Not My Blood (A Detective Joe Sandilands Novel)
Not My Blood (A Detective Joe Sandilands Novel) book cover

Not My Blood (A Detective Joe Sandilands Novel)

Price
$5.96
Format
Hardcover
Pages
352
Publisher
Soho Press
Publication Date
ISBN-13
978-1616951542
Dimensions
6.29 x 1.2 x 9.32 inches
Weight
1.37 pounds

Description

Praise for Not My Blood “Cleverly is a terrific writer, and she’s also wonderful at setting a scene. Fans know that she supplies the glamour as well as the grime, and she’s one of the most adept puzzle-plot-makers now working. The clues are all there. But you won’t guess who it is until she gives you the final word.”— The Globe and Mail “As usual, Cleverly neatly captures the style and feeling of the period between the world wars and provides plenty of mystery, suspense and danger.”— Kirkus Reviews "Barbara Cleverly lives up to her surname with her intricate, erudite and witty books about Scotland Yard detective Joe Sandilands.... Cleverly is a terrific plotter, and her prose highlights a keen sense of place, character and dialogue.... Adding to the pleasure are Cleverly's unpretentious references to literary classics. Fans of P.D. James, take note: Here's a worthy colleague."— Seattle Times “This puzzle presents much reader satisfaction.” —Jack Batten, Toronto Star Praise for the Joe Sandilands Series "Spellbinding."— The New York Times Book Review "Cleverly's crisp prose and solid cast of supporting characters ... make the book a delight to read."— Denver Post "Stylish and intricate.... Cleverly has perfect pitch for period and place, whether her hero is unearthing evil in India, England or France."— Richmond Times-Dispatch "A great blood and guts blockbuster."— Guardian Barbara Cleverly, a former teacher, now lives in Cambridge. Her Joe Sandilands series, including The Last Kashmiri Rose, Folly du Jour and Strange Images of Death , which is set against the backdrop of the Indian Empire, was inspired by the contents of a battered old tin trunk that she found in her attic. Excerpt. © Reprinted by permission. All rights reserved. C h a p t e r xa0xa01 Sussex, February 1933 C arrying more than a hint of snow, a southwesterly wind gusted up from the Channel, spattering the school’s plate glass windows with sleety drops. Mr. Rapson began to shout. Not a natural disciplinarian, he found he kept better control this way and was gratified by the knowledge that most of the boys at St. Magnus School, Seaford, were frightened of him. He affected a military style that most were familiar with from their own fathers. Peremptory and predictable. “Come along! No footer today, so we’re going for a healthy walk. In pairs! Morrison! I said pairs! How many boys go to a pair? Two? That’s right. Not three! Drummond? No one to walk with? Walk with Spielman. Come on, Spielman! Get a move on!” Jackie Drummond didn’t want to walk with Spielman. He didn’t like Spielman. He had sticking-out teeth, and he never stopped talking, mostly giving rambling accounts of books he’d just read. At least he didn’t expect a reply. This left Jackie free to work on his new plan: to run away as soon as possible. Running away. The biggest sin you could commit, they said. But Jackie had heard of boys escaping from school—the older boys still talked about Peterkin, who’d run away ten years ago and never been brought back. Then there was Renfrew, who’d been in the year above Jackie. They’d said he’d been sacked for bad behavior and sent to another school, but his best friend had other ideas. “Done a bunk,” was his judgement. “Skipped off in the dead of night. Never even told me he was going.” The best friend’s knowing smirk gave out quite a different message. He’d collaborated. There were things he could tell. And probably had told—to the staff. Jackie learned from this. Even if he’d had a friend, he wouldn’t breathe a word of his plans to him. If you’re going, just go. Confide in no one. For the hundredth time he reviewed the possibilities and consulted the list his mother had given him. He’d copied it into an exercise book to be on the safe side, but he carried with him the original in his mother’s familiar handwriting. A charm. A talisman to be consulted when life got tough. There were Aunt Florence and Aunt Dorrie in Brighton, only five miles away. This option had the advantage that he could walk there, but the disadvantage that he could swiftly be brought back again. It was the first place they’d look. There were Mr. and Mrs. Masters in Camberley, but he wasn’t sure where Camberley was, and he didn’t like them very much anyway. His preference was for Uncle Dougal and Auntie Jeannie, his father’s Scottish cousins in Perthshire. But Perthshire was a very long way away. And traveling on the railways over here was expensive. The fare alone was over two pounds and, even with the best expectations of cash from his birthday, it would be weeks before he had the necessary funds. Not for the first time he doubted his capacity but a second look at Mr. Rapson, standing four-square in his college scarf and porkpie hat, ginger-coloured Harris tweed plus-four suit so nearly matching his foam-flecked and bristling moustache, convinced him that he had no tolerable alternative. And Rappo was shouting again. “Before we set off we’re going for a little run. All of you—down to the corner and back again when I say go. Go!” There was a wailing cry: “I’m cold, sir!” This was Foster. Foster was recovering from a mastoid, and the biting wind gave him earache. “Cold?” shouted Mr. Rapson. “Cold? Then run! That’s the way to keep warm!”xa0xa0 The run took its predicted course (Smithson fell and scraped his knee and had to go in to Matron), and the walk followed in the teeth of the rising wind, down to the end of Sutton Avenue. Jackie hoped they’d turn right and then with any luck the walk would lead past the station and give him another chance to check his escape route. He liked the phrase “escape route” and said it over to himself. “My escape route!” “Yes,” he decided, “I’ll walk down Sutton Avenue, turn right at the bottom, go through that lane beside the biscuit factory. There’s not many street lamps here.” And if he wore his cycling cape over his uniform no one would know he was from one of the many preparatory schools in the town. As Spielman rambled on, unheeded, Jackie thought to himself, “Three weeks. That should be enough. I’ll go in three weeks!” Back in the school changing rooms, Rappo called a halt to the shuddering, sniffling procession. “All right! Dismiss!’” The boys began to peel off their wet overcoats and hang them on the pegs to drip in dank rows. “I said, ‘Dismiss!’ Don’t loiter about! Move!” Spielman stood, looking goofy, as the boys would have said. Mr. Rapson’s voice rose and became shrill. His stomach ulcer made him tetchy. He was glad to discharge some of the tension on to a victim: Spielman had sat down—still talking—on a bench. “Blithering idiot! I told you to dismiss. I didn’t tell you to sit! Did I? No!” He leapt forward and seized Spielman by his prominent ears and lifted him bodily to his feet. Spielman screamed in surprise and pain. Jackie, hardly aware of what he was doing, rushed forwards. Indignation screwed his voice to a high-pitched squeal. “Leave him alone!” he shouted. “Pagal!” The Hindi word of abuse came easily to him. “Leave him alone!” Mr. Rapson turned towards him in astonishment, and Jackie found his face within a few inches of Mr. Rapson’s waistcoat, girt with his watch chain. Rocking back on his heel and using all his small strength, he plunged his fist into Mr. Rapson’s midriff. He was crying with rage. For a moment, time stood still. This was blasphemy of the most extreme kind. Such an outburst was totally without precedent. Masters hit you, you didn’t hit them. Rapson was big and powerful, Jackie was small and insignificant. God only knew what would now ensue. The boys unconsciously began to back away, leaving Rapson and Jackie at the centre of a blighted space. Rapson eyed Jackie, grim with menace. He inflated his tweedy ginger chest like an aggressive robin, and the boys shrank back farther. Smythe hid his face behind a damp coat and whimpered. Finally, with chilling control, Rapson spoke: “I’ll see you in my study after tea, Drummond. Six o’clock sharp! The rest of you—how many more times? Dismiss!” The bell rang for tea. An audience gathered round Jackie. “You hit him! You actually hit him in the bread-basket! Gosh, you’ll catch it, Drummond!” “Did you see Rappo’s face!” “Six of the best,” said Spielman, unimpressed by Jackie’s intervention on his behalf, “at least. That’s what you’ll get. Six strokes on the stroke of six!” He began to titter. Mr. Langhorne, one of the senior staff, was passing by on his way to supervise tea. He’d heard enough to guess what was going on. He gave Jackie a smile, saying jovially, “Take my advice. Fold a copy of the Daily Sketch in two and stick it down the back of your pants. I always used to. It helps.” The boys standing by laughed sycophantically, and Jackie went in to tea in total dismay. He’d thought the day couldn’t get worse but—wouldn’t it just be his luck?—they’d been given luncheon meat, potatoes and beetroot, and he’d been put to sit next to Matron. Jackie was a well-brought up boy, and his father had taught him that good manners demanded that you make conversation with your neighbour. He did his best: “Do you know, Matron? Until I came to school, I thought that only servants had beetroot.” He was aware that the remark had not gone down well, though he could not exactly see why. But then so many things had puzzled him since returning to England from his Indian childhood. The inevitable followed. “Beetroot may be seen as only fit for servants from your elevated colonial viewpoint, Drummond, but some of us actually enjoy it. Be thankful for what you are given. You will stay here until you’ve finished what’s before you!” Jackie looked down at the mess on his plate. Beetroot juice seeping into the potato, turning it pink, luncheon meat slices curling at the edge, and a stale glass of water poured out a long time before. Matron went to whisper to Mr. Langhorne, and Mr. Langhorne said, “All dismiss except Drummond.” And Jackie was left alone in the empty room, his plate still full before him. But relief was at hand. Betty Bellefoy, who was in the estimation of the school the prettiest of the three parlour maids, took advantage of Matron’s inattention and swept down upon him to whisk his plate away, replacing it with a dish of stewed plums and custard. “Thanks, Betty,” Jackie said, grateful. “Ah, go on with you,” said Betty comfortably. Jackie spent a long time over his stewed plums. The longer he took, the longer he could postpone his encounter with Rapson. Anything might happen. The school might catch fire. Perhaps his parents would appear in the doorway, or perhaps Uncle Dougal or perhaps the Brighton aunts. (Not impossible. They had once made an unscheduled visit.) But relief did not come. There was no way out. He was Sydney Carton on the scaffold; he was Henry V at Harfleur; he was Brigadier Gerard. What had he said?—“Courage, mon vieux! Piré took Leipzig with fifty hussars!” He passionately wished that fifty sabre-waving hussars would come clattering into the dining room and raze the school to the ground. One by one the last remaining staff left. Matron went out closely followed by Mr. Langhorne. Matron was often closely followed by Mr. Langhorne. And Jackie was left alone in the darkening room with Betty. Three plums eaten and the stones carefully arranged on the rim of his dish. Tinker, tailor, soldier . . . . He counted them again. That was a good place to stop. He’d settle for soldier today. Jackie had been rather taken with the one in the verse Mr. Langhorne had made them learn last week. The swashbuckling chap who was “full of strange oaths . . . bearded like the pard . . . sudden and quick in quarrel, seeking the bubble reputation even in the cannon’s mouth.” He wanted desperately to be old enough to swear and have a beard. He’d shown already that he was quick in quarrel. The whole school would be talking about his punch to the Rapson midriff. But, now, in the outfall, he felt much more like the frightened child his father had once hugged and called his “chocolate cream soldier.” He screwed his eyes shut in an attempt to fight back tears. In his imagination his father’s big hand tightened around his, rough and reassuring. Two plums remaining . . . sailor . . . rich man . . . Settle for ‘‘rich man’’? Money was a good way of getting out of trouble. He would make a lot of it, buy up the whole school and close it down. That wouldn’t be bad. Perhaps he should force down the last two plums? Betty looked anxiously at the big school clock and back at Jackie, her eyes wide with appeal. She sighed. Good manners overcame even the paralysis of terror, and Jackie roused himself. Never keep a lady waiting. He handed his plate up for the maid, and she dashed off into the kitchens in a gust of relief, muttering a word of thanks. Time to move on and take his medicine. He got up and put his chair away. What had Lloyd 2 said? “Don’t worry too much. It’s only a tickle. It’ll be over in five minutes. Brace up, Drummond! You’re a toff! Everyone’s saying so!” A toff. At least “the bubble reputation” seemed to be coming his way. All he could do was shape up and try to deserve it. On wobbly legs Jackie crossed the darkened hall, turned into the deserted corridor and began to climb the stairs to Rappo’s room. Into the cannon’s mouth. Read more

Features & Highlights

  • Scotland Yard Detective Joe Sandilands is caught off guard one night in 1933 by a phone call from a distressed boy named Jackie Drummond, who just might be the illegitimate son Joe never knew he had. Jackie is in trouble at his Sussex boarding school, where a teacher has been murdered. When Joe gets himself assigned to the investigation, he learns the boarding school case is more complicated than it appears: A frightening number of boys, all from wealthy families, have gone missing over the school’s history, and by some coincidence none of the families have followed up on their sons' whereabouts.

Customer Reviews

Rating Breakdown

★★★★★
30%
(154)
★★★★
25%
(128)
★★★
15%
(77)
★★
7%
(36)
23%
(117)

Most Helpful Reviews

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Not So Innocent Times

The special appeal of series fiction, at least for me, largely comes from watching the lead characters change and mature over a number of years. That, however, can be a double-edged sword when a reader begins a long-running series with its latest volume. Not having watched a character evolve over time, a reader might find the current versions of the character and setting intriguing but discover that, for them, the earlier books do not work as well. Because Not My Blood is Barbara Cleverly's tenth "Joe Sandilands investigation," but my first, that is exactly the proposition I look forward to putting to the test soon. I am particularly curious this time because I have never before started a series so late in its run.

Not My Blood is set in 1933, a time far enough from both the past horrors of World War I and the future ones of World War II that people are still easily surprised by crimes against children. And what Scotland Yard detective Joe Sandilands uncovers at one English boarding school shocks him to his core.

Joe spent time in India on assignment to the British Foreign Service but has been back in England now for several years. When the young son of a British couple he befriended in India flees his Brighton-area boarding school and seeks shelter with Joe in London, Joe is drawn into an investigation at the school that unexpectedly has the potential to shame members at the highest levels of British society and government. His determination to protect the little boy is intensified when Joe sees things in Jackie Drummond that convince him that Jackie could be the illegitimate son whose existence he never suspected.

A professor at Jackie's school has been murdered, and Joe and the local police are charged with the responsibility of bringing the killer to justice. When the investigation reveals that the murdered man was investigating the disappearance from the school of almost a dozen young boys over a period of several decades (only one of whose parents ever showed any concern about a missing son), and fearing that Jackie might be targeted as the next victim, Joe turns up the heat. His efforts are ably assisted by a local cop and by Dorcas Joliffe, a headstrong young woman whom readers will remember from earlier books in the series. Their united efforts, plus a bit of good luck, solve a case that has repercussions delicate enough to leave Joe wondering if he still has a job when it is all over.

Not My Blood has a lot going for it - intricate plot, entertaining characters, and intense atmosphere, among its strong points. Too, the rural English setting Cleverly creates combines with the atmosphere of the period to give the book an ominous feel right from the beginning because readers sense that World War I has already stolen the world's relative innocence - and we all know what is coming just down the road.
23 people found this helpful
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Lots of manners and posing, but little plot

Honestly, I was surprised how much I didn't like this book.

This is the first Sandilands book I've read, so I'm not coming to it with a built up backstory from others in the series, and I found it shockingly shallow.

Sandilands is described as being tough, but he neither thinks nor acts tough. In fact he does very little, and the little that he does is formulaic. That's true of all the characters. The author more or less outright says how the character is to be considered, and the reader is expected to align themselves with that expectation. And the characters are cartoonish cliches without the relief of any humanity or authentic emotions. It's as if the books was inspired by the board game, Clue. And just as insightful and thrilling.

The plot is unbelievable, contrived, and full of holes. The bad guys are utterly villans but conveniently stupid, unlucky, and easy to spot. The plot moves along in jerks and jumps. Something happens. Then the characters arrange themselves in a set and pose and talk, talk, talk--but not about the case. Anything but that. It's like watching a 40s movie where everybody seems to wear evening wear all day and trade repartee, and the story itself is just an excuse to be seen, drawling insiderisms to one another.

There are no human beings in this novel, just characters. Children are being murdered, but no one is agonized, revulsed, terrified, or even particularly on guard. A child sees a teacher murdered and runs away from school but Sandilands, trancelike, takes him back to the very place he suspects is a heart of darkness. The child, for no particular reason, loses all his fear of the school and calmly returns. Even if one were caught up in the character of the child (don't worry, you won't be), he's more or less abandoned as the story proceeds.

I gave it two stars instead of one because the writing is competent. Like a restaurant with a wonderful view, great service, and insipid food.

I regret having paid the full Kindle price.
14 people found this helpful
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An excellent traditional police procedural driven by intelligent dialogue and charismatic characters

First Sentence: Carrying more than a hint of snow, a southwesterly wind gusted up from the Channel, spattering the school's plate glass windows with sleety drops.

A phone call from Jackie Drummond, a young boy claiming to be his nephew has Joe Sandilands travelling to a boarding school in Sussex where a teacher has been murdered. The case raises a number of questions for Joe. Is the boy actually his illegitimate son? Why has Dorcus, the daughter of close friends, who had recently been avoiding Joe, suddenly insistent on helping him with this case? However, the main question is what has happened to a surprising number of missing boys, each from a wealthy family. With Dorcus to aid him, Sandilands is headed to school, looking for answers.

Barbara Cleverly really knows how to captivate her readers from the very first page. Her excellent descriptions of period, place and weather create the atmosphere and bring us straight into the story. It is fascinating to see this period of history between the wars where there are women police and the beginnings of education reform in public schools.

The characters are charismatic and real; Joe, his sister Lydia, his expected Jackie, ever-clever aide des camp Alfred and Dorcus who is now grown and has a degree in psychology. These are people you come to know by Cleverly providing enough history that new readers don't feel lost and with whom fans of the series have become friends. Not normally a fan of relationships between two principle characters, Ms. Cleverly makes it work and faithful readers will see things progress as they may have hoped it would so do.

Dialogue makes such a difference and here, it is excellent and reflective of the period and class. Ms. Cleverly's writing is wonderfully literate and she expects the reader to be the same while not trying to embarrass or be over the head of the reader as the meaning is always clear from the context..."If anyone's been setting himself up as some sort of a psychopompos, a guide to the souls to the Land of the Dead--a Hermes, or even a playful Peter Pan--we'll have him."

The intrigue and subterfuge is masterfully created, yet clever plotting and occasional humor keep things from becoming overly grim. This is a time when science is evolving. The motive is horrific but not inconceivable, and that makes it the more terrible still.

"Not My Blood" is an excellent traditional police procedural driven by intelligent dialogue and charismatic characters and where the case is solved by following the clues and having a good working relationship with the other branches involved. It also has a wonderful, lovely ending. This is also a very good series which should be read in order.

NOT MY BLOOD (Hist/Pol Proc-Det. Joe Sandilands-England-1933) - VG+
Cleverly, Barbara - 10th in series
Soho Crime, 2012
3 people found this helpful
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An excellent traditional police procedural driven by intelligent dialogue and charismatic characters

First Sentence: Carrying more than a hint of snow, a southwesterly wind gusted up from the Channel, spattering the school's plate glass windows with sleety drops.

A phone call from Jackie Drummond, a young boy claiming to be his nephew has Joe Sandilands travelling to a boarding school in Sussex where a teacher has been murdered. The case raises a number of questions for Joe. Is the boy actually his illegitimate son? Why has Dorcus, the daughter of close friends, who had recently been avoiding Joe, suddenly insistent on helping him with this case? However, the main question is what has happened to a surprising number of missing boys, each from a wealthy family. With Dorcus to aid him, Sandilands is headed to school, looking for answers.

Barbara Cleverly really knows how to captivate her readers from the very first page. Her excellent descriptions of period, place and weather create the atmosphere and bring us straight into the story. It is fascinating to see this period of history between the wars where there are women police and the beginnings of education reform in public schools.

The characters are charismatic and real; Joe, his sister Lydia, his expected Jackie, ever-clever aide des camp Alfred and Dorcus who is now grown and has a degree in psychology. These are people you come to know by Cleverly providing enough history that new readers don't feel lost and with whom fans of the series have become friends. Not normally a fan of relationships between two principle characters, Ms. Cleverly makes it work and faithful readers will see things progress as they may have hoped it would so do.

Dialogue makes such a difference and here, it is excellent and reflective of the period and class. Ms. Cleverly's writing is wonderfully literate and she expects the reader to be the same while not trying to embarrass or be over the head of the reader as the meaning is always clear from the context..."If anyone's been setting himself up as some sort of a psychopompos, a guide to the souls to the Land of the Dead--a Hermes, or even a playful Peter Pan--we'll have him."

The intrigue and subterfuge is masterfully created, yet clever plotting and occasional humor keep things from becoming overly grim. This is a time when science is evolving. The motive is horrific but not inconceivable, and that makes it the more terrible still.

"Not My Blood" is an excellent traditional police procedural driven by intelligent dialogue and charismatic characters and where the case is solved by following the clues and having a good working relationship with the other branches involved. It also has a wonderful, lovely ending. This is also a very good series which should be read in order.

NOT MY BLOOD (Hist/Pol Proc-Det. Joe Sandilands-England-1933) - VG+
Cleverly, Barbara - 10th in series
Soho Crime, 2012
3 people found this helpful
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not your usual crime

Joe Sandilands is still a complex, interesting character after all his years and accomplishments. This time he is personally involved in the situation because of a child and is not really sure what he is investigating. A victim is not quite a villain but certainly no hero. The puzzle pieces are jumbled and from different pictures but all comes out right at the end. The finale is different but resolved well. It may not be truly just but that adds a touch of reality to the whole plot. Politicians and the police do not have the same goals. The crimes in this book are not the usual sex, money or jealousy based. The "rational" thinking that led to the action in this book is frightening because such twisted thinking is still in the background of society today. If you read the book, I think you will understand. It wasn't just Hitler.
I do like that Joe is finding some hope for happiness.
3 people found this helpful
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"Oh, That I Had The Strength to Bring You Back to Light From the Dark of Death..."

The tenth Joe Sandilands mystery is a welcome return to form after the rather lackluster [[ASIN:1849019967 Blood Royal]], which bore all the signs of the series jumping the shark. Thankfully, this is a vast improvement on Barbara Cleverly's previous offering, skipping ahead several years to 1933 in which Assistant Commissioner Joe Sandilands of Scotland Yard is reunited with his foster-niece Dorcas Joliffe (now a svelte twenty-one year old) in order to investigate some mysterious goings-on at an isolated English boarding school.

Young Jackie Drummond has a scheduled appointment with some corporeal punishment at the hands of a nefarious school teacher, only for a terrifying experience to send him racing away into the night to London, where he looks up his parents' old friend Joe Sandilands. Joe comes to the boy's rescue, knowing full well that this young ten year old may well be the product of his long-ago liaison with Nancy Drummond whilst he was on assignment with the British Foreign Service in India (the details of which are to be found in [[ASIN:1841195820 Last Kashmiri Rose]], the first Joe Sandilands novel). Trying to grapple with the possibility that he's meeting his own son for the first time, Joe hears what the boy has to say: that after reporting to Professor Edgar Rapson's office to be disciplined for an earlier misdemeanor, Jackie found the room empty and left, only to find Rapson clambering clumsily up the stairs, a bloody wound in his chest. A tussle ensues, Rapson plummets down the stairs, and Jackie makes a run for it. A quick phone call to the school confirms that the man is dead, the victim of a knife attack.

Joe accompanies Jackie back to St Magnus, an exclusive prep school, having learnt from several superior government officials that the school is "stickered" - that is, they've had their eye on it for some time due to the mysterious disappearances of boys across the years. Teaming up with an undercover agent already at work within the establishment's staff, Joe and Dorcas (who offers her services as a psychology student) begin to investigate the knife attack and the possibility that it's related to the influx of missing children. What follows is a fairly harrowing mystery, one in which Joe has a very personal stake should Jackie turn out to be his son.

Cleverly has always been brilliant at capturing a sense of time and place, but setting this particular story between the two World Wars was a stroke of genius. It adds so much to the motivation and rationale of those behind the disappearances, and any contrivances or extremities regarding the appalling nature of the crimes being committed is easily validated by history, one foreshadowed by the horrors of the swiftly-approaching WWII. As always, her research and attention to detail is meticulous, whether it be a person's mannerisms, descriptive settings, historical insight, or witty dialogue. Admittedly, some of the dialogue is a little too erudite (surely even back then, people didn't quote the Bible, Shakespeare and Ancient Greek as frequently as these people seem to) but by this point it's a staple part of a Cleverly murder-mystery.

Joe himself is in fine form, and you get the sense that Cleverly herself is rather fond of her protagonist: down-to-earth, efficient, kind-hearted, sensible, with a strong moral compass and a tendency to jump into action whenever it's required. Dorcas is back as well, and though it takes a bit of adjustment to visualize her as a twenty-one year old instead of the plucky (and oft bratty) young child of the previous books, she's now assertive yet self-disciplined, and able to hold her own in banter with Joe. There's also a bit more focus on Joe's sister Lydia and her husband Marcus, both of whom are delightful characters in their own right.

But for long-time readers of Joe's saga, Jackie's appearance has been a long time coming. An important subplot back in the first book was Joe's love affair with Nancy, and now it's time to see the results of that liaison. As such, there's also a newly vulnerable side to the now middle-aged Joe as he copes with impending (though unacknowledged) fatherhood. Sadly, Joe's reunion with Nancy Drummond is not recounted firsthand, but in hindsight. I was looking forward to seeing them meet again after so many years, but their interaction is woefully brief.

In short, this is another strong addition to the Joe Sandilands series: an intriguing mystery, plenty of colorful characters and an intense tone that only heightens in suspense as the mystery begins to be unraveled. With plenty of foreshadowing as to the onset of WWII and a few loose threads that may well be picked up in later stories, it's chilling to think of what might be in store for Joe in subsequent books.
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Cleverly at her best.

I really liked the place that Cleverly took the character development in this book. At last Joe gets a what might be a lasting love interest.
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Good series

Just read this one and another after a hiatus of about 2 years reading the last one I have. I do so like the character of Joe Sandilands...he's a wonderful policeman, a good man....and just enough of a rebel to be interesting!.
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Five Stars

Love the entire Joe Sandilands series. Hope there are more to come from Ms. Cleverly.
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Barbara Cleverly- Not her best, but still a good read.

I have read all the Joe Sandilands books and loved every one of them. This one is a little longer and has a sort of surprise ending, But still, it's a Barbara Cleverly book. I wish she would write another about India when England was there, even if she had a new detective. I hope that she will still be writing her Joe Sandilands books too.