Sacrilege: A Novel
Sacrilege: A Novel book cover

Sacrilege: A Novel

Hardcover – April 10, 2012

Price
$15.61
Format
Hardcover
Pages
432
Publisher
Doubleday
Publication Date
ISBN-13
978-0385535472
Dimensions
6.39 x 1.51 x 9.57 inches
Weight
1.56 pounds

Description

"Parris interweaves historical fact with psychological insight as Bruno, a humanist dangerously ahead of his time, begins his quest to light the fire of enlightenment in Europe." — Publishers Weekly , starred review S. J. PARRIS is the pseudonym of Stephanie Merritt. Since graduating from Cambridge she has worked as a critic and feature writer for a variety of newspapers and magazines as well as for radio and television. She currently writes for The Observer and The Guardian and is the author of five books. Excerpt. © Reprinted by permission. All rights reserved. Chapter 1I knew that I was being followed long before I saw or heard my pursuer. I felt it by some instinct that by now had been sharpened by experience; a shifting of the air, a presence whose movements invisibly shadowed my own. Someone was watching me and had been for several days: from the mouths of alleyways, from behind pillars or walls, amid the crowds of people, carts, and animals that thronged the narrow streets of London or out among the river traffic. At times I even sensed eyes on me in the privacy of my room at Salisbury Court, though that was surely impossible and could only have been the tricks of imagination.It was the twenty-third day of July 1584, and I was hurrying to deliver my new book to my printer before he left London for the rest of the summer. A merchant ship from Portugal had recently docked at Tilbury, at the mouth of the River Thames. Plague was raging in Lisbon and the crew had been forcibly quarantined; despite these measures, rumours that the infection had begun to claim English victims were spreading through the city quicker than the disease itself ever could. Outbreaks of plague were common enough during London summers, I had been told, and any Londoner with the means to move to healthier air was packing as fast as they could. At the French embassy, where I lived as the ambassador's houseguest, whispers of the black plague had sent the household into such a frenzy of imagined symptoms that the ambassador had dispatched his private secretary to enquire about country houses in the neighbourhood of the Palace of Nonsuch, Queen Elizabeth of England's summer residence.Fear of the plague had only added to tensions at the embassy in the past few days. Our peace had been shattered the previous week by the arrival of the news from the Netherlands that William the Silent, Prince of Orange, had been assassinated, shot in the chest on the staircase of his own house in Delft by a man he knew and trusted. I imagined that in all the embassies of the Catholic and Protestant powers throughout the greatest cities of Europe, men and women would be standing much as we did when the messenger arrived, speechless in the face of an act whose repercussions would shake the world as we knew it. The shock and fear occasioned by the deed were still palpable in the streets of London; not that the English people gave two figs for William himself, but it was well known that the Catholic King Philip II of Spain had offered a reward of twenty-five thousand crowns for his murder. And if one Protestant ruler could be knocked down as easily as a skittle, there was no doubt that Queen Elizabeth of England would be next on Philip's list. The sense of foreboding was all the greater at Salisbury Court because William's assassin had been a Frenchman.John Charlewood, my printer, had his lodgings at the Half-Eagle and Key in the street known as Barbican, just to the north of the city wall. He also had a press nearby at the Charterhouse, the old Carthusian monastery which had been converted into a grand private residence, but I refused to visit his business premises; the Charterhouse was now owned by Thomas Howard, half brother to the young Earl of Arundel. I had made enemies of the Howards-the most powerful Catholic family among the English nobility-the previous autumn and preferred to avoid the possibility of running into any one of them. This amused Charlewood, but he never asked questions; he was sufficiently eccentric himself to tolerate the apparent caprices of others, or else shrewd enough to realise that, in these days of tangled loyalties, it is often safer not to know another man's business.The sun was already high when I set out from Salisbury Court with a leather satchel containing my manuscript pages slung around my back. Sharp diamonds of light glinted from the windows of the buildings on Fleet Street, mostly printers and taverns that served the nearby law courts. As I walked, my feet scuffed up clouds of dust from the cobbles; occasionally I had to step aside to avoid a heap of fresh horse dung, but elsewhere the heat had hardened older piles into dry, straw-scattered crusts. The smell of rotting refuse and the sewage stink of the Thames weighed down in the still air; I pressed the sleeve of my linen shirt over my nose and tried to breathe through my mouth. The sun beat hard on a street that was curiously quiet. The law terms had finished now, so Fleet Street was missing the bustle of the Inns of Court, yet one would have expected more traffic on the main thoroughfare from Westminster to the City of London. I glanced around. Perhaps people were staying indoors for fear of the plague; perhaps they had all left for the countryside already, and the few souls remaining at the embassy were unwittingly living in a ghost town. This thought made me impatient; life was so fraught with natural hazards and those we invite on our own heads that if you were to spend your life hiding from the prospect of trouble, you would never leave your chamber. I should know, having spent the past eight years on the run through Europe with danger's cold breath constantly at my neck, ever since the night I fled from my monastery in Naples to escape the attention of the Inquisition. Yet my life had been fuller, more vivid, and infinitely more precious to me during those eight years, when I had come close to losing it several times, than in the thirteen years I had lived safe inside the sacred walls of San Domenico Maggiore.I had just crossed Fleet Street and turned into Shoe Lane when I saw it: a disturbance at the edge of vision, brief as a blink, and then it was gone. I whipped around, my hand flying to the hilt of the bone-handled dagger I had carried at my belt since the night I became a fugitive, but the lane was almost empty. Only an old woman in a thin smock walked towards me, her back bent under the weight of her basket. She chanced to glance up at that moment and, seeing me apparently reaching for my knife, dropped her goods and let out a scream that echoed across the river to Southwark and back."No, no-good madam, don't be alarmed." I held my hands out, palms upwards, to show my innocence, but hearing my accent only made things worse; she stood rooted to the spot, shrieking all the louder about murdering Spanish papists. I tried to make soothing noises to quieten her, but her cries grew more frenzied, until the door of a neighbouring house opened and two men emerged, blinking in the strong light."What gives here?" The taller glared at me from beneath one thick eyebrow. "Are you all right, goodwife?""He went for his knife, the filthy Spanish dog," she gasped, clutching at her chest for good measure. "He meant to cut out my heart and rob me blind, I swear it!""I am sorry to have caused you any alarm." I held up my empty hands for the men to examine. "I thought I heard someone following me, that is all." I glanced up and down the street but there was no sign of movement apart from the shimmering heat haze that hovered over the ground up ahead."Oh yeah?" He tilted his chin at me and gave a little swagger. "Likely story. What business have you here, you Spanish whoreson?""Stand back, Gil, he might be one of them with the plague," his companion said, half hovering behind the big man's shoulder."Have you come here bringing plague on us, you filth?" the man named Gil demanded, his voice harder, but he took a step back nonetheless.I sighed. Most Englishmen, I have discovered, know of only two other nations, Spain and France, which their mothers used interchangeably to frighten them as children. This year it was the turn of the Spanish. With my dark hair and eyes and my strange accent, I found myself accused several times a week of wanting to murder honest English folk in their beds in the name of the pope, often while I was simply walking down the street. In some ways, London was the most tolerant city I had ever had the good fortune to visit, but when it came to foreigners, these islanders were the most suspicious people on earth."You are thinking of the Portuguese. I am neither Spanish nor Portuguese-I am Italian," I said, with as much dignity as I could muster. "Giordano Bruno of Nola, at your service.""Then why don't you go back there!" said the rat-faced fellow, glancing up at his friend for approval."Aye. Why do you come to London-to murder us and make us bow down to the pope?""I could not very well do both, even if I wanted," I said, and quickly saw that humour was not the means to disarm him. "Listen, good sirs-I meant no offence to anyone. May we all now go on our way?"They exchanged a glance."Aye, we may . . ." said the big man, and for a moment I breathed a sigh of relief. "When we have taught you a lesson."He thumped one meaty fist into the palm of his other hand; his friend cackled nastily and cracked his knuckles. With a reflex quick as blinking, my knife was out again and pointed at them before either of them had even stepped forward. I did not spend three years on the road in Italy without learning how to defend myself."Gentlemen," I said, keeping my eyes fixed on them both as I shifted my weight onto my toes, primed to run if need be. "I am a resident of the embassy of France and as such a guest of Queen Elizabeth in your country and under her protection. If you lay a finger on me, you will answer directly to Her Majesty's ministers. And they will know where to find you." I nodded towards the house behind them.They looked uneasily at each other. The smaller one appeared to be waiting for his companion's verdict. Finally the bigger man lowered his hands and took a pace back."Piss off then, you pope-loving shit. But stay away from this street in future, if you have a care for your pretty face."Relieved, I sheathed my knife, nodded, straightened my shoulders, and walked on, bowing slightly to the old woman, who had stooped to gather up her fallen wares. I almost offered to help, but the force of her glare was enough to keep me moving on. I had barely wal... Read more

Features & Highlights

  • A gripping historical thriller set in sixteenth-century England and centered on the highly secretive cult of Saint Thomas Becket, the twelfth-century archbishop murdered in Canterbury Cathedral.
  • London, summer of 1584: Radical philosopher, ex-monk, and spy Giordano Bruno suspects he is being followed by an old enemy. He is shocked to discover that his pursuer is in fact Sophia Underhill, a young woman with whom he was once in love. When Bruno learns that Sophia has been accused of murdering her husband, a prominent magistrate in Canterbury, he agrees to do anything he can to help clear her name.      In the city that was once England's greatest center of pilgrimage, Bruno begins to uncover unsuspected secrets that point to the dead man being part of a larger and more dangerous plot in the making. He must turn his detective's eye on history—on Saint Thomas Becket, the twelfth-century archbishop murdered in Canterbury Cathedral, and on the legend surrounding the disappearance of his body—in order to solve the crime.      As Bruno's feelings for Sophia grow more intense, so does his fear that another murder is about to take place—perhaps his own. But more than Bruno's life is at stake in this vividly rendered, impeccably researched, and addictively page-turning whodunit—the stability of the kingdom hangs in the balance as Bruno hunts down a brutal murderer in the shadows of England's most ancient cathedral.

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Most Helpful Reviews

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Another Captivating Giordano Bruno Mystery

By Douglas Horne, author of "Inside the Assassination Records Review Board"

This third Giordano Bruno mystery by Stephanie Merritt was just as enthralling as the first two, "Heresy" and "Prophecy"---perhaps even more so, because it reunites the two ultimately doomed protagonists of the first novel: heretical philosopher Giordano Bruno (on the run from the Catholic Church and the Inquisition in what we now call Italy) and Sophia Underhill (the disgraced daughter of the Rector of Lincoln College at Oxford University). Most readers of "Sacrilege" will have already read the first two novels, so the characters of our two protagonists in this novel are already well established, and the author had the luxury of weaving further subtlety, and indeed mystery, into what had already been established in her two earlier works. This is particularly true of her portrayal of Sophia Underhill.

The story works all by itself as a good mystery, with unexpected plot twists at the end that I did not foresee. One of the major strengths of this novel is Merritt's continued, eminently successful re-creation of society in Elizabethan England---both the life of commoners, and the treacherous plots and schemes involving the power elite in this time of constant tension, and largely subterranean war, between Queen Elizabeth's nominally Protestant regime and the embittered, determined Catholic underground.

Whereas "Heresy" gave us a good look at life in Oxford in 1583, and "Prophecy" at the dangerous life at Elizabeth's court immediately thereafter, "Sacrilege" places us in Canterbury in the late summer of 1584, amidst the plotting and scheming of the Catholic underground, centered around the cult of Saint Thomas Becket, who had been martyred by King Henry II's knights four hundred years earlier.

Our hero, Giordano Bruno, is trying to do two things at once: clear the name of the woman with whom he is hopelessly obsessed---Sophia Underhill---of charges of murder; and simultaneously penetrate the Catholic underground in Canterbury for his secret patron, Sir Francis Walsingham, Queen Elizabeth's spymaster. I won't provide any spoilers here, but will simply promise that the plot is sufficiently complex, and takes enough unexpected turns, to keep the reader riveted. Like the first two novels in this series, it is the kind of book that is hard to put down, so start reading it on a Friday night when you have the weekend to finish it.

In places, this novel burns with smoldering sensuality---and I find it interesting that the sexual drives and complicated emotions of our hero, Bruno himself, are completely convincing and realistic to this one male reviewer, even though the novel is written by a woman. Stephanie Merritt has written convincingly about the sexual motivations of both of her protagonists, male and female, which is no mean accomplishment.

Particularly fascinating to me is how the reader so desperately wants Bruno to succeed in his quests in each of these novels, in spite of our historical certainty that he was ultimately doomed to be burned alive at the stake, by the Inquisition in Rome, in February of 1600. The author has made us care about Bruno, to the extent that we identify with him, as if he were a person of the modern age trapped in an age of superstition, rigid dogma, and intolerance. Stephanie Merritt has brilliantly succeeded in making "the journey" Bruno takes on his path to ultimate self-destruction what matters, not the final outcome, for we already know what that is.

Perhaps this has been so successful in the first three novels because Bruno actually WAS in Elizabeth's England between 1583 and 1585, the years in which the first three novels are set. Stephanie Merritt, a beautiful and accomplished Englishwoman of letters, has proven extremely adept in reconstructing true historical figures in her three novels---Francis Walsingham, Lord Burghley, John Dee, Sir Phillip Sidney, and Queen Elizabeth herself. The author not only entertains us, but we learn about how complex were the politics of the day not only in England, but in Europe as well.

The next novel in the Giordano Bruno mystery series must inevitably trace Bruno's journey back to Paris, for he did return there late in 1585, and "Sacrilege" ends as the new year of 1585 begins. I hope the author is as successful at re-creating the unsettled politics of Paris in 1585 and 1586, as she has been at replicating the tension and near-desperation at the Elizabethan court in this age of turmoil, when Spain and Catholic Europe were plotting so assiduously for Elizabeth's downfall. (As "Sacrilege" ends, the Armada, King Phillip II's "Enterprise of England," is only about three years distant.)

Finally, I want to thank Stephanie Merritt for telling us just enough about Bruno to ground and define his character, but not everything. Her occasional forays into describing some of his writings and activities have served as a stimulus to this reader to learn more about this fascinating, restless, opinionated, brave, and yes, occasionally reckless man. Her fascination with him has been conveyed to at least one reader---me---and no doubt to countless others.

I can't wait for the next book!
28 people found this helpful
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A murder is committed near Canterbury Cathedral

Giordano Bruno is what is commonly called today, a Renaissance Man. He is a former Monk, a bit of a renegade and is on his way to Canterbury to investigate a murder that is somehow attached to the legendary Thomas a Becket, former Archbishop of Canterbury who fought over the Church's rights with Henry II of England. Thomas was also treated with much respect by Catholics and Anglicans alike. Giordano, among his many talents is a spy for England, the country that is now counting on him for another mission.

A murder is committed in the area of Canterbury Cathedral and the victim is the husband of a lady who had a former relationship with Giordano, Sophia Underhill, who is now the prime suspect in her husband's killing. Sophia tracks Giordano down in London and begs him to help her prove her innocence. The murder was done where Thomas Beckett was murdered and this turns out not to be a coincidence. A group of historical figures make appearances in the tale, most importantly Queen Elizabeth I; Walsingham, a spymaster for Queen Elizabeth and, Sir Philip Sidney, a Poet in Elizabeth's entourage. This is a true murder/mystery/thriller full of fascinating intrigue as befits the Tudor reign.

The author has now presented us with the third in the adventures of Giordano Bruno and maybe the best. It's a regular page-turner that reveals first class writing and characterization. The first books in this series: Heresy and Prophecy are perfect lead-ins to Sacrilege. All three are wonderful reads about the Tudor Dynasty, to this reader, the most interesting of all the royal houses of England. A definite keeper. Enjoy!!!
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Neither a good historical novel nor a good detective novel

This book has so many flaws that it's hard to know where to start. The major flaw is the author doesn't seem to know what topic to use as the major conflict, and the book wanders hither and yon without a clear focus. One possible theme is Bruno's love interest; another is the imminent possibility of an invasion of England; another is a fictional cult of Thomas a Becket which plans to restore Catholicism to England; another is the possibility of a plot to assassinate Elizabeth and elevate Mary to the throne. There was rich material to work with and a lot of conflicts and tensions around which to build a plot. Because there is no main theme, there is no strong plot line. Bruno wanders around as much as the thematic line, stumbling into clues rather than demonstrating anything which resembles investigative skills. The real Bruno was intellectually brilliant; the fictional Bruno is a love sick puppy. He solves the mystery through dumb luck and a knack of being where the author needed him to be when she needed him to be rather than any adroit use of deductive reasoning. The book is not good historical fiction because it doesn't make sufficient use of the excellent material available, and it is not a good detective novel because Bruno shows no investigative or deductive skills. The book is saved from a one star rating because in the brief passages in which Parris is focused, she demonstrates good story-telling skills.
5 people found this helpful
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A Renaissance Mystery Wrapped in a Medieval Enigma

Author S. J. Parris (a nom de plume for Stephanie Merritt) is new to my acquaintance, and I am very glad to have made it. Her newly released novel, Sacrilege (Doubleday, April 2012) is third in her series of Giordano Bruno mysteries, and so far the only one I have read. That is a state of affairs I plan to remedy as soon as possible.

According to Parris' web site, she developed a love of history while a student at Cambridge, especially the history of the Renaissance period. In Sacrilege, this love of history is evident not just in the complexly woven plot, but also in the clear descriptions of life in a civilization long on treachery and short on public sanitation. You can almost smell the surroundings she describes and their unwashed denizens.

The Brits love their history, and with good reason. Their history is replete with such luminaries as Thomas Becket, the archbishop who defied a king and who was murdered for his obstinacy; Henry II, the king indirectly responsible for Becket's murder and the man who instituted the common law; Queen Elizabeth I, the woman who ruled far better than her father and who guided England through its Golden Age; and a young Italian scholar named Giordano Bruno.

Giordano Bruno is, sadly, lost to most history courses, even though his philosophy influenced the thinking of the philosopher Benedict Spinoza, and his cosmology influenced Galileo. Bruno was a brilliant young man who could not long suffer the intellectual strictures of the Dominican Order, left, and began to wander philosophically and literally through Europe. He found favor with the King of France, and for a time served as his envoy to England. At some point, he may have served as a spy for Walsingham.

These are some of the characters and this is the milieu of Sacrilege, a thriller that starts with a cry for Bruno's help from a woman he once had a dalliance with. She has been accused of murder in the town of Canterbury. The victim: her abusive husband. Bruno, who still has feelings for the woman, is taken in by her story and seeks the approval of his spymaster, Sir Francis Walsingham, to go to Canterbury to investigate. Walsingham is at first reluctant. However, he is also concerned about plots by Catholics in Canterbury to depose the queen and reinstate the Catholic faith, and feels that Bruno might be able to develop information about such a plot if, in fact, one did exist. Walsingham acquiesces, and Bruno and Sophia Underhill--the wronged wife- set off on their journey to clear her name and find the real murderer of her husband.

Once there, Bruno renews his pursuit of Sophia and this time he finds his attentions warmly reciprocated. Or hotly reciprocated, rather. He also uncovers a plot on the part of some of the town canons and burghers to aid the invasion of England by the King of Spain and to unite Catholic insurgents by restoring the lost relics of Thomas Becket, which were supposedly destroyed by Henry VIII. The investigation also connects the abduction and brutal murders of young boys from the town, although Bruno is at a loss to understand how they tie into the plot. The outcome is truly a surprise, as is the identity of the murderer of Sophia's husband.

The beauty of this plot is that it is constructed on an edifice of accurate history and on real historical controversy: Was Bruno, in fact, a spy of Walsingham's? Were Becket's bones destroyed by Henry VIII or did pious monks spirit those bones to safety? If so, could a future restoration of the Catholic faith in England have been one of their motives? As recently as 1988, workers unearthed a corpse that might well have been his. Scholars still disagree, however, and it remains one of history's mysteries. But to Parris, it is all crystal clear. Parris spins a tight web whose interstices you must pull apart carefully in order to reveal the entire construct.

Historical footnote: In 1600, the Roman Inquisition arrested the real Giordano Bruno because of his various heretical `opinions,' and he died a horrible death by hanging--upside down, gagged, and naked--over the flames that consumed him. The same Cardinal Inquisitor who served as one of his judges, Cardinal Robert Bellarmine, later figured in the first trial of Galileo. Pope Pius XI canonized Bellarmine in 1930. The Vatican acknowledged its errors in the treatment of both men some 400 years after their conviction. It's all better now.
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A complex medieval whodunit

A complex medieval whodunit wrapped around the legend of St. Thomas Becket - set in and around England's Canterbury Cathedral.

About: Giordano Bruno is an Italian ex-monk and radical philosopher. Having fallen foul of a dogmatic Catholic church, he now works for Queen Elizabeth's principal secretary and "spymaster", Walsingham, who is battling European plots against England's protestant monarch. A part of Bruno's past unexpectedly catches up with him when Sophia, who he used to love, tracks him down. She is disguised as a boy and on the run from "justice" in Canterbury, where she is accused of murdering her husband - a much older man who was also the local magistrate.

Bruno has a reputation as something of a sleuth, and she pleads with him to help her. Despite the many dangers, Bruno finds her advances difficult to resist and she persuades him to try and track down the real murderer. Needing a legitimate reason to travel to Canterbury, Walsingham is persuaded to send Bruno to Canterbury in order to help the spymaster's local agent, who is trying to keep tabs on an underground movement that is suspected of working with the French and the Spanish to restore Catholic rule in England.

The magistrate's gruesome murder bears some uncanny links to the death of Thomas Becket in the Cathedral hundreds of years previously. Becket is venerated by local Catholics and it seems that his name and his supposedly lost remains might be used by the plotters to help stir support for their cause. And so the layers of secrecy and subterfuge mount. Sophia cannot be seen in Canterbury for fear of her life; Bruno cannot challenge the local authorities by openly investigating the murder; the suspected Canterbury plotters are all powerful men in positions of authority who cannot be openly crossed; they may or may not possess the remains of the Saint; Walsingham's agent must preserve his secret role; and in the middle of it all Bruno has to find answers quickly while having no-one in Canterbury that he can truly trust.

Meanwhile there are more murders that stir up the town, and as a foreigner Bruno is automatically under suspicion and finds himself in great danger.

John's thoughts: While being easy to read, this also has a nicely complex plot with lots of twists and turns. Bruno is a well-constructed character who is smart but with weaknesses. You know he'll figure everything out in the end, but you can't see how until you get to the final few pages. When all is revealed, there are plenty of surprises.

Some of the other characters are also well-developed and not too straightforward; people are not always what they seem. I also like the depiction of life in sixteenth century England. You get to experience what it was like for people living in those times - the squalor of life and difficulties for ordinary folk; but also how gritty it was even for many who were relatively well off. It never sits well with me when daily life in historical novels is airbrushed and too clean.

When I first looked at the book I wondered if it might be a bit over-religious for my taste, but it was not at all. Bruno is a disillusioned ex-monk, a key theme of the plot is Catholic-versus-Protestant strife and it's mostly set in and around Canterbury cathedral, but these just provide a framework on which to hang a good murder mystery suspense. The religious angles didn't get in the way at all for me.

It's also interesting that Bruno is a real-life person from history, and an intriguing one at that. While his sleuthing and detective work are fictional, his background and many of the foundation details contained in the novel reflect his real life. [...]

This is the third Parris novel featuring Bruno, and it seems like there are more to come. However, you don't feel like you are missing out by not having read the first two, and there aren't any annoying loose ends left that have to be tidied up in future volumes. So this novel is self-contained and can be read as a one-off. Overall this was a fun and interesting read. If you like medieval historic novels or whodunits in unusual settings, this is definitely for you. I'd rate it 3.5 stars.
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Bruno Goes to Canterbury

S. J. Parris is now releasing the third in her Giordano Bruno series, similar in setting and time period to the successful Matthew Shardlake series written by Ian Sansom. Both Bruno and Shardlake are uniquely placed in Tudor and Elizabethan society and the result is a series of good mysteries with a wide variety of historical figures and actual events.

Giordano Bruno is a former monk, a remarkable scholar, who escaped his monastery near Naples and wandered Europe for several years before finding himself at the French court. That led to his joining the entourage of the French ambassador to England and becoming an aide to Elizebeth I's spymaster, Francis Walsingham. All of this is also the history of the actual Giordano Bruno and Parris cleverly utilizes this historical character as her detective. And that is plenty to get the fictional Bruno into all sorts of interesting situations.

Uneasy rests the crown on Elizabeth's head. There are not only foreign rulers who would be eager to see her lose the throne, there are many factions within England and Scotland who seek the demise of Elizabeth. When a strong supporter of the Church of England in Canterbury is murdered in the cathedral precincts, Walsingham sends Bruno to catch the murderer and determine if there is perhaps a plot afoot to rebel against Elizabeth. This already engaging plot is further enhanced by the involvement of Sophia Underhill, the young woman Bruno fell in love with in the first book of the series ("Heresy"). Sophia just happened to be unhappily married to the newly deceased and fled Canterbury in disguise to avoid being accused of murder and of course asks Bruno's help in finding her husband's killer.

When Bruno arrives in Canterbury with the still disguised Sophia, the action begins. We learn a lot about the cult that grew up around St. Thomas a Becket, the outspoken Bishop of Canterbury who stood up to Henry II and was later assassinated by his henchmen. Becket's bones disappeared and their re-appearance in the hands of Elizabeth's opponents could serve as a rallying point for dissidents. Bruno has his hands full as deaths of key witnesses and informants begins and his and Sophia's safety is at risk.

S. J. Parris (aka Stephanie Merritt) does a skillful job of re-creating Elizabethan England and basing her historical detective in historical settings and circumstances. I somehow missed number two in the series ("Prophecy") and am eager to find a copy and fill in the middle of this already excellent series.
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Good third in a series

SJ Parris's new novel, "Sacrilege", is the third in her Giordano Bruno series, set in Elizabethan England. Bruno, a real person, was an ex-monk, writer, and philosopher who left Italy one step before the Inquisition, hoping to find a new life outside the Italian city-states. If his religious beliefs in Protestant England were murky, so were his political beliefs.

Bruno becomes an aide to Elizabethan adviser and spymaster Francis Walsingham upon the recommendation of friends in the French court of Henry III. He is pressed into going to the city of Canterbury to investigate certain rumors of local cooperation with a possible Spanish invasion at the Kentish coast. He also has a private reason for going to Canterbury; a young woman he has met and fallen in love with, stands accused of murdering her husband. She has fled the city and found Bruno in London, importuning him to go to Canterbury and try to find the real murderer of her husband.

Whether going to Canterbury for personal or professional reasons, Bruno is soon caught up in the problems of a murder investigation and a plot involving the remains of Saint Thomas a Becket and the rumored Spanish invasion.
Parris is excellent at creating both characters and plot in her hefty book. I wouldn't advise her novels to anyone not interested in British history of the period but to those interested, all three of her Giordano Bruno novels are well worth reading.
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Five Stars

I love all the Bruno novels.
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I enjoyed it thoroughly and have since ordered the other three ...

I enjoyed it thoroughly and have since ordered the other three in the Giordano Bruno series: Heresy, the first; Prophecy, the second; and the fourth, Treachery.

I found Sacrilege of great interest as it offered a glimpse into passed centuries and included historical facts. It was a wonderfully woven mystery with a rather surprising and unexpected ending.
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Sacrilege

I have read all 3 of Parish's novels about the renegade monk. I have bought all as soon as they are released in hardback. Enough said.