraceful acts committed against a community in the Japanese prison camps on the Pacific island paradise of Java. As harrowing details emerge and stunning truths come to light, Jenni is compelled to confront a secret she’s spent a lifetime burying.   Weaving together the lives of two very different women, Isabel Wolff has created a captivating novel of love, loss, and hope that reaches across generations.
  • Praise for
  • Shadows Over Paradise
  • “An excellent choice for fans of Sarah Jio and Kate Morton.”
  • Booklist
  • “Shifting focus from the present to the past with ease, this novel brings to the page the reality of the horrors of the Japanese-run internment camps in vivid and gory detail. Wolff’s latest will please fans of women’s stories that include a realistic depiction of life during wartime and the ability to overcome adversity.”
  • Library Journal
  • “Beautifully written . . . an outstanding book club selection . . . If you liked Jamie Ford’s novels [then] you’ll like
  • Shadows Over Paradise
  • .”
  • Huntington News

Customer Reviews

Rating Breakdown

★★★★★
60%
(124)
★★★★
25%
(52)
★★★
15%
(31)
★★
7%
(14)
-7%
(-14)

Most Helpful Reviews

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I have absolutely loved Isabel Wolff's other books but this was quite a ...

I have absolutely loved Isabel Wolff's other books but this was quite a change from her others. Her writing is impeccable and reads as if someone were talking to you. I love stories weaved around WW II but this one was quite different as it focused on the Japanese occupation of the Pacific island of Java. I knew very little of this part of the war and although it was very enlightening to read, there were parts I had to skip because of the graphic torture and treatment of the prisoners. I'm very sensitive to any torture inflicted on people or animals and cannot hear or read about it at in any detail. However, this does not take away from this book which, as I stated above, is very well written, plotted, and researched. The ending is wonderful which is another reason I like her books. Few authors can achieve a well conceived ending. I would recommend this book to anyone who is interested in the WW II period with a caution that they may have to skip over a few parts if they are squeamish about torture.
4 people found this helpful
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Accurate portrayal

I read a library copy of this book, and then immediately went to Amazon to buy three copies, one for me, and one for each of my two sisters. This book so closely parallels my mother's experience when she was a POW in Indonesia. I own several books about women who were in Japanese POW camps, but this one, though fiction, is well researched and is powerful and accurate.
3 people found this helpful
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An Unforgettable Time in History

‘This was Polvarth, a place I’d vowed never to return to, yet which I saw, in my mind, every day.
It was my idea.
I closed my eyes as the memories rushed back.
We did it all by ourselves.’

Jenni Clark is a ghostwriter that takes the ghosts of a persons past and molds them into a story. Her most recent commission is Klara, a woman that survived after being confined as a child in a camp in the midst of World War II. Klara currently resides in a town called Polvarth, a town that Jenni spent time there and where the ghosts of her own past currently reside. The opportunity presented to her in this job though is enough to make her willing to finally face those ghosts after all these years.

Jenni has run into trouble with her relationship to Rick; he wants to have children and she does not. The two agree that maybe this trip to Polvarth will give each of them a chance to reflect on their lives together and hopefully help them to work things out. The issue behind her refusal to have children stems from a childhood incident that she’s never told him, or anyone for that matter. The tragedy is one she blames herself for and it isn’t until Klara shares her own story does she realize how similar the two are, and how both women need to find it in their hearts to finally forgive themselves in order to truly move on. Jenni’s story may have been mostly a side-story but it was still a vital piece of the whole story that was interwoven and resolved beautifully.

Stories about World War II, especially when they are centered around a concentration camp, are some of the hardest stories for me to read yet I’m completely incapable of passing one up. They are typically all stories about general devastation but Klara’s story adds a piece of history to WWII that I didn’t previously know much about: the Japanese invasion of the Dutch colony of Java where Klara grew up. The natives of the island were left in peace but any and all European residents of the island were forced into concentration camps. Her story details being separated from family, the incessant degradation, the back-breaking work, the hunger, the sickness, and inevitably the death. They were constantly forced to travel on foot to new camps which were generally worse than the camp they left behind. Even after the war was finally over and they were no longer being held against their will at the camps, they were forced to stay when the natives wished to cause them harm for what happened to their country at the hands of the Japanese. It was of course incredibly painful to read but Shadows Over Paradise did a brilliant job at bringing this unforgettable time in history to life.
3 people found this helpful
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WWII Historical Fiction Not Told Before

Anyone who has read any WWII historical fiction (like Sarah's Key, The Storyteller or The Nightingale) will likely appreciate Shadows over Paradise. Unlike most though, Shadows Over Paradise does not take place in Europe but in Java. Aptly titled, this book follows Klara and her family as they are interned in Java, by the Japanese, during WWII. In addition, there is a second story involving Jenni, a ghostwriter documenting Kara's life for a memoir. Jenni has her own demons to tackle, as she must face an event that occurred in her childhood and has haunted her ever since.

The book alternates between Jenni's story and Klara's, coming to a point where they intersect. Though I did not like leaving either woman's story, it was not difficult to follow or go back and forth between time periods. Each woman has secrets she does not want to reveal, yet by telling her memoir, Klara's hidden tale comes to the surface. By listening and writing about Klara's circumstances, Jenni is able to face her past as well, and ultimately then, move forward with her own life.

Wolff has not published much in the US, so I was thrilled to be able to read this book. I know I will be suggesting it to anyone who likes historical fiction and is looking for a topic not overly discussed. I learned quite a bit about the time period, geography, and different cultures which intersected in WWII. A bit distressing at times, but overwhelmingly worth the read.
2 people found this helpful
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BOOK REVIEW: 'Shadows Over Paradise': A Ghostwriter Confronts Her Client's Past -- and Her Own

A successful ghostwriter, Jenni Clark is used to dealing with the demons of the past in crafting memoirs for her clients. When she meets Vincent Tregear at a friend's wedding and he learns of her profession in Isabel Wolff's "Shadows Over Paradise" (Bantam trade paperback original, 384 pages, $15.00) he asks if she would be willing to work with his 79-year-old mother to write her memoirs.
BOOK REVIEW: 'Shadows Over Paradise': A Ghostwriter Confronts Her Client's Past -- and Her Own

When Jenni learns that the widowed Klara Tregear lives in the Cornwall village of Polvarth, she hesitates…Polvarth and Jenni have a history. But the challenge of working with a Dutch woman who was interned by the Japanese on Java during World War II is enough to tip the balance toward accepting the commission.

She travels to Cornwall by train from her home in London, a home she shares with schoolteacher Rick. Their relationship is seriously troubled over children: Rick wants them, Jenni doesn't. Maybe absence will help the relationship; in any case, the idea of creating the memoirs of a woman who survived a brutal internment in the then Dutch East Indies, now Indonesia, is more than enough to overcome her fears.

The two women bond as Jenni settles into Klara's guest cottage, part of the property she owns that includes a 120-acre farm. Klara grew up on a rubber plantation owned by her father on Java. It was an idyllic life that was turned upside down when the Japanese invaded the Dutch colony in 1942. The occupiers rounded up all the Europeans and put them in concentration camps. The natives were exempted for the most part as part of Japan's Greater East Asia Co-Prosperity Sphere program, but many mixed race people are interned along with the Europeans.

The privations endured by young Klara, her mother and her brother Peter are extreme. Klara's father is separated from the family, in a separate camp for men. The internees are treated with contempt by the Japanese camp commander, a sadist who ended up being executed at the war crimes tribunals after the war. Disease and starvation were common and the internees were moved seemingly arbitrarily from camp to camp, with each one being worse.

When Klara finally tells Jenni the fate of her brother Peter, the ghostwriter is forced to confront her own demons. No, I won't reveal this spoiler of spoilers in a beautifully written novel.

If you liked Jamie Ford's novels -- "Songs of Willow Frost" and "Hotel on the Corner of Bitter and Sweet" -- I'm guessing you'll like "Shadows over Paradise." Ford and Wolff deal with war and remembrance, to borrow a phrase from the great American writer Herman Wouk, who is still alive at the age of 99.

I think "Shadows Over Paradise" would make an outstanding book club selection. It has a Random House Reader's Guide to aid in the discussion. Pick up a copy and see what I mean.
2 people found this helpful
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Exact same book as Ghostwritten

Wonderful story beautifully written. A bit sad. Be aware this is the exact same book as Ghostwritten. So buy one, not both. It would have been nice if this information was provided so I did not buy both and get disappointed.
1 people found this helpful
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I especially liked this because of its historic content about something I ...

Very enjoyable story about 2 women, each of whom is dealing with difficult memories. I especially liked this because of its historic content about something I knew nothing about -- Europeans in Java during the Japanese occupation during WWII.
1 people found this helpful
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Wonderful story of relationships and survival!

This is a beautiful and moving story about a part of WWII history I was not familiar with - Dutch and English women in Indonesian POW camps. As the author says at the end of the book, "What these women endured is not widely known."

I loved the relationship between Klara and Jenni. As Klara's story unfolded, Jenni started to view her own personal tragedy in a different way and they helped each other.

The first chapter was slow and heavy on dialog--I wondered if I was going to like the book. The relationships between Jenni and her boyfriend/friends seemed weak, but they aren't the focus of the book. Once Jenni started talking to Klara, I was hooked.
1 people found this helpful
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Exceptional

Many thanks to librarything.com for providing Shadows Over Paradise by Isabel Wolff in return for my honest review.

I loved Shadows Over Paradise. It captured my attention from page one and never let go. The story is about two women, one older, one younger with seemingly little in common. However, a closer look reveals that these women are kindred spirits. Jennie, a professional ghost writer, is hired to memorialize Klara's memoir. She is struggling with a failing relationship and the employment opportunity provides a well needed break for the couple to reevaluate their feelings for one another.

The book alternates between Klara's childhood memories, the atrocities she and her family endured from the Japanese during WWII, and the present day. As Klara's story unfolds and her long hidden secrets are released, Jennie gains the strength to face her own demons. The two women help one another to heal.

I haven't read such a good historical novel in a very long time. This will be on my shortlist of books that I will recommend to friends and family. The only minor weakness was the ending. I wish the ending was as powerful and satisfying as the rest of the book. It did, however, tell a complete story. Highly recommended. 4 1/2 stars.
1 people found this helpful
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tragic pasts hold a common ground

I took a little break from my normal genre of romance and decided to read a book that would take me back in time to the World War 2 era. I’ve always love reading about WW2 and some of my all time favorite books are written from this era, (Night, Number the Stars, and Between Shades of Gray). Like the other books I just listed, Shadows Over Paradise was a tragically captivating and evocative.

While the book follows two main characters, Jenni and Klara, we are made aware of Jenni’s tragic past right from the prologue. Even though you realize quickly that Klara’s entire story about being eradicated from her home in Java during the WWII is going to be heartbreaking, it isn’t immediately clear how Klara and Jenni’s tragic pasts hold a common ground. I really enjoyed the aspect of have to wait to find out all of Klara’s story.

I greatly appreciated the fact that the book easily jumped between the past and the present. It was immediately clear when we were reading and memory. And after spending a rather grim period in the past, we were able to come up for air and be in the present.

Overall, I really don’t have many qualms about this book. Jenni is faced with a dilemma early on dealing with her relationship with her boyfriend. In the end, I wasn’t thrilled with her decision, but the epilogue might have implied that she did, which is what I think the readers wanted her to do. During Klara’s memories, I there were several Dutch, and Indonesian terms used that I didn’t know what they meant. When the term was first used, it may be been defined, but it was hard keeping them straight, so I would have loved to have had a listing of glossary in the back of the book. Also a map of the West Indies and Java would have been great too. Like I said, very few issues.
1 people found this helpful