No Less Than Victory: A Novel of World War II
No Less Than Victory: A Novel of World War II book cover

No Less Than Victory: A Novel of World War II

Hardcover – November 3, 2009

Price
$17.04
Format
Hardcover
Pages
480
Publisher
Ballantine Books
Publication Date
ISBN-13
978-0345497925
Dimensions
6.42 x 1.28 x 9.53 inches
Weight
1.8 pounds

Description

Jeff Shaara on No Less Than Victory In all the stories I’ve written, from the American Revolution, up through World War Two, one of the most gratifying comments I have received from readers has been, "I didn’t know that." Whether writing about Benjamin Franklin or The Red Baron, Robert E. Lee or Black Jack Pershing, my favorite moments have come when a discovery is made, when I can offer the reader some tidbit or episode of history that is an entertaining surprise. By any pure definition, I am not a historian. My job is not to bathe you with the raw facts and figures, all those things many of us dread when opening the high school history text book. Instead, my goal is to tell you a historically accurate story through the eyes of those special characters, by digging deeply into their memoirs and diaries, letters and the accounts of those who stood beside them. The most satisfying part of that to me is that I do not have to "fudge" history. Unlike Hollywood, where too often filmmakers seem not to trust that an honest historical tale can be sufficiently entertaining, I have been surprised by how the characters themselves, so many of them familiar names, can tell us a true story that not only entertains but reveals something of our past. My job is to be the storyteller, to bring these characters out of their world and into ours. History is not about numbers, but about us. When I began to tackle the subject of the Second World War, I was concerned that I would be unable to find a story to tell that you did not already know. This is one subject that even Hollywood has (sometimes) treated with an honest hand, magnificent stories that may or may not be genuine history, but at least are honest in their ambitions. What can I add to that? What can I tell you about George Patton or D-Day or the Holocaust that you don’t already know? The answer to that was a surprise to me, and it is my fervent hope that in the trilogy I’ve just completed, it is a surprise to you. Heroes come in strange packages, and often, the decent and the honorable emerge in places we don’t expect to find them. Throughout my research on World War Two, I was caught off guard many times by the strength of character that came not just from the familiar names, the leaders, but the unfamiliar: the men of the Airborne and the tanks and the men who carried the rifle. I was surprised as well by the enemy, in this case, the Germans. Not every man who obeyed Hitler was simply a goose-stepping monster, and so, some of them, Rommel and Kesselring and von Rundstedt and Speer... add to these stories in ways I did not expect. Ultimately, the stories I write must entertain, which, when writing about war, can seem terribly inappropriate. World War Two gave us more horror than most of us can possibly absorb. But we must not forget that many did absorb it. Many carry those stories still, often unspoken, unrevealed, those aging GIs whose memories have always been stirred by the sights and smells and the horrific loss. And throughout the horror there are different memories, the uplifting, the humorous, and alongside the tears and the screams there is laughter. It is after all, how the veteran survives. Their numbers are fewer every day, and as they leave us, many will carry the stories with them. Often, as we watched them grow older, we dared not ask for the tales, cautioned by a parent perhaps, warned against prying or digging too deeply into the old veteran’s silent horror. Even in the name of research, it is not my place to probe where I am not invited. But the history is there for us to explore, the events real, the people true to life, the heroism and the horror a part of their legacy, a legacy we must not forget. It’s the least we can do. --Jeff Shaara (Photo © Adrian Kinloch) From Publishers Weekly Firmly straddling the ground between war novel and military history, the conclusion to Shaara's WWII European theater series contains the usual mix of real life military leaders and fictional soldiers in combat, recapitulating the last five months of the war, from the Battle of the Bulge to the liberation of concentration camps. Shaara's real-life figures (generals Dwight D. Eisenhower and George S. Patton, Field Marshal Gerd von Rundstedt) mostly appear in stilted scenes to discuss strategy, while fictional characters carry the narrative by doing the fighting. Thanks to Shaara's visceral descriptive powers, we ride on a bombing mission with bombardier Sergeant Buckley as his B-17 flies through the flak-filled skies over Germany. With Private Benson, we feel the cold, deprivation and sense of dislocation of the Ardennes. And we sit in an observation post right on the Germans' doorstep as Captain Harroway calls down artillery fire on the enemy. In the end, Shaara delivers nothing we haven't already read in Stephen E. Ambrose's Band of Brothers or Cornelius Ryan's The Last Battle , but fans of military fiction will definitely gobble this up. (Nov.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. “[An] incisive portrait of war . . . Jeff Shaara [is] one of the grand masters of military fiction.” —BookPage “A powerful evocation of the war in Europe . . . impossible to put down until the very end.”— Huntington News Network “Fans of military fiction will definitely gobble this up.” —Publishers Weekly “Vividly portrays the war’s final act.” —Pensacola News Journal Jeff Shaara is the New York Times bestselling author of A Chain of Thunder, A Blaze of Glory, The Final Storm, No Less Than Victory, The Steel Wave, The Rising Tide, To the Last Man, The Glorious Cause, Rise to Rebellion, and Gone for Soldiers, as well as Gods and Generals and The Last Full Measure —two novels that complete the Civil War trilogy that began with his father’s Pulitzer Prize–winning classic, The Killer Angels . Shaara was born into a family of Italian immigrants in New Brunswick, New Jersey. He grew up in Tallahassee, Florida, and graduated from Florida State University. He lives in Gettysburg. Excerpt. © Reprinted by permission. All rights reserved. 1. THE BOMBARDIERBassingbourn Airfield, Near Cambridge, England November 14, 1944He was already cold, ice in both legs, that same annoying knot freezing in his stomach. The plane shimmied sideways, and he rocked with it, felt the nose go up, could see the ground falling away, the B-17 climbing higher, steeper. Just in front was another plane, and he could see the tail gunner, moving into position, facing him. They were barely three hundred feet above the ground when the plane in front began to bank to the left, and his plane followed, mimicking the turn. Out to the side, the predawn light was broken by faint reflections of the big bombers just behind and to the right, doing the same maneuver. There were sparks from some of the big engines, unnerving, but the mechanics had done their job, and once full daylight came, the sparks would fade away.They continued to climb, as steeply as the B-17 would go without stalling, every pilot knowing the feeling, that sudden bucking of the nose when the plane had begun to stop flying. But the bombardier could do nothing but ride. During takeoff, he was only a passenger, the pilot in the cockpit above him doing his job. He leaned as the plane banked into a sharper angle, knew they were circling, still close to the plane in front, more moving up with them. Some were already above, the first to take off, but they had disappeared into thick cloud cover, his own now reaching the dense ceiling, the plane in front of him barely visible. Wetness began to smear the Plexiglas cone in front of him, heavy mist from the clouds. In training, he had been told that the bombardier had the best seat in the plane, as far forward as you could sit, right in the nose, a clear view in every direction but behind. Even the pilot couldn’t see downward, had to rely on the planes flying in formation beneath him to keep their distance. But in the dense cloud cover, there was nothing to see, streams of rain still flowing across the Plexiglas, and now, blindness, the clouds thicker still, no sign of the plane in front of him at all.Behind him to the left sat the navigator, silent as well, staring into his instruments. The blindness in front of them was annoying, then agonizing, the plane still shimmying, small bounces in the rough air, the pilot using his skills to keep his plane at precisely the attitude of those around him. The bombardier leaned as far forward as his safety belt would allow, searched the dense gray above them for some break, the first signs of sunlight, made a low curse shared by every American in the Eighth Air Force. British weather . . .There had been nothing unusual about this mission, the men awakened at four in the morning, a quick breakfast, then out to the massive sea of planes. The preparation and inspection of the plane had been done by the ground crew, always in the dark, men who did not have the flight crew’s luxury of sleeping as late as four. But as they gathered beside their own bird, eight of the ten-man crew pitched in, working alongside the ground crew for the final preparation, while the pilot and copilot perched high in the cockpit ran through their checklists, inspections of their own. Like the other crewmen, the bombardier had helped pull the enormous props in a slow turn, rolling the engines over manually, loosening the oil. He knew very little about engines, had never owned a car, never earned that particular badge that inspired pride in the mechanics, a cake of grease under the fingernails. But oil seemed important to those who knew, maybe as much as gasoline, and the need for plenty of both wasn’t lost on anyone. If the ground crew said the oil needed to be loosened up, then by God he would pitch in to loosen it up. After some predetermined number of pulls, the chief mechanic gave the word, and the pull of the heavy prop blades became easier, the slow stuttering of the engines, the small generator igniting the sparks that would gradually kick each of the four engines into motion. The crews would stand back, admiring, their efforts paying off in a huge belch of smoke and thunder, the props turning on their own. Even the older mechanics seemed to enjoy that brief moment, swallowed by the exhaust, the hard sounds rolling inside them, deafening, all the power that would take this great bird up to visit the enemy one more time.With the engines warming up, the pilot had given the usual hand signal, the order to climb aboard. The bomber’s crew would move toward the hatches, and the veterans could predict who would be first in line. It was always the newest man, this time a show of eagerness by the ball turret gunner, a man who did not yet know how scared he should be. As the crew moved toward the hatches, the men who stayed behind had one more job, offering a helping hand, some a final pat on the rump, or a few words meant to impart luck. There were customs now, some of the ground crew reciting the same quick prayer or making the same pledge, to buy the first drink or light the first cigarette. See you tonight. Give those Nazi bastards one for me. Some had written names or brief messages on the bombs themselves, usually profane, a vulgar greeting no one else would ever read. All of this had begun at random, but by now it had become ceremony, and the brief chatter held meaning, had become comforting repetition to all of them. There was another ceremony as well. As the crew passed beneath the nose, each man reached up to tap the shiny metal below the brightly painted head of an alligator, all teeth and glowing eyes. The plane had been named Big Gator, some of her original crew insisting that she be endowed with a symbol of something to inspire fear in the enemy. No one had asked if any Germans actually knew what an alligator was, but the flight engineer had come from Louisiana bayou country, and he had made the argument that none of the others could dispute. Not even the pilot had argued. As long as the painted emblem was ferocious, Big Gator worked just fine. This morning, they were embarking on their thirty-second mission, and thus far, only one man had sustained more than a minor combat wound: the ball turret gunner, replaced now by this new man who seemed to believe he would shoot down the entire Luftwaffe.With longevity came even greater superstition, especially for the ground crew. There was a desperate awareness of the odds, of fate. Thirty-one successful missions was an unnerving statistic by now, rarer by the week. It was the reason for all the rituals, the most religious among them believing that God must somehow be paying particular attention. If someone said a prayer, the same prayer, it might encourage a Divine smile toward this bird that would bring these men home one more time.The superstitions were reinforced by the number of combat missions they were required to fly, what had become a sore point to every crewman in the Eighth Air Force. Originally, each crewman was expected to complete twenty-five missions, a number that had become some sort of magic achievement. As a man passed twenty, the rituals became more intense, some drawing one more X on the wall beside their beds, some refusing the poker games for fear of draining away their luck. Then the number of missions had been raised to thirty, and the grumbling had erupted into unguarded cursing toward the air commanders. But the missions continued, the superstitions adjusted, and the new men, the replacements, seemed not to know the difference. After a time, word had come, some officer knowing to pass along the order and then duck for cover. The number had been raised to thirty-five. The protests had erupted again, but the brass had been inflexible and unapologetic. As the bombing campaigns intensified, the flow of new crews from the training centers was too slow to keep up with the need for more and more aircraft. That was the official explanation. But word had filtered through the hangars and barracks that the number of missions had been raised because so many of the crews were being killed. Experienced crewmen had already begun to grumble that thirty-five might become a luxury, that someone far up the chain of command had already decided the number would continue to rise. The men who had seen so many from their own squadrons fall out of the sky were beginning to believe that they would have to fly as many missions as it would take for them to be killed. Read more

Features & Highlights

  • No Less Than Victory
  • is the crowning achievement in master storyteller Jeff Shaara’s soaring World War II trilogy, revealing the European war’s unforgettable and harrowing final act.After the success of the Normandy invasion, the Allied commanders are buoyantly confident that the war in Europe will be over in a matter of weeks, that Hitler and his battered army have no other option than surrender. But despite the advice of his best military minds, Hitler will hear no talk of defeat. In mid-December 1944, the Germans launch a desperate and ruthless counteroffensive in the Ardennes forest, utterly surprising the unprepared Americans who stand in their way. Through the frigid snows of the mountainous terrain, German tanks and infantry struggle to realize Hitler’s goal: divide the Allied armies and capture the vital port at Antwerp. The attack succeeds in opening up a wide gap in the American lines, and for days chaos reigns in the Allied command. Thus begins the Battle of the Bulge, the last gasp by Hitler’s forces that becomes a horrific slugging match, some of the most brutal fighting of the war. As American commanders respond to the stunning challenge, the German spear is finally blunted.Though some in the Nazi inner circle continue the fight to secure Germany’s postwar future, the Führer makes it clear that he is fighting to the end. He will spare nothing–not even German lives–to preserve his twisted vision of a “Thousand Year Reich.” But in May 1945, the German army collapses, and with Russian troops closing in, Hitler commits suicide. As the Americans sweep through the German countryside, they unexpectedly encounter the worst of Hitler’s crimes, the concentration camps, and young GIs find themselves absorbing firsthand the horrors of the Holocaust.Presenting his riveting account through the eyes of Eisenhower and Patton and the young GIs who struggle face-to-face with their enemy, and through the eyes of Germany’s old soldier, Gerd von Rundstedt, and Hitler’s golden boy, Albert Speer, Jeff Shaara carries the reader on a journey that defines the spirit of the soldier and the horror of a madman’s dreams.
  • No Less Than Victory
  • further solidifies Shaara’s reputation as this era’s most accomplished author of historical military fiction.

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Most Helpful Reviews

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Shaara Completes His WWII Trilogy with 'No Less Than Victory

Jeff Shaara's "No Less Than Victory: A Novel of World War II" (Ballantine Books, 480 pages, $28.00) completes the prolific author's WW II in Europe trilogy that began with "The Rising Tide" and continued with "The Steel Wave." "No Less Than Victory" begins with The Battle of the Bulge in December 1944 and ends with the German surrender in May 1945.

Like Shaara's other novels, "No Less Than Victory" combines historical figures -- Eisenhower, Gen. George S. Patton, Gen. Omar Bradley, Lt. Gen. Walter Bedel "Beetle" Smith, Winston Churchill, Adolf Hitler, Field Marshal Gerd von Rundstedt, Albert Kesselring, Albert Speer, Field Marshal Bernard Law Montgomery and many others -- with fictional fighting men in the front lines, doing the grunt work of war and standing in for the millions of soldiers that served in the war. Two of them, Pvts. Eddie Benson and Kenny Mitchell, are particularly well drawn, while another, Sgt. John Buckley, a bombardier in a B-17 shot down by the Germans and sent to a Luft-Stalag prisoner of war camp, shows how dangerous it was in the Allied bombers that blasted much of Europe to rubble.

Mitchell and Benson owe their lives to another fictional soldier, Sgt. Bruce Higgins. In an "afterward" the author tells us what happens to the real and fictional characters.

The fictional characters have a "Willie & Joe" ring about them, with a reference to the bedraggled front line "dogfaces" portrayed by Army cartoonist Sgt. Bill Mauldin. Shaara provides a scene with Gen. George "Blood & Guts" Patton ranting about Mauldin's cartoons in Stars & Stripes. Shaara does a fine job with the historical figures and I recognize some of the details from my extensive reading about the war. His thorough research shines through and the book should serve as a useful introduction to the final six months of the fighting in Europe. Missing in Shaara's novel is any account in depth of the Russian advance on the Eastern Front, although there is a reference to the Soviet Army's halt outside Warsaw in August 1944 that gave the Germans the chance to destroy the Polish Home Army in the Warsaw Uprising.

Perhaps the best portrayal of German leaders is Shaara's depiction of Field Marshal Gerd von Rundstedt, who was in charge of Wehrmacht forces facing the Americans, British, Canadian, French and other Allied forces in France, Belgium, Luxemburg and later in the German Homeland. Shaara also does a fine job with Hitler's favorite architect, Albert Speer, who was in charge of war production and slave labor efforts and who somehow escaped the hangman's knot at Nuremberg to serve a lengthy term in Spandau Prison.

The Ardennes Offensive that began on Dec. 16, 1944 -- quickly called by the news media The Battle of the Bulge -- was Hitler's last gasp on the western front, a desperate attempt to drive a wedge between the Allied forces and allow the Germans to retake the port of Antwerp. Shaara provides maps to help the reader see the big picture of the offensive and how Patton, Hodges, Montgomery and other leaders, under the command of Eisenhower, turned the tide.

German atrocities against civilians in Belgium and soldiers at the Malmedy Massacre led to a toughening of the attitude voiced by Gen. George Patton that the only thing better than killing Germans was killing more Germans. But it wasn't until the Allies liberated their first concentration camp that the extent of German crimes against humanity became apparent to Allies. Patton ordered the civilians of the nearby towns to visit the Ohrdruf concentration camp, near Gotha, Germany, part of the Buchenwald complex.

Ohrdruf was liberated on April 4, 1945 by Patton's 4th Armored Division and the 89th Infantry Division, the first camp liberated by the U.S. Army. The 89th Infantry division included Charlie Payne of Augusta, Kansas, the then 20-year-old great uncle of President Obama. In his introductory "To the Reader," Shaara relates how he was in Washington, DC at the time an 88-year-old Holocaust denier charged into the Holocaust Museum and shot and killed a security guard -- and the need to remind everyone of the atrocities committed by the Germans during the war.

Eisenhower ordered the news media to document the horrors of Ohrdruf and other camps so that no one would be in a position to deny what happened there and chalk it up to Allied "propaganda." Shaara draws on Patton's diary in his description of the Ohrdruf liberation. Here's an extended version from Patton's diary:

"In a shed . . . was a pile of about 40 completely naked human bodies in the last stages of emaciation. These bodies were lightly sprinkled with lime, not for the purposes of destroying them, but for the purpose of removing the stench. When the shed was full--I presume its capacity to be about 200, the bodies were taken to a pit a mile from the camp where they were buried. The inmates claimed that 3,000 men, who had been either shot in the head or who had died of starvation, had been so buried since the 1st of January. When we began to approach with our troops, the Germans thought it expedient to remove the evidence of their crime. Therefore, they had some of the slaves exhume the bodies and place them on a mammoth griddle composed of 60-centimeter railway tracks laid on brick foundations. They poured pitch on the bodies and then built a fire of pinewood and coal under them. They were not very successful in their operations because there was a pile of human bones, skulls, charred torsos on or under the griddle which must have accounted for many hundreds."

"No Less Than Victory" is a powerful evocation of the war in Europe that will appeal to WW II buffs and the general reader alike. It's a book that literally impossible to put down until the very end.

As Veterans Day draws near, and the ranks of World War II veterans thins dramatically, it's important to remember what Shaara describes in this book.
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Best of the Three

Although I found the two previous works on the European theater of World War II by Jeff Shaara informative and engaging, "No Less Than Victory" is the crowning achievement of the trilogy. The focal emphasis of this novel is the Battle of the Bulge and Shaara works his magic when getting into the heads of the principal combatant, namely: Hitler, Von Rundstedt, Montgomery, Tedder, Eisenhower, Patton, and the infantry grunts Edward Benson, Kenneth Mitchell, and Bruce Higgins.

Sharra writes convincingly that the Germans nearly pulled off a major reversal of fortunes on the Western Front when they amassed a surprising strength of arms, tanks, and artillery along a narrow span in the Ardennes Forest. The surprise offensive counterattack by the Germans is measured by immediate reaction of the defenders in harms way and the slow reaction of the British and American brass to the intense assault. Only the severe weather and lack of fuel thwarted more extreme damage to allied forces inflicted on them by the German thrust. Superior numbers of men and materiel would prove in the end to be the deciding factor in regaining the allied initiative and eventually lead to victory.

What makes this book such an interesting read is the revelation that in spite of the ferocious nature of combat, there is much downtime in the life of an infantry soldier. Marching, embedded in foxholes, awaiting orders, performing menial chores are major portions of existing even under the most strenuous of anticipated combat involvement. It comes as somewhat a surprise that many WW II soldiers never came into direct contact with the enemy they fired upon or killed. Military machinization accounted for most of the casulties; however, not to minimize their contribution, it was the foot soldier that was neccesary to do the dirty work of cleaning up the mess and ferreting out those that resisted to end.

Jeff Shaara has done himself proud with this concluding labor. I, as I'm sure many others, look forward to his writing about United States' role in the Pacific theater of World War II. Hopefully it will be as rewarding an experience for both author and reader.
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Perhaps he did settle for less than victory

After enjoying the first two books in the series, Jeff appears have approached the third book with a lack of interest. Understandable to to the scope of the subject, never the less, unfortunate.

My difficulty in keeping an interest in continuing page after page probably reflects how it must have been for him to write it. I suspect he has another project dividing his attention, or he's tired.

The problem is that the book is more of a flat narrative, than dissecting the thoughts and feelings of characters, which he is so good at.

The first two are worth the read.
7 people found this helpful
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Jeff Shaara Living Up His Own Standards!

I admit my bias up front on this review. I really enjoy Jeff Shaara's books. He is my favorite author in the historical fiction genre. I pre-ordered this book, and I cannot tell you how excited I was when it arrived at my door on the day of its release. So that's my bias. I don't think Jeff Shaara writes a bad book.

I found this book very different from the previous two of the WWII trilogy. Compared to those novels and many of his others, No Less Than Victory stood out to me for how few characters Shaara utilized to tell this story. He mainly follows Eddie Benson's journey through just prior to the Battle of the Buldge to the conclusion of the war in Europe. Dwight Eisenhower, George Patton, Albert Speer, and German Field Marshall van Rundsteldt also play focal roles in the story; yet Speer doesn't appear until the final 3 chapters, just as van Rundsteld exits the novel.

The focus on Benson, in my opinion, made the story very good. I have read many books on WWII and found Stephen Ambrose's Band of Brothers to be one of the best I have read on the Battle of the Buldge. I worried about how Shaara would approach this portion of the war with so much out there on this topic. His solution was to tell a very personal story of a private as he made his way through the end of the war in Europe. The first 100 pages contain almost no battle scenes, which is atypical of Shaara. One of his strengths is writing battle scenes. He departs from his strength, and I think the book is better for it. Instead of actual battle scenes, Shaara provides a gripping account of what it must have felt like for a private from Missouri to struggle through Hitler's Watch on the Rhine assault. You could feel Benson's anxieties, his fears. You could empathize with him. That's what made this story different than many of the other novels in this genre. It was personal. And I thought it was great.

On Shaara's website, he has alluded in the past that this will not be a trilogy but a series of four WWII books. He leaves No Less Than Victory with a quote about the war in the Pacific. That's his next stop. I can't wait until that books is written and published. No Less Than Victory, in my opinion, is the best of Shaara's WWII efforts. It might not be up to par with the books that I consider his best (Glorious Cause, To the Last Man, Last Full Measure), but I really enjoyed this book.
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Great conclusion to a terrific trilogy

A truly tragic fact is that we are losing WWII vets at an astonishing rate on a daily basis, and the newest generation has almost no inkling of the greatest war ever fought. WWII was the seminal event of the last century. Its repercussions can be seen in almost all walks of life - financial, technological, social - and yet the memories of it are dying away with all of the men and women who fought so hard so long ago to guarantee us the life we have today. Jeff Shaara captures all the horrors of war and the feelings of the soldiers who sat, freezing, lonely, and hungry in their foxholes in a far off country. He tries to give us an insider view of the thoughts of the men who led the troops on both sides, and whereas there will always be disagreement on that, at least we can try to imagine what it must have been like making decisions when the fate of the world turned upon them. I am looking forward to his next books on the war in the Pacific.
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Where was the research for the "Bombadier" chapter in this book?

I enjoyed Jeff's first two books in this series, however I was appalled and put off by the gross errors in the first 77 pages. A little research into WW2 B17 books could have eliminated many of the errors. Let's start with the B-17 scenario with Buckley. One of the most glaring errors was the "flight engineer" as a Lieutenant. Never happened. The crew chief was ALWAYS an enlisted man usually a Tech Sargent or sometimes, rarely, a master Sargent, but never an officer. Then we have the B-17 with engines running and the crew walking past the nose to pat the nose art. That was a dangerous practice. Most crews entered via the rear door. While maintenance would have earlier run the engines to warm them up, Engines were never started until all the crew was aboard. it was dangerous as heck to walk from the nose to the rear door with the engines running. You can see this in "Twelve O'clock High" when Gregory Peck can't make it in to the nose hatch. The gunners and the crew chief normally entered by way of the door on the right rear side aft of the starboard waist gun.
Then in combat we have the bombardier and navigator shooting with the cheek guns. By November 1945 nearly all B-17Gs had chin turrets operated by the bombardier. The bombardiers didn't use cheek guns then. No such thing as a thermite bullet. The USAF lost nearly 4800 B-17s in the course of the war - the Germans probably had a warehouse full of Norden sights. What could they possibly do with them? They had no strategic bomber force. The secrecy was a farce.
There was radio silence during the approach to the target - no plane to plane comm. After the target yes.
The Bombardier could never see the Bombay from his nose position - let alone see a fire in the bomb bay.
Oh by the way no one wore parachutes in the airplane. You wore a harness and in an emergency, you clipped the parachute, stowed near you position with bungee cords, on to the chest of your harness. A few ball turret gunners wore back pack chutes - if they were small enough.
If the airplane was over-running the airplane ahead, it was the pilots problem not the bombardier. The Norden only had pitch and roll, control, but no throttle control.
Then on page76 Benson . . . glanced at the clip, the gun loaded."
Really? Unless Bensen could see through the solid steel of the bolt of the M1, he couldn't see the clip. Makes me wonder if Jeff has ever looked at an M1 Garand.
Picky stuff - but things like that spoils a story for me. Makes me doubt the accuracy of the rest of the book.
I really did like his first two book and was looking forward to this third novel - but now i don't know if I'll bother to finish it.
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24 Feburary, 2010
After a few days I decided to give the book another try.
Beyond the nutty error on page 76, the book became what I had expected from page one. The rest of the book was up to Jeff Shaara's usual great read, and I enjoyed it as much as the first two books.
I'm puzzled by the poorly written/researched chapter (Bombardier)since it seems to have no connection with the rest of the story - we never see him again in the book, except for a brief mention in the Afterword. That chapter almost ruined the book for me.
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WW2 Crowning Achievement!

I just finished the two books of Sharra's on the American Revolution. I never feel I'm reading fiction with Shaara. I first got interested in War with Saving Private Ryan. I stumbled into Gods and Generals and I liked it but I wasn't ready for the Cival War. After reading all of Shaara's other books, I am ready to start the Civil War series again. I just completed the WW2 trilogy and No Less Than Victory doesn't disappoint. Never did I feel I was reading fiction, and Shaara is always entertaining in his prose. The battle scenes are tightly written. I can see the Speilberg camera angles in every paragraph. Sharra makes you understand the politics, emotions and tragedy of war. Whenever I want to learn about a particular war, I'll go to Shaara first. Then I want to read the historical texts. He gets you engaged. I also find that I relate all historical text back to his stories. His facts are right on. The WW2 series is facinating. Start with the first novel and you will read through to this one. This book will not disappoint.
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Shaara proves unable to get the details right.

From the first "Bombardier" scene, with the B-17 Flight Engineer portrayed as a Lieutenant (they were NCO's), the details are just wrong Wrong WRONG. No research at all. Just a babble of words, growing increasingly frenzied as the story unfolds. Shaara must buy commas by the ton.

Others have pointed out things like it being impossible to "check the clip" in an M-1 rifle, and calling Armored Combat Commands "companies," but my real favorite was the part where the Artillery LT was firing his "150 mm" cannon. 105 mm, OK. 155 mm? Fine. 150 mm?? Not in our WWII Army. And loading a 155 mm (and so presumably a "150 mm") takes two loaders to manage the heavy shell. Shaara's Artillery LT had only one loader.

Shaara describes Benson revelling in getting "wonderfully warm overshoes." Ummm, Jeff, these were uninsulated rubber galoshes, not the insulated "Mickey Mouse" boots currently used by the Army. They might have kept Benson's feet drier, but probably not "wonderfully warm."

And the part where Benson and his comrades found themselves assigned to the 30th Division. What a missed opportunity to let the readers know that this was a National Guard division from North Carolina. He might have noted that the officers might have been a little older than those in the 106th, and that most of the men would have spoken with a southern accent. But no. Shaara doesn't know these details, and he doesn't take the elementary step of having a pre-production copy reviewed by people who DO know the details. There are still lots of veterans of this campaign alive; have a few of them check out the accuracy of the terminology and descriptions of weapons and tactics.

This book doesn't measure up to the much better work Shaara did on the Civil War. Too bad, but it seemed to me that he was just going through the motions on this one.
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A Tad Less Than Victory

The average reader will enjoy this, as it is better than the second installment in this trilogy - though not as good as Shaara's best works. The individual storylines are compelling, if not perfectly flowing in a fully integrated narrative. Furthermore, Shaara provides enough historical background and detail (and plenty of great maps, an improvement Shaara noted was in response to comments he received - and perhaps read on amazon.com) to be informative, though real students of WWII may be (and judging by the reviews here) unsatisfied or just plain annoyed (uh...get a life, ok?). Readers who expected Shaara to have discovered some previously unknown cache of WWII history may be disappointed, but those who were realistic about what Shaara set out to do will likely be entertained and educated. [Perhaps folks have an unrealistic set of expectations for Jeff Shaara, based on some of his past excellent works; readers will be much happier if they simply enjoy what they've got in this gifted author and stop focusing so much on stuff like the cover art.]
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A Good Capstone to the Trilogy

With "No Less Than Victory", Jeff Shaara has completed his WWII trilogy. Covering from the Battle of the Bulge to the end of the war, Shaara has given a good feel for this period.

As before, Shaara has covered a major battle, Battle of the Bulge, from several perspectives. Using the personal, tactical, and strategic view points, he has woven an interesting tale.

New to this novel, is the perspective from the enemy's point of view through the eyes of von Rundstedt and Speer. It added to the story and brought to life the conflicts of personalities on the German side.

I found this a good read. It was refreshing to look at the Battle of the Bulge from of the perspective of the retreating units at the beginning of the battle and not from the overworked perspective of the 101st.

The book is a fitting capstone to his trilogy and would recommend it to anyone.
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