Offshore: A Novel
Offshore: A Novel book cover

Offshore: A Novel

Paperback – October 14, 2014

Price
$13.59
Format
Paperback
Pages
208
Publisher
Mariner Books
Publication Date
ISBN-13
978-0544361515
Dimensions
5.31 x 0.56 x 8 inches
Weight
6.4 ounces

Description

Winner of the Booker Prize On the Battersea Reach of the Thames, a mixed bag of the slightly disreputable, the temporarily lost, and the patently eccentric live on houseboats, rising and falling with the great river’s tides. Belonging to neither land nor sea, they cling to one another in a motley yet kindly society. There is Maurice, by occupation a male prostitute, by happenstance a receiver of stolen goods. And Richard, a buttoned-up ex-navy man whose boat dominates the Reach. Then there is Nenna, a faithful but abandoned wife, the diffident mother of two young girls running wild on the waterfront streets.It is Nenna’s domestic predicament that, as it deepens, draws the relations among this scrubby community together into ever more complex and comic patterns. The result is one of Fitzgerald’s greatest triumphs, a novel the Booker judges deemed “flawless.”“A marvelous achievement: strong, supple, humane, ripe, generous, and graceful.” — Sunday Times PENELOPE FITZGERALD (1916–2000) was one of the most elegant and distinctive voices in British fiction. She won the National Book Critics Circle Award in fiction for The Blue Flower, the Booker Prize for Offshore, and three of her novels—The Bookshop, The Gate of Angels, and The Beginning of Spring—were short-listed for the Booker Prize. PENELOPE FITZGERALD wrote many books small in size but enormous in popular and critical acclaim over the past two decades. Over 300,000 copies of her novels are in print, and profiles of her life appeared in both The New Yorker and The New York Times Magazine . In 1979, her novel Offshore won Britain's Booker Prize, and in 1998 she won the National Book Critics Circle Prize for The Blue Flower . Though Fitzgerald embarked on her literary career when she was in her 60's, her career was praised as "the best argument ...xa0for a publishing debut made late in life" ( New York Times Book Review ). She told the New York Times Magazine, "In all that time, I could have written books and I didn’t. I think you can write at any time of your life." Dinitia Smith, in her New York Times Obituary of May 3, 2000, quoted Penelope Fitzgerald from 1998 as saying, "I have remained true to my deepest convictions, I mean to the courage of those who are born to be defeated, the weaknesses of the strong, and the tragedy of misunderstandings and missed opportunities, which I have done my best to treat as comedy, for otherwise how can we manage to bear it?"

Features & Highlights

  • Penelope Fitzgerald's Booker Prize–winning novel of loneliness and connecting is set among the houseboat community of the Thames and has a new introduction from Alan Hollinghurst.
  • On the Battersea Reach, a mixed bag of the slightly disreputable, the temporarily lost, and the patently eccentric live on houseboats, rising and falling with the tides of the Thames. There is good-natured Maurice, by occupation a male prostitute, by chance a receiver of stolen goods. And Richard, an ex-navy man whose boat, much like its owner, dominates the Reach. Then there is Nenna, an abandoned wife and mother of two young girls running wild on the muddy foreshore, whose domestic predicament, as it deepens, will draw this disparate community together.A novel the Booker judges deemed "flawless,"
  • Offshore
  • is one of Fitzgerald’s greatest triumphs.“A marvelous achievement: strong, supple, humane, ripe, generous, and graceful.”—
  • Sunday Times

Customer Reviews

Rating Breakdown

★★★★★
30%
(519)
★★★★
20%
(346)
★★★
15%
(260)
★★
7%
(121)
28%
(485)

Most Helpful Reviews

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Worth reading with Lee's Fitzgerald Biography

I read this at the same time I was reading Penelope Fitzgerald's biography by Hermione Lee. It made the novel far more interesting than I might have found it reading it without that context. On its own, I'd describe it as a slim, elegant little book that in its presentation mirrors the disjointed and confused circumstances of Nenna, a woman separated from her husband, who has fallen on hard times and ended up on a leaky barge on a dank and polluted tidal river, with two children who are far more resourceful than she is. That this is based on a low point in Fitzgerald's own life is what makes it much more interesting. It is a novel and not a memoir, so I suppose one can't read too much into it, but while peopled by quirky characters and a kind of camaraderie, it sounds like it was pretty grim...an experience that couldn't really be prettied up.
5 people found this helpful
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A Little Disappointed

My expectations for this book were very high, based on the recently published biography of Penelope Fitzgerald. However, I found the book decent, an interesting read, but not spectacular. I'm not sure why my own reaction was so different than others. The book is very short and understated, restrained. Perhaps this appeals to the British reader more than to my own American sensibilities, which tend to enjoy a more emotional approach!
3 people found this helpful
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I suppose people don't know what to expect

After reading a few book reviews of Hermoine Lee's biography of Penelope Fitzgerald, I've now read the first three novels by Penelope Fitzgerald. I liked her first two novels, but loved this one. I suppose it takes a little bit to get used to her writing style, but her novels are very short so I wouldn't worry about that. This novel doesn't have an absolutely unambiguously happy ending, but my interpretation of the ending is that it will work out well in the end for the main characters and I'm happy for them (putting to one side, the obvious fact that they are fictional characters, not actual people). I'm going to go on to her fourth novel soon.
2 people found this helpful
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A classic you will enjoy discovering if you have not been aware of it all along!

Few winners of the Booker Prize (awarded to Offshore in 1979) are as
immediately engaging as this novel. Even though characters are sketched rather than exhaustively portrayed, we feel that we know them as people. They are never fully in control of their lives, nor are we. The community of the barge dwellers is both realistically and sympathetically drawn, based, as it is, on the life experience of the author, whose own house-boat barge is known to have sunk twice. People who live outside of what we may call “normal” society, whether by choice or by necessity, tend to be generous in helping each other to survive.

When the book ends abruptly with two men adrift on the Thames clinging to a barge that has come unmoored during a life-threatening storm, the reader has come to care about every member of this community and wants to know what will happen next, but we are left to imagine that they may survive or not, as in life. Since the now-unmoored barge has been the only one made fast to the wharf, the reader may be aware that all of the barges linked to it, with nothing but their rusty anchors left to secure them in the river mud, are also at risk.
1 people found this helpful
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Sinking Narrative

This novella won the Booker in 1979. I wonder why. It had glowing reviews and Fitzgerald was quite recently celebrated with a reissue of this and her other Booker-nominated works. As a first-time reader, I must admit to feeling lost about the fuss, even with the benefit of a glowing new introduction by fellow Booker alumni Alan Hollinghurst.

Offering a glimpse of the lives of the houseboat community at the Battersea Reach in the Thames circa 1960, the characters are undeveloped and motivations skimpily dealt with. What was praised as brevity, I felt it was a paltry and undeveloped narrative that jumped from one character to the next in a schizophrenic fashion. Richard Blake is something of an unofficial leader of the community, and his ex-Navy experience grants him good stead. Maurice, a young affable sailor with greater ambitions, is not a good judge of character, and unwittingly lets his friend Harry use his boat for shady dealings. Then there's Nenna, abandoned by her husband, Edward, whom I gather has the same problem with living on the boat as Richard's wife, Laura, so it comes as no surprise what happens next when their respective spouses have enough of this unsatisfactory way of making a home.

Nenna's children, Martha and Tilda, are given such unrealistic speech for children that it renders the supposedly innocent wisdom of six-year-old Tilda especially, contrived and totally unbelievable. And the stilted dialogue isn't just limited to the children. When Nenna decides to confront Edward to salvage the marriage or to confront him, the way they quarrel and how Nenna speaks to Edward's landlord, and his mother, both of whom Nenna had just met, totally blew me away, and not in a good way.

By the end of this thankfully short book, I was no wiser about any of the characters' struggles, although there were a few weak attempts to show their isolation and outcast status in society. The much-talked about bond between these houseboat dwellers merely culminated in a few sit togethers after-hours. What a colossal disappointment.
1 people found this helpful
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Some good moments

The book had some great moments, especially the conversation between the two kid sisters was memorable, but in the broad strokes, I couldn't get into it as much as I had hope for. It was a moderate read.
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One of my favourite books of all time

I bought this book second hand from Amazon because it wasn't available as a new edition and I wanted a real book. However, it's now one of my most treasured volumes of all time. I absolutely love it and have read it more than three times already. It captures the quirky individualism of boat people so beautifully (I live on an old barge myself) and speaks to me of why people who live on living rivers like the Thames cannot bear to live elsewhere, even when they know their homes are rotting in the water. A beautiful, whimsical book that will accompany me wherever I go.
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Thames art

With her brilliant biro Penelope Fitzgerald gave us another portrait of the Thames. Reading the work today I become nostalgic for the Swinging Sixties, my reading of "Our Mutual Friend" and the river rats, the lost rivers of London, and even the Austro-Hungarian Empire. Her children remind us of Peter Pan and Wendy, Huck Finn and Mattie Ross, and a smidgen of Scout Finch. Her erudite river family knows music, painting, the tides, and the language of the arts and crafts movement.
Notwithstanding the fecklessness of the heroine, I cherish Fitzgerald's creation and add it to my collection of Thames art. Linda.
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sorry

i really wanted to like this book and hesitate to give this just three stars, but for me the book was flat and a little too understated. i hate when i don't finish a book, but halfway through the book i found myself still not caring about anyone in the book. sigh.
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Great read.

Great read.